John Yohe

from The Poets Inferno [1]

My guide then led me to a field on which
knelt thousands of poets all sucking dick.
‘Behold,’ he said, ‘the poets who all wished

to write poetry for bad politics.’
He pointed to a man licking around
a demon—’That one sold his work to fascists.’

and then I recognized the mighty Pound.
‘But wait,’ I said, ‘I know some of this group!’
Hearing us, they stopped to gather around.

‘Beware,’ said one, ‘the desire to stoop
to publishing in The New Yorker or
through the Best American Poetry hoop—

We thought the Democrats were honest, for
the people, so we spread our talent thick
over their nothingburgers—’ But before

she could continue I turned away sick
and they turned back to sucking centrist dick.

Ken Kakareka

Burned and Damned 

The California Dream 
is burned 
and damned, 
not alive 
and well. 
We’re not fooling 
anyone. 
I’ve been here 
for 10 yrs. now. 
Come splurge 
on a 1 bed, 1 bath 
$500 thousand dollar 
abode 
built in the 70’s 
in a shit-ass 
part of town 
where the homeless 
creep 
and stray cats 
weep. 
Come die 
in scathing traffic 
on hell-bent freeways 
where it takes 
1 hr. to travel 
7 miles. 
Come roast 
in frenetic 
forest fires 
or get 
swept away 
with the ghoulish 
Santa Ana winds 
to another place 
that might have 
your “perfect” 
weather. 
It’s not here. 
It was once, 
maybe. 
But that Dream 
has crumbled 
into rubble, 
shit out 
by Nightmare, 
the replacement 
for his successor – 
The California Dream. 

Ezhno Martin

Exact Figures on the Anti-Climax of Just Laying Back and Taking It

Samantha, there are Sixty-Three-Thousand
Two-Hundred-Forty-Three holes in my ceiling
and I feel like I’VE LOST ALL CAPACITY FOR HUMAN EMOTION.

There are One Hundred-Thirty and Two-Third tiles
crookedly and amateurishly applied and painted white 
hanging over my head every night
and you hang over my head
like an amateurish application of fidelity

On each of the One Hundred-Thirty and Two-Third tiles
are Twenty-Two rows of Twenty-Two holes
that’s Four-Hundred-Eighty-Four holes per tile
that’s a lot of damage
I like to wallow in the thought that I have a lot of damage

One-Hundred-Thirty and Two-Thirds
multiplied by Four-Hundred-Eighty-Four
is not technically 
Sixty-Three-Thousand Two-Hundred-Forty-Three
but some more exact figure that doesn’t make sense
in words and only exists in a long string of decimals
I have rounded up
to complete an abstract conceptualization that quantifies insurmountability

Technically the holes aren’t on my ceiling
I don’t have a ceiling
I live with a woman that looks like you
and I sleep in a separate bed in the basement
every chance I get
but she wakes up to go to the bathroom
several times a night
and she finds me and has sex with me sometimes
and I stare at her ceiling while she bounces on my cock
which, because she looks like you,
is like a concrete Frankenstein,

and I count the holes
and I count the rows
and I count the tiles
but I don’t count the days since we last spoke
and I’m only addressing this to you because I don’t believe in god
and this is a prayer to feel human emotions again
and I need a holy ghost
and I’ve made you so much holier
than that woman I used to know
who I named you after

Samantha, there are Sixty-Three-Thousand
Two-Hundred-Forty-Three holes in my ceiling
and I feel like I’VE LOST ALL CAPACITY FOR HUMAN EMOTION.

Samantha, you are the only constant in my life
besides alcoholism
in the last Three-Thousand-Six-Hundred-Fifty-Two days
and both of you have done one hell of a job
of convincing me that I can’t live without you
and people only hurt me.

Ken Fleckenstein

The Boy off Steinway St 

You looked just like your picture yet your eyes were more afraid than mine. We learned we both lived in Providence at the same time, had went to the same bars, hated the same clubs, and had the same types though I wasn’t here for small talk and commiseration of our overlapping time periods.

