Doug Hawley

Demon Therapy 

At eight O’clock on Saturday night Duke and Sally heard some thumping from the bedroom.  They climbed the stairs with baseball bats and slowly opened the door. 

They saw a couple of humanoid giants on top of each other thrashing about. 

Duke “Night Angel – you’re back.  I haven’t seen you ….“ 

Sally interrupts “And Night Monster.  You too?” 

Night Angel explained “That’s right.  The two of us helped you with your –uh-difficulties – before you got married with the workouts we gave you.  We snuck in the last few days at night.  It looks like you could use us again.  We decided to practice some of our lessons before you showed up.” 

“What do you mean?” Duke asked. 

Night Monster explained “You don’t even touch each other much anymore.  You’re too young to give up on the sexual side of life.” 

“It’s not true, Sally and I got it on just, uh when was it Sally?” 

“This year for sure.” 

“Ok, tell us this.  Can the two of you take a refresher course?” 

The humans looked at each other, thought about what they were doing up until the last couple of years and said “Sure.” 

Night Angel said “OK, let’s start with the basics.  You both work.  Try not to take anything home with you. Cut down on the alcohol and fast food.  Eat healthy food.  Get outdoors and move around as much as possible without wearing yourself out.  See if meditation will clear your mind.  Try to follow those steps for about a month before you go for more intimacy.  You have to get both body and mind in shape.  Hugging and kissing help too.” 

Ten days after the initial session a package from N. Monster and N. Angel appeared on their doorstep.  Sally picked it up and asked Duke “How do demons send packages?” 

“They must do it at night.  Maybe they have a side hustle we don’t know about and have a checking or credit account.  They wouldn’t have any trouble selling their bodies to get the cash and could have done all of their ordering at night.  Let’s see what it is.” 

The package had brightly colored manuals and toys.  A note told them to have a blast.  Over that evening and into the next morning they had used ten kilowatts of electricity powering the gadgets and made it 12% of the way through the 2021 edition of the Readers Digest Kama Sutra.  

After a couple of months, the night demons visited the humans after sunset on a Friday.  Night Angel asked if they knew what a fluffer was Duke blushed and said that he did, and Sally nodded.  Night Angel said “Each of you could act as the fluffer for the other to prepare for sex.  Suction and manual stimulation works for both brands of genitals.  Have you done that before?” 

Both humans nodded.  More to the point, Duke said “We’re ahead of you there.  We have gotten the spark back with your excellent tutelage.  We discussed this yesterday and thought that we were ready for our final exam.” 

Night Angel told them “Go for it guys.  We like to watch, just like that guy in the movies.” 

Duke and Sally performed the three act play that they had researched the previous night.  Act one, fluffing like1999 in a Little Red Corvette.  Act two, reverse cowgirl.  Act three, a temporarily exhausted Duke struggled through missionary with an equally exhausted Sally. 

Towards the end of the show Night Monster and Night Angel were on their feet cheering and clapping. 

Duke thanked them and said “There is no way we can thank you for all that you did for us, but Sally and I were thinking if you could let us get a little rest and come back a couple hours before sunrise, we could, uhh … . 

Night Angel smiled and responded “I like the way you think.  You two were always our favorite humans.”

After a couple of hours before daylight the demons returned.  Partners were traded, new ideas were tried, and all of the parties were pleased.  As was always the case the demons disappeared at daylight leaving two very happy and tired humans to sleep all day Saturday. 

When they did get up, Sally said “What a visit.  Night Demon really touched me.” 

Duke asked “Emotionally?” 

“No, all the way to the uterus, with tongue and dick.” 

Duke smiled “I hear you.  Night Angel’s tongue and lips.  Mmmmmmmmmm.” 

Sally answered the phone and listened for about a minute.  “Good news.  Our demon buddies think that they should check on us once a month.” 

M.P. Powers

The Smallest Brewery in Germany      

I have just bought 
a large brown 
beer from the smallest brewery in Germany
and am now sitting at one 
of their outside tables
across from a currywurst 
trailer. 

I get out my sketchbook. 
I get out a pencil. 
I scribble an outline 
of the two old ladies sitting to the left of me. 

They are eating sausages, 
fat ones, 
dipping them lengthwise into little sunlit pools 
of mustard. 
Dipping and chewing and talking with their mouths full. 

