Damon Hubbs

Taste

in the ash yard hounds bluster and bark
a divine comedy of complaints,
why has she lost her taste for hell? 
the Trans Am boys do donuts in the dark

a divine comedy of complaints
circling like black hair in a bathroom drain, 
the Trans Am boys do donuts in the dark
slicking roadkill, surfing the blood of saints

circling like black hair in a bathroom drain
bad habits weed the craving void,
slicking roadkill, surfing the blood of saints
love was once a fentanyl rain 

bad habits weed the craving void
in the ash yard hounds bluster and bark,
love was once a fentanyl rain  
why has she lost her taste for hell?

Brenton Booth

How to Get Published in The New York Quarterly

I sent my first submission to The New York Quarterly when I was 25. At the time I was living in a tiny studio apartment in the red-light district. The kitchen cupboards were missing doors, carpet old, smelled like failure and death, walls full of grease and ageing paint trying its best to stay vertical. The good thing was it was cheap. I didn’t have to work much to afford it. And better than that, there was a large bright red mailbox right in front of the building. I sent submissions to everyone from that mailbox, The Atlantic, The New Yorker, Poetry, The American Poetry Review, The Sun, Black Warrior Review, and The New York Quarterly. I dreamed of getting in all of them, but really wanted to get in The New York Quarterly. I’d seen a documentary where the original editor spoke about another writer I greatly admired’ work and was quite impressed. Back then everything was printed out and posted the old-fashioned way. Each submission cost me $5.30 once I paid for the paper, printing, envelopes, postage, and return international postage. At that time, I wasn’t earning much. It was really an assault on the budget. Though I think the best moments of my life then was the hope I had pushing each fresh envelope into the indifferent mouth of that mailbox. I always did it slowly. Imagining every submission would be successful no matter how many times I had already been rejected.  And the amazing feeling I would get when that acceptance letter finally arrived. I was single then. Hadn’t been with a woman for a long time. Living on boiled rice and tap water to keep the costs down. One day I went to a cage fighting gym. After the class the instructor took me aside. Asked if I was interested in having a fight. I told him I couldn’t. I was a writer. “You make money from writing?” he said. “No, I haven’t been published yet.” “I think you will make money from fighting,” he said. I told him I couldn’t. Writing meant too much to me. And I was sure I would get published sometime real soon. I was wrong about getting published soon. None of those magazines ever gave me anything but rejections. I almost quit writing completely 8 years later until a workmate the same age as me that was recently diagnosed with a terminal illness told me not to give up. I started writing and submitting again. Though this time I didn’t imagine getting published. I knew I wouldn’t. I’d made peace with that. The important thing, I realised, was to write what you believed, the rest didn’t matter so much. Years passed like this. I saw more and more fighters having great success. Struck by the reality I was too old to change my decision. More years passed. I had a 60 hour week at work. Was on the final day. Beaten, broken, wanting to call up sick. Barely slept the whole night. Got out of bed at 2AM–an hour and ten minutes earlier than I needed to. Checked the mail on my phone to pass some time. I noticed a response from The New York Quarterly. I was so experienced with them–eighteen years worth of schooling. I began reading the familiar form-response. After the first line I realised this was something else. This was the acceptance I had been waiting for all those years! I turned on every light. Got ready for work with the biggest smile. Ready for anything anyone could throw at me. 

Daniel S. Irwin

Signs

Some people are
Fanatics about it
But I never go by
Zodiac signs.
I’ve always been
An exception to
What traits are
Ascribed to mine.
Even my days go
Contrary to
Daily predictions.
Apparently,
In my case, my
Destiny is not
Written in the stars.
It’s more like a
Matter of what’s
Scratched out
In the dirt with
Coal being my
Gem stone.
Maybe, that makes 
Earth my planet.
My spirit animal
Has always been
The maguey worm
At the bottom of
A bottle of mezcal.

Horror Sleaze Trash: Poems Vol. 2

The long-awaited 2nd volume of Horror Sleaze Trash: Poems has finally arrived!

