J.J. Campbell

down this bleak path

get into bed alone
for the thousandth
night in a row

you only keep track
of the days to keep
yourself miserable

just a lazy dreamer
wondering why the
love of your life
has never knocked
on your door

long since failed to
ever learn the lesson
of going out to seek

the stubborn like
to believe it’s a
practice in patience

soon the voices
become mixed
and take you
down this bleak
path

where you never
have to blame
yourself

another lesson
missed

spare the pity
and turn your
hatred inward

shoot out the
mirrors

no one wants to

see what’s next

Shot by Baker: Miss Dea Capri

The World is Her Oyster

Port Melbourne, Victoria, Australia
@shotbybaker

Dea is a pocket rocket with attitude… and elegance. A fish out of water some may say. Whilst her Oriental looks will distract you, her German accent will intrigue you. Working 9-5 was only holding the now-travelling freelance model down. Whilst she toured through Australia we met up and made magic during the setting sun along the beach line of Port Melbourne.

SbB: When did you know a career in modeling was for you?
DC: Many times. When I was 15 scouters asked me on the streets if I can join their agencies. After I’ve been often asked by photographers directly.

SbB: What genre of modeling do you enjoy most?
DC: I love fashion shoots with other models, I like trashy arty shoots and outdoor.

SbB: How hard is it to be a freelance model, and what challenges do you face?
DC: I take it easy. The biggest challenge every week for me is to not miss the flight, to find my shoot locations and hotels/transportations who allow dogs, because I try to keep her part of my life.

SbB: What are some of the most enjoyable destinations you have visited so far around the world while touring?
DC: Most fun I had in Sydney/ Melbourne. That time was crazy. London and NYC also gave me special memories. When it just comes to good vibes and less wild stories then it was Los Angeles. I felt so good.

SbB: In what circumstances, if at all, do you think nude art photography can be both artistic and also erotic? How do you draw the definition?
DC: When I started modeling I did loads of art nude, but since my tattoos, I’m more into glamour nude. Nude art means to be part of the picture, to complete it like a tree in the garden, whereas erotic means to express emotions but be more impressive and human.

SbB: How many tattoo pieces do you have altogether?
DC: 8, but will finish my arm sleeve very soon.

SbB: What’s the main influence behind your bodywork?
DC: Tattoos are sexy and make you look even more unique.

SbB: What do you think your tattoos say about you?
DC: My tats say that I have an eye, taste, and love the trashy cool look.

SbB: Come the weekend, what’s your favourite thing to do?
DC: Weekdays or weekend, I’m a freelancer, so for me it’s all the same. I never drink so I just wanna have a long dance night, waking up on the beach with my dog.

John Yohe

Jerk Off Instructions

On Sunday night, to get out of my apartment, I walk over to Dante’s for a quick drink. It’s just down the street really, not bad. Plus I like being out at night sometimes. It’s kind of quiet. Less cars I guess. And you can look up and see stars and stuff.

Tony’s there. Tony’s always there. We work at the same place, the Bob Evans sausage plant. He’s in maintenance, I actually wrap the sausage. It pays ok, except I have to get up at 4:30 every morning. But I got benefits too.

I sit down next to Tony and order a beer. On the tv there’s pictures of people getting pulled off their roofs by helicopters after that hurricane down south. Tony buys me a shot to go with my beer.

—So how are you and Marsha going?

—Alright I guess.

—Getting any?

I shake my head and down the shot. —No.

—Look, if she won’t let you fuck her, at least make her suck you off.

I sip my beer. —She doesn’t like to do that, Tony.

—Why not? Is she a lesbo?

—No, I don’t think so.

—Christian?

—Yeah…

—Like, go to church every Sunday Christian?

—I don’t know. She’s got a necklace with a cross.

—Then why are you still seeing her?

—Well, I like her.

—Like? There’s lots of women out there you can like.

—Yeah…

On the tv there’s something about Iraq. A bombing. None of our guys, just Iraqis.

—Look, at least jerk off.

—I do.

—No, I mean with her there.

He orders two more shots. The bartender Tammy does have a nice ass when she bends over. Tony downs his shot.

—Next time she won’t do anything, just ask her. But don’t whine, women hate whiners. Just ask her like, if she would mind.

I down the shot and take a sip of beer. —You just say, Do you mind if I jerk off?

—Exactly. She’ll be confused, but she’ll say she doesn’t. They always say they don’t. It’s because it has nothing to do with violating any of their body parts. And if for any reason she says she’s not sure, tell her you’re going to do it anyway when you get home.

—That is true.

—Then whip it out and look at her and tell her how beautiful she is. Chicks dig that. And make sure she can see your cock.

—Why?

—You have to get her used to the idea of your cock being there. Then you can ask her to help out a little.

—Help out?

—You know, jerk you off a little, massage your balls. Women don’t mind using their hands, and in fact they like touching, because they’re curious.

—Curious about cocks?

