J.J. Campbell

at the hotel california

you’re the one 
that put the dead 
head sticker on 
a cadillac
 
ironic at best as 
you always hated 
don henley and 
never cared to 
stay at the hotel 
california
 
of all the assholes 
in this town
 
you only wanted 
to be the coolest 
one
 
the kind of guy 
that peaked in 
high school and 
missed that stage 
of life where an 
early death creates 
a legend
 
now, only a footnote
 
a funeral that can’t 
be made to on a 
tuesday night

Ben Fitts

God Doesn’t Believe In Me

God doesn’t believe in me. It’s a real problem. I’ve met Him like three times, and each time He just covers His face with His Hands and starts singing “la la la” really loudly whenever I try talking. 

I’m told by mutual friends that soon as I leave the room, God always starts ranting about how there’s no actual proof that Marshall Greenbaum actually exists. He’ll go on about how I’m just a myth invented a long time ago by people who felt like the need to convince themselves that there was yet another twenty-nine year old hipster in Brooklyn. He’ll poke holes in my existence, like wondering how it is that I pay rent on my nice Williamsburg apartment when my only source of income is a barista job, or why it is that I supposedly graduated from Sarah Lawrence yet still repeatedly refer to Yonkers as upstate New York. 

I always thought He was a bit of a self-important asshole, so I didn’t mind too much at first. But a few days ago my doctor spotted an inoperable tumor the size of a golf ball sitting on my cerebral cortex, and for the first time in my life I actually felt glad that I ran in the same social circles as God. I’m lucky that God never misses one of Kayla’s parties. 

He’s over in the corner of the party, talking to some cute gothy girl with blue streaks in her hair. He’s leaning in close to her as He talks so that He can be heard over the Tame Impala song blasting on the speakers, but I think it’s just an excuse to see if she minds Him invading her personal space. She doesn’t. 

The girl bends over when she realizes that the laces of one of her Dr. Marten boots have come undone. God doesn’t bother hiding that He’s staring down at the cleavage poking out of her black crop top as she ties the lace, and He doesn’t even notice the edge of His long white beard plop into his beer-filled solo cup as He does so. God is kind of a dog. 

There’s a pause in their conversation as the goth girl ties and God oggles, so I figure now is a good time to approach Him. If He goes home with her, then I’m done for the night. I weave my way through the party, giving polite nods to friends I pass, and approach God and the girl. She finishes tying her shoe as I reach them. 

“So, as I was saying, I really don’t like this era of Tame Impala very much,” drones God as the girl rises back up. “Lonerism and Innerspeaker were both masterpieces of modern psychedelia, but they really sold out with Currents. And don’t even get Me started on The Slow…”

“Hi God,” I interrupt as I approach them. 

God turns to look at me, and His eyes grow wide. Then He covers His eyes with His hands, allowing His solo cup to drop onto the floor and spill Goose Island IPA all over Kayla’s carpet.

“God, I have a favor to ask,” I begin. “The other day my doctor…”

“La, la, la” sings God monochromatically. 

“My doctor said,” I continue, raising my voice to now compete with both God’s signing and Kevin Parker’s. “That there’s a tumor growing…”

“La, la, la, la!” sings God with increased intensity. “La, la, la, la, la!” 

His singing has begun taking on the melody of “Eleanor Rigby”, and I wonder if He has noticed. 

“What the fuck is happening?” asks the goth girl. 

“La, la, la!” sings God. 

I step forward and grab God’s wrists, clutching them by the edges of His white robe. I tug His hands off His eyes, forcing God to look me in the face. 

“La, la, la, la!” sings God, His voice growing shrill but still carrying the tune of “Eleanor Rigby”, albeit now in a higher octave. 

“Just shut up and listen to me,” I yell at God. “There’s a tumor growing on my brain, and You’re the only one who can save my life!”

God abruptly stops singing. For the first time ever, He stares right at me with His big dark eyes and really takes me in. 

“I can’t save you, Marshall,” says God in a calm, steady voice. “Because you’re not real. So there’s nothing to save, you see?”

“But I am real,” I insist to God. “Look at me, I’m right here.” 

“I’m just going to let you guys figure this one out,” interjects the goth girl as she inches away from us. 

“Cassie, wait,” God calls after her. “Let Me get your number!” 

Cassie continues walking away from us until she is swallowed up by the party around us, dissolving into the crowd. God turns back to me and glares. 

“Way to ruin that for Me, dude,” grumbles God. “We were totally going to boink.” 

“Sorry,” I mutter. 

