Matthew Licht

Alice in Roseland

All the old guys’ heads swiveled when Alice entered the old Roseland Ballroom. Since the men who showed up for afternoon dances were few, the crowd of elderly ladies noticed the swivel, and followed with their gazes. Unlike their habitual squires, they weren’t pleased by what they saw. 

Fresh Blood. New Meat. 

Despite their failing eyesight and the ballroom’s all-forgiving lighting scheme, the old fellows detected a dearth of wrinkles on the stranger lady’s face. The old women spotted this instantly, and did not approve.

Alice stopped at the border of the hardwood parquet and looked around. This wasn’t her first time at Roseland, but decades had passed since her last visit. 

The War was still on, then, and her son was in Europe, in uniform. She wanted to keep her mind off the appalling things that can happen to young men in combat. Whisky helped, somewhat, but dance music and unfamiliar male company was better.

Alice was a divorcée. She was also a widow, a mother, lonely, and an artist. She still dressed like one.

An old girl whom she passed on her way to the bar had whispered, “What a slob.”

Another muttered, “Whore.”

Alice was just about to pull a dollar from her purse for her first belt since lunch-break when a stranger intervened. 

“Her money’s no good here, Max,” the old fellow said, to the approaching barkeep. “Whatever she wants to drink, I’m buying it.”

Instead of saying, thanks, or telling the man, “I’ll pay for my own cocktails, if you don’t mind,” Alice looked him over, top to middle to bottom. “Turn around, please,” she said.

The man did so, slowly. He half-expected a kick in the pants. When he’d gone through 360 degrees, Alice was looking straight at him. Whatever test she’d just administered, he seemed to have passed it. She reached for the shotglass on the counter and drained it.

“My name’s Fred,” the man said, and stuck out a hand.

Alice looked down, and divided Fred’s gnurled mitt into rectangles and cylinders to form an asymmetrical pentagon.

Fred felt he was about to be lightly dismissed. He acted fast. “Would you care to dance with me?” he said, and, after a pause, added, “Please?”

He was aware of the multitude of rheumy eyes focused on them at the bar. His reputation as a lady-killer was at stake. 

Alice, on the other hand, had nothing to lose. She let poor Fred dangle in the air-conditioning while a slow number wheezed by. “I’m a lousy dancer,” she said, finally. “But hey, it’s your shins and toes.”

She let herself be led out onto the dance-floor, which felt marvelous.

Alice really wasn’t such a terrible dancer. Another drink or two would loosen her up into an even better one, and the late afternoon was young. 

She still had beautiful hands. They fit well into Fred’s. 

One old hit song rolled over and faded into another. The codgers who’d been too slow on the draw watched wistfully as the new couple turned and glided past them. Eventually, they’d recover, and get back into the usual swing of things. They’d ask the familiar single senior ladies to trip the light fantastic with them, again. 

Couples occasionally showed up together for matinee dances, but they were a great rarity. 

Alice and her ex-husband used to go on dates at the Roseland before they were married. Dances, and other forms of evenings out shadowed into the past after their son was born. 

She listened to the radio while she did housework and mothered. She knew she hadn’t done enough of either. Her interests had always lain elsewhere, and this still preyed on her conscience.

“How about some more refreshment,” Fred whispered into her ear, while Louis Armstrong told them they had all the time in the world.

Alice surmised he wanted to show off in front of the other regulars. Still a suave character, still a sheikh.

“Why don’t we go to my place instead,” she said, and lit a cigarette. She wasn’t really a smoker, but she liked what tobacco did to her voice, and she used it well. “I’ve got a bottle there, and there’s something I want you to do for me.”

Fred couldn’t believe his ears, or his good luck. He was specialized in a certain service for which lonely older women are often nostalgic. He’d been known as “Frenchy” in high school, even in the yearbook, although he’d taken Spanish instead of French. There were more Hispanic girls around, at Kefauver High.

“Anything you want, lady,” he said.

“Not so fast. What I meant was, I’d like to do some sketches of your head.” Alice tilted hers, for a better perspective, then looked down, although not quite as far as he hoped. “And your hands.”

“Oh,” Fred said. “Sure. That’d be great, I guess.”

So they exited Roseland together and went to her place, which didn’t, as Fred half-imagined, smell of cats, or the low tide at Coney Island, or spilled bargain liquor. Alice didn’t offer him a drink, but there’d be time for that later. He asked if he could use the bathroom while she searched around for her sketchpad and pencil.