Featuring poetry by Jeff Weddle, Rob Plath, Jessica Heron, John D Robinson, Damon Hubbs, Clarice Hare, James Diaz, Donna Dallas, John Tustin, Jay Maria Simpson, J.J. Campbell, Kristin Garth, Andy Seven, Rp Verlaine, C. Renee Kiser, Nadja Moore, Anthony Dirk Ray, John Knoll, Alan Catlin, Bogdan Dragos, Omar Alexandre, John Grey, Michael Lee Johnson, Ryan Quinn Flanagan, Danny D. Ford, Devlin De La Chapa, Paul Tanner, Brian Rosenberger, Ben Newell, Saira Viola, Aimee Nicole, Johnny Scarlotti, David Boski, Matt Amott, Sherry Shahan, Joshua Jordan, G. Arthur Brown, John Yohe, Robert Guffey, Jacklyn Henry, PJ Grollet, Dustin King, Herman B. Triplegood, Eleanor Karinthy, Noel Negele, Dan Flore III, Ken Kakareka, Joseph Farley, Garvan Giltinan, Mather Schneider, Matt Dennison, Kyle Denner, Mendes Biondo, Daniel S. Irwin, Jason Melvin, Jon Bennett, Jeffrey Zable, Tohm Bakelas, Puma Perl, Judge Santiago Burdon, David Estringel, Damian Rucci, William Taylor Jr., John Grochalski, Mela Blust, Wolfgang Carstens, John Gartland, Alexander Poster, Paige Johnson, Walt Shulits, Scott Ferry, Jodie Baeyens, Noah David Roberts, Ruth Niemiec, Jay Passer, David J. Thompson, John Sweet, and Joseph Fulkerson.

FREE DOWNLOAD AVAILABLE

BUY A COPY HERE

Mike Zone

Tiny Desk Confessional

(to Effie)

Eye of the port
as the storm nears
imperial bedrooms quaking underneath zodiac trees
last supper inspiration
from a deck of cards
where communion has been rendered anything but
roller-derby brawler at the end of the world
fall down
crash
burning bright
a celestial tigress aflame
claws tearing vapid skies
truth telling in a realm of toxic positivity
where the land that isn’t your land
is just the land
and so are you
skin to skin
beauty marks
corresponding with astrological projection
where do we find the reflections of oneself
but in other’s existential dread
in genuine paths 
in the places of dead roads
where romance has no place to fluctuate
but the nature of one’s being
alone
no longer withholding
the desperation of truth
we all wish to speak
a tiny desk
confession
the root of it all

Swingers Anonymous: Jonathan Woods

A SOUTH FLORIDA NOIR

When two dead bodies and $20,000 in drug money show up at the end of a swingers party, Bill becomes…well, a little unglued.

Directed and produced by Quincy Perkins. Written and produced by Jonathan Woods.

Based on the story “Swingers Anonymous” by Jonathan Woods. 

Key West Film Festival, 2014 ~ Premier

FilmGate Miami, 2015 ~ Audience Award, Best Film; Best Actor, Tom Frank

Cannes Film Festival, 2015 ~ Short Film Corner

“A modern day Tell-Tale Heart, as if Edgar Allan Poe was a post-modern gonzo noir storyteller – Swingers Anonymous clearly reflects the influence of Hitchcock and Fellini, with a generous touch of the Coen brothers.” — Key West Citizen

“Classic filmmaking in 23 minutes.— Behind the Scenes

Jonathan Woods has written three pulp noir novels, A Death in MexicoKiss the Devil Good Night, and Hog Wild as well as two short story collections, Bad Juju & Other Tales of Madness and Mayhem and Phone Call from Hell and Other Tales of the Damned.

