T. H. Rose

The Fishhook Man

The barb winks and waves at me in the garage’s dim light. My father calls from inside the house, but I am too enthralled to hear him. The hook reminds me of a nightmare that begins as a pleasant dream.

I am fifteen and crammed into the back of an old Astro van with my older brother and cousins. The seats are coming apart at the seams and the felt covering of the ceiling sags, caressing my father’s and uncle’s heads in the front. Any free space between all of us is filled with coolers, luggage, and fishing equipment.

“Last turn and we’re there. Hand me a cold one, will ya?” My dad calls from behind the wheel.

Internally, I groan. He is a heavy drinker, though never belligerent or abusive. A functional alcoholic. I am sitting closest to the cooler with the beer. I reach in.

“Ow!” I pull my hand back quickly and observe a bright red pinprick. The growing droplet of blood shimmers in the sunlight. Peering over the cans and ice, a little fishhook rests in the ice. The barb turned upward. Its point holds my blood, as if bragging it has something that belongs to me.

“Who puts a jig in with the pop and beer?” I ask no one, reaching in, carefully this time.

“You all right?” My brother asks, as I pass the frigid can up to our dad.

“Yeah. Just a pinprick. It just surprised me.”

I wrap the bottom of my shirt around my finger to clean the blood and stem the minor bleeding. Looking out the front window, I observe the larger Upper Peninsula trees. The early afternoon sunlight pierces the canopy, a view that always makes me feel like I am underwater.

The resort comes into view bringing a smile to my face. Pale blue paint covers the bar and office building. There are four rickety steps that lead up to the entrance, above which large white letters read: Cisco Resort & Bar. The gravel drive extends beyond down a hill to dozens of small cabins.

Across from the resort entrance is a red cabin. My smile broadens. Every summer my family rents this cabin for a weeklong fishing trip. It is like a home away from home. The Astro van brakes squeak as my dad parks in front of the cabin. We file out with a series of groans and sighs of relief. I stretch, feeling my limbs come back to life, as the blood flows more freely.

I take in the fresh northern woods air. It tastes different. Cleaner. The lake hides behind the resort. It’s cool blue rolling surface wearing a glittering reflection of the sunlight. I turn toward the red cabin. It sits in the shade of several large trees. The windows are open; these old cabins don’t have air conditioning. Along the edges of the ancient siding, the paint curves upward like dried leaves. Distracted, I saunter over and lightly run my fingers over the rough, ancient paint.

Sharp ticking taps rhythmically pull my attention upward. I look up and grasp at a meaty grey palm hovering centimeters from the glass. The index and middle fingers slowly alternate tapping the windowpane.

“Teddy!” Dad calls. I jump, looking back at him and the rest of my family unloading the van. “Are you that eager to get in there?” He asks, forcing a chuckle, as he tends to do. “Come on. Let’s go get the key.”

“Yeah. Okay.” I respond absently. I walk across the gravel and feel myself drawn to look back at the window. A grey curtain gently wafts in the light breeze. My breathing relaxes, and I rush to join my dad.

We cross the drive and climb the steps leading into the Cisco Resort & Bar. The inside light is low. Various neon signs hang behind the bar top. Following my dad, I read different domestic beer names in bright colors. Fishing trophies and pictures fill the remaining blank spaces on the wall. The bar stools are old, with thick metal frames and ripped black leather cushions. The bar top is scratched from years of service to the workers and customers alike.

My dad sits at the bar. I walk past him. “I’m gonna see if there’s anything new in the game room.”

“Need any quarters?”

“No. I got some. Thanks.” I say, as I enter the game room a few feet away.

My brother, cousins, and I spent a lot of time in this recreational room in previous summers, and, just like I thought, everything remains the same. The room is long and narrow. To my right, shoved into adjacent corners is a hunting game, Buckshot something or other, and a Top Gun themed pinball machine. Near these are two high top tables with no stools and each with an ashtray centerpiece. In the middle of the room is a pool table blemished with stains and torn felt. My middle and ring fingers skip across the billiard table rail as I move to the other side of the room. There is a door that leads out near lake and to the left of this exit are two more arcade machines. One is Area 51, a shooter my brother and I have easily spent a hundred dollars of dad’s money and, more impressively, almost beat. The last game I don’t recognize.

“That’s new.” I breathe, observing another shooter-looking arcade cabinet titled: Carn-Evil. Zombified clowns, carnival workers, bloody balloons, and colorful but muted ribbons decorate the game.

