Robert Lewis

See No Longer

His name is Curtis. His eyes are green. He’s almost gone; I see it. Sometimes Curtis and I work graveyard shifts together in the airport restaurants, or else trade off solitary shifts in the dishpit. The dishpit is underground and smells like hot mold.

The dishpit has a pair of commercial dishwashing machines shaking and churning on the far side of the room. For each machine there is an industrial sink. Conveyor belts jut through the wall in several places and feed filthy dishes onto their warm awaiting surfaces.

Today, as I am trying to sweep the lunch rush sludge off the sink tops, a pristine white coffee cup tumbles out of the chute. Inside, there is a bright-blue sticky note. I’m curious and bored, so I carefully unfold the soaking wet paper.

The ink is runny but I know Curtis’ handwriting, all loops and no space. The note reads: “Where were you last night?” 

Usually I don’t think about anything as I work. Today, I cannot think of anything else. Until recently, this was not like him. Passive-aggressive notes delivered strangely. We were friends. But he has not been thinking clearly lately. Neither have I. 

I once met his daughter, Jenny, and his wife, whose name I forget. Another time Jenny looked at me and didn’t know. She was looking at somebody else. 

And then later I remember looking down at his wife, her jet-black hair gathered on the white sheets beneath her, dark eyes half-closed as our naked bodies pressed together. This was a strange thing – Iwould never have fucked her. Yet I had seen skin, felt hipbones and heard somebody’s laughter. I liked it. No one knew, not even her.

Each time the faces of Curtis’ family look at me, I feel whole. Often, I go back again to see these things, at night and in the day. I go back at work. I reach inside myself and go to him all the time.

Until about a month ago, after our night shifts, Curtis and I met for a drink at the bar on Terminal C. I would drink several lite beers and he would sip a single shot of whiskey with remarkable temperance, staring over at me with those exhausted eyes that never lost their understated confidence. The kind that see down into everything. I wanted to see like that, and often did.

The last time Curtis met me there, a couple weeks before today, he arrived late. He always came early to get back to his family as soon as possible without slighting me. On this particular Friday, instead of taking his customary stool, he remained standing and shifted from foot to hip to foot. When I asked him what was wrong, he glanced up and down the bar, behind us. Leered suspiciously at the bartender, a tolerant college kid we both knew well. Then Curtis leaned in and whispered:

There was another member of the staff, a new guy I’d never met or even seen. He was specific about that fact. I could never have met him. This guy, he said, was moving things around inside his locker. He believed that the new guy was stalking him. Claimed to have seen a figure out front of his house. Curtis said that he often heard the new guy behind him when they worked together, whispering strange comments, and he was always gone before Curtis turned around. And the new guy whispered things in Curtis’ ear that no stranger could have known. Things about Jenny, about his favorite drinks. What it meant when Curtis narrowed one eye and smiled at a person. I loved that.

Then he leaned in closer, and I could smell vodka on his breath — not his drink. 

He said, “I know it’s you.”

When I asked him how it could be possible, a shadow passed across his face. He froze. The TV from behind the bar lit up the whites of his eyes, spread so wide that you could see strips of white along the bottom. He dashed out of the bar. So you see why I prefer to look out from his eyes, and not from mine.

Since that day he won’t meet or speak with me. I peered around the corner of the break room last week and spotted him at my locker, jiggling the combination lock. When I replay our conversation in the bar and think about the note, I wonder what might be happening to my friend. 

All I do is dream my dreams – it’s pure fantasy. Nobody could know where my mind goes when it’s dark. I am safe and innocent.

I work six more hours in the pit, and next to my station a millipede lurks above the trash. I am not authorized to take it to the dumpster, or even leave through any door except the elevator I entered from. Security purposes, of course, you understand. The room is windowless and the vents, although powerful, are clogged with grease. After a first hour of blistering hot water, and the steam generated by droplets against half-eaten shrimp cocktail and empty cups of ice water, all the walls begin to sweat. 

