The Lady, The Legend: Miss Brittney Freebird

Model: freebirdbby
Tattoo artist: opolistattoo
Photog: Michael Maxwell

Hello you sexy motherfuckers. My name is Brittney, although most know me as Freebird. I am top 1.4% in the world on OnlyFans as a content creator. I have been featured in many magazines, one being Inked, and now the illustrious Horror Sleaze Trash! I began modeling in 2015 and immediately fell in love. My favorite themed photography is definitely horror. I am definitely a Gore Whore! Please enjoy these pics from one of my latest shoots below:

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— Freebird

MORE FROM MICHAEL MAXWELL:
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Giovanni Mangiante

Snob Dogg

I write with the sounds of barking dogs,
screaming babies, and angry, unfulfilled neighbors
fighting in the background.
Occasionally, there will be cats fighting
on the rooftop because life loves to be cliché
like cups of coffee in Paris held by snob hands
who wish they had read
as much as they advertise they have.

I reach half the poem and everything falls quiet,
still, ominous, silent, 
as if a dagger were about to shoot out of the dark
and lodge itself in the back of my head.

From behind me, I hear the sound of my dog
licking its ass, vigorously and unrelenting.

I stop writing and turn
“Goddamn it, will you stop it?!”
and the dog stops.
I turn towards the laptop once again
and the licking resumes even louder.
“GODDAMN IT!”

I bet my dog would love to spend the afternoon
at a Parisian coffee shop, licking its own ass 
for everyone to hear.

Charles Rammelkamp

Urban Legend

“I don’t know,” Del hesitated,
offered a hit of LSD.
Friday after classes,
the weekend looming.
“They say it causes genetic mutations.
Ten years from now, your wife
might give birth to a kid with gills,
an eye growing out of his forehead,
or webbed feet.” Who knew what?

We all counted on having a family
sometime in the future, but,
what about today?
We were in college! Carpe diem!
“It can’t stay in your body
all that time, can it?”

“You’ve heard of flashbacks?
Stuff stays in your spinal fluid, I’ve heard.
Causes chromosomal abnormalities.”

“‘Chromosomal abnormalities!’” Ricky scoffed.
“Sounds like something you read
in one of those news magazine scare stories.
You with us, Del, or not?”

“Sure,” Del agreed reluctantly, after a pause.
He didn’t have a girlfriend.
None of us did.
“Give me a hit.”

Hank Kirton

The Job Interview

I’m nervous at a job interview, desperate to make a good impression. I really need the gig. The office is spare, stark, and cold.  There’s nothing on the walls. His heavy mahogany desk stretches empty before him, a trick meant to intimidate the applicants. It works.  He stands up and shakes my hand with a vigorous double-pump and tells me to “Grab a seat.” He smiles at me with a feral-looking rictus and says, “Welcome to AdvanceTech Technologies.”

“Thank you,” I tell him.

To put me at ease, I think, he says, “Please don’t think of this desk as a chasm or an abyss between us. We’re just two humanoids coexisting on spaceship Earth. Try to keep that perspective in mind. It’s important.”

“Okay. Thanks.”

He is a squat, square man with a light beard. His hairline is receding but he still has more coverage than I do. At the rate of my hair loss, I’ll have an embarrassing comb-over in less than a year. Eventually I will resemble deceased comedian Zero Mostel.

He tells me that the position I’m applying for is not unlike a “flock of birds” and that I don’t need an “ocean of experience.” But I will need rigorous training. “Before you start, you’ll need to dismantle your personality, obliterate your ego and randomize your thought patterns. You’ll be given peyote at orientation to help you along. Have you had experience with peyote?”

I lie and tell him, “Yes.” I don’t feel guilty about lying. It’s a job interview after all. I’ve already poured lies all over my application.

“And where was this?”

“Mexico. I met a Brujo there named Don Miguel. He was my mentor in all things peyote…” Lies, all lies. I maintain a bland face as I lie. It’s one of the few things I’m good at. Maintaining a bland face while I lie.

“Very good,” he says. He lifts my application and peruses it. “I like your poem,” he says. “Influenced by The Autopsy Tree?”

“Yes sir.” Another lie. I’ve never even heard of that poem.

“Please, call me Mike. Mike Trent. Try to relax, I’m not infectious. Would you care for an orange phosphate?”

“No thank you.”

He leans back in his chair, looking at me. Sizing me up.

“We consider ourselves a family here at AdvanceTech.”

“That’s good.”

“So, tell me. Why should our little family adopt you?”

Oh boy, here goes… “Well, I’m a hard worker for one thing. Look at my hands.” I luckily have rough, scarred, calloused hands. A result of my dangerous addiction to physical risk.

“M-hm. Impressive. How do you feel about working third shift? Does that present a problem?”

“No. Actually, I prefer working nights.”

“Not afraid of the dark I take it.”

