Andy Seven

The Hardcore Kid

I.
He tied a rag around his boot
spare changes for his loot
still lamenting the death of Sid
he’s The Hardcore Kid

Punk’s not dead
Mohawk skulls hard as lead on Sundays he’s straight edge
and his girlfriend’s all skint
he’s The Hardcore Kid

II.

He breaks in a tornadic sweat
when he slams to Jello and Minor Threat
skanking with his mates in the pit
he’s The Hardcore Kid

His daredevil crowd surfing and volcanic loud burping
got him branded a twat in every hepatitis-filled squat
keeps his diseases well hid
he’s The Hardcore Kid

III.

Louder harder faster
jet propulsion is his master
crude lewd rude and never submits
he’s The Hardcore Kid

Spiked bracelet spiked collar
Dude dude dude can you spare a dollar
going to see Fugazi not all punks are Nazis, fuck off
he’s The Hardcore Kid 

Anabela Machado

Violent Devotion

I.

The word of love is a mystery that sneaks up on most. Worship can be better understood. I found you when hope had died ugly, trembling with fear. We struggled for what felt like an eternity, trying to decide who would win. It was a very terrible thing, and I regret ever calling it affection, the blood that dripped from our wounds tasted bitter. I want to be kind, sweet, harmless. I want to put this rage away, inside a book of fairy tales no one reads anymore. I want to strip this of all the horror we cultivated, dress it up like a thing of beauty. It’s no use, it’s deformed, a fruit of gore, rotten. 

I think about all the things I told you, the lies I built like a castle, with faulty structure, just waiting for the right time to come down. I remember biology class, my high school self struggling to stay still, a story of spiders on the whiteboard. Their cannibalism was a tale of terror, detached, no emotions involved. It’s not how we work, strange humans filled to the brim with feelings.

I cry as I eat you.

II.

I want to try on your skin, pull it out slowly like a sticker from a beloved notebook. Wear it like a form fitting jumpsuit, glue it to myself so you can’t have it back. Move with your arms and your legs, speak with your mouth, summoned words going up from the skin of your throat, your neck but my will. It would be fun, I promise. You’ll be nothing but exposed red muscles, veins throughout your body, a living and breathing science book image. But I’ll take care of you like that. I’ll put you inside a box, closed tight so no one can see you, I’ll give you food everyday through an opening on the wood, you’ll be warm and cozy while I walk around.

I’ll tear your life to pieces, self destructive and unkind. Your job will be nothing but a distant memory, all the love in your life left traumatized. I’ll use all your knives until they are blunt, cutting chunks of your plans, eating them raw. Is this how we end? My eyes watching through your eyelids? I’ve learned the way you move, your tics and repetitions, the rise and fall of your voice, the tone you use when you want something. I’ve practiced, every night. Twisting my sounds to become yours. I move my hands while I talk too, I make the same jokes you do. This is a form of admiration, I hope you are flattered. You are a debt that is owed, and I’m the collector. I take you with greed, anxious, wanting. 

I dislike you just as much as I desire you, with all of me.

I write you in my memories, the main character in a film, the world revolving around you, the universe bending to your will. I feel like Bluebeard, keeping you locked inside, my puppet, my prey. I like it, I play the part well. I hang the people you love from the ceiling with joy, imagining your face when you see your life cut in two. I picture you in their place, hungry and lonely, malleable, clay ready to be molded into something else. 

You’ll cry of course, feeling trapped in the warmth I wrapped around you, it’s how it always goes. But I’m not moved by tears, never have been. I just watch your hope go, running away while your body stays.

III.

I’m the monstrous fisherman that captures the mermaid, unwilling to give up my possessions. I wrap you in my net, mouth watering with greed, dissect you like a fish, bleeding on the wood of my boat. Isn’t it funny, how I don’t hesitate? I’d do it again, just for you. 

I take stock of you, like cattle. Count all your fingers and your toes, think about which one I’ll cut first. It horrifies you, of course. But this is a return to nature. I kill you as I love you, make you my favorite meal. I scoop out your insides and turn your corpse into a home, your flesh my roof. 

I must be the one to do this.

You could never stomach me.