I glance at the doorway to the bar. I can hear my dad already talking up a storm with the bartender. He had ‘the gift of gab’, he would say. One of his many ‘truisms.’

“I’ve got time.” I convince myself and fish a dollar in quarters from my pocket. They cling and clatter as I insert them in the machine. After the fourth quarter, an evil laugh bellows from the game. Two words flash on the screen in a bloody font. 

ONE LIFE

I lift a bright blue plastic gun from the holster and use the barrel to hit start.

“What’d you find, kid?” My dad asks.

I jump, startled and look away from the opening roll that describes whatever scenario made a carnival become evil and zombie infested. 

“Why you gotta sneak up on me like that, Dad?” I ask, returning my attention to the screen and wait for the bad guys to pop out.

“Just wanted to see what you were up to.”

“They got a new one. Figured I’d check it out while you got a drink and the key.” In my head, I add, ‘I wasn’t sure how long you’d take.’ My eyes remain on the screen. The first undead clown shambles out of a tent toward the screen. I can see mine and my dad’s reflection.

“Well, be quick. We unload the van and get the boat in the water.” He finishes the last of his beer and turns to leave.

“I won’t be long. Promise.” I say raising the plastic light gun and dispatching the virtual enemy.

I didn’t catch the story, not that it really matters for games like this. As far as I can tell, the player character is investigating some paranormal activity at a carnival on a wharf. Whatever happened zombified the clowns and carnies and civilians. It seems like an average set up for this kind of arcade machine. A bad thing happens, and a good guy comes in to ‘investigate,’ which may as well be another word for shooting everything that moves. Most enemies walk or run up to the player. Others pop up right in front. After a few waves of this, the game introduces hatchet throwing clowns. I laugh dryly as I shoot a hatchet twirling toward the screen. It spins off its trajectory and out of harm’s way. Why do carnival clowns have hatchets? It’s silly.

A new enemy appears. Its movements are odd compared to the others. The thing feels more real. It peeks from inside a striped tent. Its actions are exaggerated and childlike. I shift my weight, finding this creature’s animation unsettling. Suddenly, it somersaults out and then jumps upward on one leg with the other sticking out, and its arms raised in the air. Compared to everything else, this is so life-like.

The creature is a large round thing with grey skin. Different sized fishhooks pierce its skin protruding from within. It leans left rocking its head and gives me a wave wiggling its thick fingers. Dozens of hooks curve from beneath each fingernail like cat claws. More barbs curve out of its mouth like metal fangs catching the light, as it smiles hungrily. Its eye sockets are empty and pitch-black holes. Fishhooks curve up and down from within the abyssal pits where its eyes should be like twisted eyelashes.

I lift the bright blue gun and shoot.

Nothing happens.

I shoot again and nothing. I use a grenade pickup and, still, nothing.

“Busted game. What a rip off.” I whisper and roll my eyes.

The Fishhook Man approaches the screen. It frowns then cocks its head again in that strangely naive way. The creature catches my gaze and waves, lowering and raising each finger individually. It giggles silently then reaches out, grabbing the edges of the screen. Its claw-hooks catching the plastic frame of the arcade cabinet. 

I drop the gun and take a step back. Incomprehensible noises dripping in fear fall out of my mouth. The Fishhook Man pulls itself out of the screen. I back into the pool stick rack, knocking everything on it to the ground.

“What the hell’s goin on back there?” The bartender calls from the front.

I look toward the bar and back to Carn-Evil.

The Fishhook Man is gone. 

Three words and a countdown flash at the bottom of the screen.

GAME OVER

CONTINUE?

I run out the side door, panicked and confused. Throwing the door open, I stumble down the stairs and fall into the dirt. My chest pounds pumping more fear-instilled adrenaline into my veins. 

Outside, all the color of the world is gone. The trees are barren save for some chains carrying massive, barbed hooks hanging from the branches. The sky is grey; I am unable to tell if there are clouds or if that is just how the sky looks now. The lake is drained of its water. Pits of bubbling tar wait for a meal along the lakebed. The door slams against the buildings outside wall.

I push myself up and run back inside. I grab the door and slam it shut. My ribcage rattles feeling like it’s going to shatter under the pressure of my pounding heart.

The inside of the bar changed. I am standing in a courtyard. There are four pillars that hold up a walkway ten feet in the air. There are four walls with no windows or doors, even the door I entered is now gone. The pillars and walls stretch upward forever until they fade into an obscuring grey black. Like the trees outside, there are dozens of chains carrying hooks hanging from the void above. In the center of the courtyard, there is a chair suspended by some of these chains and hooks.