“Not usually. Not anymore anyway.” Ouch, too much information.

“M-hm. Now, we work like a band of chimpanzees around here. Do you think you’ll be able to fit in?” 

“Absolutely. I like chimps.”

“That’s definitely in your favor.”

“Thank you.”

“At a place like this.”

“Yes.”

“Do you sometimes hear voices?”

I lied again, “Yes, I do. Sometimes.”

“Good. That’s a requirement. Listen to those voices.”

“Oh I do. I do. Absolutely.”

“Are you comfortable with your identity?”

I think for a moment and then confess, “I’m not sure I know what you mean.” I feel a suggestion of sweat down my back.

“I’m not sure I do either. But, you have no problem breaking through to new realms of consciousness? At minimum wage?”

“No, no problem.”

“And can you lift up to fifty pounds?”

“No problem.” I give him what I hope is a confident smile. I’m not sure what fifty pounds feels like.

“Please, just let the interview process sluice through you. Like a school of fish. No need to be tense.”

“Thank you. I’ll try…” Is my smile that nervous? I pull it back a little. My lips feel numb. I’m suddenly aware of my tongue.

“At this point in the interview, I like to show the applicants a short orientation film.” He stands up and I’m surprised by his height. He turns on a television I hadn’t noticed, pushes a button. The film he shows is Stan Brakhage’s The Act of Seeing With One’s Own Eyes (1971). He leaves me alone to watch it. I’ve seen it before but it’s no less unnerving. He returns as the film ends.

“That’s the kind of mood we strive for here at AdvanceTech Technologies.”

“I see.”

“So, do you think you’ll fit in here?”

“Absolutely.”

“Your personality seems false to me. Like mere protective camouflage. That may present a problem down the line. Hopefully you’re not concealing a malignant narcissist. Or, god forbid, a sociopath.” 

“Oh, no. Not at all.” I feel something leaden in my chest, pressing my heart. He sees through me, dear god he sees right through me.

“Well, we’ll have to see about administrating an empathy test.” He smiles at me like a thug. Small shark teeth. I swear I can smell masticated meat when he speaks. “I understand,” he says. “This is a job interview after all. I realize you’re just trying to put your best face forward.”

“Yes sir.”

“Trent. Mike Trent.”

“Yes Mike Trent.”

“We will change you.”

“Okay.”

“How do you feel about that?”

“I feel great about it.”

“Then congratulations. You’ve got the job.”

“Thank you.”

“You’ve got the job.”

“Yeah, thanks.”

“The job.”

James Babbs

The Treadmill

In the dead of the night, suddenly I awakened and sat up in my bed thinking I heard a noise and the first thought that crossed my mind was—the treadmill’s in the basement.  Why the hell was that the first thought that crossed my mind?

I got out of bed and went down to the basement and, of course, there was the goddamn treadmill, sitting there, mocking me with its silence.  It had been several months since the last time I had used the damn thing.  I had been all gung-ho when I first bought the treadmill but my initial enthusiasm for exercising waned after those first few weeks had passed.

I looked at the treadmill.  Something made me reach out and touch it.  I put my hand on the treadmill.  It felt cold.  I gave the treadmill a gentle push as if to say, you can’t intimidate me, you fucker.  I turned off the lights and left the treadmill sitting there in the dark before going back upstairs.  I had trouble falling asleep.

In the morning I got up and got ready for work.  I had peanut butter on toast and coffee for my breakfast.  I went to work and put in my hours and got gas in the car on the way home.  I came home and turned on the TV.  There wasn’t really anything good on but I left the TV on anyway.  I had a frozen pizza for supper and watched some more TV before, finally, going to bed.

In the middle of the night, suddenly I awakened and sat up in my bed.  Had there been some kind of a noise?  I wasn’t sure what it was but I got out of bed and went down to the basement.  The treadmill was, still, down there but something was different.  The treadmill had moved.  It was only a few inches but the treadmill was definitely not in the same place it had been the night before.

I touched the treadmill.  It didn’t feel as cold as it had felt the night before.  I looked at the treadmill and laughed.  Fuck you, I said and I waved my hand at it before turning off the lights and heading back upstairs.  I went back to bed and lay there for the longest time just listening to the radio before, finally, falling asleep.

In the morning I got up and got ready for work.  I had a sausage and egg biscuit and coffee for my breakfast.  I went to work and put in my hours and got gas in the car on the way home.  I came home and read a book for a while.  I had some canned soup for supper and did some more reading before going to bed.

Sometime during the night, suddenly I awakened and sat up in my bed thinking the treadmill’s trying to kill me.  What the fuck?  What kind of crazy thought was that?  I figured I must have been having some kind of weird dream.  I looked at the clock that was next to the bed.  The red numbers on the clock read 3:33 so I stayed in bed and fell back asleep.