I remember your apartment was dark despite feeling the sun pulsating through your bedroom. You told me you didn’t have an air conditioner and I really wish you had put that in your profile next to your intimately detailed body measurements. You nervously offered me a lime seltzer and told me your ex had just moved out so you had his leftovers and even an old pile of his clothes that sat in the corner. You took a second to point it out and stare at the pile in silence. I could see you were still trying to get over it yet you made sure to tell me you weren’t one for this kind of thing and that you had just made an account because, as a single queer man, that’s what you were suppose to do, right?

I didn’t know.

It would take more soul searching than this to fully understand that. It was not my first and certainly not my last.

You must’ve read my signals wrong as I unbuttoned my shorts so you grabbed your bottle of lube. It was running low and I wondered how much if it was shared between you and the ex I thought nothing of and how many other small things like the lime seltzer you’d ask me to share of his. Your actions seemed so familiar yet your shaking hands understood the weight of emotions breathing down our necks in this dense, thick, summer sweat.

I urged you to slow down but you didn’t know what that meant until I was grabbing my underwear from the corner of your mattress with no box spring. We both had different lessons to learn of desires, needs, and what to do with piles of dirty clothes that belonged to someone that moved out a week ago. I didn’t want to stick around to learn and you didn’t want to try.

Tying my shoes on the way out your cat waltz over to me. With a small pet I asked if it was a boy or girl.

“Oh, he’s a girl but he has male cat energy, you know what I mean?”

Truthfully, I had no clue what you meant; my brain was too ashamed to process the gender fluidity of a feline I’d never see again.

Paige Johnson

Sugar/Salt Baby

Another date on Surfside, beside the ocean-white 
apartment tower with beautiful, blue balconies. 
The same that will collapse in five years’ time,
leaving no Wi-Fi to leech an Uber from
or shade to smother an emotional hangover.
In other words, no escape from the crumble. 

So, I’m kicking it with strappy platform Janes,
lace flats stored in a puke-brown purse with fraying handles
for when I have to run out of fear or fun.
Securing a bag’s not all the reason that I’m letting 
a wannabe Banksy sales-pitch me over pastel smoothies. 
More of a two-birds, one stick situation. 
Like men way older, a story almost as much.
Hate boredom, detest sharing a bedroom.
My homegirl is a good time, but she blows 
pot smoke into her hamsters’ ear and
speaks of closet romps in front of her son.

Call me old-fashioned, but
I need space from the viceous people I love and orbit.
Straightedge at this point in life, so I seek a square. 
Need a quiet hunter, a hustler with inspiring (work) ethic.
Someone who will compensate my complaints,
compliment my accoutrements,
fund my sexual revolution.

Okay, so that’s exaggerating but that’s the art I’m paid for.
Maintaining smiles, looping arms at company luncheons.
Nobody believes I don’t sleep with the men,
but I’m more of a meet-and-greet girl.
A dinner debutante, 
cell phone companion,
video game Valentine.
Leave a tip for the waitress and me,
watch me instead of the movie and maybe 
we’ll make out if your hands are soft enough.

Wearing black-fleece even around whores, 
I’m an experience collector, old soul aficionado,
get off to conversation, bedroom or boardroom.
When did trad-life become so perverted?

If we make it to the second or third date,
I might flake like a mil(quetoast)ennial,
hold the L—just one because this is a partnership.
I don’t dip because I want to, but ’cause 
the girl at GUESS hip-checked me, 
scoffing I wouldn’t fit in anything, 
even though I arrived in their smallest dress.
I don’t always feel worthy of men 
who’ve already made it,
and that’s my biggest problem.

Miami sun’s melted everybody’s mind,
disordered me by osmosis, got me runnin’ on E.
My ex too, because he scream-insists he’s not gay 
even though I never asked. Guess I got more in common 

with Patrick Bateman’s secretary than skirt suits.
My taste in men has never not been under scrutiny.

Worse yet, my daddy’s in-person pick-up line is 
asking if I’m “fully shaven down there.”
I don’t know how he’d react to “nine-tenths”
so I keep quiet, a mouse who knows how 
to thieve cheese without getting the guillotine.

