John D Robinson

She Is Beautiful

My face just a few inches
from her pussy, her legs
spread wide,
she is beautiful.
and I watch as she
masturbates and
climaxes:
daylight is shutting
down as her
murmurs of pleasure
vastness and people
will begin to make ready
for the evening:
she softly quietens
and lays still as I
move and wrap my
arms around her as
my neighbours close
their curtains and
lock their doors,
shutting out the
world:
she is beautiful,
the street-lighting
sprinkles into being
and small garden
birds are now silent
as she brings me
between the moment
of life and death.

Matthew Licht

Zoo Tail

Her ass said, follow me. The way she walked, loosely translated from body language, said, look at my ass. The message was: look at my ass and follow me.

She headed towards the zoo.

This seemed an oddball destination for a woman dressed to hook. Hook up, I mean. Maybe with a friendly guy who doesn’t spend sunny afternoons in an office or shop. She spotted the tail immediately. I’m no private detective. She didn’t make a fuss or call the cops. She looked back to make sure I was still there behind her.

The zoo’s a good place to go because it’s free. Zoo management did some market research, and discovered the admission charge discouraged attendance. The free zoo became a popular attraction. Zookeepers made up for lost ticket sales with a popcorn stand. People stand in line to buy paper boxes of cloud-shaped kernels to feed the monkeys.

The lady with the wonderful behind sashayed through the wrought-iron gate. A zookeeper in a cop-like uniform said a big hello.

She was apparently a regular, well-known to the keepers and the sweepers who follow the elephants around. She’s on a first-name basis with the giraffes, zebras, warthogs and giant anteaters.

A hand-painted sign said, Monkey Island. A green arrow pointed left. She stopped and pretended to study the sign. She looked back.

Modern life means less and less contact with animals. Less genuine contact with other people too, even though we’re smashed closer and closer together, more and more of us every day. But those of us not confined to office space-and-time are free to go outside for fresh air, sunshine and a glimpse of caged nature. I hadn’t been to the zoo for ages.

Monkey Island isn’t a natural geographical phenomenon. Zoo architects dreamed up concrete poured into the shape of a tropical paradise. Just like the ones the general public saw on television while they were growing up, except no palm trees, no beach. Monkey Island is an island only because of its gray, garbage-strewn moat. People throw popcorn at the monkeys. Monkeys love popcorn. They wolf down as much popcorn as they can get their mitts on. But some popcorn inevitably ends up in the listless sludge that surrounds their artifical habitat. Kids in particular are not such amazing popcorn-tossers.

The woman didn’t stop at the popcorn stand. Either she had no dough to blow on frivolous fripperies like feeding monkeys, or else she thought it cruel to make imprisoned creatures turn somersaults for insubstantial snacks. She went to the wrought-iron railing that surrounds the water that surrounds Monkey Island and separates visitors from the resident apes, and leaned over.

Her rear curves were accentuated by how far she leaned.  Man oh man those lucky monkeys got one hell of a cleavage peep.

Perfecto. Time to sidle up, lean casually against the fence and say, ‘scuse me, Miss, but these monkeys sure are fascinating creatures. Sometimes when I watch monkeys I can’t help but think maybe them and us aren’t so different after all. Except the poor monkeys are stuck in a cage and we, for the time being at least, are pretty much free to move around and do as we please.

Then, if fate will have it, a pair of baboons will start humping. She’ll get the idea. Carnal blossoms will expand and unfold. In one of our formerly lonely bedrooms, or in a public toilet stall at the zoo.

She swayed back and forth against the railing, teetered on the brink between the world of people, captive ape territory and dirty water. The watery barrier reflected an upside-down face, a bosom about to spill from a clingy blouse and clouds. On the opposite shore, a pink-ass macaque daintily drank and shot a monkey moon at another monkey with a hard-on.

He was the biggest ape on Monkey Island, some kind of monster gorilla or mandrill, and he was looking at my lady.

