Maté Jarai

Chomping

I’ve got holes in my skin
where feathers used to be
mind full of wisdom
full of verse
but she’s been cursed
it was a witch on a volcano top:
Gypsy warlock, new-age mage.
No coins, no water, just plastic
like all the other body parts
chowed down by ocean worms
microscopic danger-like premonitions
chewed up body parts and chipped faces
no lips and noses, eyes and ears,
holes, crevices, craggy forms,
plugged up feather holes
filled with a million dead rabbits
from a million false-bottom
top hats as only the ancient
chuckle onwards and clap
in sweet oblivious ignorance.

John Tustin

The Wolves Are at The Door

The wolves are at the door
I can hear them howl
Scratching at the floor
Mouths are sharp and foul

In here all alone
Just a skeleton in skin
Mere flesh upon the bone
I know they’re getting in

I’ll miss my loving daughter
And my understanding son
Thinking as I’m slaughtered
That the predators have won

No more will I hold you near
Your love dissolving hate
I shed my clothes, I shed my fear
And just accept my fate

The wolves have breached the barricades
The shit has hit the fan
My eyes are blood, all feeling fades
Turns out I’m just a man

Cee Martinez

it’s common sense to swallow

I took three spells and split them with roses
spit take the outtake from this it reveals
the pains in the way I strain to avoid
the ideas that might make
your sperm take root

first swallow

the common sense that tastes
of salt and self sacrifice

money shot

the sticky and dry you rinse
at a sink and blink
to the moment
you didn’t let it in your ass

that pass was the slip into quim
and the moment you’re praying
for a nuclear arsenal
to erase any traces
of him

Mitch Green

Arson Doves

Perplexed to prolapse the bargain of beast.
Haven coerced by gloom of grey spit.
Shadow the sheen veins of aroma to frighten.

The damsel underneath cold coal shivers.
qualm the gills of goading heresy.
Be it a boy to wander the passage of the passenger.

Anatomical wonder.
Bed wetting worry.
Just as the anthill billows; the
lips of love swallows.

Jab beauty hideously to
unravel diamonds.
and give birth to dead doves
in arson fields.

Matthew Licht

jh ghost_bonehandle

A Big Star, Part 2

The job was to track down a dead adults-only performer and get a DNA sample.

Life is a lonely, mediocre business. Some LA porn-freaks must collect relics. The star’s co-workers might’ve kept mementoes. Another scan of Johnson’s loop would possibly yield credits, not that many people use their real names in porn films. 

The motel where I live features color TV sets, but no video equipment. 

Usually I work from photographs. The walls in my room are covered with pictures of runaway kids. 

The guy at the TV repair shop on Vine hung his hand-lettered “Back in 5 minutes” sign on the door for the screening. When the happy ending rolled, he punched the air like it was a football highlight.

Holmes had two female co-stars. I asked the TV repairman whether he’d seen the brunette before. Uh-uhn, but he’d sure as hell bang her if he ever saw her again. He said, “That’s too bad,” when he heard she was dead.

The credits were minimal. John Holmes played himself, and got top billing. Mr Johnson’s mother was either “Candy Lane” or “Sugar Brix”. The director signed himself Bonehandle.

There were no other names. Bonehandle was the cameraman, set decorator and lighting engineer. He worked solo, in secret, hoped the Park Rangers wouldn’t shut down the production, hold him and his stars prisoner until the cops showed up. You could almost smell the nervous sweat.

***

A few glass telephone booths still stood, in Hollywood. One of them had a phone directory chained to its fold-out shelf.

A patient operator said there was no listing for anyone named Bonehandle in the entire LA basin. Neither were any subscribers named van Bone, McBone, Hueso, Osso, Knochen. 

On a hunch, I drove to the La Brea Tar Pits Museum. None of the curators in short sleeve shirts and bow ties, ticket clerks, janitors were amateur nature-movie buffs. Nobody vibed hard-core auteur.

The foreign word jigged a spark. There were trace elements of art in the client’s loop, something fetishistic about its focus.

***

A preliminary canvass of West Hollywood turned up zero on Bonehandle. Many of the residents had heard of John Holmes, though.