u.v. ray

The Passenger

it’s my last night in new york – still blazing and all the nightclubs are throwing out – not yet anywhere close to hitting baseline – with my fuses blown i’m caught in the symbiotic divide between the grey a morning and the violet luminescence a night

welter a white noise scuzzing round in my head – voices materialising throo the veil indistinct like a discharge a short-wave radio static – it’s 4 in the a.m – array a glittering street lights shift across the winnders a the taxi as it freewheels like blud throo the veins a the city in a stream a red tail lights – the cab slows down as we drift past the china doll XXX titty bar and they’re blasting out milkshake by kelis – two thin thai girls wearing nothing but tiny gold bikinis are standing outside the door smoking cigarettes – taxi driver’s got one good eye and the other one made a plastic – i ask myself was he in an accident or malformed in the womb  – the fucking thing freaks me out man – it just stares fixed in place – it don’t move in its socket at all as he eyeballs me in the rear view mirror and whistles with his tongue stuck throo his teeth

ooooh them girls just look at them knockout girls    he says

them kind a girls ain’t nothing but a badluck charm   i tell him   that kind a pussy is

  enough to drive any man to the nuthouse

but i don’t really look at nothing – i’m just a disconnected viewer operating on disparate frequencies – the last strands a my existence stretched out across the sky – acute pinpoints a light detonate in my peripheral vision – colours fading all fast and thin – black silhouettes – freeze frame stills jump cut all around me as if everything is playing out on a roll a black and white film and sumbody hit ffw>> on the video machine 

the cab lurches to a stop at a red light where on the corner there stands a bunch a skinny transvestites their bony fingers beckoning cars and all their jewels glinting in the passing headlights – the taxi driver shifts the auto box to P and he sits and drums his hands on the steering wheel in time to a roxy music track playing on the radio – graffiti sprayed across the steel shutters at the bank of america says corporate blood money / donate here– driver asks me what line a work i’m in and i tell him it’s a line a work more lucrative than blud diamonds – he laughs and waves his hand and says he don’t even wanna know nothing about that kind a shit – i keep staring out the back winnder up above the tower blocks looking at the vast expanse a stars and i bomb another wrap a speed and tell him that’s good cuz people who know too much get chopped up and put in cans a tuna fish

gleaming expressways shift in and out a the city – old crumbling buildings with paint peeling from walls stand alongside the steel and glass a the new – at 60 mph the driver holds the steering wheel between his elbers and sparks up a cigarette – he balls me in the mirror again and smiles with his teeth yeller as mustard

come off it hotshot who you think you tryna kid

we glide throo the streets as the night begins to dissipate – merging at the infinite horizon an amalgam of smoke and flame – everything is broken – the gods and angels are dead – hudson river glittering as the sun prepares to ignite – i’m being driven back to my hotel past empty billboards and vacant lots – four parked police cars on the sidewalk outside maggi lee’s 24hr chop suey café – red lights revolving strobing the street but nothing can animate the kodachrome picture a three incinerated bodies lying like heaps a charcoal on the ground – a young cop and an older cop stand and scan the scene with their flashlights and throo the taxi driver’s open winnder as the cab crawls by i hear the young cop say

jesus it’s just about enough to mek yr hair stand on end ain’t it – you know the

  first time i saw sumthin like this i threw up

and the older cop nods his head sagely and looks around – he douses his flashlight and hooks it back on his utility belt

i reckon i’m gonna have me sum a that good old chop suey while we wait for the

  coroner   he says

the old long yard the taxi driver tells me they call this place but it’s just a wasteground full a ruptured concrete and bits a railroad track jammied between a brick building and a chain link fence surrounding a dilapidated concrete basketball court that’s sposed to be for the neighborhood kids but is littered with syringes and broken glass

for the most part i myself never ask no questions about stuff no more – anaesthetized all i wanna do is absorb a shit load a speed into my bludstream – fuck myself up – fry my brain until the blud seeps from every pore as the price a fissile plutonium falls and our politicians itch to drop atom bombs

on the surface everything appears to sparkle and shine but i look in the faces a strangers on the streets tonight – everybody in trancelike states totalled on oxycodone and the intravenous bullshit drip fed to them throo newspapers and shell shock television shows – everybody at odds with life – howling like stray dogs in the alleyways becuz a the fatal manoeuvres in their lives 