My palms get slippery. I drop a cup. The shattering sound is what a person does after an injury, before they realize there will be pain. A sharp-edge inhale. I think of Curtis’ face. I hear the glass this way and am blaming him for my mind and hating him for his fucking note.

Where was I last night? I was here. He sawme here. I am always down here and I do not admit to leaving.

Usually somebody comes through the elevator to cover me for lunch. The person always used to be Curtis. His face was the first thing I understood on any day. Since the bar, he changed shifts. We don’t see each other anymore. Now I don’t see anyone I can understand. I crave the feeling of a shared glance between friends.

And today, of all days, the coffee cup note day, nobody comes at all. Why won’t somebody come? My break comes and goes, and my eyes begin to float over my hands, their work. I must eat. 

I claw back to the surface of the airport and take my 30 minute lunch alone. I sit over a wet ham sandwich: rye bread with a swirl and a tepid lettuce leaf dangling from the side.

And beyond the plate glass windows of terminal C, I watch the planes glow neon beneath the false dawn cast by downtown Denver. Although I want to give up, I look around for a new employee that could be the one Curtis mentioned. Of course, there is nobody like that. Curtis is working the greasiest breakfast rush in the airport, at Fiesta Taqueria, so I cannot ask him about the note until later. I buy and slam a half pint of vodka, return to the dishpit, and finish my shift submerged in a throbbing liquid silence.

***

When the work is done, I find Curtis in the locker room. My hands are shaking. He’s at the far end, changing out of his black uniform polo.

He turns around and greets me. “Hey, my dishpit friend!” I am shocked by his friendliness, and I am relieved we have seen each other’s faces and not looked away.

I ask him how life is, how his wife is doing, where does that shitty neighbor live again? And we talk. I mention it: “I got a note earlier,” I say.

“Oh, from Jenny? A note from Jenny, eh?” he asks gleefully, with a strange high-pitched cackle that I’ve never heard from him. An uncharacteristic joke, too, both because Jenny is his daughter’s name and we both know Curtis wrote the note. Or is Jenny his wife’s name? This happens when I panic; I forget the details I want to know the most.

“No,” I got a note from us. I got a note from you. You got a note from me. You got a note from me. I got a note. “I got a note,” I manage.

He asks, “What do you mean? What kind of note?” even though he knows the answer already. Narrows one eye. Smiles crookedly. The expression does not mean what it used to.

My head thrums, it is speechless, jaw locked in place until he walks. Away. 

When he is gone I, myself, walk toward the escalator, pursued by the buzzing and the shouting of the world. Each footfall is an accusation, and every mumbled comment a shout directed at me. I run through the crowded terminal, bouncing off families with their baggage, pinballing out into the parking garage. I slam my car door and with a last furious thump, my door muffles all the rage and anxiety of the world, and it pounds down ceaselessly.

As I drive home, the sicknesses of the world begin to fizzle back in through the gaps. The wind gusts, an assault. There is only one way to escape. I go away from my mind, reaching out with thin blue tendrils from the bottom of nothing, the jellyfish tentacles which flail in the void like I am drowning in air. Then relief: the gauzy sound of Curtis singing in the car, “Bad company, and I won’t deny.” I found him. He is driving 90 miles per hour, going the wrong way on Highway 36 South. I pull in closer.

“Bad Company, until the day I die.” I feel the dial as he turns the music up. I smell the coke in his cigarette – I taste the smoke bitter, like a corroded penny. 

Behind us, blue-red-white-blue-red-white light leaps onto the highway and Curtis panics, I feel his panic like a rapidly expanding balloon in the throat, popping, shredding, and he kicks in the gas. The back end of our car slips left to right, he overcorrects, we are losing control and the wheel tears out of the other hand. Inertia is spinning them into the concrete barrier, slamming into it. A tearing sensation. We are separate. I float into dark, all abuzz with colorless white noise. The nothingness behind eyelids.