Boys’ Town has many neighborhoods. A friendly leather man with a walrus moustache said Bonehandle was not only still alive, he was a regular at Hideseekers. 

Hideseekers’ doorman wouldn’t admit anyone improperly dressed. He was an imposing figure, and meant business.

Beat-up motorcycle jackets go for $20 at late-night second-hand clothes shops on Melrose Blvd. A legit client expense.

Hideseekers was like jail, with monotonous music. Leather squeaks within its stifling near-darkness were the mating-calls of bats. 

The leather barman rolled his eyeballs at my new old jacket. “Get you, Dorothy.” 

I ordered beer, slipped a twenty across the counter. I asked if any regulars went by Bonehandle, and won the leather lottery.

“Yeah, he’s here. He’s always here.”

“Point him out, please. Discreetly.”

Another eyeball-roll, with spin. Bonehandle spent his evenings out in the toilet. 

It was even more womb-like in there. No doors on the stalls. Bonehandle held court in the third cubicle from the left. He had a walrus moustache too. He said he wouldn’t talk to me unless I pissed all over his face first.

***

A Big Star, Part 1

Anthony Dirk Ray

Waiting Room

in the crowded room
waiting on the second
nerve pill to kick in
surrounded by
young and old
black and white
men and women

I don’t think the old black women
are here for a vasectomy
it is a gender fluid world now
so I could be wrong

maybe they have trouble peeing
what if their occupation
was that of a degrading dominatrix
specializing in water sports
the inability to pass urine
would be affecting their income
and livelihood

it could be a tax write off

 

Richard Faircloth

She’s a Lot Better Than Me…

… and I knew that.
christ!
so why did I climb into the ring with her?
really?!
and why is the bar always jumping
when you’re getting your ass whupped, gloves off,
“… the hell were you thinking?”
by the sexiest woman?
“don’t you ever think?
not deeply enough…
“god damn you!”
that’s a righteous right hook…
“you are such a…”
and a stinging jab…
“I should cut your…”
below the belt, but the ref doesn’t call it,
just pours me another shot
“… can’t believe…”
that smells like guilt,
“… back of my truck – my truck… ”
and tastes like eighty-proof stupidity,
“… my own fucking sister??!

(also known as my boss’s wife…)

my corner man slaps another beer on the bar,
trying to stanch those cuts, but
ass-hole!”
the bell rings too soon,
“fucking pig!
and the next punch
“mother-fucking liar!”
really connects.
god, she’s beautiful.
she telegraphs the next combination,
but I’m too proud to duck:

fuck
(full wind-up bitch-slap)
you!!

and the fight’s over –
I hit the floor,
she hits the door,
and the crowd goes wild.

HSTQ: Fall 2019

Fall 2019_cover

horror, adj.
inspiring or creating loathing, aversion, etc.

sleaze, adj.
contemptibly low, mean, or disreputable

trash, n.
literary or artistic material of poor or inferior quality

Welcome to HSTQ: Fall 2019, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Mendes Biondo, Ben Newell, Alan Catlin, David Boski, J.J. Campbell, Casey Renee Kiser, John D Robinson, Anthony Dirk Ray, Damion Hamilton, Johnny Scarlotti, Maté Jarai, Jacob Ian DeCoursey, Scott Manley Hadley, Bogdan Dragos, Jack Henry, A.Theist, Thumper Devotchka, and Garvan Giltinan

Kindly PayPal 5 USD to arthur.graham.pub@gmail.com,
or download the FREE ebook instead!

Stephen Watt

Samhain

In pumpkin shades of streetlight
the vampires, the witches,
the double-stitched cloaks of aspiring wizards
swish through willowy, puddled alleys,
round the draughty tenement doors
and their gloomily-lit hallways.

Sacks of sugar-coated lollies
promise twilight turmoil, late-night frenzies
wrestling with demons and sibling rivalries.
Tangerine skins and monkey nut shells
will cling to shabby carpets
like departed souls that refuse to be expelled.

When the town sleeps, a pylon on the hill crumbles
like the burnt wick of a birthday candle.
The damp soil underfoot moulders and rots
until skinless fingers rake the sod,
hauling its entire frame to the surface
and we watch the shaded Mound of the Hostages
as it slowly lurches down towards us.