David Estringel

Evening Machines

Painted ladies duck
from fiends under velvet skies,
‘round corners and doorways,

as God’s chosen saves
souls of passersby and
dogs in search of scraps.

Shirtless boys show’r girls
on stoops with shucks and jives to
clanking coins in cans

of bums, patrolling
slices of concrete, splashed with
piss and hot dog wat’r.

Street kids linger ‘round 
fronts of liquor stores with fists 
of cash, cruising dupes,

for ill-gotten smokes
and cheap beer before managers 
close shop for the night.

‘lectric lines crackle
and neon signs hum above,
overseeing the chain-gang.

***

Originally published in Terror House Magazine

Joseph Farley

Theater of War

The first mistake was to believe
that things would stay the same.
The second was to think
that things would change.

In between scenes the players
try on new costumes
and practice new words.

Masks and makeup
can alter features,
but underneath 
the characters are the same,

archetypes of politics,
power and murder.
All wars, little and big,
are fought with the same armies.

And the dead? Well,
they’ve said their lines
and moved on to other plays
on other stages,

still waiting 
for the applause
and curtain calls
that never seem to come.

Timothy Arliss OBrien

Orbiting Bodies

Falling in love,
Isn’t as easy as it sounds.

Not as easy as falling into a stranger’s bed.
(The only place I want to be)

At first the head spins,
And then the heart pounds.

And the juices flow,
And the pulse moves south.

Love knows what it wants,
And so does my heart.

But sometime I can’t hear it
Because of how tight my pants get,
And how loud my need to breed.

I’ve been so desperate I’ve fucked a helpless twink
Against an overflowing urinal in a filthy Vegas club.
(strike that: help-full twink)

I’ve also been elbow deep in a stranger, while balls deep in his throat,
Looking at the proverbial fourth wall
Telling the audience:
Now you might be wondering how I got in this position.

And I made both cum faster than I could’ve ordered another drink at the bar.

I’ve also bloodied my knees several evenings gulping down over a dozen cocks in one sitting
Lust drunk and ready to swallow every flood as the levees and dams burst.

Bodies in lust trip over one another trying to get to the finish line together.

Cheering and basking in a puddle post-coital
is an addiction,
And trust me I don’t fucking need rehab.

What I need is you to get out of my face so I can go to the parking lot and enjoy this blunt.

Round two starts in half an hour. 

Tony Dawson

The Nature of Gothic

I once met a Goth girl in a bar 
who said she was a comic,
yet her deadpan demeanour 
revealed no trace of humour.
She was fun but not really funny.
After a number of drinks—
and a few knowing winks,
she invited me back to her place—
well, I had run out of money. 
Once there, one thing led to another, 
or rather, one thing led to THE other… 

As I was undressing her, 
it gradually dawned on me 
why she referred to herself as a comic.
She didn’t do stand-up or even tell jokes,
she was literally an anatomic, 
graphic novel. Her body, covered 
in a variety of tattoos, told a story 
as she lay, spread out on the bed; 
in fact, several stories,
if you varied the order 
in which her vignettes were read. 

Her left breast portrayed Scylla.
One of the writhing heads was the nipple.
The right one was Charybdis
and that nipple mimicked the ripple 
in the eye of the whirlpool. 
My Goth! A girl with a classics degree!
I was deeply impressed 
when she was undressed
as reading her stories in various ways, 
say, jumping about like the knight’s forays,
in chess, you could follow Aeneas’s route
through her very own silicone valley, 
between Scylla and Charybdis
an experience I had no wish to miss. 
Choosing the bishop’s moves would
produce Jason and the Argonauts’ tale 
and finally, the rook’s moves could
reproduce the story of Odysseus. 
I kid you not. I am being serious.

Below her navel, it got more OT, 
as in ‘over the top’ and Old Testament: 
The figure of Moses held up a sign
that said: “Roll up! Roll up! This way 
to the burning bush!” Here was the shrine
in my Goth’s promised land. 
“I’m on fire,” she said. “Please put it out!”
“Of course,” I replied, “no need to shout.
I’m holding the hose in my hand!”

Turning her over onto her front 
produced an eye-popping scene: 
the whole of her back 
represented a classic foxhunt
with the hounds heading south
toward her …. nether regions.
“D’you ken John Peel with his coat so gay,
“D’you ken John Peel at the break of day,”
I hummed to myself.

Several other red-coated men
mounted on stallions were
galloping down to her crack 
with a pack of hounds in full cry. 
The weary young fox, naturally sly,
had entered the crevice
of her plump rump, 
leaving only its brush 
sticking out like a rush.
(Even Aesop wasn’t able
to write a fable about an ass
swallowing a fox!)

The Goth lifted up her rounded cheeks, 
for the hunt to run uphill.
Now apart from the extra thrill,
it gave me the chance to look inside
to see where the fox had managed to hide…
As I say, she was a comic. 
Not really funny, but polychromic.

HSTQ: Fall 2021

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Fall 2021, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Judson Michael Agla, John D Robinson, J.J. Campbell, Kristin Garth, Dan Flore, Brian Rosenberger, Andy Seven, James Diaz, Stephen Bamberough, A. Lynn Blumer, Leah Mueller, David Arroyo, Ryan Quinn Flanagan, Ruth Niemiec, Danny D. Ford, Dan Cuddy, David J. Thompson, and Wes Janson.

Get your FREE ebook here!