Panties and brassieres were hung on the shower curtain rod to dry. Fred considered them as he relieved himself, avoiding the center of the pot. The wall in front of him had been painted yellow. That was strange, but she was an artist, after all. When he was done, he carefully wiped the droplets on the rim with a square of tissue, and inspected himself in the mirror while he washed his hands. Definitely not looking his best, but that was as good as it was gonna get, that evening.

She was ready for him when he came back out. She’d set a wooden chair in the middle of the room after she’d shoved the ugly little sofa off against the wall where the window wasn’t. 

No TV, he noticed. Not even black-and-white.

“Sit relaxed,” she said. “With your hands on your thighs. Like you’re lost in thought.”

“What sorta thoughts should I be lost in?”

“That’s up to you.”

Fred arranged himself as he’d been told to do, and thought of June, his first wife.

Alice scratched out exploratory strokes with a carpenter’s pencil, which made an artistic sound. ‘I really should draw more,’ she thought. She didn’t have much time for it, though. She was always dead tired when she got home from her job grinding lenses at an optics factory way the hell up in the Bronx. All she wanted to do was sit in her chair, look at the wall, drink, and think about a man she’d been in love with, who’d long ago been killed in a motorcycle accident. Not his fault. Taken out of existence by a drunk driver, who got off with manslaughter and never spent a minute at Sing Sing.

‘The best thing about art,’ she thought, ‘is that while you’re doing it you don’t have to think about anything else.’

Fred had never posed before. He wanted action, and was used to getting plenty. Ladies his age usually knew when their half-hour of pleasant preliminary conversation was up, and were well-aware that the next half-hour or so might be their last chance. This arty lady was paying attention—no one could say she wasn’t—but not the kind he wanted. The silence, broken only by the skritch-skratch of pencil on paper, also bothered him.

He gently cleared his throat. “Hey, what’s your name, anyway?”

“Oh, sorry, didn’t I tell you? It’s Alice. That is, I’m Alice.”

“Pleez ta meetcha. I’m Fred.”

“Hi, Fred. Let’s change.”

“Out of our clothes?” He chortled at his own bon mot.

“Let’s have you sit with your left leg crossed over your right knee, and your left hand supporting your left cheek. Look out the window over there like you’re thinking of something. Something different, for a change, buster.”

The little apartment’s lone window opened onto a brick wall, which must once’ve been visible from the street. A giant hand-painted Osram lightbulb had been concealed but not obliterated when the building Alice lived in went up. 

“So what’m I supposed to think about? I’m not good at this. When it’s my turn, I’d like to draw you naked, like Venice de Mille.”

“You mean, Venus de Milo.” Alice had lived in Paris for a while, after her divorce, and had dutifully visited the museums to copy old masterpieces.

“Nah. Venice de Mille’s a stripper at Crawfy’s. She’s famous cuz she’s the only one who goes all the way.”

“Is that right? Well listen, I draw, but I don’t strip, and I stopped posing a long time ago. You can leave now, if you want.”

Fred held up his hands in surrender. “Just a suggestion. But when you’re done we could, y’know, get to know each other a bit. I got a feeling when we were out there dancing together.”

“Oh yeah? What kinda feeling?” Alice had never really taken charge with a man before. Her sudden fit of boldness must’ve had something to do with drawing. This Fred person at least knew how to sit still. Something good might yet come out of their encounter. Maybe a painting.

“This is kinda embarrassing to admit,” Fred said, after a while. “But I got a feeling we sorta belong together. Did you feel that way too?”

“No I didn’t,” Alice said, because it was true. She’d only gone into Roseland because she’d heard music float out onto the street from inside the place when she walked by, and was surprised the old dancehall was still standing, still open. “It’s been a long, long time since I felt like I belonged with anyone. My own son doesn’t even write me letters anymore. Just a card for my birthday and Christmas.”

“That’s too bad. You divorced? A widow?”

“Both. With three different men. Do you have children?”

“Not me. Never been married, neither.”

“Oh? Why not?”

Fred had to think about it, but knew he’d better be quick. She’d think maybe there were too many reasons, or that maybe he’d tried to get married but had been turned down for some fault within himself that she hadn’t become aware of, yet. He decided Alice was the kind of woman with whom it’s better to play straight. “Just never found the woman with the right taste,” he said.