Isaac Offski

It’s Not Enough

It’s not enough to drink wine outa your pussy
I need to piss on your face n lick it off
To prove how much I love you

I take a shit in your cereal bowl and feed it to the dog
That’s how much I love you

Spent the last a my cash on lottery ticks
Just to tear ’em up in your face
Even if in the future
The jackpot’s $100 million

I’ll sleep in the rain in the park
Get eaten alive by a shark
Undergo alien rectal probes
In the dungeons of space
Stretched out onna rack
Tortured by fascists

It’s not fire making my bellyache
But stray arrowheads
dug up by the dog
I swallowed

To prove how much I love you

M.P. Powers

italics

one day I would like to do 
what the highbrow poets do 
and write about things the common man 
has probably never seen or experienced 
things that certify me as cultured.
things like plumeria
or escargots de bourgogne 
consumed while suppering 
with a coterie of upper crust intellectuals
at a michelin-rated restaurant in Milan.

one day I would like to show everyone 
my inspiring bridgehampton home
my creature comforts; 
the villanelles I typewrite by candlelight
cinnamon dolce lattes, my garden with its dew-heavy
mustard greens 
and swiss chard
seeding the Japanese birdfeeder, 
gunnison sage-grouse pecking at the basin, 
my socks
and long johns ironed by the wife.
mortgage paid off, zoom interview on tap 
with a likeminded 
editor enjoying similar luxuries.

one day I would like to do away with you
unwashed, uneducated
working-class
pricks
and live a life where everything – including
the people – would be worthy 
of italics.

Damon Hubbs

Baby

We’re moving in pink 
like seppuku. Tampons soaked in opium. 
A grown ass man saying oomf. Don’t be glib. 
It’s like shooting migrants in a queue. Sugar-rush mayhem
reshoot, reedit. Brunch and bubbly with Nadia
because she has an exquisite navel.
We all like to stare. 
It looks like a living angel
or Big Sur, depending on the light. 
Man it must have sucked being a woman in the age of the Beats. 
I wear a great schism of makeup. 
Like Catherine of Siena I’ve been writing letters 
to all the men who’ve had their eyes burned out by love. 
I’m tranquilized with good taste.  

Baby gives my bush a mohawk
dyes it blue. I make a fin de siècle face 
when you eat me. 
Baby in the bath. Ballet pink.
Baby talking slaughter houses.
and West Village girls. Baby playing Simon Says
and cutting just a little. Baby in the corner 
with a little fuck ass haircut.  
Baby teething ecstasy at the Avalon in Boston. 
Baby abandoning hope. 
Baby sucking dick like the Pritzker Prize.    
Baby alone in Babylon. 
Catch my kitten-heeled shoe 
I wanna be breast fed by Hunter Schafer. 

Brandon Diehl

Deviated Septum

I’d been eating nothing but cabbage and eggs for a month
because I’d read on some health website 
that eating nothing but cabbage and eggs could lead 
to weight loss. Apparently this type of diet 
could also lead to nutrient deficiencies, but I didn’t care. 
I was tired of being fat and unloved.

You were banging on the door. You said, “You’ve been 
on the toilet for an hour. And you keep flushing 
the toilet and I keep thinking you’re done
and it’s driving me nuts and I need to piss so bad! 
I’m about to just go piss on the lawn.”

You were right. I did keep flushing the toilet.
But I wasn’t doing it to fuck with you.
I can’t explain why, but eating nothing 
but cabbage and eggs for a month
was causing my shit to have this odor like manure.
I was flushing the toilet between turds to contain it.

You said, “Please. I’m dying out here. I literally feel
like you’re trying to torture me because you’re mad about
whatever the fuck we fought about earlier. 
Can you hurry the fuck up?” Then you said, “Dude!”

I hated when you called me “dude” because it made me feel 
like we were roommates or something. Like bros.
Bros who high-fived instead of hugging. Bros who shared
the number one priority of sitting a heterosexual distance
apart on the couch. Bros who had the combined 
emotional intelligence of a toilet. Hey dude, 
come look what just came out of my ass. Which 
JerseyShore cast member do you think this looks like?

You repeated, “I literally feel 
like you’re trying to torture me.”

But I wasn’t. I wasn’t trying to fuck with you. If I wanted
to fuck with you, I would have left the door unlocked
for you to open as you pleased, unleashing 
my diarrhea love song to knock you to the floor 
like a stampede of oversized livestock.

I decided to stop flushing until I was done, 
and to be done ASAP. I scanned the room for a bottle 
of Febreze or something close to Febreze. Nothing. 
All I could do was pray to the bowel movement gods. 