He wasn’t exactly handsome, not even for an orangutan. Looked like the zoo barber had taken a defective razor to his pelt. His fur was thin, clumpy, tufted, in patches. He either suffered from simian skin disease, ape-zema, or else stir-craziness had gone psychosomatic on his all-over ape hairdo.

My fantasy girlfriend wasn’t offended by the balding animal’s behavior. Neither was she amused. Most people would go hurh-hurh check it out the freaky chimp’s pullin’ his banana. Then they’d wander off to gawk at the demon-faced hyena. My lady stayed put, bent over, waved her caboose like a cat, and stared.

The colossal howler monkey or lemur or whatever he was stared right back at the lady who was watching him beat his meat. No way to tell if he was just feeling good because the sun was shining warm and pleasant, or if he was excited because she showed up and leaned over. A feeling hit that this was a regular thing for the lady and the monkey. They were engaged in the only kind of date they could legally have, but someone had intruded on their illusion of privacy.

So I didn’t try to start up a conversation with her. Maybe I should’ve. She might’ve snapped out of her trance and come along for some human-to-human intercourse. Or she might’ve told me to get lost and that would’ve been the end.

Another feeling took over. This was something secret, forbidden, hot. The monkey component of my brain said, expose yourself and behave like the confined primate. But you can get locked up for indecent acts in public. There are kids at the zoo, most days. Kids shouldn’t have to see stuff like that.

Field day giggles galore arise from kids who watching a chimp slam the ham.

Ham was the first chimp to be blasted off into Outer Space. Black and white newspaper pix of a monkey in a space suit. He gave a toothy grin or snarled for the camera, but man did his eyes ever look sad.

Teacher, teacher, what’s the monkey doing? More snickers as the embarrassed schoolmarm hustles the punks along to gawp at the rhinoceros. The rhino takes a gushing leak on his bed of straw. Shit-eating scavenger birds scatter, and fly away because they’re free.

If the lady had noticed that a stranger stared, she gave no sign of it. The chimp shot an annoyed smirk, or as close as a monkey’s mug can get to one, and yanked harder. Then he stopped. Watery semen spurted and splatted on cement. Another caged creature, perhaps a female baboon, ambled over on all fours, stuck a finger into the milky puddle, sniffed, tasted, shuffled away to snuffle up a kernel of popcorn someone who hadn’t stopped to watch the monkey show had thrown.

The lady stared at the gorilla or orangutan and wiggled faster, bucked her hips. The monkey kept his eye on me. There, is that what you wanted to see? Will that do, for today?

The monkey won the staring contest, hands down. When I looked over, the lady was gone. She’d walked away and I missed her part of the show.

At least there was no admission charge.

The guy in charge of the zoo’s popcorn concession didn’t even look up when I paid for the smallest cardboard box of popcorn on offer. Big deal, another cheapo customer. First thing you learn in the Big City is don’t make eye contact. He played by the rules.

Zoo etiquette is you feed the monkeys one fluffy kernel at a time. Bond with a lower form of life. Feed the monkeys as though you were their lord and master. Make urbane comments on their antics. Instead, I winged the box at the jack-off monkey’s head. Either I missed or he ducked like lightning. Popcorn exploded all over a section of Monkey Island’s cement floor and started a furry feeding frenzy. The spent ape folded his arms over a patch of leathery chest and closed his black eyelids. For him, the rest of the world was gone.

It’s possible the sexy lady went back to the zoo the next day for another date with her monkey. True-life stories abound about desirable women who fix their love and souls on prison lifers, Death Row losers. They waste their lives in trailers parked just outside prison grounds. They live for full-contact visiting hours.

No more zoo trips for me.

But I learned something. The difference between monkeys and apes is that apes don’t have tails. I don’t have a tail. So maybe I’m an ape. An ape who tails weirdoes, unless they’re headed to the zoo.

