Jay Passer

The Ranch

We’re watching late night comedy
Undressed like animals
Woody slides the coke tray out from under the couch
Neil working the swivel-recliner
Upndown
Backnforth
Roundnround
Cold frosty bottles in a brown paper QFC shopping bag on the coffee table
Becca can’t keep still with my boxer shorts stuffed in her mouth
I puffing albuterol nebulizer
Paired with bong tokes 
Neil jokes about the blood of Christian children
He uses instead of bong water 
Woody’s back pain following him from the Wing Stop
Where we’d just pulled a job
It was Becca’s idea
Sometimes she had one
Like a light bulb in an attic
It looks like she wants to say something 
I yank the shorts out
Take your time says Neil we got all night
Little do I know that while I am at work Neil and Woody strap her down to the coffee table and take turns objectifying her body
Woody and Neil
Lumbermen of imminent GenPop video games
I think, Becca starts her eyes wide with speed I forgot my cigarettes at Wing Stop!
Give her something to suck on Ivan, if you can find it Woody chortles
Maybe you left ‘em in the safe we just emptied at gunpoint Neil points out
You think? Becca pipes incredulously
She has one little dainty white sock on while wiping her armpit with the other
I stand up
I sit down
I stand up
I sit down
I stand up
Willya fuckin’ quit that lvan you freak you’re freaking me out yells Woody
I sit
Tufts of cat hair adrift
Somebody needs to clean up after that fucking cat I proclaim
Becca’s baby blues startled, head darting about
My kitten! Where’s my little baby kitty?
Between your not-so-little legs Woody jokes
Comedy punctuated by commercials for insurance against tragedy 
Becca pokes me
Gimme a smoke Eye
She wants a smoke Eye mimics Woody
Give her a smoke Eye parrots Neil
I still wearing my rubberized dead president mask
Fuck all of you 
I got an agenda
Let’s split that stash so I can take this mounting phallus and stick it in Becca before the world ends
They’re used to my scat
My scandalous
Scatalogic
They indulge in it
Even revel 
I can’t phase them 
Woody snorts a chub, chugs a frosty
Starts waving his limp baton around like a schizoid Viennese conductor 
Didja hear him Neil? Whip out that stash
Neil stunned, frazzled
Fantasizing about prenatal Jesus
How to reverse the Resurrection 
Woody like a field marshal of the Lower Rhine 
Brandishing his deflated pizzle in circular motions 
A man in charge
Despite palsied rats running his spinal column
Upndown
We’re flush
From the rush of crime and chemical intake
Frosty bottles
Cold skin like Japanese porcelain on a mist-shrouded morning after the flattening of Hiroshima
We got the shivers 
The fidgets
Wary of sirens slashing apart the sky
Random phones ringing
Angels burned at the stake
Woody’s wee willy flopping like a wet sock puppet
I explode
Damn it to hell you morons I demand my cut this instant!
Becca prods
Becca’s got issues
Becca’s got needs
Becca wants her membranes stimulated
Olfactory
Pulmonary 
Anally
Let’s take a shower Eye
Let’s do Jäeger bombs
Let’s do a line
Light my smoke willya
Rub my back
My feet
Pull my hair, slap my ass
Make me one of those omelettes you make
Becca twists around
Doesn’t he make the best omelettes?
Becca talking to the wall again 
Seeing her friend Melissa again
Melissa the bar slut everyone wants a piece of
A cute fat young thing
Who’d suck you off for a double vodka cran
Until the night she got super drunk at a party on a boat and fell overboard 
Nobody even noticed she was gone til the next day when her body was discovered floating face down in Shilshole Bay
There was a wake for Melissa at Wing Stop
On Taco Tuesday
Becca accuses me of lusting after Melissa’s fat stinky fanny
Is that any way to honor the deceased I wonder aloud
Admit it Eye! You want that ass! Everybody does! You’re no different! Fucking men!
Too true Woody agrees
She did like dick Neil adds as he flops back down on the squeaky recliner
Empty-handed
