Greg Sendi

In Nineteen Whatever

In nineteen whatever my brothers and I
bought a derelict place built from PVC, pine logs,

some sheetrock and hollow core doors in a recluse
scrub maple stand deep in the Kingdom of Dum. 

Look, don’t tell me it’s just how things roll in that part
of the mitten.
I don’t mean homespun local color,

okay? I mean Odal rune dirtbags and methmouthed
faux-butternut shitjacks at every gas pump and

degenerate bumblecunts armed like they work for El
Chapo streaming RPG vids from the woods

and the warped and malignant ex-mayor of Fuckville
who wants (not to over-finesse the point)

camps.

Whenever it was, say the baby was one
so call it ninety-eight or I think, working back

from the November bonechill the first visit up
on that soupyellow night—there were turkeys out front,

plump with beechnuts and bugs, a whole rafter, so-called
for the roof timbers they would hang from as feast meat—

but, listen, the point is not wildfowl or which
goddamned year, though, for probity’s sake, let’s just say,

ninety-nine?—since as fathomed the watchful Odawa,
years are inconsequential except to mark famine,

who bequeathed requital to us who came after,
the cannibal Wendigo, bringer of civil

collapse—

and the end of the ways we could hold like to like,
before particleboard and shit plywood and all

the miasmic offgasing formaldehyde resins that
pickled what’s left of the upright bluewater

republic, whole hamlets and townships now loopy
and fuddled with kuru in humanflesh frenzies

to signal starvations their broke-brained, dysphasic,
fat famisher-god says they suffer with him

for eternity. Listen, I’m not here to fuss
like some wobbly collegetown sniffy—forearms

are breaching the surface at Antrim and Skegmog
The Rubicon loamsands aren’t holding the

corpse.

***

Originally appeared in Cathexis Northwest

J.J. Campbell

i think i finally found the right drugs

and in my dreams
i’m elvis straining
on the toilet, wondering
when peanut butter
and banana beat out
pussy as my favorite
thing to eat
 
suddenly, pam grier
saunters into the room
 
explaining to me all the
reasons why we could
never work as a couple
 
she slides me her room
key and begs me to come
prove her wrong
 
my juices start to flow
 
this is a challenge i’ve
been dying to accept for
forty fucking years now
 
i get up and start to march
to her room, all the while
 
forgetting to wipe
 
i wake up and grab a pen
 
laughing
 
someone somewhere
will see the metaphor
here and will hopefully
be laughing as well

Kristin Garth

Gloved Hands Are The Cruelest In A Ballroom 

You pray on parquet before it begins
not to a god or seraphim but to 
the pinstriped swathed cock of one of his friends 
that he may be softer than it is to you.

Your leash released into his hand is yanked
until you hurriedly stand so he can 
whisper evils he has planned.  You will thank 
him later on the ground while others stand 

in masks, ballgowns.  You hear rustles of ruffled 
skirts, whispers of women who want to see
you hurt summon another to muffle 
the mouth with lace opera gloves.  Screams 

allowable as you appraise your doom. 
Gloved hands are the cruelest in a ballroom. 

Dan Cuddy

Romance of the Fortune Teller

lightning, thunder
chalk scraped against a blackboard

we learn, yes, we learn
we read signs in the sky
in the entrails of fowl
in leaves
though we need a gypsy lady 
to open her wide dark eyes
surrounded by so much mascara
like rainbows around streetlights
or maybe the moon

we need glasses
disguises
so we don’t see the everyday
homeliness
that dresses up to fool us
with castanets and dire predictions

I don’t know if I would be afraid
to lean over
grab that old gypsy woman’s chin
kiss her more like a lover
than an old aunt

would I be afraid of a scorpion
in that old mouth?
would I mummify on the spot?
the dust of my eyes blows away
joins the desert 
that is the remains of the dead?

that gypsy was young, I think, once
olive skin, midnight dark hair
lips that glistened in bewitched dreams

someone would have taken her
did take her once
to a room with a balcony
a great antique bed
a canopy and curtains
and space on that bed
to make a future
greater than a prediction

I look at her
see the embers of beauty
burn away
breathe the smoke 
of all the world’s illusions

truth is a homely old lady
selling her wares behind so much make-up
telling the young
“and happily ever after”

I don’t want to listen
or look
I want to believe
in song
in dancing hips
in the wind of fear
which makes you alive
and dares you to grab
the body of this sweet life

Rp Verlaine

Losing Streak 

Hit the blood bank, 
a cash transfusion  
to buy needed thrills.  

Tossing back Manhattans  
and Singapore slings  
in a Bronx dive 

where crucified Jesus  
is near naked on wall  
next to pinup dolls.  

I dial five times  
ten numbers though  
I was never good at math.  

She says “come see me  
bring some cash, no  
I ain’t charging you.”  

Cops give a long look  
as I stagger off the train  
on my way to her.  

Even with all the  
men she’s known  
I go in bareback.  

Too stupid to ask  
what I’ve left to lose  
on another losing streak. 