i tell you summat   the taxi driver says    the dead bodies round this joint are amongst

  sum a the city’s most fortunate sons

from the car’s glove compartment the driver fetches a half bottle a vodka and takes a swig –  he puts the bottle between his legs and pulls a left heading west and five minutes later the headlights a the taxi contour my hotel as the driver rolls the big old Ford to a stop outside – he flicks on his yeller hazard warning lights punches a button on the taximeter and holds out his hand for the dollar bills

and you know it’s all too late – the rolling a the dice is underway – all the people out there fighting their silent private wars – and there’s no use praying now to the old stone gods that no longer exist and wouldn’t lift their little finger for you even if they did

so here’s to the beauty of this world and all the workers on the factory lines – here’s to all the drinkers in all the bars and all the gamblers at the roulette tables – here’s to the lonely and all them who’ve bin driven demented – here’s to the suicidal – the lost and broken hearted – here’s to the drifters of the streets –  and here’s to all those who sit alone late at night in tenement blocks burning cigarette holes in their own arms cuz they’re scared a the nightmares that come every time they close their eyes

here’s to all the losers in the game

they got a candy machine in the foyer a the hotel – i drop a dollar in the slot and press the button and pick up the bag a gummy bears that fall into the tray – the blonde night receptionist tells me to be looking over my shoulder up there and to make sure i lock my door

we’ve had sum rough looking customers check in tonight   she warns   bunch a guys

  just passing throo on their way to lenoxville 

the receptionist says she suspects they might be on the run summat to do with all that bad blud down in lakewood that’s bin all over the news

couple a people dead   she states closing her eyes tight like she’s going to sleep

 i walk over to the elevator and punch the call button

it’s the same the world over   i shrug    when yr number’s up it’s up pumpkin

i ride the elevator up to the 5th floor – back in my room i switch on the teevee with the sound turned down and hit the minibar – there’s old lipstick stains on the dirty glass i’m drinking whisky from

i lie back on the bed and stare at the dull grey walls – stretch my arms out like angel wings – there’s a spring busted in the mattress and i feel it sticking in my back – a reflection a red neon light slithers throo the winnder blind

my flight home is at 10pm tonight

Dan Flore III

Hits and Tits

two women
posted pictures
showing their breasts

the first woman
was naked
her nipples just there
hanging out
like cow udders 

the other woman
was talking about self help
but positioned the camera
right on her cleavage

I really shouldn’t be
seeing either of their breasts
I’m just scrolling through social media
but since I am

I can’t help but imagine
their breasts in a wrestling match
swatting at each other

until one woman’s tits
finally pins the other
with more likes

Ken Kakareka

Fuckin’ Pussy Licker 

Fuckin’ pussy licker
I said 
as piss skipped 
unwittingly 
down the front 
of my pants 
as I was 
taking a piss. 
As a cockroach 
skittered up 
the wall 
and into 
the cupboard 
before I could 
obliterate him. 
As the clock 
struck 8
and I was late 
to be somewhere.
As my head 
throbbed 
from a migraine
that sprang upon me 
10 minutes earlier 
like an unwelcomed 
guest. 
As it was 
a week before 
Christmas 
and I realized 
Christmas day 
was going to be 
80 and sunny 
in Fullerton, California. 
As my wife 
snuck up 
behind me, 
bit my ear, 
and squeezed 
my lonjas 
and said, 
Lick my pussy, 
bitch.

HSTQ: Winter 2023

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Winter 2023, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Scott Ferry, Eleanor Karinthy, John Tustin, John Gartland, PJ Grollet, C. Renee Kiser, Paige Johnson, Rob Plath, Joseph Farley, Damon Hubbs, Herman P. Triplegood, Jacklyn Henry, Kristin Garth, Ryan Quinn Flanagan, and Donna Dallas.

Get your FREE ebook here!