Any motive for rising in the first place forgotten 
Must’ve been days later maybe hours but realistically just minutes
Bills rolled
Benjamins
Crispy from the take
Powder mirror passed
Smudged with gas
Gas from ass
Frosties quaffed
But not so chilled now
Neil announcing a need to drain the liz
I enact my agitate-Tourette’s routine
Stand
Sit
Stand
Sit
Stand
In jerky pantomime 
Working on the Stoli now
Surreptitious hits from the kitchen freezer between rapid pacings
I look closer
Between bags of frozen peas and Trader Joe’s wontons
The big fucking bag of cash
Our foolproof stronghold at the Ranch
Top-load freezer in the kitch
Guys not playing with very many cards in the deck here
I re-animate my Myoclonic epileptic routine
Sit up
Stand down
Sit up
Patent that shit
As Neil settles deep into recline
Stretching out
Swivels from the flatscreen 
Accordions spine straight up 
To grab a bottle with a lurch of the chair’s mechanism out of which erupts a
Sudden
Blood-curdling squeal
Like horror movie macabre
What the fuck gasps Woody
Becca practically leaps into my skin 
Neil petrified 
Frozen in space
Spasmodically I sweep into action
Becca caught in my wake like a house in a hurricane 
Woody clutches behind his back
At his spasming sciatica
Neil gone dormant
Catatonic
Shock he’s in shock right, Eye?
Quite observant my love
But you might want to step away for a sec
Why what’s wrong is Neil okay? Should we call a parametric?
Naw
Actually 
I believe this is more a job for the hazmat crew
A what? Omg what’s that smell?
I stoop to lift up the swivel-rocker’s flap of fabric
Sure enough
The cute kitten had covertly crawled into the mechanism
Warm dark and cozy like a womb
Until the shifty weight of Neil returned
Woody flat on his back on the couch as if gunshot
Writhing 
In turmoil
I tease
Can I get ya a beer Woody? A toke? How ‘bout a little railer? Good for what ails ya?
I sing dangerously close to exalt
Woody waves me away grimacing 
Neil inert
Zombified
The rapists
Out of commission 
Becca glued to me like duct tape on an open wound
High time indeed to
Decamp
Vamoose
Skedaddle
All the obsolete terminologies for disappearing
Throw something on girl, any old burlap sack will do
I tug at Woody’s track-suit pockets for the keys to his pickup as he squirms and struggles
As Neil fights petrification
Becca tottering naked as a wasted Venus yet still with one dainty white sock on
Woody fighting back now despite palpable paroxysms of torment
In a grapple of disrobed scarecrows
I yell
Damnit woman we gotta scram! Put some clothes on and in the freezer? There’s a bag with the green! Grab that stash, I’ll be in the truck!
Suddenly my marble effigy of a tart sprouts wings
Keys clenched in a fist I ransack the hall closet
Holes punched through the door
Like every other door at the Ranch
Snag a bloodstained chef’s coat, stiff black leather chaps
Clutching my privates with an old catcher’s mitt
I flee
Out the door and into the black
Becca already tucked in the passenger seat of the truck
How’d she get that fast?
Didja get the goods?
Becca with SpongeBob pajamas on
Her ample anatomy jutting and swimming
Her face streaked with tears
Lamenting her massacred pussycat
I gun the engine which screams like a horse being butchered alive
We tear out of there
I snatch the brown paper sack
Gaze salivating within
Wtf?
At a bag of frozen peas
Becca where the fuck’s the cash?
What? I grabbed the green like you said! Why do we need frozen peas anyway?
I still wearing the dead president’s mask
I try removing it
I tug and yank
But it seems fused to my face
Becca starts laughing 
Frantically 
Idiotically
Maniacally hyena-like
The night speeding with hallucinatory flashbacks
Now you got a dick for a nose!
A dick for a nose
A dick on your face
Adickadadickadadickadadick!!!
Keep laughing wench! I scream
You’re the one with the dead fuckin’ pussy!
Sonny and Cher on the AM radio
John and Yoko on the FM dial
Sid and Nancy dead at the Chelsea
Bonnie and Clyde we are not

