She leaves her final punter on a mottled mattress in the alley, spent and struggling for breath. The night streets are wet with autumn rain. Heavy with child, she lumbers to the only working streetlight, squats at its base, and opens a can of stolen clam chowder with the single fang hidden inside her sex.
A belch echoes in her womb—the whore’s baby is finished with his meal—and the empty can falls from between her legs and clatters at her bare, swollen feet. Two rats squeeze through a crack in the sidewalk, tussle, and race up her legs to the clumps of chowder leftovers smeared around her vulva.
The puddle at her feet reflects the scene up her skirt: a tiny hand springs from her vagina, snatches a rat by the scruff of its neck and drags it inside. Vermin bones crunch in her womb. The rat’s naked tail whips her thighs with its dying shit. Her hungry boy reaches out for seconds.
She was born a thaumaturge, but doesn’t know, and yet she performs miracles of the flesh. She’s remade her internal anatomy according to her misunderstandings of biology. She’s constructed a single ovum, the size of a chicken’s egg, to trap spermatozoa from every man she’s serviced, to give herself a son with a thousand fathers.
Felled by one great contraction, she slams down hard on the sidewalk. Her belly explodes, and out steps her infant son, coated in gore. Her screams bounce between warehouses, condemned homes, and shuttered bars. The baby grabs his mother’s intestine and uses it as a jump rope, skipping, splashing in a widening pool of blood.