Alice’s well-shaped ears perked up. The guy’d come out with something unexpected. She thought he’d say he just liked playing the field, didn’t want to be tied down, had to live free or die. 

“Do you mean,” she said, “the right taste in clothes? Furniture?”

Either way, she would’ve found that interesting.

“You know what I mean, Alice.” Fred thanked Heaven that he’d remembered her name, at the right moment. He broke from his pose, rose from the chair without making himself too big or tall or menacing, and went down on his knees before her. Guys who hesitate, he knew, never get none. He’d never been one of those shy guys, not even in high school.

Alice contained her confusion. Was this what’d really moved her back into the old Roseland? Was this old lounge lizard what she’d been unconsciously looking for when she heard the music of yesteryear? Had she taken a shower that morning?

She wasn’t dreaming, wasn’t really asking herself those useless questions. Fred was more than direct, he was also strangely gentle, despite those stevedore mitts of his which were the first thing her artist’s gaze had picked up. She still had it, the discerning eye. She scooted forward on her chair. 

Fred closed his eyes, which he didn’t usually do, under such circumstances. Some of those old Roseland dames, former gangster molls, he was afraid they’d konk him on the head with a bottle if he didn’t do it the way they liked. That’s why he always took it real slow, at first. But this Alice was an artist, so she probably looked at things differently, saw them in a way other women didn’t. She must be looking at him right now, he thought, because maybe she’d want to paint a picture about what it’d looked like, later. Besides, he thought further, she was just right, like the girl in the story who breaks into the bears’ place. Best porridge he ever tasted, only it wasn’t porridge. He didn’t even like porridge, whatever it was. Alice was much better than porridge. In fact, she was a whole ‘nother world.

The couch would be more comfortable, Alice thought, for both of us. We’ll get to the bed later. Oh wait, the couch was the bed, in this room. She’d moved around too often, lately. This guy Fred moved her around like he knew what he was doing, like he knew how she wanted it just before it became clear what the next move oughta be. The other stuff about him, Alice thought further, might be a bit corny, but he’s at least got this right. In her mind, dreamily, she went over how he was dressed, what kind of shoes he wore. His breath was not unpleasant, a quality that grew steadily more important and more unusual among the men she either met or ran into, as the years raced ever more uneventfully by. 

Then the thing happened which hadn’t happened often enough lately, especially not with company around. Alice let the tide take her, or, better, released it. Whatever happened would happen.

Fred took the flood, and got the feeling that comes from having done a job exactly right, and you were the only one who could do it that way. In this case, it wasn’t just a feeling. 

***

Fred and Alice didn’t always get along as well as they did that first night they spent together, but if nothing else, they had the warm memories. And they both worked hard to make things work, together. Until Alice woke up one morning feeling all blocked up inside. After a few days with no improvement, Fred escorted her to the nearest hospital. 

Alice didn’t come out of there alive. 

Fred stayed in her apartment for a few weeks after she died, since they’d already paid the rent for the month, but he never went back to Roseland.

He might’ve been over the legal blood/alcohol limit when he fell in front of an A train headed up to West 125th Street. No one checked. There wasn’t much to check, and anyway it didn’t matter.

The building’s superintendent put Alice’s life’s work out in the street. ‘All these crazy pictures,’ he thought. ‘Who wants ’em?’

No one who walked by the building did. A girl who’d just moved to town held up a framed drawing of an old man’s hands, knotted in a gesture of resignation. The frame was gilt, and she thought it might look nice on the freshly painted walls of her new apartment. Then she thought of urinating dogs, cockroaches and dormant bedbugs and put it back on the pile, more or less where it’d been when it’d caught her eye.

The garbagemen who worked in that part of town enjoyed the glassy tinkle and tender crunch the frames made as they disappeared into the grinder at the back of their truck.

Vivian Pollak

He Has Risen, but Who Cares

She craved a man
But didn’t want a mere fuck-buddy 
Oh God
She cried out
Spilling her Malbec

Then Jesus came flying
Into the room
Hovering 
Over the hardwood
As if it were water
But he was bored and done with that trick

My child,
he cooed 
Let my bluish-green light
Into your pussy 

It was the last straw

She knew she’d have to
Go back to the dating sites
She had heard about those 
Ectoplasmic freaks 

Sex Doll Gumbo Poetry Event!