On the chair, a man sits, quiet and still.

Distorted carnival music begins to play.

The Fishhook Man swings into view. Its limbs lifted and palms skyward, as if mocking an aerial dancer. It starts swinging and spinning around the man in the chair, who begins a slow rotation around the room as well. His chair turns, and he faces me.

Terror strikes through my confusion.

The man in the chair is me.

I feel myself shift. My consciousness is pulled into this other body, my other body. I am trapped in the chair. I cannot move. Forced to participate in this horrifying midair waltz. The Fishhook Man slowly gets closer to me with each rotation. It bounces lifting its limbs with playful terrifying grace. Closer and closer until it is nearly nose to nose with me.

The music stops.

The Fishhook Man smiles wide and slams its face against mine. I feel the barbs pierce my flesh. I feel it pull my face as it reels back with a horrid guttural cackle.

The tab of a can hisses and cracks open. I hear my dad’s voice behind me pulling me back from the nightmare. Back from the dream memory.

“Lost in thought, Theo?” He asks before taking a gulp.

“Yeah.” I say shaking my head, as if I could cure the physical revulsion. “Just remembered a strange nightmare.”

I turn to him, noticing a small metallic glint reflecting the garage’s dim light. 

A tiny barb pokes out of his tear duct, catching the light, winking and waving at me.

Adam Hazell

(Worship the Devil) She Only Listens to Tasmanian Death Metal

Why is she always face down when we fuck
and when I turn her over she’s cold as ice? 
Goth bitch act nice 
Worship the devil
She only listens to Tasmanian death metal
Says “I don’t sleep 
Just binge meth and shoot the homegrown stuff”
Acts like God’s not watching 
Dances in the cruel colours of memory 
Words whispered 
If you really love me, you’ll do this for me
When you don’t do what I say, 
it makes me sad
And I know you don’t want me sad 
Kill the mood and I’ll kill you
She says “I’ll get away with it too”
It’s not a want
It’s a need 
Something weak to bleed 
beat and fuck (give it a disease)
Gives me a look and gets down
on her hands and knees 

Ivan Jenson

Winter Warning

If you think
you have all
the tools necessary
to never succumb
to the elements
or the offhand comments
or the slap in the face
random acts
of poetic justice
that come at you
like forced kindness
in lieu of true loveliness
then allow me
to clap back
and pull the rug
out of your smug
conceit where
you feel that confidence
alone is enough
to weather
gathering storms…
all I’m saying
in everything
I just wrote
is that hey, it’s cold
out there
at least
please put on
your emotional
winter coat

Taryn Allan

Minimal Dark

Street lights aren’t orange any more
So we’ve lost that dreamy haze
That pumpkin-coloured glow
Which made every night feel
Like a nostalgic flashback in a movie
Impermanent and eternal
In equal measure

Beneath that light
Every spilled liquid
Beer
Blood
The urine-soaked in-between
Took on the fathomless depths of the night sky
Blackly boundless like a patch of dream
The sleeping mind had yet to fill in

Now the street lights are perfectly white
Shining pristinely
Like the sterile oppression of a dental surgery
A bleak illumination of every part of
The diorama of the city night
No longer a dream
But a painful waking to the reality
That this is all there really is

I made a romance of my night walks once
Now there’s only the minimalism
Of one foot following another
Going nowhere in particular.

Ronan Barbour

user

on my little & big screens I watch her
naked body
clapping with mine

at good angles I hit pause, and admire
her beautiful parts
and when her mouth opens wide and 
eyebrows arch, I try to wrap my arms 
around this memory on the screen as I say
I love you so much

I will continue to make one-sided love to
her in the screen
for many years to come yet, I expect 
because 

she trusted me

Jill Williams

The Marionette Mauler

My workshop smelled of cedar and epoxy resin. I considered inhaling deeper until I was windmilling across the clouds, but my self-medicating attempt was interrupted by a knock on the door. It was my good friend Miller. I tossed him a beer and led him inside. He stared at the legal summons on my workbench.

“What’s with the legal paperwork?” he asked.

“Puppet trauma,” I muttered.

Miller laughed. “What, do you have to ‘point where the man touched you’ on the doll?”

“No,” I said, rubbing my eyes. “The guy who bought my last piece—a professional puppeteer—is suing me. He says the puppet is ‘acting out.’ He’s claiming I traumatized the thing while I was building it.”

Miller grew quiet, searching my eyes for stolen goods. “Well, did you?” he whispered.