I planted my feet on the toilet seat, then made 
a bodybuilder face and pushed. The shit came out fast 
and chaotic. I thought of driftwood descending a waterfall. 
A tangle of sewer snakes rose to my nostrils: rushes 
of ammonia and sulfide and various intestinal problems 
I might have known the names of had my fat lazy brain 
ever absorbed anything in health class.

The stench reminded me of when you and I
used to have “cow days.” We were living with my parents 
in the country, and sometimes we’d wake up 
and one of us would say, “Cow day.” Then we’d get in my car 
and I’d drive us to this farm. We’d walk up to the fence 
of the pasture and the cows would gawk. 
Sometimes they’d go, “Merrrrr.” Sometimes 
it would be cold and I’d say, “You goofballs better 
put on some jackets!” Sometimes it would be raining 
and I’d say, “Where are your umbrellas, you crazy fucks?!” 
You’d always laugh like it was your first time 
hearing me criticize the cows 
for their lack of concern with the weather.

My eyes were prison cells. My tears
had just finished plotting their escape. I cleaned
my face with toilet paper, then cleaned my ass
with my tears. I flushed and pulled up my pants, 
then made flapping chicken motions 
in front of the open window.

When I opened the door and stepped out, you brushed 
by me and shut yourself in. I listened to you pull down 
your pants. I listened to you pissing, envisioning it. 
Then I envisioned myself pissing, too. I envisioned us 
as cows, pissing and shitting together. We pissed and shit 
on trees and grass and dandelions and atop endless marshes
of more piss and shit. I envisioned myself as an ugly cow
panting with a heart disease and you as a healthy cow
wearing a crown. And we were pissing and shitting on dirt
and worms and the side of a barn. We were pissing 
and shitting on other cows and each other and we were
projectile shitting into our own food and water.

Then it started to rain. The vomiting flies left our eyeballs. 
We were naked and cold and zombie-like, but we smiled
cartoon smiles. We were happy zombie cows.  
Tainted-meat soulmates. Dry-rotted bones wrapped 
in wedding vows. And the voice of God parted the clouds, 
shaking the fertilized earth as daffodils rose 
from their graves. The voice of God said, “Holy fuck, dude! 
Did you shit out one of your organs in here?”

Alan Brickman

The Coffee Shop

Frank was not looking for a real relationship. Whenever things reached that stage with someone he was dating, he found an excuse to bolt. He feigned melancholy for a few days, but often – too often actually – had to endure the wrath of his exes and their friends about his dispassion, his heartlessness, that he just used people and walked away, that he should have said something at the beginning, that he was an asshole. 

Walking to his car one evening, he was approached by two men. “We’re trying to find a drug store,” one said. “Do you know where the nearest one is?”

As Frank turned to point, the men grabbed him and threw him to the ground. They started kicking him, and one said, “This is for our sister Rachel, you piece of shit? You know, the one you gave herpes to, then dumped!”

Frank, covering up to avoid their kicks, said, “Who cares? Everyone has herpes, haven’t you heard? Did you want a drug store to re-up her acyclovir?”

This enraged the brothers, and they beat him so badly he couldn’t stand up. They left, and after about twenty minutes, someone saw him lying on the pavement, helped him up, and called the police. When the officers arrived, Frank explained, unconvincingly, that it was an argument about a woman, no big deal, no police necessary. The cops looked at him like he was crazy, helped him into his car, and laughed as they walked away. 

After a few weeks, he met Sharon in line at the coffee shop. She turned to him and made a joke about the man in front of them who just ordered a half-caf, half-decaf, almond milk latte with several more instructions about proportions and foam. She had a rough edge to her, a foul-mouthed irreverence that Frank found attractive, even sexy. She called the almond milk latte guy a “douchebag,” and the woman he was with an “under-fucked cow.” Frank felt himself becoming shy in her presence. She could be overbearing and a little intimidating, but she treated him like a kindred spirit, as if they shared secrets, and this drew him in and kept him interested. 

One morning as Frank walked into the coffee shop, Sharon called to him and asked him to stand with her in line. “You don’t have any place to be, right?” she said. “You wanna sit with me for a bit?” 