—Exactly. All their lives they’ve been told that cocks are bad and they should avoid them, but yet cocks are attached to men, who women find attractive. And since cocks are important to men, we think with them after all, women are always curious to see them, even if, like in your case, they don’t want to put them in their mouths or pussies.

I clear my throat. —So I jerk off.

—You’re jerking off and telling her how hot she is while she’s massaging your balls and now she’s getting more curious, like thinking maybe it wouldn’t be so bad to put it in her mouth for a while.

—And then she’ll go down on me.

He finishes his beer and motions Tammy over for another. —Maybe not right then. You may have to come. And make sure she sees it. She’ll want to of course. All women are fascinated by sperm shooting out of cocks. It’s like a primal thing, a mysterious magical liquid that comes from nowhere. Excuse the pun.

—Well, sounds good. I mean, I think she’s had sex before…

—But it wasn’t good. If it was good, she’d be a cockgobbler by now.

Tammy shoots him a look. I finish my beer and check the time.

—You put it so well.

—The point is, you have to go slow with the conservative ones. Is she worth it?

—What do you mean?

—I mean, there are other women who suck on the first date.

—Really?

—Dude, come on.

—Ok… No, I mean, I like her.

—Ok, but don’t let her jerk you around. Jerk you off, but not around. You want another beer?

I look at my watch again. —No. I gotta get home I guess.

—You gotta get out of the sausage line. Those early mornings are gonna kill you.

—I know.

—So when you gonna see her again?

—Oh, later this week. We’re supposed to have dinner.

—Alright. You got my advice.

—Yeah, thanks. Well, maybe see you later.

I walk outside and look up at the stars. They’re still there. Well, so am I. I walk home.

Richard Faircloth

I Fuck

I don’t look like much; five-one, ninety pounds. Near-sighted brown eyes. Mousey brown hair that’s always greasy, no matter what I do. A-cup. Doesn’t matter. Guys want me.  Pheromones? Whatever it is, I ping their radar. Hard.

When I lived in Chicago, I smoked.  I was nineteen, looked about fourteen because I’m so small, and people didn’t take me seriously.  I thought if I started smoking I’d be in the club. It worked, and I found out some guys lose it when they see a girl who looks fourteen smoking a cigarette. They try to tell you smoking’s not sexy? Bullshit.  It’s totally sexy if you do it right. One guy told me how I came across – he said I looked like if I had a dick in my hand, I’d know what to do with it. I told him to fuck off.

I smoked for five years, until I moved to California a couple years ago.  Oakland. Not as many people smoke here, so it’s not worth it. I don’t need it anymore anyway; I look like I know what I’m doing and guys can see it a mile away.  Fucking radar.

When a guy looks at me, he gets two messages the split second our eyes meet: one – I can see straight through you; two – go fuck yourself.  It’s about establishing control. If they don’t get it immediately, they get it when they walk onto the point of my psychic knife. Sharp point, wicked edge.

If I like a guy’s looks, I let him inside the psychic knife perimeter.  I can pretty much tell when it’s going to happen, don’t ask me how. Fucking radar?

I wear tops that gap when I lean over.  You can do that if you’re an A-cup, and I work it.  He peeks, and I catch him. Predictable. I fool with things while we’re talking – a salt shaker, my keys – so he can see how I use my hands.  I put things in my mouth, like pencils, pens, maybe a knitting needle. (I knit. I like needles and string.) I want him to look at my mouth and I don’t smoke anymore, so I use whatever’s handy.  This goes on until his head is spinning.

Sometimes we’re fucking in the car fifteen minutes later.  I’m tiny, so the car’s easy. (His car – not mine.) Married guys especially want it fast because they feel guilty, and hey, if they can get me off that fast, it’s all good. (I won’t fuck married guys who don’t feel guilty – they’re assholes.)

I make them look me in the eye when they come.  Eye contact. Some guys like it, some guys can’t do it, and some find it humiliating, especially if it’s a married guy – guilty, guilty, guilty!  Look at you, making it with a pip-squeak little girl you just met fifteen minutes ago! Come on, Mr. Man – you look at me. Now. That makes him come really hard, and makes me feel really evil, which makes me come really hard, so everybody’s happy.

I steal things from them, small things like sunglasses if it’s nighttime, or a CD from their car.  Something small that they might have left someplace so they can’t be sure; as long as they know they lost something.  I don’t know why I steal, I just like to steal. Nobody’s ever caught me at it except my fiance.

I met him in a coffee shop, and when I made him look me in the eye it was like we looked right into each other’s hearts.  I stole something every time we fucked – his sunglasses, his change, his comb. When I stole his iPod he looked at me like, “Really?  Come on.” Okay, that was going too far, so I left it someplace for him to find. But I couldn’t let that stand, so I took $134 from his wallet a couple nights later (I left him fifty). He didn’t say anything, and I didn’t give it back.  Then he stole my silver cigarette case (my aunt gave it to me and I used it as a wallet). That was upping the stakes – fine with me. I stole the gold pen he got from his grandpa for graduation. That’s when he asked me to marry him. We were fucking and he asked me right when I was saying “yes-yes-yes” anyway.  Very funny. Nothing’s gone missing since then. Trust, right?