***

I wake up in my own bed. Dull morning light filters weakly through the blinds. The apartment stinks. Take-out containers, trash, two cardboard boxes that have stayed taped for five years. 

First thing I feel is alone and I try to find the other presence. Curtis is not there, not beside me, perhaps not anywhere at all.

Why should he be? What a fucked up dream. That was not me; I was not there.

The sheets press on my arms. I must rise. Get down the hall. Twist on the shower. The water stings my forearms, speckled purple and red with bruises under the skin, like a grotesque new tattoo. Stumble out of the shower and look in the mirror. My chest is purple. A flat, diagonal, impossible bruise runs from my left shoulder to my right hip. Seatbelt. I was not there. It happened to him, not me. It didn’t even happen!

I want to wake up, wake up again, so I get back under my sheets. They stick to my raw forearms. Stand up. White sheets have streaks of blood. I look down at my arms and they are seeping, bleeding without cuts. Dizzying darkness presses me down onto the bed again. I sleep the static.

***

When I wake up, sweating face-down in the hot afternoon, light is filtering through my fifth-floor window. My sheets are crisp with blood, and my right collarbone sticks at the pillow. I have to know what we did the night before: the man with green eyes, Curtis, and myself.

I drive up Route 36 North from my house for fifteen minutes and back down Route 36 South, but I don’t see any signs of a crash. I turn around to drive North again. I am late for work. Five minutes away from my exit, I am pulled to a stop.

A plastic shard glitters on the pavement just a few yards ahead of the car. Looking closer, I see a shard of reflector from inside a headlight. To the right, down the steep embankment, a youngish tree stands ahead of the rest with a massive gash in its side. The fresh sap bleeds.

And further beyond, hidden in the shadows that gather in forest dusk, there is a low moaning. My first thought: roadkill. A dying deer or dog, maybe, hit so hard that its haunches tore apart the impacting headlight and sent shattered pieces flying along with the carcass down into the trees below.

But then there is the gash in the tree. Too deep a cut for bone-flesh impact. I walk down the hill, drag my fingers through the sap of the tree’s cut as I pass by. A smell cloying, like honey. Not at all pine sap. Something else is wrong, too, first felt. Then the moaning I heard grows quieter. Stops.

I begin to run, my feet crackling along the pine needles. The sound of the highway disappears in the irreconcilable stench of honeyed sap that now permeates the forest. I see another shattered piece of reflector, a splinter of plastic buried in the ground, and a dark tear through the pine needles that cover the rest of the forest floor. Tucked beneath a cluster of trees, I see the still-smoking remnants of the car that Curtis wrecked last night. With me.

Curtis is draped over the warped front bumper, hanging aloft the wreck like so much dripping wet laundry. His eyes are green and pure and dead. I know he was in the driver’s seat because the steering column bent back over itself and extends from the crumpled windshield beneath his body, like another broken limb.

Curtis’s forearms hang down over the bumper, bloodied like mine, scabbing over in almost the exact same places. I take his hand and I look into his face. I saw it all happening. I had been with Curtis as he drove. And I had been there before, behind him as he worked, slept with his wife, loved his child. I was his new guy, standing not behind but beside his mind, a passenger. And now I am whispering to his body about Jenny and his wife and the drinks at the bar and all the beautiful ways that only his face could move.

I only wanted to know every angle of you.

Carefully, leading with my fingertips, I lift Curtis down from the bumper and lay him in the pine needles. His head rolls left.

Down here, among this wreckage, there is nothing for me. I have it all inside. Back to the highway. Listen to the traffic scream past. Wash the dishes, scrub the floors. I will hide myself in the sub-basement, surrounded by the rhythm of airport byproducts. I won’t promise not to do this again.