Dan Cuddy

He Who Loves Grape Juice

no poem today 
why? 
pickled, fried 
last night 
one of those 
never empty wine glasses 
great dinner 
great talk 
but who can remember? 
oh, once or twice a year 
Bacchus reigns 
converses about the past 
the characters that are shadows 
so many dead 
diabetes 
drugs 
cancer 
oh just a list of common afflictions 
but the characters 
that saw sunrises, midnight moons 
Paris 
the mirror in the Charles Village Pub 
the interior of a deep philosophic mind 
making illegible notes to itself 
the poet whose best work 
was published after her death 
we toasted them all 
again and again 
luckily my wife drove home 
traffic patterns were askew 
for me 
and so this morning 
unsympathetic for sure 
few tolerate overindulgence 
though the wines of the world flowed 
from Spain to New Zealand 
we helped diverse economies 
with our indulgence 
but this morning 
who really wants to type words 
the sound of typing magnified 
in the pickled raw mind 
the typing arm attached 
to the arm of another arm 
and that to that of a hammer 
and so this morning 
feels like a vampire 
that didn’t escape the sun 
or the stake 
how shriveled raisins are 
and the reasons 
for overindulgence

Damon Hubbs

Abigail’s Party

At Abigail’s party
Farrah says she’s one hundred percent 
committed to romance. 
I had a crush on a French bartender 
who never read Houellebecq, god 
we were bored to tears. Do you remember
newspapers, she says. I mutter something 
about wearing my best shirt to the Prado 
to see Goya’s Black Paintings
and she lifts her glass 
and lists the number of ways 
the world is a mystery

                                  take Abigail’s party 

For instance —we’re in a hallway 
pink as a vulva, and Joan 
saw a UFO over the Unadilla drive-in 
on Friday. Laura is dead. The dog sleeps 
at Paul’s feet. John and Lise fight 
with cudgels, then apologize to Chloe 
for not having a car. Henry joined the circus 
says Bret. There’s a fair young man in the kitchen
clumsily lipsticked. Has anyone seen Abigail?
Albert no longer has the sparkle 
in his eye. Nothing happened 
particularly, and the nightcap crowd 
can’t be cut from the wall. You’re wearing 
your best shirt again, and that’s enough.

Alex S. Johnson

Bring Me the Head of Hunter S. Thompson

Reynaldo, the World’s Smallest Circus Bear, knew by a hair’s-breadth presentiment whenever she was about to ring him up. There was a certain warm, giddiness-inducin pulse on the other side of the call that signified one name and one name only: Gaga.

“Caught in a bear romance” blared from his circus-bear customized smartphone, with subliminals meant to curdle brains of eavesdropping FBI agents through the use of a sophisticated encryption system Reynaldo himself had conceived with the help of the LucasFilm people. 

“Rey Rey here,” he said. Only Gaga was privileged to employ the sole nickname he allowed anyone to use. They’d had each other’s back for many years, and their friendship had even survived the whirlwind courtship and devastating breakup on the Spanish island of Ibiza, only a few hundred yards from the site of Nico’s death in a Bizarro bicycling accident.

“You miss her too, huh,” Gaga had said, her words trailing off.

“To be honest, I never really knew her,” said the bear wistfully. He was speaking partially of Nico, of course, but he could have been talking about himself. The whole thing had gone by in a blur, on an alternate timeline. Reynaldo once researched bear lifespans and found to his astonishment that his had somehow expanded 30 years past the demise of 99.9% of bears–except, of course, for the fabled ‘Bear Methusaleh’ of lore and legend–and the fact that he had actually known the deep-voiced Teutonic actress/singer/vampire pussybat during his undergraduate years at Brown (Bear) U. was something he simply accepted the way he accepted the fact that he could juggle chainsaws while negotiating a unicycle over a sometimes Nietzschean abyss. 

He wasn’t about to swap out this timeline for another that, however more ‘normal,’ and lacking in danger, was sheer Snoozeville. Reynaldo wasn’t a risk-averse bear; in fact it was precisely that sterner stuff of which his particular flesh was heir that led to his longtime interstectine departmental war. 

