Willie Smith

Night Piece

The cricket sings the dark 
the dark to sing away. 
To his own gut feeling 
the frog responds. 
The whippoorwill skims the pond, 
intercepting in the dark 
moth, beetle, firefly; 
calls his name the moment he forgets 
he has no name, calls his name 
the moment he forgets 
the moment he forgets calls. 
The owl intuits the soul of chance. 
The mouse, in owl claws, 
with no further complaint 
than a phrase of squeaks, 
leaves this plane for perhaps a better 
place; but the frog, the cricket, 
the whippoorwill on it do not bet.   

J.J. Campbell

just an old poet

i went dancing with a train
but never got the ride i wanted

sometimes you never reach 
the bottom of your depravity

the ghosts don’t even bother 
to show up anymore

and the hours and days start 
to pile like trash

like old phone books used 
for kindling

spread my ashes in a field
and cover them in shit

just an old poet

nothing more
nothing less

some fucking sage that 
warned all of you but 
none of you ever bothered
to listen

to understand

to squeeze the marrow 
out of life before the 
powers that be squeeze 
it for you

we were once young at this

ready to conquer the world
or something like that

Vivian Pollak

His First Drowning

He lost her in his River Ouse
Habitual her morbid ritual mood
Upper East Side between Second and First
Sex in the city and the big black hearse
December is cold, but May cherries are red
His love in the tub, in the tub, there she bled
But he is the victim — a fear he can’t handle
Coverage of a congressman’s adulterous scandal.

Nick Romeo

(S)LAUGHTER(S)

The boogeyman 
Lives inside 
My closet.

He has been there 
All my life 
Haunting me.

For a time I kept 
Him at bay by 
Sleeping with a night-light
And Grumpy Bear.

But through the years 
He has grown 
In might and terror.

But I too have grown 
In knowledge 
And power.

Now I stay awake
In the dark, 
All night, 
Every night.

With night vision goggles,
Emerson ES1-M, AR-15,
And Grumpy Bear.

John Yohe

from The Poets Inferno [2]

We left the Circle of those poets who
had published their friends and the cries of Best
American editors—my guide moved

me out into a desert of cactus.
A group of demons pitchforked two figures
rolling on the ground and, until they saw us,

forced to suck their own dicks. And I was sure
I recognized one—an old teacher. ‘No!
David! What have you done?’ The demons stirred.

My guide sighed. ‘This place all poets should know
is for poets-as-editors who choose
their own poems for publication.’ ‘Oh

David,’ I said. But he pointed at this
companion. ‘Major made me, and besides
my poem was in The New Yorker. His

was in The Paris Review.’ Major cried,
‘So what?!’ I said, ‘I saw your friends above.’
‘But Trump! Defend Democrats!’ he replied.

My guide said, ‘Now on to the Circle of
those who award contests to those they love…’

John Yohe

from The Poets Inferno [1]

My guide then led me to a field on which
knelt thousands of poets all sucking dick.
‘Behold,’ he said, ‘the poets who all wished

to write poetry for bad politics.’
He pointed to a man licking around
a demon—’That one sold his work to fascists.’

and then I recognized the mighty Pound.
‘But wait,’ I said, ‘I know some of this group!’
Hearing us, they stopped to gather around.

‘Beware,’ said one, ‘the desire to stoop
to publishing in The New Yorker or
through the Best American Poetry hoop—

We thought the Democrats were honest, for
the people, so we spread our talent thick
over their nothingburgers—’ But before

she could continue I turned away sick
and they turned back to sucking centrist dick.

Ken Kakareka

Burned and Damned 

The California Dream 
is burned 
and damned, 
not alive 
and well. 
We’re not fooling 
anyone. 
I’ve been here 
for 10 yrs. now. 
Come splurge 
on a 1 bed, 1 bath 
$500 thousand dollar 
abode 
built in the 70’s 
in a shit-ass 
part of town 
where the homeless 
creep 
and stray cats 
weep. 
Come die 
in scathing traffic 
on hell-bent freeways 
where it takes 
1 hr. to travel 
7 miles. 
Come roast 
in frenetic 
forest fires 
or get 
swept away 
with the ghoulish 
Santa Ana winds 
to another place 
that might have 
your “perfect” 
weather. 
It’s not here. 
It was once, 
maybe. 
But that Dream 
has crumbled 
into rubble, 
shit out 
by Nightmare, 
the replacement 
for his successor – 
The California Dream. 

Ezhno Martin

Exact Figures on the Anti-Climax of Just Laying Back and Taking It

Samantha, there are Sixty-Three-Thousand
Two-Hundred-Forty-Three holes in my ceiling
and I feel like I’VE LOST ALL CAPACITY FOR HUMAN EMOTION.