Donna Dallas

Snake Charmer

You play your flute
maybe strum a guitar
I rise out of the basket
enchanted by the sound
or maybe just hungry

I slither across the white tiled floor
my skin taut and flexing
I hiss at your friends
—the ones you shove me back
into the basket for

You only want me around
when you are lonely
when you make your
sweet musical sounds
and persuade me to coil
around your hips wrap myself
around your penis

Today I want a rat to eat
I shed my skin and now
I’m scaled a high shine
the light makes me iridescent
I’m slick black and deadly
I wait in my basket for you
to come in with your flute
and coax me out

But you leave me alone
I’m still hungry
What will you do
when I outgrow this little hut
make a boot or two out of me?

Anthony Dirk Ray

Your Title To Decide

as this whiskey coats my throat
swells and scars my liver
as the cigar smoke expands
cooks my mouth and hardens my heart
I’m reminded of all the dissatisfied
that came before me
never did what they wanted
refused happiness for whatever reason
all in the guise of tradition or fear
afraid to say the wrong thing
scared to take that drink
or do that drug
petrified to fuck
or fuck who they want
trying not to let a deity down
not disappoint a loved one
make a good impression on a stranger
live a long life
or all of the above
at the same time
you have only one life to live
and it is up to you
how you live that life
some feel living a life of fear
and cautiousness is rewarding
but others crave the unknown
live for the different states
feel free when actions and
speech are not hindered
a tightrope of sorts
existence balanced
still
some fly
yet
some fall

Wesley Hunt

Loam

The old man, seated in the chair, moves his lips because his hips can’t talk. They’re too old. Too fat. But he doesn’t think she sees him that way. He thinks she sees him as a mystery-father because she’s too young, too stupid, to know otherwise.

Her fingers trace the lip of the glass of the drink he bought her before she sat down next to him and she listens. Her eyes move with his lips and she waits for him to drink before she laughs—a little too hard and a little too loud. He touches her shoulder for emphasis. He wants her tonight, she thinks, naked and splendid.

My husband is a writer, she says.

I’ve never read a book cover to cover.

How did you get so smart?

Television.

She takes a drink and smiles and waits for him to do something daring. Something a man aware of the urgency of death would do. He doesn’t. He thumbs the tumbler in his hands in a way he thinks she may find sexy. She doesn’t. She doesn’t bother to notice because she’s thinking about the audiobook she downloaded last night, and the way it made her feel this morning when her lips felt loamy and hard to chew on. And she’s thinking about her husband and the way his lips felt pressed against her loamy lips when he left for work with a lunch box and tool box in hand—and how they didn’t say anything to each other all morning—not even goodbye, just a peck.

Do you ever feel like you’ve been chewing on dirt since you spoke your first word? she says.

He hasn’t, but, oddly enough his wife had a year or two after they’d first married and has tried to make him understand the feeling ever since.

Are you related to anyone famous?

No, he says, but I’ve been told I look like a young Harrison Ford.

When were you told that? she asks.

When I was much younger and looked like Harrison Ford.

She laughs but doesn’t smile, her eyes focusing on the tumbler in his hands reflecting a silverfish sheen on the crotch of his dress pants as a subtle rainbow.

Are you gay? she asks him.

No, I’m middle aged, and at this point it’s best to dress nice to distract from the fact of my dying.

She thinks he’s witty and she knows he’s read more books than he lets on, but she also knows he’s taken medication to facilitate his sexual performance, and this makes her horny.

Would you fuck me?

Probably.

Would you enjoy it?

Probably.

They’re both quiet for a long time until she laughs softly but with a smile. He places the glass on the bar and readjusts his pants. She traces her finger along the edge of her lip. He motions toward the bartender.

Good.

She leaves without paying. He stays until after they close, and the bartender has to call him a cab.

John D Robinson

The Gold-Mine

‘Her pussy is a gold-mine,
her fingertips are velvet
flowers’ what is that
bullshit!’ she said ‘What
the fuck does that mean?
gold-mine pussy?
velvet fingertips?
she said after reading a
poem that I had
dedicated to her, I
didn’t know what to
say and then she
started laughing, I
looked on feeling
dumb and foolish,
after a few moments
she moved in closer,
‘Thank you’ she said
and then ‘That’s nice,
the gold-mine is all
yours’ she said,
her velvet fingertips
clutching between
her legs.