Judson Michael Agla

DRIVE

I love the way you drive

It’s like the way you love, full throttle with the most reckless of intentions

The streetlights seem to bow and dim upon your approach, like sentries guarding the darkness ahead, signaling safe passage

Your kisses become comfort in the low lights of the dashboard, but I’ve never encountered someone with such passionate monsters

You chase your engine like an armed pilgrim, on the way to lay siege to the promised land, shrieking back into the disappearing landscape 

What is it of rot and ruin, that pursues you with such wretched conviction?

As the icy road passes underneath with quiet caress, we barrel into a new dawn of deliverance, carrying the spark that will ignite the fires of reckoning

Where we will stand witness to the decline of the benevolence of slaughter

David Arroyo

Together, We Are Monsters

My film is not a dream. 
It is a giallo birthed from a Hammer film. 
British cleavage blood-drenched in Italian fantasy. 
Dubbed English heightens the unreality
of me, former Puerto Rican altar boy, 
looming behind you, white girl.
You. Turn.    
Out of lips synced too precisely to my libido
you purr, “I never try anything. I just do it.” 
A quiet bang 
spreads across my mind 
in thick viscera. 
I do not know who the monster is. 
There is a rusty gleam, 
smearing over this flick like a money shot,
gratuitous, just shy of pornographic. 
Unless, a person can feel pornography.
My deepest rape fantasies 
intertwining with my sticky heart strings in a tangled, 
messy 
scream 
for you.  

There are many questions posed in my scream, a bouquet: 
venus fly traps, triffids, flowers that inhale moonlight. 
Why can’t I love with sobriety? 
How do I work through embracing my nightmares doggystyle? 
Why can’t I convince you I’m a risk worth taking?  
Did the first two questions answer the third? 
“I want to carry you off to my Black Lagoon.”  
What would you do with this truth?

Compress the questions down my throat like coal. The result:
not a diamond for an Adam’s apple but a puzzlebox. 
The solution is speech, 
but these hallelujahs are for The Scarlet Gospels 
according to Clive Barker. 
It is his angels, 
leather-strapped Cenobites,
I’ll call forth. 
They have such sights to show us,
and they would make deals with me. 
Finally, I’d bend you to my will, and throwing my 
soul to Leviathan is small price, 
but the questions would still be questions
stalking my cobwebbed halls in a porn-shaped zombie of you,
hardly the love poem I had in mind, 
so I forsake the best of all possible
hells for intellectual torture porn. 
Pinhead is disappointed. 
Writhing coffins for two cannot compete 
with my need to be a student of you. 
I’d rather be caught staring into your cleavage, 
possessed by a male gaze, 
riding the sight line to the sin line 
in hopes of finding something less human 
housing a moment of honesty with whatever
Transylvania lurks
under your full moon flesh — 

But hell is full of rebels and compulsive explorers. 
Pinhead turns my gaze to the souls raised and struck down, 
raised and struck down in Styxxxian pools:
flaming liars, cheats, the insatiable kindred spirits. 
I see black sabbath tears,
and black tears congeal into a viscera that never lies or cheats. 
The triple x pools sated as the bottom of a lake full of the dead. 
Questions sink like concrete boots,
and the dead hate the living.

The answers rise when the visceral bodies 
popsicle into a black monolith on water’s skin:
Together, we are monsters. 
Bride of Frankenstein, blonde hair like a bishop’s mitre streaked 
with wild cotton, it is not you I fear, it is me, my weakness, 
my inability to make you feel this heart, hung 
from the tallest gallows by The Puritans and love it.

Kristin Garth

A Ghost He Made By Accident 

She succumbs inside a claw foot tub.  The 
wrong lips below, two more above splayed 
and squeezed about a cock.  How limberly 
her torso rocks, thighs around his navel, 
submerged face amidst the bubbles, slosh 
of waves churning as he misbehaves
inside a body with a mind brainwashed.
Death was never discussed as cost.  Slave 
he allots such little breaths.  Elevates 
the spine, the dripping breasts, those second lips 
bequeathed a gasp before bath water makes
its own death mask of a skull that is eclipsed 
by the shuddering of maneuvered hips
of a ghost he made by accident. 

Niklas Stephenson

Character to Ashes

Neon lights above sizzling feet carrying horny cocks
on abusive asphalt
sex crazed civilization on top of depraved nature
little girls drenched in promiscuity smelling for the
sweat of desperation
the weakest mammals are willing to fuck anything
hunters and gatherers in reverse
gold diggers hunting for gatherers of exclusive cash
machine jizz rubbing it in pockets and mouths
living life stroking the shaft in desperation to become
desperate enough for the cheap perfume scum leg
spreading fuck anyone with a note in his pocket type.
the hipster nights start cycle of victims to fuck or be
fucked doesn’t matter
as long as the world is watching
on screens and in their sweaty palms
creating absence of reality
gangraping culture with minds of cock and pussy and
cash and self presentation
a waterfall of dhiarretic words and images ready to
drench those in the alleys away from the neon lights
and abusive asphalt
a bush in the wind of the nonsensical
ready to set fire before the world burns to ashes
suburban parents film their kids ride tricycles into
the pits of our hell with a smile on their face ready
to upload “here false gods of profit here is the next
craving fiend for your matchbox of personality
apocalypse, I hope he sparks!”
neon lights flicker and flashing
character to ashes sourcing power

John D Robinson

The House Clearance

Her thirst for sex was ferocious,
married with 3 children,
she struggled to love and bond
with them and her husband
left, taking them with him

I was called in to pack
what was left behind,
as she had to move from
the 3 bed house

I had never seen
so many batteries and
such a staggering array
of sex toys

‘What the fuck is this?’
asked my female colleague,
holding up a pair
of nipple clamps

‘Fucked if I know’
I lied, ‘I don’t know
what half of this shit is’

‘Neither do I’
she lied in response