There are One Hundred-Thirty and Two-Third tiles
crookedly and amateurishly applied and painted white 
hanging over my head every night
and you hang over my head
like an amateurish application of fidelity

On each of the One Hundred-Thirty and Two-Third tiles
are Twenty-Two rows of Twenty-Two holes
that’s Four-Hundred-Eighty-Four holes per tile
that’s a lot of damage
I like to wallow in the thought that I have a lot of damage

One-Hundred-Thirty and Two-Thirds
multiplied by Four-Hundred-Eighty-Four
is not technically 
Sixty-Three-Thousand Two-Hundred-Forty-Three
but some more exact figure that doesn’t make sense
in words and only exists in a long string of decimals
I have rounded up
to complete an abstract conceptualization that quantifies insurmountability

Technically the holes aren’t on my ceiling
I don’t have a ceiling
I live with a woman that looks like you
and I sleep in a separate bed in the basement
every chance I get
but she wakes up to go to the bathroom
several times a night
and she finds me and has sex with me sometimes
and I stare at her ceiling while she bounces on my cock
which, because she looks like you,
is like a concrete Frankenstein,

and I count the holes
and I count the rows
and I count the tiles
but I don’t count the days since we last spoke
and I’m only addressing this to you because I don’t believe in god
and this is a prayer to feel human emotions again
and I need a holy ghost
and I’ve made you so much holier
than that woman I used to know
who I named you after

Samantha, there are Sixty-Three-Thousand
Two-Hundred-Forty-Three holes in my ceiling
and I feel like I’VE LOST ALL CAPACITY FOR HUMAN EMOTION.

Samantha, you are the only constant in my life
besides alcoholism
in the last Three-Thousand-Six-Hundred-Fifty-Two days
and both of you have done one hell of a job
of convincing me that I can’t live without you
and people only hurt me.

Paige Johnson

Sugar/Salt Baby

Another date on Surfside, beside the ocean-white 
apartment tower with beautiful, blue balconies. 
The same that will collapse in five years’ time,
leaving no Wi-Fi to leech an Uber from
or shade to smother an emotional hangover.
In other words, no escape from the crumble. 

So, I’m kicking it with strappy platform Janes,
lace flats stored in a puke-brown purse with fraying handles
for when I have to run out of fear or fun.
Securing a bag’s not all the reason that I’m letting 
a wannabe Banksy sales-pitch me over pastel smoothies. 
More of a two-birds, one stick situation. 
Like men way older, a story almost as much.
Hate boredom, detest sharing a bedroom.
My homegirl is a good time, but she blows 
pot smoke into her hamsters’ ear and
speaks of closet romps in front of her son.

Call me old-fashioned, but
I need space from the viceous people I love and orbit.
Straightedge at this point in life, so I seek a square. 
Need a quiet hunter, a hustler with inspiring (work) ethic.
Someone who will compensate my complaints,
compliment my accoutrements,
fund my sexual revolution.

Okay, so that’s exaggerating but that’s the art I’m paid for.
Maintaining smiles, looping arms at company luncheons.
Nobody believes I don’t sleep with the men,
but I’m more of a meet-and-greet girl.
A dinner debutante, 
cell phone companion,
video game Valentine.
Leave a tip for the waitress and me,
watch me instead of the movie and maybe 
we’ll make out if your hands are soft enough.

Wearing black-fleece even around whores, 
I’m an experience collector, old soul aficionado,
get off to conversation, bedroom or boardroom.
When did trad-life become so perverted?

If we make it to the second or third date,
I might flake like a mil(quetoast)ennial,
hold the L—just one because this is a partnership.
I don’t dip because I want to, but ’cause 
the girl at GUESS hip-checked me, 
scoffing I wouldn’t fit in anything, 
even though I arrived in their smallest dress.
I don’t always feel worthy of men 
who’ve already made it,
and that’s my biggest problem.

Miami sun’s melted everybody’s mind,
disordered me by osmosis, got me runnin’ on E.
My ex too, because he scream-insists he’s not gay 
even though I never asked. Guess I got more in common 

with Patrick Bateman’s secretary than skirt suits.
My taste in men has never not been under scrutiny.

Worse yet, my daddy’s in-person pick-up line is 
asking if I’m “fully shaven down there.”
I don’t know how he’d react to “nine-tenths”
so I keep quiet, a mouse who knows how 
to thieve cheese without getting the guillotine.

I can watch an idiot savant slurp linguini for half an hour,
twice as long if it means three days’ pay at the pet shop.
Either way, I’m watching a crustacean shrivel slowly.
I’m adding to my story and subtracting a shy shelteredness
so nobody—not me—can say, “She never lived, she never tried.”

Most of the men are normal in nature and the exterior,
but always on the clock, in a different city.
They need a nick of normalcy, the feigned familiarity
of “brunch with a girlfriend,” a young thigh to squeeze, 
a bitch who doesn’t bark when they don’t text back. 

This dud of a daddy doesn’t fit the bill 
but pays a few of mine after just one plate.
He paves the way for a cute Chinese immigrant to take his 
seat next Sunday, admire my toe polish and offer a condo
if I’ll be his editor-slash-ingénue a few months from now.

I won’t, but I’ll throw a little extra tongue into my kiss goodbye.
I’ll write a passage for him in my free time,
and spend the rest of the season
wondering if he meant it—
or if I woulda ended up in the pretty pre-rubble
of the beachfront property I passed on my way to the date,
doomed to an art deco death for reaching too high into the sky.

 Most days, I’m glad I’ll never know.

J.J. Campbell

in the wastelands of america

random acts of violence
on the back country roads

a slit wrist night in the 
wastelands of america

hope is the last train that 
leaves on a friday night

you remember drinking 
moonshine under the 
bridge on a rainy 
afternoon

trading kisses like the 
world would be ending 
soon

those lost dreams still 
come to me on every 
other lonely night

it wasn’t supposed to 
be this hard

to be nothing but broken 
bones, broken homes,
streets filled with needles
and curious little kids

the rain drops off the 
roof like blood

the neighbors are starting 
to wonder if the rumors 
are true

good thing they don’t 
have the balls to ask