I start in on their hairdos, but my view is suddenly
obscured by an old man on a bicycle. 
He squeezes his airhorn to announce his arrival, 
takes off his helmet, 
starts chaining his bicycle to the pole.
Then he picks up his phone
and talks to someone. 
This lasts for quite some time, 
and when he is finished, the two old ladies 
are getting up to leave. 

I look around for someone else to draw. 
Four dour, deranged, alcoholic faces – a parody 
of Mt. Rushmore –
leer at me 
from the table against the wall.
A middle-aged waitress floats by. 
An elderly man appears in the doorway of the little brewery. 
He is wearing khaki trousers that are soaked 
about the crotch 
and down the insides of both legs. 
He has pissed himself, 
it would appear.
But it’s nothing that seems to matter.
He carries his beer toward 
the currywurst trailer
sits at a little table over there.

Next to the trailer, on a little plastic chair, 
the proprietor is sitting,
his belly resting on his lap like a medicine ball
someone has placed there.
He looks exhausted. 
He looks like he’s eaten too much of his product, 
all those sausages 
roiling around in his guts. 

I dig my eraser from my backpack, 
get rid of the old ladies,
and start where the sunlight licks the side 
of the proprietor’s fleshy
jowl. Then I get in that massive maw, 
the two little outspread legs. 

I am almost finished 
with the outline when 
this beautiful young woman
(the first shot of beauty and youth I’ve seen all afternoon)
rouses him from his plastic
chair. He stands up, lumbers lugubriously 
into his trailer which sinks a little
when he steps into it. 

He then deals her a sausage, 
a large, pale one.
And now others come, more customers,
one after another, 
a long line of Germans
anxious to be fed and I’m left 
there with my partly finished 
outline and my dark 
brown beer. 
I take a sip and forget 
about the drawing.

I write this poem instead.

Emma Burger

Bodies Exhibit

The Old West Gun Room in El Cerrito was ten minutes from my place in South Berkeley. The house that was ruining my life. I’d driven past a million times but this was my first time going in. The gun was only for the pictures, I promised myself that while handing my credit card to the cashier. Cashier feels too informal a title for the gravity of the transaction. Salesman? Gunman? Whatever. You get what I mean. 

When he spread the selection of bullets out on the counter, he adjusted them so they lined up perfectly. Full metal jacket, hollow point, soft point. They sounded like oysters. Like he was a server at some hipster seafood restaurant helping me decide between east coast and west coast. He kind of looked the part. As he explained the relative merits of each – something about target shooting, something about self-defense –  my mind glazed over. My eyes fixed on his too-groomed facial hair. The lines of his beard square and severe, carving a second, chiseled face out of his. 

“So? What do you think?” He asked like I’d left him hanging. 

“I think I’m okay for now.”

“Seriously? You’re gonna buy a gun and no bullets?” 

“I’ll come back for them,” I said and meant it, kind of. I’d read that for the majority of people, there was less than an hour between deciding to kill themselves and actually trying to. Putting an extra trip to El Cerrito between me and the option was a good insurance policy against myself.

I’d shot a gun once before when I was twelve and my uncle took me to the rifle range in Livermore. We lay on ratty old mattresses next to each other on our stomachs. He showed me how to breathe deep then hold it as I squeezed the trigger. “If you see stars, you’re doing it right,” he told me, although I doubted it. When we were done and I pulled the sling off, my wrist ached from propping the gun up and I had a headache from holding my breath. My ribs were sore from lying on my stomach, nothing but a couple inches of foam between me and the cold concrete. It seemed karmically right to me though that it would be uncomfortable to shoot a firearm. Even then, I knew it shouldn’t cost me nothing to send a bullet through space at 2,000 miles per hour. It should hurt a little bit. 

When I got my target back, bullet holes riddled the page with no discernible cluster around the bullseye. “Well, we’ve got room for improvement kiddo,” my uncle said. The next time he asked me to go with him, I said no.

This would be much different from a rifle though. A pistol at close range. There was no aim involved in turning it on myself, muzzle in mouth. Nothing skillful about that. And besides, it was just for the pictures. I repeated that part in my head on the drive home, like I myself still needed convincing that this was actually for art and not real life. 

