Ben Newell

Man Cave 

“Tell me we’re not doing this.”

Randy cranked the truck and looked at his partner.  “We’re not doing this.” 

“Thank God,” Cecil said.  “What a nutbag.”   

Randy slammed the truck in gear and sped away from the house.  

The owner of 822 Poplar Street had some serious issues.  He had wanted a man cave, his very own place to hang out with friends, drink beer, and watch football without disturbing his live-in girlfriend/fiancé.  Randy and Cecil, the two-man team known as Custom Carpentry Inc., had worked on several man caves throughout the years.  But Grayson—if that was his real name—had wanted some strange extras.  A secret door.  Soundproofing.  Even a steel ring affixed to the wall.  

Randy braked at a red light and lit a cigarette.

“Sex freak,” Cecil said.  “Definitely a sex freak.” 

Randy didn’t say a word.     

***

The latter half of the following month found Randy sitting on the sofa drinking beer and watching the local late news.  A distraught father, on the brink of tears, pleaded for the safe return of his teenaged daughter.  “We miss you, Katy.  Your mother and I love you so much.  Stay strong . . .” 

Enough was enough.  

Randy got up and went out on the back stoop to smoke a cigarette.  Molly was at work, another split-shift at the Peking Palace.  She wouldn’t be home until late.  He was restless, anxious, drinking more than usual, sleeping fitfully.  Earlier this week, Cecil had asked him if he was okay.  Randy had shrugged it off, said he was just feeling a little under the weather. 

But that wasn’t the problem.   

Randy went inside and grabbed his keys from the kitchen counter.  Then he got in his truck and drove to 822 Poplar Street.  

***

Grayson, wearing a bathrobe and flip flips, redolent of deodorant soap and shampoo, came to the door.  He was visibly upset.  “You’re supposed to call first, Randy.  You know this.  Those are the rules.” 

“Sorry,” Randy said.  “I happened to be in the neighborhood.” 

“I was getting ready for bed.”

“You want me to leave?”

Grayson thought about it.  

“No,” he said resignedly, “come on in.” 

“Thanks, man,” Randy said.  “I really appreciate it.”    

***

The man cave was exceptional, his best work to date.  Too bad Cecil couldn’t see it.  Randy had returned that very same day and accepted the job.  It was a hard, back-breaking few weeks, working with Cecil during the day, then moonlighting at Grayson’s.

But he had toughed it out.  He knew, even then, that it would be worth it.  

They say it takes one to know one.  

Randy would have to agree.  

The two of them had bonded from the get-go.  Randy and Grayson.  Kindred spirits.  And this was a nice arrangement, far better than any cash payment.  Sure, Grayson was a little miffed tonight.  Surprise visits were forbidden.  But he would get over it.   

Now Randy stood before her.  “I just saw your father on TV.  You look a lot like him.”   

Katy hung there on the wall, naked and worse for wear.  Her spindly arms stretched upward, wrists shackled to the steel ring.  She whimpered, mewled.  An array of tools covered a nearby worktable . . . 

Randy opted for a pair of pliers and a sheet of sandpaper.  

Kaci Skiles Laws

Dance

Dance. Nicole was always telling me
what to do,
orchestrating something wild
that she called fun.

If I didn’t do it,
she’d badger me, threaten me,
go into mini rages.

You’d better or else. You’d better
or I’ll tell your dad what you did.


Half the time I couldn’t even remember 

what I did.
She was persuasive and conniving,
convincing
and beautiful in all the ways I thought 

mattered.

I liked to look at blood.
Nicole would tell my dad. How sadistic
I was at age five asking to see
the cut my cousin got off the edge 

of a rusty bike with no seat.

The family would hold me 

under a microscope like a disease, disgust
written all over their faces

 as if they didn’t want to see the blood too.

At age six I’d seen a whole movie called,
Kids, about how you get AIDS.
Up in her room with the door locked, 

Nicole told me
if I ever even thought about having sex I’d die. 

I never told my dad.

Truth or dare.
Nicole demanded. I stopped taking dares 

because once
she wanted me to dance naked
in front of her
upstairs window with the lights on
while a car drove by.
I had to do it—
or I’d be banned from her room forever.

I didn’t want that 

because then I’d be stuck downstairs listening
to the grown-ups play poker, 

surrounded by clouds of cigar smoke,
smelling of whiskey while Nicole taunted me, 

calling me names
in passing, like a ghost whispering on the stairs 

or from behind a curtain.

I was stuck for days listening
to my dad’s wife talk
mad shit about my mom.
They’d see me
in the shadows and pretend
I wasn’t there, that I couldn’t hear.

I wanted to go home.
Nicole would say, it’s fun. Dance.