The Company had employed Gaga off and on since her debut, after they groomed her as a Julliard student, the same way they’d done Conan O’ Brien and countless others. She was flattered that the spooks believed the Germanottas were on the data dotta as far as having certain interspecies psychic mindlink skills, which was how she first encountered Reynaldo. 

“I just got the call,” Germanotta said. The tension in her voice was poignant to Reynaldo, who’d known her in happier, simpler times and climes where/when the two cavorted like primal woman and bear, he sporting an enormous red chub, her nude except for her LED-enhanced mirror shades. 

“Steadman?”

“Y-yes. And he sounded…”

“He sounded in a bad way. I know.”

“You always know, Reynaldo!” She sounded like a petulant Elvira, Mistress of the Dark.

“Because a smol bear is an ordained magus in Thee Order Ov Unholy Flesh.”

“Well so am I, but my esp powers aren’t quite as developed as yours,” Stephanie said after a thoughtful pause. Or she had nodded off thinking of Nico and the lovely French language.

“If Nico hadn’t been an Amazon style Germanic blonde femme fatale, she would have reminded me of a young boy,” was what Reynaldo decidedly did not say. “Anyway the Russians want to derail this precise conversation, and where the Russians are, MK-Ultra can’t be far behind.”

“Just fuck that Zander creep,” said Gaga. “He kept calling me, wanted to interview me for that stupid magazine of his. So I consulted with Willem Dafoe. Willem told me to charge him. Now Zander’s gotten a second mortgage so he can get a loan to pay me for the interview, and I fucking told his dumb ass…”

“Gaga, focus, dammit. Look into my eyes and see who I am.”

“Lucifer, obvs, but ok, I see what you’re saying. Yes, Steadman was in a panic. Some Russian gazillionaire had Thompson’s head stolen. Again.”

“Dammit to hell,” burst out Reynaldo. “And I had a golf date with Bull Clownton. Hold on, I need to tell my secretary.” Reynaldo terminated the call, then texted an message to a well-worn address.

Ten Hours Later, FBI Field Office, Detroit, Michigan 

Special Agent Lance Johnson had folded himself into several idiotic shapes examining the security footage. What sort of game was that bear or bearlike individual playing now? Everybody knew that Hunter Stockton Thompson had had himself…or the particulate matters of pure gonzo fiction that remained…shot out of a duo-thumbed fist clutching a peyote button. There was no whole head to have brought in a diplomatic pouch to a Russian gobsmackillionaire anyway. But he suspected that half the time Reynaldo and his pal Germanotta were up to metafictional shenans. At least, that’s what his instincts told him. Of course, his instincts were mostly wrong as shit.

“Let’s scramble some breakfast choppers aaaaand…” Johnson was on the nod again, drool-drilling himself into epic widescreen dreams of motorboating Nico like a madman while she slurred the words to “All Tomorrow’s Parties” in his ear as she transformed into a genetically modified vampire pussy bat.

Reynaldo, the World’s Smolest Circus Bear, fortified compound, Taos, New Mexico 

“So what did you discover?” asked Reynaldo after an eternity.

“I think Hunter’s brain is fucking with us,” she said, snort-laughing. 

“I would tend to agree,” said Reynaldo. “He’s good at that. I think that’s why we got along so well. Simpler, purer, less complicated times. Oh Gaga…”

“Oh, bear…the unbearable hotness of your being a smol circus beast who exploits himself for hard cash…”

“I’ve performed before royalty and reeking New Orleans gutterpunks alike,” said Reynaldo, his smol, furry body suddenly shaking with sobs as he realized that his youth would never return. “Hunter knew exactly what was about to happen to our world after 9/11, which was why…”

“Why he had himself cloned by German doctors,” said Germanotta, completing Reynaldo’s sentence.

“I miss the fuck out of Nico,” said Reynaldo. “Yes, she was an asshole, but she was OUR asshole, you know? She cared about nothing but her dripping black candles and turning her skin all butter n’ creamy soft from soaking in the dark tub all day…wrinkled as she was, she was our bitch.”

“I’m a free bitch, baby,” said Gaga. “And I choose domination by my favorite circus bear.”