“Did I what!?” I didn’t like his accusatory tone.

“Did you touch him without his permission?”

I spoke slowly through gritted teeth. “He’s made of wood! I carved every part of him. He’s an inanimate object! Of course I didn’t ask for consent because he isn’t human. He can’t talk.”

Miller reeled backward like he’d been smashed in the gut with a cinderblock. When he caught his breath, he shook his head in disgust. “Wow. He couldn’t talk, so you never asked for consent. You are a monster! A monster! Keep the beer—God only knows where those lips of yours have been.”

It wasn’t even two days later when a rent-a-mob showed up outside my shop with placards and slogans. They were mostly LARPers and cosplay kids spruced up like life-sized puppets: heavily drawn nasolabial folds, pasty white makeup, red circles of rouge, and valentine lips. They swung latex axes and magical swords, shrieking that puppets had feelings, too. A cloaked wizard led the rhythmic chant: “Hey Bob, what do you say? How many puppets did you hurt today?”

I lifted a tiny corner of my curtain and peered at them. They were pureed into a frenzy, a crazed darkness ripping their souls right out of their eyeballs. I clutched my cedar-shaving chisel like a weapon in case the demonstration grew violent and they wanted their pound of puppet-flesh. My heart sank. Miller, my best friend since grade school, was out there, too, holding a placard that simply said: “I Knew His Lips Were Dirty.”

For the next twelve hours, I didn’t move from my perch by the window, nor did the protesters vacate my property. They multiplied. I coughed repeatedly, an attempt to rid myself of the jagged wood splinters clawing at my throat. I was just a regular Joe earning an honest living, and now I was being accused of being some kind of puppet-trafficking pervert. Believe me, if I were a pervert, my victim of choice would never be a marionette.

Weeks later, I was hauled before a district court judge and realized I was toast. The Honorable Kevin Brooks looked suspiciously like a grown version of Disney’s Pinocchio. And the guy who was my public defender, Tyler, kept popping cannabis gummies into his mouth like they were Werther’s Originals. He wore a white, pit-stained shirt, unpressed khakis, and white Vans. That first-year public defender smelled like stale B.O. and Takis Zombie Nitro chips.

The Judge peeked over his spectacles. His nose was a long, sharp elephant’s trunk that twitched every time the prosecution spoke.

“Mr. Arthur,” the Judge barked, “we are here to address the grievous emotional and structural damage inflicted upon the plaintiff, Cletus, and his guardian, Mr. Gary Simpson.”

I wanted to hurl looking at Cletus. His shoulders shuddered and he wailed like a toddler whose binky got stolen. “I feel so dirty!”

Several jurors sneered and shot daggers at me. One elderly woman dabbed her eyes with a handkerchief and wept softly. I wanted to scream at the top of my lungs, “Gary has his hand up Cletus’s butt! He’s the one making him speak! And can’t you brain-dead people see his lips vibrating whenever Cletus talks?” I felt like I was in the middle of an alternate universe. Cletus, a hand-carved wooden puppet, was actually sworn in, his teeny hand trembling on a black Bible, vowing with his screechy little voice to “tell the truth, the whole truth, and nothing but the truth.”

The Judge’s nose lengthened a few inches as he leaned toward the witness stand. “Proceed, Cletus,” Judge Brooks whispered, his voice full of a creepy, paternal warmth. “This is a safe space. The monster can’t touch you here.”

Gary Simpson, the “guardian,” sniffled loudly. His lips weren’t just moving; he was practically over-enunciating, yet the jury watched Cletus’s painted mouth like it was the Oracle of Delphi.

“He… he used coarse-grit sandpaper on my inner thighs,” Cletus wailed. The puppet’s head did a 360-degree, mournful Linda Blair swivel toward the jury box. “He said I was ‘too rough around the edges.’ He wanted me smooth for his own sicko satisfaction!”

The elderly woman in the front row let out a strangled cry and nearly fainted. The other jurors resembled a row of heavily used thrift store toys—smudged, cracked, and leaking the scent of mothballs and cedar-chest rot.  I nudged Tyler; we were losing this case fast. But he was useless, trying to peel the wrapper off a CBD gummy with his teeth, his eyes glazing over like yellow, crusty road-rash wounds.

I looked back at the stand. Cletus was pointing a shaky wooden finger at me.

“And then,” the puppet shrieked, “he tried to force me into those satin britches! I told him they were too tight, that I couldn’t breathe, but he just kept pulling! Pulling! Pulling!” Cletus tugged at his teeny weighted anxiety vest and melted into a pile of screams.

