Nathaniel Sverlow

threesome

I dreamt the three of us
were in bed together
and she had her nipples out
so I began to suck on them
and she began to moan
so loud
you woke up and joined in

I could hear you kissing her
as I continued playing
and that was alright
but then, suddenly,
I felt you touching me

your hand
under the covers
running along my neck
my back
my ass
reaching around
to the front

you began licking my ear

I pulled away
but then you jumped on top of me
and kept going

“what’s a matter”
you said
“you worried you’re gay
or something?
doesn’t this feel good?”

and it did feel good,
but I couldn’t get over
how your mustache
felt like sandpaper
and your beard
felt like more sandpaper
and your eyes
drilled into me
with a lust
I could not possibly replicate

“sorry,” I said, “you are
really good with the ear thing,
but I’m just not, you know.
I wish I was, but I’m not”

that killed your momentum
killed her momentum
killed everything
that had been building
between us

and the bed
felt more like a gurney
wheeling us down to the morgue

you rolled off of me,
looking embarrassed,
and she rolled to the side
and put her tits away
and I stared up at the ceiling

until I woke up
with the biggest hard-on
I’ve ever had

Andy Seven

The Hardcore Kid

I.
He tied a rag around his boot
spare changes for his loot
still lamenting the death of Sid
he’s The Hardcore Kid

Punk’s not dead
Mohawk skulls hard as lead on Sundays he’s straight edge
and his girlfriend’s all skint
he’s The Hardcore Kid

II.

He breaks in a tornadic sweat
when he slams to Jello and Minor Threat
skanking with his mates in the pit
he’s The Hardcore Kid

His daredevil crowd surfing and volcanic loud burping
got him branded a twat in every hepatitis-filled squat
keeps his diseases well hid
he’s The Hardcore Kid

III.

Louder harder faster
jet propulsion is his master
crude lewd rude and never submits
he’s The Hardcore Kid

Spiked bracelet spiked collar
Dude dude dude can you spare a dollar
going to see Fugazi not all punks are Nazis, fuck off
he’s The Hardcore Kid 

Anabela Machado

Violent Devotion

I.

The word of love is a mystery that sneaks up on most. Worship can be better understood. I found you when hope had died ugly, trembling with fear. We struggled for what felt like an eternity, trying to decide who would win. It was a very terrible thing, and I regret ever calling it affection, the blood that dripped from our wounds tasted bitter. I want to be kind, sweet, harmless. I want to put this rage away, inside a book of fairy tales no one reads anymore. I want to strip this of all the horror we cultivated, dress it up like a thing of beauty. It’s no use, it’s deformed, a fruit of gore, rotten. 

I think about all the things I told you, the lies I built like a castle, with faulty structure, just waiting for the right time to come down. I remember biology class, my high school self struggling to stay still, a story of spiders on the whiteboard. Their cannibalism was a tale of terror, detached, no emotions involved. It’s not how we work, strange humans filled to the brim with feelings.

I cry as I eat you.

II.

I want to try on your skin, pull it out slowly like a sticker from a beloved notebook. Wear it like a form fitting jumpsuit, glue it to myself so you can’t have it back. Move with your arms and your legs, speak with your mouth, summoned words going up from the skin of your throat, your neck but my will. It would be fun, I promise. You’ll be nothing but exposed red muscles, veins throughout your body, a living and breathing science book image. But I’ll take care of you like that. I’ll put you inside a box, closed tight so no one can see you, I’ll give you food everyday through an opening on the wood, you’ll be warm and cozy while I walk around.

I’ll tear your life to pieces, self destructive and unkind. Your job will be nothing but a distant memory, all the love in your life left traumatized. I’ll use all your knives until they are blunt, cutting chunks of your plans, eating them raw. Is this how we end? My eyes watching through your eyelids? I’ve learned the way you move, your tics and repetitions, the rise and fall of your voice, the tone you use when you want something. I’ve practiced, every night. Twisting my sounds to become yours. I move my hands while I talk too, I make the same jokes you do. This is a form of admiration, I hope you are flattered. You are a debt that is owed, and I’m the collector. I take you with greed, anxious, wanting. 