“The world’s smolest,” said Reynaldo with a grin.

“Indeed, love, you make me weak in the knees.” Her phone buzzed. “Sorry, I need to take this,” she said. 

“Hello, Beyonce? What’s shackalackeling, baby? I’m here with Smol Bear…oh, you got the call from Steadman too? Yeah, I agree, he needs to get out more. Hunter S. Thompson is dead. Long live Hunter S. Thompson, his clones, his brains, Nico Pussybat in her various incarnations…”

From somewhere in the far distance they heard the sound of a harmonium and a wet, queefy sound approximating a Germanic accent in bubblin’ tones. 

“Thees song was Jeeem Morrison’s favorite song…eet’s called ‘Thee Ent.'”

THEE ENT

Steen W. Rasmussen

God Is A Place

God is a place with no scope—a room with no space, walls of no height, imaginary windows, illusionary doors. It cannot be gleaned from out here or in there, nor in thought or dream. It is a place where nothing exists—a place in name only; oblivion, death.

It always was, it is, and it forever will be – yet never were, and can never become. In this paradox lives the illusion of scale and creation, growth from motion and emotion, free will and meaning; a place that is not God.

Perforce, you exist and life is part of something rather than nothing. Perforce, you feel there are choices you make. Of course, these are the illusions. You can attempt to believe, seek solace– distraction as well—in the stories we tell to avoid the truth, looming: You are a prisoner of Eternity until you return to the place that is God—a place you never left. 

It is a beautiful and horrifying thing.

***

Previously published in Lothlorien Poetry Journal

Jeff Weddle

Right Here

Not far from where you sit, right now,
just a mile or two away,
there is a house
you never really notice.
It has white, vinyl siding,
a small porch, a basement.
A single rose bush decorates the front yard.
Not far from you there is a man
sitting in a chair and savoring
the weight of a gun in his hands.
It might be a new gun
or something he’s had forever.
Maybe it was his inheritance
from a careless father
or he bought it from the back of a van
or at a gun show.
Depending on where you are,
the man might be holding
a semi-automatic rifle
or a .22 caliber pistol
or maybe a .357 Magnum.
Not far from you, a woman,
or child, or man stands, oblivious,
in a kitchen, maybe chopping onions, 
or on a sidewalk,
or is maybe entering a school or movie theater.
A commonplace horror
will happen very soon.
It will happen so close to where you are,
right this second,
that a stray bullet
could come through your window
or even a wall
and take you the fuck out.
Or it might take out your child,
your wife, your dog.
You have always
held that “Guns don’t kill people.
People kill people.”
What about when your own baby
has been shredded
by high caliber bullets?
What about when you don’t even know
you are screaming
until someone puts a needle in your arm?
But you still have a little time
before it all goes down, so relax.
Drink your coffee and don’t think
about your neighbors.
Look out your window at America.

Marty Shambles

Meat the Messiah: s01e06 – The One with Tyler Durden

bukowski and elvis are in a bar, drinking turpentine. there is no laughter or small talk. there is only the sound of liquid swallows, the occasional belch, and the slow ooze of a languid jukebox.

the phone rings like a fire alarm and startles a few people who are alert enough to react.

bartender: hank? hank bukowski?

bukowski: what.

bartender: phone.

bukowski: fine.

he puts the phone to his ear.

tyler durden: hank. i need to tell you the story of the wafflehouse at the end of the world.

bukowski: make it quick.

tyler durden: the waffle house was empty save for ross from friends, margaret (the waitress), and demetri (the cook). ross sat at their old booth, on this last day of earth. margaret approached, ‘haven’t seen you in years.’ ross said that it was too painful to come back here. ‘can i get you some coffee?’ ross heard gunshots off in the distance. no sirens. monica walked in, 67 years old, dressed like hitler. she walked over and sat across from ross. ross said, ‘i thought you would ditch the getup for the last day.’ monica said, ‘this is who i am now.’ he said, ‘but we’re jewish! is this some sort of commentary on how wealthy jews disproportionately support the genocide in gaza?’ she frowned, ‘no… he likes it when i’m hitler.’ then it was ross’s turn to frown, ‘oh you had to bring him up. that’s just great.’ ‘ross, you need to get over it.’ the waitress came back for their orders. ross said, ‘i’m not hungry anymore,’ and left. ‘don’t ruin the last day, ross!’ she shouted after him to no avail. rachel/hitler looked at the waitress, who didn’t seem to care she was dressed as hitler. ‘can i ask you something? why did you come into work today?’