A teary-eyed Judge Brooks ordered the bailiff to take Cletus out of the room. The puppet raised a minuscule middle wooden finger in my direction as he was carried out on a white, doll-sized cot.

The trial transformed my life into a dumpster fire of wood chips and bad press. I was no longer a craftsman; I was “The Marionette Mauler.” Every morning, I had to push through a throng of protesters screaming for my head, while the 24-hour news cycle analyzed my history of using 80-grit sandpaper on defenseless pine.

But then Tyler, my gummy-chomping public defender, actually found the evidence we needed to prove my innocence.

The courtroom went dead silent while the “Pandamonium” video played on the 70-inch monitors. The camera zoomed in on his bare, shiny pine bottom, his satin britches drooping around his ankles, gyrating against a plush purple panda while screeching in that high-pitched voice, “It’s pandemonium time, bitches.” I had forgotten to carve a dick for the little guy, so the panda’s dull black eyes just stared straight ahead, likely composing a shopping list in her mind. Then came the photos—Cletus sprawled nude in a porcelain bathtub, squeezed thigh to thigh with a bevy of barely clad Barbies and a very confused G.I. Joe doll.

“Look at the defendant!” Gary Simpson shrieked, pointing at me while Cletus “sobbed” into a doll-sized tissue. “He drove Cletus to this! The puppet was self-medicating his trauma with plushies and plastic! He was trying to fill the hole Robert Arthur carved in his heart!”

The jury foreman, a rotund man with a Care Bear tattoo emblazoned across his bicep, stood up before the Judge could even call for the verdict.

“We have reached a decision,” the foreman announced.

Judge Brooks—whose nose was now so long it was resting on the court reporter’s shoulder—nodded gravely. “And?”

“We find the defendant, Robert ‘The Marionette Mauler’ Arthur, not guilty of the trafficking charges.”

The courtroom gasped. Miller, sitting in the front row, dropped his “I Believe the Wood” sign in shock.

“However,” the foreman continued, “we find him guilty of ‘Negligent Creation.’ For bringing a being into this world with such clear, vile tendencies and then failing to provide him with a mandatory 12-step program for wood-based deviancy.”

Judge Brooks banged his gavel. “Robert Arthur, you are free to go. But Cletus is to be remanded to a state-run rehabilitation center. And you,” he pointed his long, wooden nose at me, “are banned from ever touching a piece of cedar again.”

Tyler leaned over, his breath smelling like Doritos and a million bong hits. “See, man? The panda video totally shifted the vibe. You’re a free man. Well, a free man who can’t ever buy a 2×4 at Home Depot again. Want a gummy?”

I looked at Gary Simpson. He was packing Cletus into a velvet-lined crate. The puppet caught my eye one last time. He didn’t flip me the bird. He just stared with those hand-blown glass eyes—the eyes I had given him—and for a second, I realized that humanity’s shared brokenness wasn’t just our greatest strength. It was the only thing keeping the puppets from winning.

You Only Need One Kidney, so I Removed One of Mine and Made It Into My Butler; Also, My House Is Haunted by the Ghost of Blockbuster Video, By Douglas Hackle

Bro, do you even know what happens if you stand in front of a mirror and say “Blockbuster Video” exactly one million times?

No, bro?

Well, don’t feel bad, because neither did newly rich Tim Carmichael-Wellingtonshire, a man obsessed with becoming the inbred banjo boy from the movie Deliverance. That is, he didn’t know until he moved into the original “Dueling Banjoes” house in the blue hills of northern Georgia, a place indeed haunted by the ghost of Blockbuster Video, as murderous as he is obnoxious.

But with the support of his brand-new kidney butler—obviously, a kidney butler is a butler made from one’s own surgically removed kidney (bro, did you even know that?)—Tim can deal with the ghost and focus on learning how to play the goddang banjo.

Or can he?

Because Tim’s about to discover that money can’t buy everything—like, for example, the ability to pluck the ’jo like it’s nobody’s MOTHAFLIPPIN’ business.