I’d usually feel bad about cockblocking some dude, but I had bigger concerns at the moment than whether or not God got His rocks off. 

“I haven’t gotten a piece of goth ass that nice since Mary Shelley,” He carped. “And then nearly two-hundred years later it looks like I’m finally going to get to revisit the peak of My sexual existence, and it only takes Marshall Greenbaum two minutes to completely blow it for Me.” 

A thought blooms in my brain. 

“If I’m not real, then how could I have ruined that for you?” I argue.

“People who aren’t real ruin things all the time,” shrugs God. “Holden Caulfield is fictional, and he’s the reason John Lennon is dead. And, come to think of it, John Lennon is the reason Sharon Tate is dead. I wonder if that’s connected somehow.” 

“Okay, you’ve got me there,” I admit. “But You can’t have a conversation with Holden Caulfield, except by reading some scribbles made by a man who died over a decade ago. You’re talking to me right in the flesh. How do You explain that?” 

“You’re talking to Me right now in the flesh, and there’s plenty of people who don’t believe in Me,” says God. “I’ve met Richard Dawkins like three times, and each time he just covers his face with his hands and starts singing ‘la la la’ really loudly whenever I try talking. It’s a real problem.” 

I stare at God, dumbfounded.

“Do you really not see the irony in that?”

“How do you mean?” asks God, cocking a bushy white eyebrow. 

“That’s exactly what You do to me!” I exclaim. 

“No it isn’t,” says God dismissively as He shakes His head. 

God’s eyes widen. 

“Oh My Me,” whispers God. “You’re right, I do do that.”

“Yes, exactly,” I say. “See, I am real! Now, please cure my cancer.” 

“What if Richard Dawkins is right,” murmurs God as He vacantly stares off into the distance. “What if I’m not real?” 

The color has drained from God’s face and He trembles as He speaks. 

“What if I’m not real,” He repeats. 

“Hey God, I think You’re drawing literally the opposite conclusion from what I was going for,” I say. “I’m trying to prove that I am real, not that You’re not. You see what I mean?” 

“I’m not real at all, am I?” says God. “I’m just a figment of humanity’s imagination.”

“Of course You’re real,” I argue. “I’m talking to You right now. Just like You’re talking to me. We’re both real, see?”

God leans against the wall and collapses His face into Hands. He murmurs something to Himself, but whatever it is muffled by His palms. But I can more or less guess the gist of what He’s saying. 

“Come on, God. You’re messing with me,” I say. “There’s no way that You’re concept of self is so fragile. You’re God, for fuck’s sake.” 

God collapses onto the floor and hugs His robed knees close to His chest.

“I’m not real!” screams God. “I’m not real, I’m not real, I’m not real!” 

As God repeats those words, He begins to fade away. 

“I’m not real!” declares God one last time. 

Then He winks away into nothing at all. 

“Did I just kill God?” I say aloud to no one in particular. 

Around me, the universe begins to shake.

Clarice Hare

ghosted

I stumble through 
luminescences of rain:

awake at dawn, sweetened 
with salt, 

palms crusted like 
my knees, 

whiter than white. when 
river redgum roots snake 

and tickle my 
unsandaled toes, I gasp 

apologies and soak the sludge 
with my own blood. 

moth-haunted and fly-
haloed like some pale 

swamp-goddess of 
degenerate creation, 

I spit dew from my 
rosebud mouth and curse 

them more for taking the canoe
than what they 

(falsely) 

thought was my
virginity.

Brian Rihlmann

If It’s Funny, It’s Funny

I’m having a rare bull session 
with some old buddies
and her name comes up—
“Dude! You too?”
Yep. Seems we all knew her.
Intimately. 

Of course Reno was 
a much smaller town, then.
If a girl got around enough
she could really make a name for herself.
God knows I tried to make one for myself.
It’s how we became semi-famous
before social media.

Maybe somewhere, a group of women
sits down over margaritas, and 
one mentions this dude she used to 
know….and another says, “I remember 
that guy! All he did was talk about 
his ex…then he got too drunk to fuck
me, and passed out on my couch!”

Then a third chimes in, and says
“I was seeing him for awhile, but 
he left me for some bar skank.
She was married, too. I wonder how
THAT worked out.” and they all 
laugh.  As they should. 