Alan Catlin

Brain Drain

“It was like being in hell -the stage version.”
Marianne Faithful

She wants to whistle
the mad chords of
‘All Along the Watchtower’
but the tune sticks
to the gummed edges
of her cracked teeth
broken by the fist
of a male nurse
who caught her sneaking
a stash of blow onto
the closed ward of
an enforced, involuntary
detox, “Getting clean is
easy,” she says, ‘All you
need is ten blankets and
a rubber room to freak in,
the first seven days
of the shakes.” Staying
clean is the hard work,
especially with no known
reason not to live the life
of a Honky Tonk Angel
hooked on the smoke,
the pills and juice that
gives your singing voice
all that character none
of the others have.

Paul Green

Every Roach Washes Ashore

hell bent
aching tooth
of the city.
every roach
washes ashore.
summer sleeps
like a fly
on its belly.

a whore
is bottomless
and picking
at her vagina.
a store keeper
cocks his shotgun.
pigeons scatter
atop project buildings.
the old lady
is swinging
her tits again.

the world
is numb,
once more,
as some kid
pulls into
his grave.

Joseph Farley

Jumpers

I went through through the turnstile at the 8th Street Station for the Frankford-Market El. The El runs underground in the Center City section of Philadelphia, emerging north and west of downtown to ride on steel trestles to the ends of the line. I saw the crowd in the platform was bigger than usual. I hoped that they were just a lot of people like me who had left work early, but knew there was small chance of that. Yes, it was a Friday, but it was a normal Friday, not a holiday weekend. I stared down the tunnel searching for the lights of a train. There were none.

I saw the crowd was even bigger across the tracks on the westbound side. Equipment failure? It would not surprise me. SEPTA, the Southeastern Pennsylvania Transportation Authority, also known as Schlepta and the Septic System, was notorious for frequent breakdowns. Be it bus, trolley, subway, El or regional rail, a rider had to rely on luck to get anywhere on time. A coworker, a fresh transplant from Virginia, had caught on quickly. Within a few months of moving to Philadelphia she began referring to SEPTA as “the bane of my existence.” This was when everyone knew she had become a true Philadelphian.

I leaned out over the track and took took another look down the tunnel. Still no lights. A loud horn blared. I heard the rumble of wheels. I stepped back just in time before getting my head clipped, probably ripped off my body, by a train heading westbound on the eastbound side. The cars were crowded. The train came to a halt. The doors opened. People tried to push their way on while others tried to push their way out of the doors.

A voice came over the loudspeaker.

“All westbound passengers board on the east platform.”

Most of the commuters on the west bound platform stood where they were. They might as well. There was no chance of getting on this train. It was packed. The train pulled out leaving sullen crowds on both the east and west bound platforms.

The voice was on the loudspeaker again.

”All westbound passengers board on the eastbound platform.”

Nothing was said about trains going eastbound.

A guy in his twenties was standing near me. He was getting upset. Real upset. He asked me, “Am I on the right side? I’m trying to go east. I need to get to Tioga.”

I told him, “You are where you should be. It’s SEPTA. It looks like they’re running both eastbound and westbound trains on the same track.”

“Damn. I’m already late.”

He took his cellphone out of his pocket made a call. He explained to someone that he was running late. Told them about the situation with the trains.

Another train came westbound on the east track. The crowd on the platform was growing. The time I hoped to save by leaving work early had evaporated. It was full rush hour madness with trains only going one way.

Another announcement about boarding on the east side to head west. Grumbles. Anger. Strangers became instant friends, united against the common enemy, SEPTA, the bane of our existence.

A woman in her fifties said to me, “I left work five minutes early. Begged my boss so I could leave. Now I’m stuck here. I should have stayed at work.”

I told her, “I left early too. Been here twenty minutes.”

Another west bound train. Then another. No trains eastbound.

The young man on my right made another call. Pleaded with someone to understand.

I was about the same age as the woman. We shared our misery.

“Broke down yesterday morning.”