It wasn’t my neighbor that I first noticed watching me. It was his iPhone, propped up against the windowsill outside his room, which looked directly into mine from across a couple feet of lawn. I was changing. Deciding what to wear to my classmate’s art opening. I didn’t want to go, but I knew I should, and I should try to look cute. She was one of the few girls in the art school I could actually see myself becoming friends with, and I was sick of being alone all the time. It had been months since I’d had anywhere I needed to pick a real outfit for and I could hardly remember what I used to wear to go out. A dress, a shirt, bra, no bra. I settled on a sundress and drew back the linen curtains, letting the afternoon light flood in. As I did, an arm reached out his bedroom window, pulling the phone inside. Pervert.

I came back home that night after the show, circling the block twice before I parked. Peered into his house with each lap to make sure he wasn’t still at the window. I ran up the steps and inside my front door, sticking to the interior rooms where I knew he couldn’t see me. I sunk down the wall, feeling sick.

It was impossible to fall asleep that night, knowing he was only steps away. I missed the safety of living with my ex. His warm body next to mine in bed, ready to be jostled awake at a moment’s notice. The easiness of sleep with him there. How small and insular he’d made my world, as I allowed the few friendships I’d actually made at Berkeley to wither and die. Lulled by the false sense that he alone was all I needed.

At three in the morning, still wide awake and scared shitless, I snuck out, locking the car doors faster than I ever had. All I took with me was a sleeping bag, a space heater, and a backpack full of clothes. I drove to campus and set myself up in my studio space. Lying on the concrete floor kept me up all night, but it was better than the feeling of being watched.

I wouldn’t go back to Julia Street for three days. Couldn’t stop thinking about the video he had of me changing. It bugged me, not knowing what his face looked like. I wondered if he thought I looked good in the video. I wanted to watch it. See how I held my face, my body, under the illusion of total privacy. How my posture changed when I stepped in front of the mirror. If I could somehow get ahold of it, I wondered whether I’d delete it right away or send it to myself first.

On day three of my on-campus sojourn, I woke up to a scream. It took me a second to remember where I was and why a tatted up dude might be hovering over me with a bucket and a mop. Right. The night shift janitor. “You can’t be here,” he said, and blushed like he’d walked in on me on the toilet. He seemed embarrassed that I’d heard his voice go up an octave. I felt bad. He probably worked nights so he never had to deal with students like me. I ran my tongue across my teeth and fingers through my hair, still half asleep and not ready for human interaction. “I know, I’m sorry,” I said, and stuffed my sleeping bag into its sack, avoiding his eyes as I squeezed past him through the narrow studio door. It was four am by the time I got back to Julia Street, my heart pounding as I pulled into the driveway.

My phone battery had been dead since I left my place, my charger still in the wall where I’d left it. I prayed for the dopamine rush of a bunch of missed messages. Evidence that I existed in the world and I wasn’t just a character in my own sleep deprived paranoid delusion. I flicked on my bedside lamp to plug in my phone for the night. 

As if he’d been waiting at the window since the moment I left, the light in his room turned on, right on cue. He hadn’t been sleeping. I imagined him restless, waiting to jump out of bed at the sound of my car. I turned off my light hoping the darkness might protect me. My phone glowed to life as its battery ticked from 0 to 1%. No texts, no missed calls. It didn’t matter that I’d dropped off the map, my radio silence was finally being returned. There was only so long you could go ignoring people until they got a clue and gave up on you. In the mirror, I brought my hands to my face. Skin on skin, to prove I wasn’t just a hallucination.

The next morning, I lingered in the living room before stepping out the door for class. Voices outside his front door. Sweet feminine voices. A woman and a young girl, maybe eight or nine years old. His wife and daughter. The girl with her pink backpack, matching pink scooter. Mom in her geometric glasses, her flowy linen pants. A professor type. She wasn’t especially good looking, but was pulled together in the way that said she had better things to care about. Immediate relief – he was normal enough for a family – followed by a swell of disgust. 

I wondered if she knew what he was up to. Maybe she had no idea and he called himself a feminist in front of her friends while they nodded and commented on what a good guy she’d found. Or maybe she was in on it. She was a partner to her husband, not a sex object. He had to get his kicks where he could, she might’ve conceded long ago. Maybe it was their fetish, watching the videos together. Videos of me. Of Molly, the red headed folk musician girl I’d taken the apartment over from. Molly hadn’t mentioned the neighbor when I’d toured the place but then again, she wouldn’t have. She must’ve been desperate to get out of there. 

I considered stepping outside then and telling his wife what was going on, but my stomach flipped at the thought. If she didn’t already know, it could end their marriage. It could traumatize the little girl. It could take her daddy away.