Hank Kirton

Kelp

The summer I collected kelp was the longest summer of my life (unless you consulted a calendar). I was living in a flop house and working at a clam shack by the vast, vast, vast (salty) Atlantic in South Kingstown, Rhode Island and on my day off I would walk along the shore, collecting kelp in a Hefty bag. The beaches were a goldmine, as long as you coveted kelp. I had lines of jump-rope hanging across my room and I draped the strips of kelp over the ropes. I heard somewhere you could make kelp lasagna but I never tried that. I did not eat the kelp. I just needed it around. I was a seeker.

I left the windows open and along with the kelp, I began to collect flies. You should’ve seen them— hundreds of little black bacteria bugs sucking on all those drying, stinking strands of kelp. The smell reminded me of my Aunt Edie without the minty snap of Wrigley’s spearmint. It was like having a tide pool right there beside my bed. It informed my dreams like sea shanties from doomed sailors. I got the message. Soft and clear. The flies never got annoying, I honestly loved the little buggers, but eventually my neighbors began to complain about them and the rotten sea-smell wafting into the hall. They worried about corpses, like I was a serial killer or somesuch thing. My tenuous tenancy at the house grew controversial. I kept to my kelp. The buzzing of the flies spoke to me in the middle of the night like radio waves tripping off my fillings (tooth decay is the bane of my existence). The language of the flies was transmitted in a long staccato drone. Zzzzt…zzzzt…zzzzt… The buzzes amounted to endless Zen questions, “………….?”

“……………?”

“……….?”

The answers came in abrupt, declarative buzzes:

“……..!”

The flies led to cryptically silent maggots, of course, and they squirmed even more fundamental questions. There they were, scattered on the floor like wriggling rice, uttering the unutterable, ineffable truths that rightly belonged to the cosmic dance of the planets.

The orbits of the flies were spiral galaxies and I watched them like moving maps of the vast, vast, vast universe.

I was also smoking a fair amount of dope at the time.

I continued to collect and drape seaweed until September when I abruptly stopped.

I had my answers. I moved on.

I left the kelp for the next guy.

*

From: Everything Dissolves

Daniel J. Flore III

A CHURCH SERVICE FOR ONE

I would like to go to a church and pray on my knees in an empty sanctuary.

Then I would get up and sing along with “The First time Ever I Saw Your Face” by Roberta Flack on my phone as the worship service.

I would light a cigarette in there as my incense then I would preach a sermon about how I should give up smoking.

I would say something to God like I miss you and look at the stained glass that looks like it is made of blood and think about all the prayers uttered in this building and what they all might have meant to the Lord.

I would hock up all of my phlegm in a gold offering plate and leave a couple bucks in another.

Snoozing in the pew with my cat I would adjust my blanket so that I was completely covered and count lost sheep being found by their shepherd.

I would not be afraid of being profane in this holy sanctuary.

God knows how bad it’s been and I’m here to flush out the toxins.

I would take communion with a bun from a Whopper and a Coke, baptize my forehead with the sweat on my Burger King cup and I would cross myself as I exited and breathe an easier breath than when I came in.

Perforated By Sirens, By Mark A. Pearce & Danny D. Ford

Perforated by Sirens is a poetic collaboration between two friends written during the height of the 2020 coronavirus pandemic. The book manages to fuse two distinct perspectives, with Mark being in Bristol, England and Danny being in Bergamo, Italy. Bergamo suffered one of the highest pandemic casualty rates in the world.

A5 saddle stitched chapbook. Lovingly handmade, hand stamped, and hand numbered. Limited to 25 copies. Printed on an old Canon laser printer we found abandoned at a dump site.

BUY A COPY HERE

Linnet Phoenix

Devotion

Here I kneel
in deference,
simple silence,
a wordless prayer,
an act of devotion. 
In gentle rhythm, 
head rocked forward,
eyelids closed, 
hands hold legs
to steady stance.

Touch is tantamount 
to taste in grace.
I asked you to stand,
tell me your fear,
read me words.
Stroke auditory buds,
as blood pounding,
in matching pulse,
I slide my thumb 
inside your ass.

Charles Rammelkamp

Slang

“…a scurvy-looking cove sitting with a couple of doxies,”
I read in a detective novel set in 1719,
digging the eighteenth century patois, 
fiction my escape 
from the sledgehammer of horror
of the year in which I live, 301 later.

A sketchy-looking dude sitting with a couple of hoes.

I look up from the novel 
at the television screen,
where the current president sits
with his daughter and his wife,
a bloated, scowling man
with fake-blond hair,
candidate for a stroke,
his cosmetically-enhanced companions
all counterfeit curves and color.

I turn back to my novel,
to the eighteenth century,
not so different 
from today, I concede.