Daniel S. Irwin

Juan de Guano

Juan de Guano is the man.
He’s more macho than his Harley.
Juan speaks three languages that
No-one can ever understand.
Juan mumbles even when sober.
Everyone say “What?” & “Que?”
Only the priest knows what he say.
Juan’s Latin is excellent though slurred.
When down South, Immigration
On both sides of the border
Locks him up not knowing what he is.
His woman kicks his ass on a regular basis.
She never knows what he say to other women.
Other women wonder, too, what he say.
So he flirt with the eyes…sometimes 
Two black eyes.  I said he had a woman.
Life is hard for Juan de Guano but
He’s more macho than his Harley.
That’s all that counts.
Harley people understand.

HSTQ: Summer 2022

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Summer 2022, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Daniel S. Irwin, John D Robinson, Jay Maria Simpson, John Tustin, John Yohe, Nadja Moore, Laszlo Aranyi, Andy Seven, Omar Alexandre, Willow Croft, Gene Goldfarb, Brice Fisher, Brian Rosenberger, Vivian Pollak, Matt Dennison, James Diaz, Jodie Baeyens, Jonathan Baker, and Dan Flore III.

Get your FREE ebook here!

Matt Dennison

Parable of Displeasure

He puked and he puked until he
thought now surely I must die, surely
there can be no more. He had brought
up the water, the coffee, the orange
juice, the whiskey, the wine, the
vodka, pasta, snails and love, but still
it kept coming. He was into the bodily
fluids now, and it would, later, scare
him. Now all he could do was watch.
And smell. Yellow, foul tasting stuff
that made him bite the back of his
tongue. Then green, then clear again.
Then brown. Then smudge, was all he
could call it, looking at the last grey
layer floating. Smudge. Yes. And
flat oil slicks, tiny fishes, nuts and
bolts, telephone lines, cardboard boxes,
file cabinets, tax forms, old photos,
death announcements. Then, eyes
bulging, bursting red, gasping like a
gored fish, he passed it, or, rather, it
passed itself, wiggling out into the sick
grease on top of it all only to grow
and grow and grow until it, in turn,
puked him out, after the water, the
coffee, the orange juice, the whiskey, the wine,
the vodka, pasta, snails and love,
but still it kept coming.

Jonathan Baker

One More Road

for CS Mathews

Ephemeral,
intangible,
spiritual,
like that night with the whiskey glass
and it wouldn’t work, 
and we tried, 
and we tried,
and we tried.
I was hurt,
and his license plates were expired.
She and I,
we held each other
through the puffs of smoke.
We were enthusiastic failures.
We were ecclesiastic quitters.
And the broken glass,
not from the whiskey glass,
but from the windshield 
cut my feet on the pavement
as I showed how I could 
walk tall and proud for the officer,
and he told me 
to turn around and return,
but I wanted to keep walking forever 
until I returned to her.
First to the ground 
that drank her blood,
and then to the sky 
that ate her spirit.

Bradford Middleton

Drinking the Days Away

I spent the afternoon in the pubs
First the one i’ve spent so many
Words on in recent years and then
Onto the one before that and damn
It all felt so damn good.

I walked in the first one and wow
What a wonder it felt as outside
The sun still shone high in the sky
And the breeze swept through the
Bar and immediately i was greeted
With “Hi Bradford”.

It was home i felt and i settled in,
Reflecting the time by just ordering
A beer and sitting back, only 2-30
After all, and i just sat there, happy
With life after all.

I just drank slowly, chatted to some
People, happily getting on with my 
Day until it turned nearly 5 and the
Second pub beckoned as happy 
Hour prices were due to kick in.

I smoked one on the little walk
Round the corner and settled again
At the bar, ordering another beer
Before letting it sink all the way down
As i simply ordered another.

A bit of time kicked on whilst a
Lonely soul chatted with me about
God damn football as i drank beer
Cheap beer that made me feel 
Good.

But as the prices went up the time
Came around to get back home, safe
In the realisation that drinking in a
Pub is far better during the day than
At night.