I googled his address, and all the details of his life popped up right away. White. Male. 49 years old. His previous address, and the one before that. Confirmed. That was his wife, that was his child. I searched his full name and his website came up. A photographer. About Eric, Shattuck Gallery, Work. I clicked on About Eric and his picture popped up in black and white. A full beard, wire glasses, faded 49ers cap. He looked like off-brand Michael Moore. The picture might’ve been a few years out of date, but it matched the shadow I’d seen lurking in his window. 

I clicked the button Work, and there I was. My naked body silhouetted against the linen curtains hanging in my room. I moved across the top four frames, evaluating myself in the mirror, then bending over, then hands outstretched overhead, pulling on my shirt. For once, I didn’t hate the way I looked, the way I usually did in pictures. My ex always wanted to take sexy pics of me, and he’d get mad when I’d tell him they were all ugly. He’d insist they were hot, which made it even worse. Like he was telling me no, babe, this is as good as it’s gonna get. He took photos of me the way he saw me. All unflattering angles and ungenerous light. 

These were hot. I wanted to download them and text them to my ex. I wanted Eric to hang them up in Shattuck Gallery. Watch the look on my ex’s face as he walked by and recognized my body, more beautiful than how he’d left it.

I scrolled through his work. Pages and pages of creep shots. A baby nursing at a woman’s breast from a bench across the park. A teenage punk couple making out on the corner of what looked to be 16th and Valencia, his hand on her ass, her tongue in his mouth. Molly from Craigslist, scrolling on her laptop in bed through what was now my window, her ass fully out in a pink lace thong, a matching bralette.  

I checked his website constantly, refreshing the page several times each day. I felt him watching me even then, through the internet. Him recognizing my IP address, pinging his site. When he did post something, it almost felt as if he were posting just for me. Me getting out of my car, me blurry through the living room window, wrapped in a towel, my hair slick dripping down my back. 

If he left the house at all, it was while I was out. He’d either become a total recluse since his days as a street photographer in San Francisco, or he was monitoring my comings and goings, making sure we never came face to face, hauling groceries from the car or otherwise forced to make neighborly small talk as if he hadn’t already seen all of me. We both preferred to keep the relationship – whatever it was – behind glass.

It went on like this for three weeks, each of us getting bolder. My heart no longer pounded from fear knowing he was there, but from excitement. Eric didn’t bother pulling his phone off the ledge anymore when he caught me looking. I crossed the street to avoid his wife and daughter, no longer entertaining the thought of telling on him. I’d become complicit, and wasn’t gonna tattle on myself. I texted Molly to see if she’d ever met the neighbors but the number she gave me was no longer in service. She’d said something about touring in Europe but hadn’t given me any way of getting in touch. I turned on Amy Winehouse and danced naked around my room and downloaded the pictures he posted of me an hour later. It didn’t matter what I did anymore. He was the only one watching. 

I tested him. I needed to know how far I could go. 

By the time I got home from the Old West Gun Room, it was already dark. I pulled back the blackout curtains I’d bought and kept the linen ones drawn, turning on the lights in my room so I’d glow, backlit, the outline of me clear. I held the gun to my temple and paced my bedroom, giving a show of contemplation. The muzzle was cold against my head. The tension between my usually knitted eyebrows lifted. A somatic relief, as if my body knew that some kind of end was near. I waited until I was sure Eric had gotten his shot.

When I felt he had, I lowered the gun, half anticipating the cops to rush my front door. Nothing though. Just the lazy whir of the space heater in the corner of my room. When I stuck the barrel in my mouth, I was surprised at how awkwardly large it felt, like a fumbling and unsexy blowjob. Nobody ever told you that, how wide you had to open your jaw to accommodate a pistol. Again, I let Eric take his shots and set it down. Satisfied that he’d gotten what he needed. Pleased that he knew that I had a gun. Surprised to learn how far I could go without him intervening. Zero boundary between life and death and art.

***

For the final project of our semester, we were each supposed to hang a show in the studio space we’d been granted by the university. It was kind of a thing, among artsier circles in Berkeley, to come see the student shows. To hop from one studio to the next, nibbling cheese cubes and sipping two buck chuck. I’d hardly been back to my studio space since I’d gotten kicked out for sleeping there. Half out of shame, and half because my project hinged on me being home on Julia Street. 