***

Previously published in Red Fez

Danny D. Ford

Death by a Thousand Cunts

The Chinese
had Lingchi 
used to slowly cut 
strips of skin
from the body
with a blade

then of course there was
the Spanish tickler
thumbscrews
the rack
& brodequin

most would agree
Western Europe
has moved on
since then
become more civilized 

but here in Italy
if you’re not careful
they will still send you 
to the department 
of motor vehicles

and if you’ve been really bad

to the post office

James Babbs

The Man With the Gun

You open the door and step into the hallway where the man with the gun turns to look at you. He looks familiar as if you’ve seen him somewhere before but you can’t quite remember the place or the time. The man with the gun laughs showing his teeth before pointing the gun in your direction. Hey, he says. Don’t move. And you just stand there, watching him, wondering what he’s going to do next.

You notice the sunlight falling through the only window in the hallway and how it makes a rectangle of light on the opposite wall. You imagine it’s not just a rectangle of light but a hole in the wall through which you could escape if you were only capable of moving quickly enough. Maybe it’s not just a rectangle of light or merely a hole in the wall but some kind of portal pulling you into another dimension. Maybe it takes you all the way back to your childhood and the gray house on the corner.

You remember riding your bike into the front yard and dropping it in the grass before running inside. The sound of your father’s voice after he got home telling you to go out and put your bike away and you remember what happened if you ever forgot. You burst through the front door and the house looks the same as the last time you were there and you start to call for your mother but the man with the gun suddenly grabs your arm pulling you toward him and tearing you away from your thoughts.  

Come on, he says. Let’s go. And you wonder if you should try to resist him but there’s nowhere to go inside the hallway. Where are we going? You ask and the man with the gun squeezes your arm and laughs. Wherever I say, he says.

He drags you down the hallway and out through the door bursting into the sunlight and you feel it warm all over your face. Where’s your car? The man with the gun says and you point to the parking lot in front of the building. The red one you tell him. He pulls you over to the car and you wonder if there’s anyone behind one of the curtained windows in any of the buildings witnessing what’s happening to you. Open it he says.

The man with the gun pulls you around to the driver’s side door before pushing you into the car.  For a moment you wonder if you have time to jump out through the passenger’s side but the man with the gun is already there, pointing the gun at you. The gun is less than a foot from your head so you don’t move. You stay where you are and wait for more instructions.

You drive through the city streets passing people here and there and they don’t pay any attention to you.  You feel the man with the gun watching you but you don’t look at him. He tells you which way to turn and you just keep driving. You drive out of the city and get on the interstate. You travel for about an hour while the man with the gun doesn’t say anything at all.  

Then the man with the gun points at the windshield telling you to take the next exit. You read the name on the sign and you have a strange feeling inside. You know this town. It’s the town where you grew up. The town you left behind so many years ago.  

The man with the gun tells you where to turn and how far to go and when he points to a house and says pull in here you can’t help but exclaim. I know this place. I used to live here.

Good for you says the man with the gun. Why are we stopping here you ask him. Shut up, says the man with the gun.

The man with the gun shoves the gun at you and tells you to get out. Nice and slow he says. He gets out of the car. The yard around the house doesn’t look much different from the way you remember it. Maybe there are a few more flowers around the sidewalk leading to the front door. Maybe there are some different trees but you still recognize the place and you’re filled with the strangest of feelings.

The man with the gun stays close behind you. He walks you to the back door and you enter the house remembering this is where the laundry room was when you were growing up. You see a washer and dryer and a small sink in one corner of the room. You imagine your mother standing over the washing machine pushing dirty clothes into the opening. 

The man with the gun pushes you into the kitchen and it looks the same way you remember it and you can almost smell bread baking. The man with the gun guides you to the stairway at the far end of the kitchen. 

The man with the gun tells you to go up the stairs. That’s where my room was you say aloud and the man with the gun thrusts the gun at you and says Go! The sound of your feet on the stairs reminds you of your father’s footsteps. Your feet on the stairs remind you of the way your father’s steps sounded when he made his way up to your room. His footsteps so heavy and so slow.

At the top of the stairs you see a window without a curtain but there’s a metal curtain rod above the window. It’s the same window you used to look out of so many years ago. There’s a glass angel with a broken wing dangling from the curtain rod. The angel catches the sun and dances in the light. You try to remember who it was that put the angel there but the name doesn’t come to you. The man with the gun points you away from the window and into the other room to the left of it.

This was my bedroom you tell him but the man with the gun just snorts as if he’s trying not to laugh. The man with the gun tells you to open the closet door. How do you know about that you ask him and it almost sounds like a chuckle escaping from his throat. You feel your father’s rough hands touching your arms again. You feel your father forcing you into the closet and shutting the door again. You hear your father locking the door as you slide down into the darkness of the closet. You don’t know how long it will be this time. You never know how long it will last.