“And last week.”

“Three buses went by me Monday morning. Ignored me standing at the stop.”

Another man on the platform burst out, “I only need to go two stops to Second Street. This is crazy.”

I told him, “Hey. This is SEPTA. If you can walk the distance, walk it. Never rely on SEPTA to get you anywhere on time.”

The woman nodded.

The man said nothing. He just walked off, exited through one of those egg slicer turnstiles. He could walk the six blocks. Should have done so to begin with. I mean, it wasn’t snowing or raining. It was 47 degrees. If I didn’t have to go all the way to the end of the line, I’d walk it. Anything up to two miles. Get the exercise.

Another westbound train on the east track.

The announcer came back. This time with more information.

“Due to a medical emergency between 5th Street and 15th Street all trains are running on the eastbound side.”

Medical emergency, I thought, did someone have a heart attack, fall and break their leg, or was it a euphemism for a jumper? There were always “jumpers” somewhere along the line. Happened a few times a month. Though not all were true suicides. Some just fell on the tracks. Maybe got hit while looking for a train as almost happened to me. No one from the transit authority would tell you straight out anymore that it was a suicide. It was always “a medical emergency.” Sometimes a cop would tell you the truth, if there was a cop around. I once asked a cop standing on a platform with a crowd of delayed commuters if it was because of a jumper, and he said, “Yeah. Heard it on the radio. Nothing can run until the sponge crew is finished.”

It wasn’t always like that. I was 18 the first time I had to deal with a jumper delay. That was in the 1980s, when I commuted between college and a job at the Central Library at 19th Street and Benjamin Franklin Parkway. This was before death by light rail became such a common occurrence. SEPTA shut the train down for hours. I saw the ambulances rushing to 15th street station. At first no one said anything, then one of the fare-takers told everyone, “It’s a suicide.”

It was all a bigger production back then. Television crews, firetrucks, everyone talking. There was always a small article in the Inquirer the next day. But that was a long time ago. There was only a jumper a few times a year. Back then it was always shuttle buses. Getting on and off of buses until you could get back on the train further down the line.

Nowadays there’s rarely shuttle buses. Less production. No TV cameras. No blurbs in the newspaper. Times have changed. There are so many murders, so many suicides. It’s all so commonplace. The opioid crisis, stress, bad romances, poverty, the job market, global warming, politics, pimples. There’s so much that can push someone over the edge. There’s so much death to cover and only so much news to fit into a half hour broadcast. Newspapers barely exist and are much smaller, thinner, lighter with coverage of world, national and local events. There’s not enough room in the pages for stories like this.

Besides, no one wants to say it anymore. Jumper. Suicide. No one wants to upset anyone, or encourage them to imitate. Don’t do it for the fame boys and girls. We’re not giving you the five minutes anymore. Still, they are much faster with the clean up these days. Get the trains back and running a lot quicker than in the good old days.

The woman next to me voiced my thoughts.

“Do you think it’s a jumper?”

“Probably.”

The young man became more upset, emotional.

“A jumper? You mean a suicide? Someone jumped in front of a train? How do you know that?”

“I don’t know for sure. It just looks that way. They used the magic word ‘medical emergency’ and shut down a lot of track. “

The guy got in his phone again. This time video chat. I could see the face. A young woman. Girlfriend probably.

“I’m sorry. It’s a jumper. I’ll get there as soon as I can.”

His girlfriend sounded sympathetic, not like before. He was safe now. Out of trouble.

The announcer came on again. The faceless voice of SEPTA.

“They’ve finished cleaning up the track from the medical emergency. Trains will now be running west on the westbound side.”

“That’s it,” I said. “Jumper. They finished ‘cleaning up’, picking up the pieces, putting them in plastic bags, wiping off the track.”

“Thank God,” said the woman. “Now when will we get an eastbound train?”

A train arrived on the westbound side heading west. Ten minutes later the first eastbound train arrived. SEPTA made it an express. Some passengers got off, but not enough. Too many wanted to get on. I had to wait for a couple more eastbound trains before I could get on one.