For my show, I downloaded all the pictures of me on Eric’s site and took them to Copy World on University Avenue, blowing each of them up several times their original size. They needed to look grainy, like low quality surveillance footage. I wanted not to recognize myself. The way I always looked unfamiliar and vaguely criminal on CCTV footage, even though I wasn’t.

I could hardly make eye contact with the cashier as he passed me my poster tubes over the counter. He didn’t look at me, either. He didn’t need to. He’d already seen everything. The inside of my room. The inside of my car. My naked body. The way my eyes bulged slightly with a gun between my front teeth. 

I hung my entire show the same afternoon it was due. The Bodies Exhibit, I titled it, after the show my mom had dragged me to for my thirteenth birthday in Vegas. “The Bodies Exhibit!” My professor exclaimed as she walked through the door. “I remember that. Fun!” Her breath smelled like cheese cubes. I watched as she eyed my nudes. She studied my pixelated body in various states of undress. Me, fully clothed, walking down the sidewalk, glancing paranoid at  Eric’s house. The gun pointed at my brain, my lips wrapped around the gun. 

As classmates and professors milled about the studio, I played the art critic John Berger’s voiceover on a loop off a Bluetooth speaker. His placid monologue on repeat. “Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.” 

When I got home that night, buzzed off red wine, I collapsed onto my bed. I reached under my bedside table where I’d left the gun. I wanted to feel the cold metal of the Beretta in my hand again. It wasn’t there. I ripped my room apart, in search of the pistol. It had to be there. I  hadn’t taken it out of the house. I tore through the entire place, throwing open kitchen cabinets, digging through piles of old makeup in bathroom drawers. I lifted all the pillows and the couch cushions, but nothing. It was nowhere. I ran back to the front door and double checked that I’d locked it. Back in my room, I pulled the curtains apart an inch to look across the way. There was Eric, in his room. His silhouette in the window, as it often was. I lifted my phone and hit record. Watched him through my little screen as he picked up the gun, and waited to see where he’d point it. 

Ronan Barbour

Blondie 

sun sets on the skyscraper 
gold glowing out from some of the many windows 
there are people in there
murderers, perhaps 
there are people down here too, murders perhaps
but who cares about that 
for now I am intrigued by what goes on in the boardrooms and bathrooms and conference rooms of that big impressive tower
looming tall just beyond the other face of the famous Hollywood sign hill 
glowing behind it like a great Mars red dune this time of evening 

the gold lighted windows together make an indifferent face
as the cool new evening backdrop bears the dark blue of mythic California promise 
it’s the same out there by the sea, I’m sure
where death encircles the missing heart of Venice like vultures dressed as shadows

it’s always that dark blue painted around black palm trees
that haunts the thought of leaving L.A.

I imagine the mythic woman’s face framed in that magic mystique night
and know the touch of that colour goes very deep down 
between my lungs

I would kill myself in Oklahoma 
I would never be found again in Nebraska 
I’ve lived in Europe, I’ve loved in Europe 
I wonder again 
and again 
if this could be 
the last year in L.A.  

where do you go sounds the echo by the door
when every other place seems to make so much sense 

maybe it’s in your blood now, you wonder 
as you intoxicate yourself towards early death 
perhaps that was always 
just the point  
perhaps you never got it and never could 
and it’s all just one long dumb dream to be awakened into the worst practical nightmare

a body drops crashing into a pool nearby 
a gun goes off or is it a car
neighbours nearby make no sense as they make sounds
teenagers and children avoid me and only  
mothers to newborns give me kind smile 
only because they catch me looking too long

that’s alright 

I wonder how the hell they’re doing up there 
in that great big tower
even as I wonder too 
how I ever found that deep dark blue 
so true

HSTQ: Summer 2023

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Summer 2023, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Daniel S. Irwin, Tony Dawson, George Gad Economou, Willie Smith, Donna Dallas, PW Covington, John Grochalski, M.P. Powers, Johnny Scarlotti, Jay Maria Simpson, Karl Koweski, John Bennett, Mather Schneider, Casey Renee Kiser, Ronan Barbour, J.J. Campbell, Jay Passer, and Michael D. Amitin.

FREE EBOOK HERE

Joseph Farley

Listening To Trucks

Listening as trucks on Frankford Avenue 
rattle the walls of my home,
I wonder if all these little earthquakes 
that occur all day and night 
will weaken the structure I sleep in.
Will they sound a warning horn
before the walls come tumbling down?
Or will I wake one morning,
or not wake at all,
covered with crumbling bricks
and shattered timbers?