They made small talk and he learned she had been a model and a dancer, and now worked as the office manager for a big downtown law firm. “I think all the partners are evil,” she said at one point. “But my job is pretty easy, and the pay’s good. I think all employment is exploitive to one degree or another, so I’d just as soon work for scum, and feel justified in fucking off as much as possible. Without drawing any undue attention, of course.” Frank never heard anybody make this argument before, and was intrigued. When he talked about his work managing a collection of Beatles memorabilia for a wealthy eccentric, a job he basically enjoyed, he thought he sounded childish and small in the glare of Sharon’s larger-than-life bluster and detachment. 

Frank was charmed by their conversation, and after she touched his arm for the second time making a point, he blurted out, “You wanna go out some time?”

“Sure,” she said with a big smile that seemed to light up her face. “I like to work for bastards with money, but I like to fuck guys who do something fun and interesting.” Frank couldn’t tell if she was mocking him.

“Wow!” he said. “That was zero to sixty in two-point-four seconds. I was thinking dinner or a movie, but okay. What night is good for you?”

“How about right now? Let’s go back to my place and see what happens.” She took his hand and put his middle finger in her mouth. “This is your lucky day,” she said. “There’s a sucker born every minute, but a swallower is hard to find.”

“Did you just make that up, or do you say that to all the guys?” 

They put on their coats, got in Frank’s car and drove to Sharon’s house in what seemed like a blurry minute and a half. The whole ride, Sharon kept trying to unbutton Frank’s shirt or unzip his pants, and he half-heartedly resisted. She licked his ear and kissed him on the cheek. “I like you Frank. You seem like a good guy. But I want to get seriously fucked. It’s been too long.” 

Frank almost said, “That makes two of us,” but thought better of it. Instead, trying to be funny, he said, “Well, I’m glad I could help you out, ma’am.” What a geek, he thought. 

Then Sharon turned wistful, which surprised Frank. “Look,” she said, “I’ve been with a lot of guys. Psychos, narcissists, clingy little mama’s boys, commitment-phobes, … I even married two of ’em. Once divorced, once widowed, and I’m not going for strike three!”

“I wasn’t planning to propose,” Frank said with a smile.

“Good!” Sharon shot back. “I’ve had my eye on you for a while, and I picked you out for two reasons. One, you’re not too hard on the eyes, which doesn’t hurt. And two, I’ve seen you in the coffee shop, the way you are with the baristas and the other customers. Considerate, soft-spoken. Not some bellowing bro’ who thinks time stops when he enters the room. That kind of behavior shows up in the bedroom too, which works just fine for me.” Frank nodded as he took the compliment, aware that the beating he took a few weeks ago had humbled him to some extent. 

A smile slowly spread across Sharon’s face. “Just remember, I’m driving this bus, Frank. And you’re lucky to be along for the ride.”  

“I know, I know” said Frank. “I have to say this all comes as a little bit of a surprise. I pretty sure you’re out of my league.”

“For fuck’s sake,” Sharon said and rolled her eyes. “You men and your leagues. Wait a minute. You’re not into fantasy football too, are you? Never mind, don’t answer that.” 

They started making out as soon as they were inside the door, and in the standard cliché of Hollywood rom-coms, undressed each other as they made their way to the bedroom, leaving clothes strewn everywhere. She had a dancer’s body: flat stomach, muscular thighs, small breasts with perfect nipples. Frank caught a glance of his naked self in the mirror, and decided he looked okay, if a little overweight. His cock was erect, and he thought there’s always something odd about how a man presents when aroused. Vulnerable, easily manipulated, a little dim. Women, by contrast, had hard nipples and wet pussies. So strong and dignified by comparison. 

“Admiring yourself, Frank?” Sharon said, catching him looking in the mirror. “C’mon, let me do some admiring.” She stroked his cock with one hand, then put her other hand on his chest and pushed him back onto the bed. She kneeled on the floor at the foot of the bed and took him into her mouth. Frank closed his eyes and let his head roll back. As she massaged his balls, Frank had a moment of panic thinking he might come too fast. Sharon must have sensed it too, because she jumped up on the bed, put her arms around Frank’s neck, and flipped him over so he was on top. “Not so fast, my horny friend,” she said, “It’s my turn.” She put her hands on his shoulders and pushed him down until his head was between her legs. He started licking her clit then slid a finger up inside her when he felt her hand on his head. “Don’t fall in love with me, Frank. I don’t need the aggravation. And I’m certainly not going to fall in love with you.” In that moment, Frank realized that Sharon could coax his erection or kill it, whatever she wanted, in seconds. Sharon must have seen the deflated look in his eyes. “That’s the last time I’ll bust your balls, Frank. I need you to stay hard for me.”