I can watch an idiot savant slurp linguini for half an hour,
twice as long if it means three days’ pay at the pet shop.
Either way, I’m watching a crustacean shrivel slowly.
I’m adding to my story and subtracting a shy shelteredness
so nobody—not me—can say, “She never lived, she never tried.”

Most of the men are normal in nature and the exterior,
but always on the clock, in a different city.
They need a nick of normalcy, the feigned familiarity
of “brunch with a girlfriend,” a young thigh to squeeze, 
a bitch who doesn’t bark when they don’t text back. 

This dud of a daddy doesn’t fit the bill 
but pays a few of mine after just one plate.
He paves the way for a cute Chinese immigrant to take his 
seat next Sunday, admire my toe polish and offer a condo
if I’ll be his editor-slash-ingénue a few months from now.

I won’t, but I’ll throw a little extra tongue into my kiss goodbye.
I’ll write a passage for him in my free time,
and spend the rest of the season
wondering if he meant it—
or if I woulda ended up in the pretty pre-rubble
of the beachfront property I passed on my way to the date,
doomed to an art deco death for reaching too high into the sky.

 Most days, I’m glad I’ll never know.

J.J. Campbell

in the wastelands of america

random acts of violence
on the back country roads

a slit wrist night in the 
wastelands of america

hope is the last train that 
leaves on a friday night

you remember drinking 
moonshine under the 
bridge on a rainy 
afternoon

trading kisses like the 
world would be ending 
soon

those lost dreams still 
come to me on every 
other lonely night

it wasn’t supposed to 
be this hard

to be nothing but broken 
bones, broken homes,
streets filled with needles
and curious little kids

the rain drops off the 
roof like blood

the neighbors are starting 
to wonder if the rumors 
are true

good thing they don’t 
have the balls to ask

Johnny Scarlotti

end game

i get on stage
and all the girls scream

i begin reciting my poetry
and girls are throwing their bras and panties at me

girls are pushing past security grabbing at me
stroking my dick
rubbing their pussies

i tell security
it’s aiit let em thru

and girls come on stage with me and take my pants off and begin sucking and fucking my enormous penis

and the crowd is going crazy
sold out stadium

and i’m reading my poems and they are screaming HOLY SHIT
he’s a FUCKING GENIUS
the G.O.A.T.

they shout ENCORE ENCORE and i come back out
rip my shirt off
revealing a suicide vest
it’s my favorite part of my set:
where i kill us all

Sex Doll Gumbo

Horror Sleaze Trash proudly presents Sex Doll Gumbo, by Ryan Quinn Flanagan & Catfish McDaris. Comprising two chapbooks, Saga of Juanito and Alphabet Soup, this collection represents a dual effort from two of the most subversive voices in underground poetry today.

Ryan Quinn Flanagan is a Canadian-born author who lives in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage. His work has been translated in Bangla, Spanish and Italian. He enjoys listening to the blues and cruising down the TransCanada in his big blacked out truck.

Catfish McDaris won the Thelonius Monk Award in 2015. He’s been active in the small press world for 30 years. He’s recently been translated into Spanish, Italian, French, Polish, Swedish, Arabic, Bengali, Mandarin, Yoruba, Tagalog, and Esperanto. His most infamous chapbook is Prying with Jack Micheline and Charles Bukowski. He’s from Albuquerque and Milwaukee.

FREE DOWNLOAD AVAILABLE

BUY A COPY HERE

Charles Rammelkamp

Reds

You know how sometimes a song lyric 
just enters your head, unprovoked,
like a visitor showing up unannounced?
This morning I heard Mick Jagger’s voice warn,
Drop your reds, drop your greens and blues.

A drug reference, of course,
reds Seconals, greens and blues barbiturates, 
downers, or so I’ve heard.
And I hid the speed inside my shoe.
“Sweet Virginia,” half a century old,
from the Exile on Main Street album,
a song from my college days
we listened to religiously, 
smoking dope in the dorm rooms.

And I remember the guy who sold drugs
from a locker in the student union,
bags of not-very-good marijuana,
a variety of pills in all the colors
of a Crayola crayon box.
Brian only lasted a semester,
flunked every class he’d registered for –
but never actually attended.
I wonder whatever became of him.

Got to scrape the shit right off your shoes.