He’s out of town this weekend for a seminar.  When I kissed him goodbye he said, “So who are you gonna fuck tonight?” I said, “I don’t know.  Who are you gonna fuck tonight? Bet you have to pay for it.” Then he said, “I’ll tell you all about it when I get home.”  Uh-huh. Like I won’t take a dare. Game on, motherfucker. The wedding’s in June.

Here’s what’s going through your mind right now: Slutty little shit. (Will she suck it?) Trashy little whore. (Does she do anal?) Sick, fucked-up, control-freak, daddy-issues psycho-bitch. (She fucks.) (When’s the next plane to Oakland?)

I can see straight through you.

Go fuck yourself.

See you around.

Brice Maiurro

Why I Write Poetry

because
when it comes
it comes like a mack truck
and i don’t have the strength
to plant my heels
firmly in the dirt
and slow it down
and i don’t want it to pass on by
so my only choice
is to stick out my thumb
jump in
and ride along
with this shady strung out
truck driver
until one of us
is ready to kill the other

because
when it comes
it comes like a great woman
and i’m usually and inconveniently drunk
so i ask her to dance
in a loud room
where maybe she won’t notice my slurring
and i wear my cologne thick
so maybe she won’t smell
the booze on my breath
and the dance never lasts long
and usually
i end up taking a cab home
and usually
she goes her own separate way
but sometimes
she comes with me
and we spend the night together
tossed in madness and revelation

because
when it comes
it comes like shock therapy
and in the pain
the swelling of the temples
the shaking of the muscles
the boiling of blood cells
sometimes
there is a moment of strong breath
where some ghost escapes
and someone else sees it
and them and me
will always have that
even if i’m not all there

because
when it comes
it comes like a letter bomb
and i could just throw it away
never open it
and the truth is
if i did that
i would be fine
but time and again
i play russian roulette
i do what’s worst for me
i open the letter
i inhale the toxins
i remind myself
that i am not god
and i am reasonably sure
that god would not be who they are
if any of us
were ever considerate enough
to give them a choice
in the matter

John D Robinson

The View

Hunched down in my front porch,
smoking a joint, looking out at
the tree-tops of the public park
and beyond into blue skies,
birds are heard near and distant,
cats lounge and sleep on the
warm pavements, I can hear
traffic moving far off and the
moment feels perfect, it looks
perfect, the world before me
is perfect but I know from my
radio and t.v. reports that
people are killing and hurting
one another in the most hideous
of ways in our streets across
the globe; wars and conflicts
claiming countless lives
rampage endlessly across the
world and so it has done so
for thousands of years and
it’s not going to change,
world peace will never exist,
it’s not wanted, too few
people would lose too
much; those few that
govern the many:
but the view I have from my
front porch is a perfect
view of the world and
for that moment,
it was just perfect.

John Gartland

Count Kevlar Open Source

Digital metaphysics.
Take a deep breath, reboot,
drop into unadulterated Dharma,
pause the sensory overlay stream
and run it backwards.
You are immediately released
from all the tyranny of karma.
No shit.
You have broken the power of narrative,
climbed right out from under it.

You’ve put a hold on fate,
and float
on the perfect parabolic curve;
enjoy your elevated state;
you can change the operating system now,
if you can only hold your nerve.

 

Jake Cosmos Aller

The Mean Streets of Bombay

One wild night in Bombay, India,
I walked into an evil bar 20 drinks too sober
on the wicked-wrong end of
a Friday night booze run.

On the bad side of the Moon where Martian men
drank, ogling the Venus girls and leering
at Earth women in skin-tight pants
that made their eyeballs hurt.

I gave into the spirit and decided to join them,
getting drunk on Martian whiskey and
smoking that good old-fashioned
Mars dust as well.

Next thing I knew,
I was on my way to Jupiter,
on a lark with a gal who
said she was from Saturn.

Didn’t learn she was from Pluto
until I woke the next day,
naked and in jail somewhere
near Alpha Centauri.

A million miles away,
a thousand years in the future,
with no money, no honey,
and no fucking way home.

Still 20 drinks too sober,
I just pissed away my time
with fine Pluto whisky
and cold-ass alien wine.

Then one day I found myself outside that bar again,
enveloped in the miasmic mists
by the old Martian whorehouse,
down near the Gate of India.

Walked up to my Pluto babe
and said, man,
that was some bad shit;
let’s do it again sometime.

Knew the day
would come again,
I’d be drinking with
those Martian men.

Something bad
my way would come,
another night
of wicked fun.

On the wrong side of the Moon,
on just the right night,
in the mean streets
of Bombay.

Angelica Arsan

Bad Seed Crying

This love is a symptom
Of my disease

A damaged mind’s
Declaration of intent

Self-loathing mated with self-destructiveness
Our love’s the fruit of their best fuck

I’m bearing
The schizophrenic child of our insanity

I hear it cry
As it flows through your cock

I swallow the bad seed

It screams down my throat

I think it’s trying to warn me