To celebrate this book’s release, HST is hosting its first-ever online poetry event, and you’re invited!

Part 1: Friday April 14th, 6:00-6:45pm (US Eastern Time)

https://us05web.zoom.us/j/82338942374?pwd=KzY1d0hRbzF1bEZ5aitmVllaRWNHZz09

Passcode: r483Vy

Part 2: Friday April 14th, 7:00-7:45pm (US Eastern Time)

https://us05web.zoom.us/j/81595418754?pwd=RXd0UGw2UUtqV0Q4S0lNd0tvUkpvQT09

Passcode: n5Txa8

“Seating” will be limited to 100 per session. Please get in touch if interested in reading some poems of your own, and we’ll see if we can slot you in. Otherwise, hope to see you there!

Cheers,

AG

Jacklyn Henry

Addicted

i chase my addiction
in the dark cool embrace
of midnight,
hidden deep within shadows,
behind doors locked with
libidinous keys.

there is no need for commerce,
no exchange of crumpled bills,
no crushing of rocks,
no back-alley shenanigans,
no needles nor spoons,
or lines of sweet transgression,
no fear of vagrancy
or the stamping flat foot of the LAPD.

there in darkness, bathed in flickering light,
i watch others in transcendence,
in desperation, in the clutch of chemical ecstasy;
writhing and mewing with false pleasure,
deep in a dance of denial, thrusting and fucking,
tearing at flesh.

faster, faster,
yes! yes! just like that!

just
like
that

and a blink of a sorrowful eye
i am one with them, i am a
part of them, captured and chained
and tied for gossamer thread,
a participant from afar,
static and solitary,

i am a part of scene, my degradation palatable,
my shame and misery complete,
blood rising and rushing, an addict in the arboretum,
my skin crackles with fire.

i am burning.
burning, burning.
i am
burning.

eyes dilate,
heart beats fast to a strange kind of music
and
soon

i collapse,

only to feel the hunger rise
once more
from the base of my cock
into
the pit of my soul.

John Yohe

los ombligos del mundo

the girls in Sevilla
smiling and laughing
on this cool friday night
baring dark inies and outies
in the old cobbled streets

touching a Buddha statue belly
is good luck
though some people make fun of buddhists 
who
they say
gaze on navels too much
that navels
are a path to wisdom
or self centeredness

how much wisdom
in a girl’s navel?
how much wisdom
in keeping distance
from a girl showing off her navel—
that wanting that much attention
they must have nothing inside

but I remain unenlightened enough
to want to kneel
and work my tongue
into each warm hole
to taste for myself

Noel Negele

How Was Your Weekend

after three weeks
of non-stop
12 hour shifts
you suddenly have 
a Sunday off
and you don’t know
what to do with your hands

Saturday night
you’re exhausted 
but wanting
something to happen

life tends to become 
too quiet 
with free time 
the silence is
deafening

you call Martha up

“well, well, well” she says 

at the pub she gets
too drunk 
as she tends to do
kisses you too often
too aggressively

the taste of her saliva 
lingers for days

she gives the middle finger 
to waitresses 
because she thinks 
every bipod with a vagina 
wants to fuck you—
something that 
couldn’t be further from the truth

“there is no reason
for any of that”
you tell her

she doesn’t listen 

brandishes an empty 
Asahi beer bottle
in the air

a door man grabs her 
by the elbow
tries to be nice about it too

You put your palm
in his sweaty armpit 
and push him away
as if he was a toddler 
even though 
he’s three times your weight 

“they’d think 
an animal got a hold of you 
not a human being”

you’re hauled outside 
of the lights and the music 
from three pairs of arms
like you’re somebody’s 
dirty laundry 

blood’s coming down 
your nose,
your right eyebrow 
bleeding too

she sobers up all of a sudden

pulls you out of the 
violent confusion

you go back to your apartment 
with three bottles of Italian wine

she talks so much 
without saying anything 

it’s more noise
than your deafening loneliness

she’s so young 

she’s noise and tits 
and thick lips
and a poorly shaved pussy

sometimes you get so drunk 
you come across 
the charging elephant
in the room—
your sadness spreads 
all around everything you touch
like an oil spill
smothering wild life

she puts your dick
in her mouth 
as the room spins 
like a shred of cloth 
caught in the blades
of a chopper

all you can focus on
is the yellow stains 
on the ceiling 

you think
you need to call the plumber
one of these days 

you think
one of these days
those yellow stains 
will start to drip
something awful 
onto your bed 

you wonder if 
something like that might 
be the thing to make 
you angry enough to pull
that trigger finally 

you think of suicide letters
and how many of them
cried while writing them

you think 
you’re so lonely and sad
or sad and lonely 
or sad because you’re lonely 
or lonely because you’re sad
that perhaps no matter 
how many people you 
introduce to your misery 
they won’t help it