They became regular fuck buddies, meeting once a month, sometimes more, initiated unpredictably by one or the other of them, for what they jokingly referred to as S.O.D. – Sex On Demand. Over time, they got increasingly adventurous in bed: toys, restraints, candle wax, anal, both hers and his. In Frank’s mind, this was a real, live relationship, and it wasn’t. Their arrangement was as inscrutable as Sharon was. As unrestrained as she could be, she was also hard to read. Whenever Frank was with her, he often couldn’t tell if she was angry, amused, melancholy, pensive, or a million miles away. One thing he did know, the times he cuddled with Sharon as they shared a post-coital sexual haze were some of the best moments of his life. Was he falling in love? He wasn’t sure he even knew what that meant. 

Frank’s phone buzzed. It was a text from Sharon that said, “S.O.D. 7:30?” He responded with a heart emoji, followed by an eggplant emoji. He thought for a second, then added another heart emoji and hit send.

Alaina Hammond

Fake Popsicle Widow

After Robbie died, Brenda would tell anyone within earshot about the time the two of them had split a double popsicle. As if it had made them married-by-sugar. She wanted attention for her connection with the dead kid, so she pretended to be a popsicle widow. She held a single wooden stick at his memorial service, to symbolize their fake true love. Ten years old and already a drama queen.

Robbie and I once traded candy. But I never claimed that he and I “gave each other chocolates.” While technically true, that wouldn’t have been an accurate description. I didn’t know Robbie and I wasn’t going to pretend otherwise, for clout. That’s gross and exploitative, Brenda. 

As we got older, Brenda continued to court the publicity of grief. She’d show up to your funeral with perfect makeup, only to smudge it with crocodile tears. But just enough to look Sad and Hot. Not enough to look genuinely messy. True grief is ugly; Brenda was too vain to even fake it, let alone feel it.

The sound of Brenda’s neck snapping reminded me of broken popsicle sticks. It was the closest I’ve ever felt to anyone. Brenda and I had a genuine bond. For about a minute.

But still, at her funeral, I didn’t show emotion. We weren’t friends, and I didn’t want to lie with my eyes. That’s Brenda’s thing, and I’m more moral than she was. Rest in obscurity, you narcissist.

M.P. Powers

in würzburg                     

church bells 
followed us everywhere
metallic and grumbling they rang 
out of seagreen 
clouds gliding along 
the pennant strings from the festung 
marienberg round 
the japanese gardens to the hauptfriedhof
where I kissed you 
on the burial plot of the brother 
of the officer who tried to assassinate 
hitler 

poor guy we mourned him and tried 
to feel something real 
in his memory but it was only the rain 
we felt so we went to a liquor store
and picked up a bocksbeutel
bottle of silvaner 
and brought it to the altemain 
brücke 

floating in a sea of umbrellas and voices 
and wine
glasses the blue hydrangea 
twilight settling
on the statue of saint killian and the hills 
of vineyards
a mirage of peacocks 
and the church bells tolling
and the church bells tolling

we could feel them 
under our feet
touching our ears our lips our hearts 
trailing
us back to our hotel 
where I got you
in bed and kissed you 
and touched you and I died 
a little in your eyes that were leaping 
blue minnows 
as the church bells hammered
on the windows
trying to get in
but they couldn’t because
the windows were closed.

Nathaniel Sverlow

virtue

I hadn’t cum in three days
and so I had trouble finishing
when I finally bent her over

just before the moment of fruition
I’d get a migraine behind my right eye
my stomach would begin cramping
and I’d start sweating like an idiot

I felt like one of those backed-up volcanos
the kinds that were capped off
and building pressure slowly
over the centuries

and when I did cum
the result was more or less the same

the force of the blast
shot off the roof
leveled the city around us
and blocked out the sun

the shockwave of it all
caused cataclysmic earthquakes
the sudden shift in temperature
brought hurricanes
and flash floods

and the earth itself
spun out of orbit and
hurtled into the sun
and the sun hurtled
into the center of the Milky Way
and the Milky Way hurtled
into the center of all creation

and all that remained
floating in the void
was us and our bed
and our mess:
a lasting testament
and cautionary tale
of man’s virtue