I dislike you just as much as I desire you, with all of me.

I write you in my memories, the main character in a film, the world revolving around you, the universe bending to your will. I feel like Bluebeard, keeping you locked inside, my puppet, my prey. I like it, I play the part well. I hang the people you love from the ceiling with joy, imagining your face when you see your life cut in two. I picture you in their place, hungry and lonely, malleable, clay ready to be molded into something else. 

You’ll cry of course, feeling trapped in the warmth I wrapped around you, it’s how it always goes. But I’m not moved by tears, never have been. I just watch your hope go, running away while your body stays.

III.

I’m the monstrous fisherman that captures the mermaid, unwilling to give up my possessions. I wrap you in my net, mouth watering with greed, dissect you like a fish, bleeding on the wood of my boat. Isn’t it funny, how I don’t hesitate? I’d do it again, just for you. 

I take stock of you, like cattle. Count all your fingers and your toes, think about which one I’ll cut first. It horrifies you, of course. But this is a return to nature. I kill you as I love you, make you my favorite meal. I scoop out your insides and turn your corpse into a home, your flesh my roof. 

I must be the one to do this.

You could never stomach me.

Isaac Offski

It’s Not Enough

It’s not enough to drink wine outa your pussy
I need to piss on your face n lick it off
To prove how much I love you

I take a shit in your cereal bowl and feed it to the dog
That’s how much I love you

Spent the last a my cash on lottery ticks
Just to tear ’em up in your face
Even if in the future
The jackpot’s $100 million

I’ll sleep in the rain in the park
Get eaten alive by a shark
Undergo alien rectal probes
In the dungeons of space
Stretched out onna rack
Tortured by fascists

It’s not fire making my bellyache
But stray arrowheads
dug up by the dog
I swallowed

To prove how much I love you

M.P. Powers

italics

one day I would like to do 
what the highbrow poets do 
and write about things the common man 
has probably never seen or experienced 
things that certify me as cultured.
things like plumeria
or escargots de bourgogne 
consumed while suppering 
with a coterie of upper crust intellectuals
at a michelin-rated restaurant in Milan.

one day I would like to show everyone 
my inspiring bridgehampton home
my creature comforts; 
the villanelles I typewrite by candlelight
cinnamon dolce lattes, my garden with its dew-heavy
mustard greens 
and swiss chard
seeding the Japanese birdfeeder, 
gunnison sage-grouse pecking at the basin, 
my socks
and long johns ironed by the wife.
mortgage paid off, zoom interview on tap 
with a likeminded 
editor enjoying similar luxuries.

one day I would like to do away with you
unwashed, uneducated
working-class
pricks
and live a life where everything – including
the people – would be worthy 
of italics.

Damon Hubbs

Baby

We’re moving in pink 
like seppuku. Tampons soaked in opium. 
A grown ass man saying oomf. Don’t be glib. 
It’s like shooting migrants in a queue. Sugar-rush mayhem
reshoot, reedit. Brunch and bubbly with Nadia
because she has an exquisite navel.
We all like to stare. 
It looks like a living angel
or Big Sur, depending on the light. 
Man it must have sucked being a woman in the age of the Beats. 
I wear a great schism of makeup. 
Like Catherine of Siena I’ve been writing letters 
to all the men who’ve had their eyes burned out by love. 
I’m tranquilized with good taste.  

Baby gives my bush a mohawk
dyes it blue. I make a fin de siècle face 
when you eat me. 
Baby in the bath. Ballet pink.
Baby talking slaughter houses.
and West Village girls. Baby playing Simon Says
and cutting just a little. Baby in the corner 
with a little fuck ass haircut.  
Baby teething ecstasy at the Avalon in Boston. 
Baby abandoning hope. 
Baby sucking dick like the Pritzker Prize.    
Baby alone in Babylon. 
Catch my kitten-heeled shoe 
I wanna be breast fed by Hunter Schafer.