‘waffle house never closes.’

bulowski: i’ve heard that one before, asshole!

he hangs up the phone.

***commercial break***

in yellow font the title text reads 50 romantic classics, while schmaltzy orchestrations play and song titles scroll up the screen, with vasseline-smeared footage of sunsets and a happy couple walking along an idyllic beach in the background.

the most romantic music you have ever heard, sure to rekindle any romance. fall in love all over again with 50 romantic classics. glide across the room with her, dancing on a river of silk. you are still the most beautiful people of your high school class, some 40 years later. sure she’s fucking the gardener and you inflict your hatred of women onto your employees, particularly your secretary, who has endured your leering and gropes and dismissals for years. she lives alone in an efficiency apartment with one cat. she would prefer a dog, but she couldn’t maintain a dog with the hours you make her work. edna is her name and you call her eddy, despite the fact that she despises that nickname and hasn’t told you that for fear of reprisal. she had dreams of moving to the big city and meeting meet another lesbian to spend her life with, but you never paid her enough to save up. in two years she will die of an aneurysm and you will not go to her funeral. but none of that matters with 50 romantic classics. you’ll feel the divorce papers melt away with this carefully curated selection of only the most romantic songs. 

***

the smoke at the bar hangs low. ever since the death of the wind machine, the smog doesn’t seem to go anywhere. elvis and bukowski drink in silence. the bar phone splits the silence again.

bartender: hello? …is there an elvis here?

elvis costello: which one?

bartender: presley

elvis: yeah man.

tyler durden: pov: you’re staring down the length of the limo’s interior. you look over at your studio-mandated wife and finish your watered down scotch. you know you’ve never brought her to climax and you see the flashbulbs through the tinted window. it’s showtime and you both put on your public faces. the door opens a flood of light hits your eye. you accept it with grace. your every move is hypnosis, well practiced and gilded. you step on the red carpet to a storm of bulbs. you smile and your teeth shine back like high beams on a country road. you take your wife’s hand, knowing your hands are clammy. you can feel her slightly recoil from your touch, but not in way that’s visible, because she’s a pro and you’re a pro, and you go out there and turn on the charm.

interviewer: in this fast paced modern world, how do you stay so fit?

you: i eat healthy and have lots of sex with this hottie right here.

interviewer: who are you wearing?

you: kmart tuxedos.

(everyone laughs because kmart is for poor people.)

interviewer: when are you and your wife going to be in a movie together?

you: there’s something in the works. stay tuned. think eyes wide shut but sexy.

you move inside and watch the movie you’re in and it’s awful. just agonizing slop. you don’t care. you already got paid. you’re the biggest actor in hollywood and this will make a billion at the box office easy. the limo drops your wife off at her house before dropping you off at your house. you don’t have the energy for after parties tonight. waiting behind the bush is the ceo of kmart and he smashes you in the face with a morning star spiked mace, then runs off into the night. half your jaw is gone and you lay in your driveway breathing bloody foam–no one around to help. before you pass out, you let out this plaintive prayer:

dear lord,

what is the weekend? everybody’s so mean.

elvis: i don’t get the point of this.