PRAISE FOR YOU ONLY NEED ONE KIDNEY, SO I REMOVED ONE OF MINE AND MADE IT INTO MY BUTLER; ALSO, MY HOUSE IS HAUNTED BY THE GHOST OF BLOCKBUSTER VIDEO:

“I don’t always read books about kidney butlers, banjo boys, and ghosts of long-dead video rental franchises, but when I do, I read Douglas Hackle, if for no other reason than because no one, and I mean NO ONE else writes books like this, books so batshit insane there’s no way they could possibly work, and yet they do.” — Arthur Graham

“This book is absurd horror comedy satire on steroids. It’s wildly creative and fresh. It’s clever as hell. I very rarely laugh while reading, and I think I laughed out loud a few times each chapter. For a story this shamelessly bizarre and over-the-top, the writing has no business being as good as it is, and despite the insane cast of characters, they all felt real and lived in.” — Tyler Downs

“Douglas Hackle has knocked it out of the park with this one. […] Not many people would be able to take a human kidney and the ghost of Blockbuster Video and turn them into believable, fleshed out characters. I laughed out loud several times while reading this, and that very rarely happens! Highly recommend this one.” — Matthew A. Clarke

“It’s been too long since my last Hackle-Cackle, the strange noise that involuntarily erupts from me when I read anything by Douglas Hackle.” — Trish Wilson

“This novel was my first glimpse into Hackle’s wild, wobbly, and completely unhinged world, and it’s blown the lid clean off a can of live, screaming bloodworms I won’t be forgetting anytime soon.” — Bray Mattheson

“This book was hilarious. […] I kept thinking the story couldn’t get more outlandish but I was wrong each time I had the thought.” — TreeFlower

“I always have so much fun with Douglas Hackle books!! How did I find myself caring so much for a butler made out of a kidney? Why do I wish MY house was haunted by the ghost of Blockbuster Video? Am I more or less afraid of menopause now? FIND OUT BY READING THIS GEM, MY TINY LITTLE SONS!!!” — Renee Blair

“Sublimely ridiculous.” — Kim Ray

“This book is pure chaos, but like, comfort chaos. The main character is unhinged, the ghost is ridiculous, and the whole story feels like a fever dream. But underneath it all, there’s this weirdly wholesome vibe about chasing something you care about…” — dadofthedamned

BUY A COPY HERE

Daniel de Culla

Together With You as Evening Fell

-Cleopatra, announcing my erection
You remember the coming of your love.
You didn’t demand anything from me to marry
Neither gold nor silver
Only my glorious penis
Hanging like a pole
Over your bleeding cunt.
Like a good Samaritan
You took me into your life
You saved me from putting my head
On the train tracks
At Atocha Station
That goes from Madrid to Paris
Because I was desperate
From not finding a job
And even less able to buy a house
Where to build our love nest.
Also, because of your unsettling question:
-Antonio, where is your manhood?
Like a ragged beggar
Who wore secondhand clothes
Bought at the flea market
You redeemed me forever
Because I sang to your pussy
I adored it and composed verses for it
In the Saint John of the Cross’ style.
Thanks to your money
We were able to rent an attic apartment
On Prado Street
Across from the Ateneo de Madrid
From where we could see its roof
Through a small window.
To the small attic
We had to enter on our knees
You first
Me saying to your ass:
-I adore you, I bless you.
Once inside
We could stand up
Going straight to the bedroom
Passing through the kitchen
With a bathroom included
Leaving our clothes there.
Our two sexes united
We sang glories and praises
To the cock.
-My love for you has no end, I would tell you
Trying to touch with my penis
The uvula of your throat.
-Give me seven orgasms
So I can father a child, you would tell me.
When we finished, we would do 69
And with our tongues we would clean
You my penis, me your cunt
Always together with you
As evening fell.

Wolfgang Carstens

Waiting

My father died of Cancer.
His mother, my grandmother,
died of Cancer.

I will die of Cancer.

They suffered horrible deaths.
I will suffer a horrible death.
I’ve come to terms with this. 

I’ve contemplated suicide—
as I’m sure they must’ve as well. 

Both had nothing to live for 
except alcohol, cigarettes, family, friends—
life itself. 

I live for these things too—
but also for my philosophy,
the written word—
the chance to exist unhindered—
an unborn audience—

to live dead forever
with Nietzsche, Plato,
Alexander the fucking great. 

But that’s stupid.
Pointless.

The human animal
isn’t worth saving. 

Yet,
still I go on.

Charles Rammelkamp

Man Accused of Masturbating at Annapolis Starbucks

What a headline to read
on page eleven 
of the local newspaper.
The twenty-eight-year-old man 
faces up to nine years in jail.
A woman who entered the Starbucks
for a cup of coffee observed the man
sitting at a table near the entrance,
his right hand moving “rapidly”
inside his sweatpants. She screamed.
The man fled next door 
to a fast-food chicken restaurant
where he was arrested,
his trial, scheduled
six weeks from now,
in Annapolis District Court.