Those poor suckers who drink in
Pubs at night are so often frustrated
At their lives; how they always seem
To be at work during the happy hour
Moments and rarely see any sunlight,
Through that best view, a pub window, 
Ha i laugh at those damn fools.

Brian Fugett

Nicotine Wiggle of the Carcinogen Cowboy

what have we become? watch close
you might see

static positions
a voice lost somewhere behind the headboard.
hidden sinkholes in a sandbox

a breath drifts
from one strange mouth
to the next

erections rearrange the gal
while the carcinogen cowboy
does the nicotine wiggle

a voluptuous 
cigarette butt bouquet 
blooms in the ashtray 
next to her head.

palm sweat is dispersed
in a kung fu drizzle
that reeks of
Marlboro menthols
and Budweiser 

John Patrick Robbins

I Always Forget Something

I tried to hurry along as always.

Purchasing things to clog my arteries and booze to simply maintain.

As I tried to ignore the nervous energy that made me want to scream out to some random stranger: 

“If you get in my way again, I will literally pound your head into the slab floor and keep on moving as if nothing happened!”

As some poor underpaid kid just thought to himself that he should get a raise for having to mop up this not-so-gray matter and remnants of my victim’s skull.

As I try my best to maintain the facade, I am a quasi-normal fully functional member of this mad society.

While I endure the ride home, listening to my friend babble about all the shit I could truly give a fuck about.

As my arm goes numb as my body yearns for its poison and I simply nod my head and try not to stroke out from having to endure the heat and pretend every breath is not a struggle.

As I arrive home to cram everything into a mini-fridge and pour a drink as I cuss myself for forgetting the razor blades for which I had planned on slitting my wrists that very evening.

I was angered, deeply out of air and beyond words in my lack of focus and frustration.

As that night a friend asked:

“Dude, what’s been going on with you lately?

You know you can talk to me, right?”

As I laughed within while saying nothing in return.

The truth does anything but set you free.

For I understood in this life you tell everyone whatever it takes to shut them the fuck up and in turn make them pay you no mind.

We as humans should have the freedoms to do as we please as long as our choices are not a danger to anyone around us.

But in truth, freedom comes with guidelines and way too many fine print agreements.

So I poured another drink to vanish externally to everyone around me.

And called my newly acquired friend to reschedule a return trip to town and remembered I should probably pick up a pen and some paper as well.

I wouldn’t want to depart from life’s station without leaving a note of explanation behind.

I may be selfish but I was far from rude.

Don’t worry, this isn’t a warning.

It’s a promise in the making.

I owe you nothing, let alone an explanation.

So fuck off!

The light’s out for a reason.

Jodie Baeyens

You ask if I remember

Those nights
almost a drunken blur
of bodies touching
bodies and of feeling
as if you being an inch away
was my heart
reached in and pulled 
from my chest

My bed
your car
any stolen moment
secret kiss

I remember narrow stairs 
and lavender
your beard against my curves
your lips against my neck

I remember it scared me
to love 
to care 
that much
for something
I could lose

So at the moment
I should have 
pulled 
instead
I pushed

Omar Alexandre

A Misconstrued Kindness

the big red muscle is on sabbatical
it took another dig at an empty human
a tainted canvas with damaging emerald eyes 
pulling the trigger has always been easy 
aiming is the problem and there’s only 
so many times that i can blow my brains out 
before i actually blow my brains out
but i’m not there yet so instead 
i’ll splatter my brain on to the page
and write about how cruel you were 
and title it after something stupid you said like 
a misconstrued kindness 
i guess i don’t know anything anymore 
maybe i really have lost my mind 
i’ve grown too old and 
the heart isn’t what it used to be 
the orchestra has been replaced by a dj
and now there is nothing left but rot and bones
a bad copy of the original barely crippling by
just trying to forget
and trying to remember how to do it all over again 
because the truth is little is known 
why a small thought of you
amounts to a drastic night filled 
with bad poetry