The man with the gun raises his arm and aims the gun at you. You see the hole in the end of the barrel. You think about the small cave in the side of a hill you once crawled into when you were just a little boy. You don’t know what made you crawl into the cave or why you stayed in there for so long even when you heard the voices calling your name. The man with the gun fires two times and you fall backwards against the wall and you feel your breath catching in your throat. You feel something warm moving over you and then you can’t stop shivering. You hear the sound of your mother’s voice calling up to you from the bottom of the stairs. You better get down here and eat she says or it’s going to get cold.

John Tustin

After Work Today and No Work Tomorrow

Watching the dust particles sparkle in the shaft of light
Coming in through the one crooked blind,
Looking for a clean glass and finding one
Along with a clean knife, a clean plate
With the music playing and the terrors of the day
Ceding to the horrors 
Of the night.
With hours to go,
I begin.

The songs become one another,
The dust settles,
I sit and I listen, I watch,
I wait.
Always, I wait
With my sense of justice
In a four way marriage
With my destitution, my loyalty
And my desire
To escape.
I sit here
Listening to music,
Writing poems,
Thinking about things.
Better than working,
Of that I am certain.

The dust falls like gray gutter snow,
Sparkling in that shaft of light
That does not quite reach me
Where I sit alone
Thinking about how everything
Is nothing.
Nothing
At all.
The camera pans along the circus,
Moving quickly past
The crying clown.
No one wants to see that.
I run my fingers along the glass
As one song becomes another
And then
Another.

I turn out 
The light.

Brian Rosenberger

Rivals

With all the new laws being passed,
And always being somewhat of an adventurer,
With a degree in Botany and farmers as ancestors,
As well as murderers,
Both parents being huge potheads,  
She decided to grow her own.

Her strain called Mantoid,
After the insect that consumes its mate.

Sexual cannibalism.
She smiles when she says it, stoned or not.

She feels like an astronaut,
Trailblazing the Cosmos without leaving Earth,
A flavor, a taste, a high, she’d kill for.

And has.

The plants grow from strategically cracked skulls.

Aimee Nicole

Distraction 

When I say fuck me harder
I mean press both thumbs
into my throat until
you blemish me
violet violent. 

Restrain me
because my skin
is crawling with itches—allergic 
to my own past and it’s begging
me to run from too gentle hands. 

Coat me in syrup that stings
my nose with sweetness
to  camouflage the shame
I carry around in baggage
exceeding weight limits. 

I want my body to bear
the challenge my mind has been 
battling, seconds tick by
on the clock but never tick
towards emancipation. 

Willie Smith

ARACHNE

Arachne 
shuffles off,
her eyes on
the horizon, 
to hang herself; 
to find a 
neglected 
corner 
to dream 
in the dark 
of the mind 
a weave 
to catch herself 
to herself 
to feed – 
self-murder 
ever 
self-involved. 
This time
so wholly 
as to change 
her shape 
to show death 
to be no more 
than a weave 
toward an ever 
receding 
offing.

Carrie Magness Radna 

Sherri

Luckily his spell of love on her  
lasted only a minute  
because she soon recognized
its numerous bullshit layers  
when he made her sell drugs
in downtown Cincinnati.  

She never had a mother 
who taught her to sharpen her knives 
and nails before they would dig for food, 

and her father never told her 
to wear her Wonder Woman costume  
underneath her chic work blazer,  

and he snarled: “Hey, whatssup girly girl! 
Show off some more skin— 
so the druggies could get their hooks 
on the merchandise  
if they’re all staring at you.” 

She, an acolyte and true believer
of Lifetime Television, 
knew that true love didn’t result 
from illegal acts of vengeance, 
and, thanks to these shows, 
she kept a knife in her cowboy boot. 

‘Cause she wasn’t going to die 
in these streets selling wares of meth 
& pills; big cities never did give her 
a thrill—if she got out of there, 
she’ll tiptoe back to Texas 

but she left him two souvenirs: 
a bloody, deep slash in  
one of his perfect pecs, 
the same ones that first lit 
her interest in him, 
and another in his side, 
which snuffed him out 

all because 
he said, 
“You’re nothing to me
but a candy hooker.” 

Bill Wolak

Erotic Self Distancing Deep in a Tunnel 

Bill Wolak has just published his eighteenth book of poetry entitled All the Wind’s Unfinished Kisses with Ekstasis Editions.  His collages and photographs have appeared recently in the 2020 International Festival of Erotic Arts (Chile), 2020 Seattle Erotic Art Festival, the 2020 Dirty Show in Detroit, the 2020 Rochester Erotic Arts Festival, the 2018 Montreal Erotic Art Festival, and Naked in New Hope 2018.

Social Distancing Under a Bridge

Death Is Free

The Unrivaled Relaxation of René Magritte’s Flotation Tank

Enticed By the Thirst of Bells

The Sudden Perplexity of Arousal

Dazzled By the Unexpected

The Green Tattoo

Smooth As the Mirror’s Polished Skin