I put it out the jumper of my mind. That’s what you do. You can’t break down because others do. You take the train. You go home. You go to work. Go home again. Know it will happen again. You just don’t think about it.

Less than a week went by when it happened. I worked late, and went to board the El at the 5th Street Station, near Independence Mall. There wasn’t a big crowd, but something was off. The wait seemed too long. It didn’t mean anything unless they said the magic words. Otherwise it was just normal malfunctions. I saw a guy, young, under 30. He was wearing blue overalls, the kind construction workers sometimes do. He was acting strange. His knees were bent, and he was nodding and bouncing from side to side. He had what looked like a thin brown cigar in his hand. Lit. He took a puff now and then. There may have been some tobacco in it, maybe even some weed. But there was something else as well. A more acrid smell.

My first thought was it was against the law to smoke on the platform. Of course that never gets enforced. There are too many more serious crimes to occupy the police. Then I began to wonder, as I sometimes do, why they had decriminalized smoking marijuana in the city and legalized vaping of weed at the state level, for medical reasons, but did not legalize edibles statewide for any reason. It would be a lot less distracting to see someone eating a brownie at a bus stop or rail station than to have to inhale second hand anything.

While I was going through this social and political debate in my head, the man in blue decided to hobble over to the edge of the platform and wobble and bounce there. Then he turned around. His toes on the platform. His heels over the edge. Bouncing to music only he could hear.

I had a bad feeling about this. I hurried over to him.

“Hey. You might want to get away form the edge. You could fall.”

He looked at me then looked where he was standing. His eyes got wider, waking up a bit, realizing how close he was to falling over. He grabbed a pillar and pulled himself forward. I backed up towards the wall. The man in blue came towards me with his bouncing swaying walk. He held out a hand. I shook it.

“Thank you,” he said. “I hate working. Hate my job. I swing a hammer all day.” He took a last drag on his smoke and threw it on the ground. “I tried to hold off. Tried to wait until I was home. But I couldn’t. The train was taking too long.”

“It’s okay. Do what you do, but try to be safe.”

He was still bouncing around. It looked like he was going to stumble back towards the tracks.

“Put your back against the wall.”

I showed him by doing it myself. Back to the wall. Arms spread out pressing against it.

He listened and did the same.

“Feel the wall. Solid. Stay against it until the train comes.”

He nodded. He stayed against the wall until the train pulled in.

The cars were crowded. We both stood for one stop. He looked like he could fall down at any moment, couldn’t keep his balance. I saw someone getting up to get off. I steered my ward into the seat.

“Sit. Take a rest.”

A man standing nearby spoke.

“I can’t understand this country. I come from Croatia. Why so many people do that stuff? Always someone like that on the train. There’s so much here. So much easier than where I came from. Why be like that?”

“Be easy on him,” I said, trying to keep my voice down. “He almost fell on the tracks.”

“Really?” Mr. Croatia was surprised. “You saw?”

I told him what happened.

“Jesus, we’d have all been late getting home.”

I told him that’s why I did it. To prevent another long delay.

But that was only partially true. Gallows humor. An evil joke. I didn’t want to have another long wait, sure. But who wants to see a man die in front them, maybe fall on the tracks and touch the electrified third rail, or fall and get run over by a train. I may be a cynic, a calloused bastard, but I’ve never seen an actual or accidental jumper do it, only gone through the inconvenience that they cause. I never want to see it happen. Who needs those kind of memories? Who needs that kind of guilt? I could never be the driver of that train. I could never be one of the clean up crew. I could never be someone who just stood on the platform and watched.

My ward got off at Somerset station and staggered down the stairs. The Croatian gentleman got off at the next stop, Allegheny. And me? I rode to the end of the line, hoping a bus would be waiting for me, in working condition, with space to sit or stand. A bus that would not catch fire or collide with anything, one able to get me home without further damage and at a reasonable time.

God, I thought, if I did anything good tonight, can you just grant me that?

And it came about just as I’d prayed. SEPTA or the Almighty must have been listening.