You worry 
you’re going 
to have to put the
scaffolding around 
your broken heart 
yourself 
and try to build it 
back up again 
on your own

you think 
about the only woman you ever loved 
and how probable
it is she’s a mother now
five years after your break up

you lose your erection
and
she takes it personally

“What’s this?”
she asks
holding your shrinking cock
in a tight grip 
like an inflatable thing 
losing shape 

(you imagine 
a butterfly turning
into a caterpillar )

“it’s not you” you say,
“it’s me. I’m empty. 
there’s nothing there.”

your soul is
an infinitely empty 
chasm

but try to explain that 

“You soft peckered nonce!” 
she screams 
jumping out of bed

her clothes 
in a ball
against her tits

“don’t ever call me again.”

she tries to spit at you
but it never reaches you

you get hard again
all of a sudden 

“something terribly
 wrong with you”
says a voice 
at the back of your skull

you step to the window
to watch her go
and you see her
key-ing the side of your 
shitty Honda 
before disappearing
into the night 

you smile— 
hurt makes for
ludicrous characters 

you notice your
reflection in the window—
a pale face 
with wine stained lips
like the lips of a clown
halfway from taking
his make up off

You drink 
the last of the bottle 
and slip into a restless sleep
littered with nightmares 
of dogs tearing you
to pieces.

Monday morning 
coworkers ask you 

“How was your weekend?”

It was alright 
you tell them 
what about yours?

John Grochalski

millionaire

leaving
the job
for the weekend

to spend
forty-eight hours
on the couch

acting like
a drunken 
millionaire

without a care in the world

until i wake up
into the horror

of the monday morning
work day

beholden 
to america again

nothing
but a pauper 

with cheap vodka
and stale wine

on his breath.

Nathaniel Sverlow

bedside manner

“I’m going to put
a finger 
in your ass!”

moving her other hand
down my balls

“the hell you are!”
I say, jumping up

“c’mon, it’ll feel good”

“so help me,
if one cuticle
makes it in,
I’ll slap you
into next year”

her fingers trailed down
my taint

“you think I’m bluffing??”

“I think you’re curious”

she pressed against
my hole,
pushed in,
and I slapped her 
off the bed

“what’d you think?”
she said,
climbing back up

we both looked down
at my cock
twitching
and spitting
like a madman

“ah, hell,” I said,
“let’s give it 
another shot”

“I told you
it’d feel good”

“you sure did,
baby”

and she shoved it in
this time

and I squealed 
like a stuck pig

and she laughed
like I had it coming

for my poor
bedside manner

Damon Hubbs

The Last Romantic

he spoke about her pussy 
in terms of art—
a dampness like Vermeer
a Monet water lily
from a certain angle
on the cheap four-poster bed
like Van Gogh’s severed ear

she sighed 
and lit a cigarette
said she didn’t care for art 
and kindly told him 
he’d have to pay extra
if he wanted to leave the lights on 
next time 

R.M. Engelhardt

In the Last Days of the Obvious Unknown Words

Here lies the voices:

The visions
The repetitions

Of a generation
That cannot
Move on

Let go

Or
Find truth
Beauty or
Meaning

On their own

As they follow
And worship the
Already well known
Well worn paths

Looking for
Fame

Or a
A status

Perhaps
Some brilliant sign
Like a star in the sky

As all the artists
Poets & rock stars

Have already
Left the building

Checked out.

Bowie &
Frida

Kerouac &
Bukowski

Had nothing
To say

With no likes, sad frowns
Love

Or comments

Thoughts
Transcendental or
Heartbroken

No meme
Comes with this
Poem

No new movement
Or a revelation

Wisdom or
Solace

For these are
All the things

You must
Find

On your own

In your own soul
Own words

For
Here lies the voices:

The visions
The repetitions

Of a generation
That cannot
Move on

Dead &
Unnoticed

Unremarkable
& unremembered

In their own
Fire &
In their
Own time

Unknown