***commercial break***

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***

at the bar, the smoke is so thick, there’s 3 foot visibility. bukowski’s on his 11th whiskey; elvis on his 9th.

bukowski: if that asshole calls again, i’m gonna kick his ass.

elvis: i think he’d like that.

the phone rings again. the bartender answers. he says this call is for everyone at the bar and puts it on speakerphone.

tyler durden: marty shambles, author of MEAT THE MESSIAH, is fabulously wealthy from all of his book sales, and lives in beverly hills. we sat down with him in his palatial home to talk about his work, his life, and what the heck makes him tick.

rolling stone: your book has been described as a self-indulgent heap of filth. what do you say to these detractors?

marty shambles (field dressing a dear in his drawing room, pauses to show his coffee mug that reads world’s best author): you think amazon would sell that to anybody?

rs: right wingers hate you because they say you’re woke. left wingers hate you because they think you’re a racist.

ms (posing for a portrait with regal stature): no matter who hates me, i support the immortal science of marxism-leninism.

rs: what about mao?

ms: who?

rs: what’s your next book?

ms (mixing himself a cocktail of morphine and dextromethorphan): i’m thinking a sequel to the great gatsby where gatsby’s manor is haunted by all the ghosts of the booming 20s. gatsby has huge ghost parties every night, hoping daisy will return.

rs: that sounds awful.

ms (girating to a spicy latin rhythm): thanks.

bukowski: you son of a bitch! i will end you!!!

credits roll.

***

HSTQ: Fall 2024

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Fall 2024, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Taryn Allan, Ryan Quinn Flanagan, M.P. Powers, Jason Melvin, Tempest Miller, Michael Ashley, Alan Catlin, Jade Palmer, Damon Hubbs, Brooks Lindberg, Johnny Scarlotti, Casey Renee Kiser, Karl Koweski, and Noel Negele.

FREE EBOOK HERE

Alex S. Johnson

Pussypower Reloaded: A Fucked-Up Fairy Tale

Princess Cherrypop idly pet her pussy by the side of the River of Sparkling Goodness, fantasizing about the day a charming, handsome prince would appear before her, offering to chastly marry her and. carry her to his palace where extremely vanilla proceedings would take place and little to none of the “kink,” except for perhaps a mild spanking. 

“Oh Twatzapooner,” she cried, youthful tears spilling down her cheeks,” my heart yearns for him. When will he hear my pleas, and manifest my desire?”

But answer came there none. Instead, an eyebird came and began to peck at the berries of a Broomjumb tree that went up and up almost beyond the visible, with its top plunged through a labial fold in the clouds…which vaguely reminded her of something.

“Twatzapooner will never hear you, I can assure you, my pretty,” boomed a dark, oily and evil voice within her head. It seemed to expand and expand, the pressure awful and enormous, and every word like a knife stabbing her brain. Cherrypop screamed. 

“What do you WANT with me, Nair? I’ve never troubled you in the slightest!!! Why must you be so CRUEL to me, you heatless…words that rhyme with other words disallowed me by decree of my father, King Hubert Longwood XII, King of Euphoria?”

The Baroness Cuntingham, Queen of Nair, then laughed, and the laugh was hideous, and the knives redoubled with stabbing frenzy, and the Princess Cherrypop wished for death.

She wished to be felled on the spot by the ax of a stray woodsman, specifically, the pain was so bad.

Suddenly she heard the voice of the goddess Twatzapooner herself inside her head, masking Nair’s.

“My dear Princess Cherrypop, do not fear, my child. I will requite your faith in me. Do but use the pussypower I have invested in the maternal line of the royal lineage of the Kingdom of Euphoria from time immemorial. Remember, that is the power that Baroness Cuttingham, Queen of Nair, wishes to take from you, by force if necessary.”

“I know it well, dear Twatzapooner…I know her plans too well!” cried the princess. “She has sent many a gremlin with cutting tools to excise my precious pussy; she has sent bands of awful mutated beasts to drag me off into the woods. She has bound me and stopped me my mouth with plugs of rubber–a sensation not unpleasurable, which didst cause me pussysquirt. But what she wishes, I cannot provide.”

“I cannot provide this either, child,” said Twatzapooner, manifesting beside the princess beside the River. She was wearing a puffy pink dress that followed the divine camel lips, a crown inset with diamonds, a pink leather bustier and a d-ring, and long pink leather gloves. “I am bound by the same laws as thee, and all the other creatures within my domain. For it is well said that even the gods cannot subvene where law exists. 