I don’t worry about it long.
I will never be able to afford to move.
This is my life.
Another risk I have taken.
I need not travel
to India to hunt tigers with a bow.
There is sufficient danger
right at home.

I will go on living 
as if each day might be my last,
trying to squeeze joy 
from every moment,
until all that is left is a rind.
That will get buried somewhere.
Does it really matter
if it is under mud and grass 
or masonry, wood, and roofing tiles?

Karl Koweski

mother’s lil bro

I can’t respect
a thirty-four
year old man
who calls his mother
“bro.”

repeatedly
over the speaker phone
I have to listen
to his vapid
narcissistic
meanderings.

every sentence
basted with
a sociopath’s
false sauce
of canned emotion.

every plea for money,
every whining excuse
for his every
existential debacle

ends with
“hear what I’m saying,
bro?”

his mother
is trapped between
exasperation
and adulation.

in his entire
“adult” life
he’s never held down
a job longer
than three months.

one of these days
he’s going to grow up
his mother
continually predicts.

it just hasn’t
happened yet.

until then,
she wires him
another hundred dollars
for rent.

two hundred dollars
to help him
make his child
support payments
toward four children
who will never
know the joy
of hearing their daddy
call them 
“bro.”

four hundred dollars
to bond him
out of jail
for something
he was totally
innocent of

it’s just bad luck
“bro.”

hear what I’m saying,
“bro.”

thirty-four-years old.

David Estringel

After the Wake

Yellow wallpaper  
peels 
behind faded pictures 
in dusty frames,  
falling to the floor  
in ashen drifts—ephemeral— 
of births and wakes, 
stabbing  
to the heart 
like first kisses 
or cold sips  
of Orange Crush 
but dulled 
from memory  
(and time) 
like giftless Christmases  
and old calico,  
drying on the line. 
What ghosts roam these halls, 
haunting bowls
of waxed fruit
and glass doorknobs,  
lingering ‘round chicken coops,  
dust bunnies, 
and jelly jar glasses 
like palls 
or the bitter of burnt almonds. 
As a pale pink echo 
of rose 
peeks through the air’s must,  
a voice whispers, “Remember this. Now,” 
leaving me to chuckle and smile. 

How silly it is to mourn life as we live it.

***

(originally published at The Gorko Gazette)

Michael D. Amitin

House of Fleeing Winds

I am the crippled saint rapping at the door 
of forgiveness, creaky oiless springs
a house of fleeing winds
thoughts darting across a sea of wanton olive skin night

I am the storm rattling iron door handles
stone churches dangling over faded waters, orphaned rains
dark seaport nights
young wives of the sailorhood praying for good to come 
no widow’s hand to touch
the merry band shoves out to Brittany wine darkness 

I am the star of storms
whipping brewed mists
and mandolin ash bone trysts
sunrise-blue groans 

I am the nail in my hop-along cassidy coffin
pining lust busted caverns
in a torrent of rain on dream street

born backwards my dice tumbling rocky roads
eternally awkward in the hall of cracked-eye perfection

zen-headed dottard riding a youth dew vapor throne 
in a dime dance parade 
oopa oopa cops with maiden-bated breath 
hangovers hanging on a thread of orderly 

In a nightmare I saw a
warrior of yore darning obedience stockings
Redyard Rudyard cries
‘An’ you’ll lick the bloomin’ boots of ’im that’s got it’. 

St Vitus does the jerk over red hot coals
as the earth hums a dirge in the key of catastrophe
the kids chanting Runaway

I saw God
he looked me in the eye from a soft orange cloud 
whizzing over rumble town
I am the star of storms escorting you through 
red-light servitudes
scorned devil moons, brooding mama’s

lady peppermint fondling the jade egg of Napoleon’s daydream 
the messianic bus driver honking with his tin-horn hat
better climb aboard. or run for your life
fast

Daniel S. Irwin

My Troubled Brain

The doctors thought the solution
To my problems was just a matter
Of splitting my troubled brain.
But that only doubled my anxiety.
Now there’re two moody Jekylls.
One says white, the other black.
Angry words, endless arguments,
One hand gouging at my eyes,
While the other hand chokes me.
Enough!  I put a pistol to my head.
They wrestle over which half will
Get splattered across the room.
Escape is the only remedy and
I’m ready to board the plane but,
Damn it!  My ticket’s for the bus.