Vapor Vespers: Sex

Vapor Vespers Return with Double-Sided Single of Audacious Sonics and Spoken Word, You Changed and Sex

New York Multi-Instrumentalist Sal Cataldi (aka Spaghetti Eastern Music) Continues Partnership with Alaskan Playwright Mark Muro on More Triptastic Slams of Storytelling and Genre-Skipping Sounds

New York/Anchorage, August 18, 2021 –  It’s a sonic funhouse that draws upon everything from Fripp & Eno ambient and Krautrock to Miles Davis acid-funk-jazz and baroque classicalism. These varied sounds are conjured as soundtracks to spoken word ruminations that are part Eric Bogosian hyper-monologue, Bukowski poetry slam and, occasionally, politically incorrect Rudy Ray Moore party record bawdy. 

This is the world of Vapor Vespers, the edge- and button-pushing transcontinental collaboration between acclaimed NYC & Hudson Valley-based multi-instrumentalist Sal Cataldi (aka Spaghetti Eastern Music) and Alaskan playwright, actor and slam poet Mark Muro.   Drawing inspiration from music-powered spoken word icons like John Cooper Clarke, The Last Poets and Lord Buckley, Vapor Vespers unwrapped their saucy stew with One Act Sonix, their critically buzzed-about 2020 debut album on Bad Egg Records. 

Now the duo is returning with a double-sided single that ups the ante on the cool grooves, guitar riffage and narrative absurdity, You Changed and Sex.  The two tracks, available today on streaming services including Spotify and Bandcamp, are a sneak preview to their sophomore album, slated for winter 2021.

You Changed is high-energy funk-jazz of the Ornette Coleman Prime Time/harmolodic variety. Its galloping funky beat, snappy clavinet accents and dueling snaky lead guitars propel Muro’s caffeinated rant about an actress friend who’s now too cool for school and their friendship. “You used to be nice, you used to be normal, you used to be my friend, then you suddenly changed… You started wearing vinyl pants and blowing kisses to strangers… You called me a sad sirloin burger…You wanted to be interesting, so you rented a wolf, had your elbows pierced, bought a stuffed owl and went to the opera dressed as a mermaid!”

On Sex, Cataldi’s soundtrack is a slow-creep electro modal blues reminiscent of latter-day Jeff Beck, one on which Muro sleepily riffs couplets that illuminate what sex is.  “Sex is a big basket of shiny red apples and a good sharp knife… Sex is a time bomb under your seat and a dog sleeping at your feet… Sex made a monkey out of Darwin and a man outta King Kong… It’s how I got here and how I wanna go.”   

For more visit www.vaporvespers.bandcamp.com, www.soundcloud.com/vapor-vespers, and Vapor Vespers’ Spotify page.

Casey Renee Kiser

B U R N 

I fell in love with a con man
He conned me outta some smiles 
and a few flighty years
but
a storyteller never allows a single smile
to go to waste
He tried to steal my spine
cause he didn’t have his own
I thought I heard him roar once
Turns out,
it was just the television
He’s got fire in his birth chart –
a flirty, flaunting Leo is a good time
But this particular would-be king
is fueled by some quite
 misguided 
passion – that tiny
 jawbreaker heart 
on fire
destroys everything in its path
like a bowling ball knocking down the girls
blazing down the alley
with a passive aggressive ball drop
Ha!

And a cowardly lion is no match
for me
I was born year of the dragon
so
My soul came prepared
but thanks for the story, man
I am grateful for every lie, every smirk,
every knife in my back, 
every spine-stealing intention that I easily
dodged
I will use it all wisely
The Devil can only hold the power 
we give away
freely

He gonna learn now 
about that four-letter word 
that he loves so much
And I wonder, then
will he take the time out
to look through his inner 
child’s eyes
at the wonder of the
boomerang

Daniel S. Irwin

Writer’s Block

Yeah, well, nothing comin’ to mind
With a major case of writer’s block.
So I scratched out my obituary,
In case they might need it sometime.
Hard tellin’ what non-descript crap
They’d put down on their own.
When Mama died, the funeral man
Said a good paragraph in the paper
Cost three dollars, a one liner was free.
Sister said, “We’ll take the free one.”
Moron!  Mama not worth three bucks
To put a decent spiel of a send off?
Got mine done, all nice and colorful.
Then added some crazy shit for a laugh.
I got no 100% DNA match with Godzilla,
Ain’t never partied in Lennon’s tomb,
And I am no longer wanted in France.
Whoa, better check on that last one.
Then I up and lost the thing somewhere,
Maybe at the laundromat or some bar.
Anyway, somebody found it and, hey,
It made the top spot on the obit page
Of the local weekly chronical.  Ring.
“Hello?  No I ain’t dead you sick bastard.
And you still owe me that twenty bucks.”

HSTQ: Summer 2021

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Summer 2021, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Damian Rucci, Jon Bennett, John Tustin, Paul Tanner, Daniel S. Irwin, Mather Schneider, J.J. Campbell, Tohm Bakelas, Willie Smith, Kristin Garth, David J. Thompson, Danny D. Ford, Michael Lee Johnson, Aimee Nicole, Wolfgang Carstens, Jason Melvin, Mela Blust, James Diaz, and John Yohe.

Get your FREE ebook here!