“It pains me much that the only means I have available to rescue you from your plight–the stabbing of the dreaded Raven’s Claw weapon wielded by Nair, by Cuntingham, is to indeed summon the aid of the woodsman, Rudolpho.” She waved her wand and instantly by her side appeared the woodsman, Rudolpho.

Unfortunately, Rudolpho was of a beastly and brutish cast and understood little, including the skill by which better woodsmen kept their axe blades sharp af. As a consequence, when the goddess Twatzapooner bid him swipe off the princess’s head, it was not in a single smooth motion, but in a ghastly series of whacks that caused her head to sag partially off at the neck. The feeling of the dull ax blade at her neck caused the princess great pain, which, coupled with the stabbing sensations caused by the magical weapon the Raven’s Claw, made things far worse for her.

“Merciful Twatzapooner,” cried the princess, “i am in utter agony the likes of which this young body cannot long endure.” So saying, the princess sagged down, her eyes rolling up towards the back of her head, exposing the whites. Gussets of blood foamed from her neck and spilled from between her lips. She placed her palms together once in supplication, then closed her eyes forever.

Cuntingham screamed. “Twatzapooner, whatever happened to our agreement. the Wednesday Friday Henne Accord?”

“My dear cunting Cuntingham, you must have been at the jubjub juice, because thou makest less than no sense. Why, knowing that my powers are vastly superior to yours insofar as I created you and can snuff you with a thought, do you wish to incur my wrath?”

“Oh piss off, Twatzapooner,” cried Nair. “I”m the new power in Euphoria, and have been for a lon–“

The words had scarce exited her peeling, sore-encrusted lips when a pain of awful dimensions suddenly stabbed deep within her head. 

“How do you like the Raven’s Claw within thine own skull?” chortled Twatzapooner.

“I fucking HATE it,” roared Cuntingham. “Stop these shenanigans immediately! I’m warning you for the…”

But this time the words were stifled immediately. The flesh of her lips sealed in on itself with lightning speed, effectively gagging her. Her throat felt swollen, as though she were choking endlessly and would never be able to eject the foreign object now permanently embedded in her throat. The agony of the Raven’s Claw renewed itself over and over and over, as, beside her, the Princess Cherrypop’s soul left her body and ascended to a heaven as rapturously beautiful and pain-free as the body she had abandoned was full of torture and pain.

Then Nair felt something kick her in the chest like a mule. She tried to clutch at her chest, but the woodsman had returned from the tree he had been hiding behind, shitting himself in terror as he watched the goddesses’ wrath unfurl. With the seat of his britches stained, dripping and smelly from an awful load, his ax-wielding grip was forced to raise the blade against Nair this time. He whacked and he whacked and he whacked, opening up huge bloody wounds in her chest. 

“I wish I could die like that bitch Cherrypop,” thought Nair. 

“WHAT DID YOU JUST SAY?” roared Twatzapooner.

“I said…I WISH I COULD JUST…”

With another wave of her want, Twatzapooner silenced Nair’s inner voice. 

It was the worst feeling imaginable. Nair was now twice muted, in pain that rose to a level she had never once experienced in her life. She was beset within and without with excruciating torment, yet due to Twatzapooner’s power she remained terribly conscious, locked within her own head.

“You keep forgetting that the Wednesday Friday Bwak Bwak Bwak Accord was purely a figment of your cuntish imagination,” said Twatzapooner with a girlish giggle. “Now you will spend eternity…or until I release you for good behavior, which you will never be able to achieve due to the state I’ve placed you in…suffering all the hellish cruelties of heaven over and over and over again. Truly it was once said that we are here to hurt each other, and even a goddess must play by the rules ordained since time began. Sucks to be you.”

And with those words, Twatzapooner joined Cherrypop in heaven which was like Euphoria only transcendental and sublime. Twatzapooner gave the Princess the option of returning to Earth in her own form, which she accepted, and within seconds she found herself tumbled once more to the side of her beloved cat, Mimsywroth, who meowed in welcome of her mistress.

From very far away, Cherrypop thought she could hear the sounds of a cuntish Queen screaming. “But then again,” she said to herself, “it’s probably the wind.”

THEES EES THEE ENT