In the morning I got up and got ready for work.  I had some powdered doughnuts and coffee for my breakfast.  I went to work and put in my hours and got gas in the car on the way home.  I came home and went down to the basement.  Right away I saw the treadmill had turned a hundred and eighty degrees and was, now, facing in the opposite direction from where it had been before. This was crazy, I thought.  What the hell was going on?

I grabbed the treadmill and struggled with it.  I lifted and pushed and, finally, managed to get it back in its original position.  I was sweating and trying to catch my breath.  I looked at the treadmill just sitting there all innocent.  You piece of shit, I said.  I got on the treadmill and started it up.  The belt moved at a sluggish pace and I walked without any trouble at all.

I began to relax.  I started swinging my arms settling into a good rhythm.  I chuckled and then I laughed.  See, I said.  No big deal. 

There was a strange noise and the treadmill lurched and started going faster.  I had to quicken my pace to keep up.  Shit, I said.  The speed of the treadmill increased even more.  What the hell?  My legs were beginning to hurt.  I had to stop the damn thing.  I had to get off.  I hit the power button but nothing happened.  The treadmill was making loud screeching noises.  Suddenly I lost my footing and went down.

I was thrown off of the treadmill.  My left foot hit the wall with a sickening smack.  I felt a jolt rushing through my entire body.  I was lying on the floor.  I didn’t think I was capable of moving.  The treadmill made some loud cracks and pops and then the motor gave out a low moan before going completely dead.  I thought I smelled smoke but I wasn’t sure.

I managed to roll myself over.  I was on my back looking up at the ceiling.  I saw the bright lights above me.  I smiled and closed my eyes.

David Centorbi

Sure It’s Ok When I Buy The Cascadian Farm Organic Raisin Bran, But When I Bought The Nature’s Path Organic Peanut Butter Panda Puffs, That’s When:

“You’re 54, that cereal is for kids.” 

“But I mix it. So I’m half and half, sweet and bran.”

“It’s just gross.”

“But maybe it’s a metaphor: sometimes you’re peanut butter, creamy and smooth. Sometimes you’re bran, crunchy, and takes time to chew.”

“And sometimes you’re an ass and say stupid things.” 

“You see, that’s what I mean, and…”

“AND I hate the way you smash down your cereal in the bowl, clinking your spoon against the side.”

“I’m introducing the cereal to the oat milk, spreading it around so each piece starts to soften equally.”

And you look at me and shake your head.
Maybe you have words or maybe, really, there is just

surrender. You decide it’s better to leave
the room and turn on the television

and watch The Real Housewives Of Wherever 
bicker. At least none of their husbands

mix cereal, or clink spoons
on the sides of bowls.

HSTQ: Winter 2021

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Winter 2021, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Robert Beveridge, C.L. Liedekev, Niklas Stephenson, Paul Tanner, Clarice Hare, Brian Rihlmann, Dave Cullern, Tia Mitsinikos, Judge Santiago Burdon, Brian Rosenberger, William Taylor Jr., James Diaz, Jon Bennett, Daniel S. Irwin, Mendes Biondo, John Maurer, Donna Dallas, Alexandre Alphonse, Dan Cuddy, David J. Thompson, and David Estringel.

Kindly PayPal 5 USD to arthur.graham.pub@gmail.com, or get your FREE ebook here!

More of the Lovely Miss Foxx HERE

Marc Olmsted

been there done that

“let’s do this
thing, warden,” 
said the death 
row convict 
ready for a shot,
his horrible crime’s ticket
down to a hot vacation,
at least not permanent 
like the Catholics say 
& hopefully not back to
press the button/throw
the switch on another 
or fret black beads
like the prison chaplain
or the warden himself 
numb and bespectacled 
waiting to retire 
or a watching bug on the wall 
or a haunting invisible spirit 
to say nothing 
of that little girl 
in the woods 
made suddenly aware 
that she’d never
be a princess

James Diaz

What’s in a Life

The way he told the story was 
he never had a chance
father left before he turned five
his mother used to hit him 
a lot
almost as much as she hit the pipe
he thinks she hit the pipe more though 

and those are the good memories

he’d tell you what went wrong 
and he’d own every damn bit of it too
‘I fucked it up, sure enough, 
I was so good at blowing up my own life 
it scares me to think 
just how used to it all I got’

word come down that he did himself in last October 
most folks would say they were amazed it took him so long
to reach that bottom, last song, no dancing

I never really saw it that way
yeah, he’d lost more than most of us could bear
but to hear him tell the story 
that was all a part of the magic of this shit life
how what you lose 
makes you appreciate the hell 
out of what you got left 
all the more
and when I had no place to go once 
and he was livin’ outta his car 
hell, he gave me the back seat
and not once did he ask for a single thing in return 

to hear him tell the story though 
that’s just what you’re supposed to do for others in this life
and that oughta count for something
more than all the shit that went wrong 

it oughta be the whole story 

it kinda is.