Salvatore Difalco

Kink

No, not talking armor here. Brother Johnny
owns an antique armored suit he stands
by his front door like a sentry with a million
mile stare. It’s been through some things,
it happens. But that’s not what I mean.
Brother Johnny also collects second hand
women’s shoes. I know, I know. It’s funny
in a way. But he doesn’t wear the shoes.
He swears he doesn’t wear the fucking
shoes. So what he does with them demands
a deeper look: we’ll never judge a book
blah blah blah. On the other hand a crook
would better know what to do with a safe.
Cracking it isn’t an option, Brother Johnny
keeps it tight in the crib and doesn’t play
around with snoopers or two-bit looters
or thieves who want a taste of the honey.  
What do you say, Brother Johnny, is it olfactory
in nature? If so I understand, to a degree.
That whiff of rot and fungal dust and death.
Also the shape: the remnant impression
of a woman’s foot, yum yum, for fetishists
among us, and shoes, however unsavory,
cannot charge the connoisseur for transgression.
And if this strikes the consumer of poetry
as a subject not worthy of pursuit or expression,
let me remind you that we were once eggs
waiting for completion, waiting for entry
into the bubbling universe, so that we could
say we were there, and that we wanted
to see and feel and breathe it all, taste it all, 
hear every peep and pop and smell every 
atom of it without prejudice or fear. 

Ken Kakareka

Sex 

I had to 
air out 
the room. 
It smelled 
like 
sex –  
sex, 
sex, 
sex, 
sex, 
sex! 
A huge 
billowing cloud 
of it. 
Her potent 
pussy 
and my 
pungent 
dick and balls. 
Our combative 
juices 
marinating 
like stew. 
Her powerful 
womanly 
odor  
embedding 
the sheets. 
Everything 
saturating 
the musty 
little room 
with poor 
ventilation. 
I missed 
the smell 
of our sex 
when it 
was gone. 
But we 
replenished it 
again,
quickly. 

John D Robinson

Shell-Shock Asshole

He’d been invited to his brother’s
for dinner: at some point during the
evening, he’d noticed a WW2 brass
ammunition shell on a display shelf,
about 4 inches in diameter, about 8
inches in length: he fell in love with
it and wanted it for himself: he 
discreetly took it from the shelf and
then headed to the toilets, where, he
inserted the shell into his anus: 
for the next 3 days he tried to
retrieve the object but without
success, on the 7th days he was in pain
and went to the hospital:
panic ensued: not knowing if the
shell was alive or diffused, large swathes
of the hospital were evacuated and the
military bomb disposal squad was
dispatched: after very vigorous and
painful examinations of the potential
threat by the army specialists and
the surgeons, it was declared that
the objective was inexplosive:
next time, maybe take a rucksack.

David Centorbi

I Saw The Sweaty Scales

I saw the sweaty scales
and its cracked notes
sliding down 
into a now
stillborn melody.

A melody, that once, when our legs and feet 
could breathe, we held one another and whispered 
stars and thunder into each other’s ears,
our passion melting the jealous mirrors, until

the sharp tears started spreading across the floor
pushing us toward shot glasses filled with bitter-blood-light–

a drink we would soon raise 
to our once imagined, endless horizons. 

Catfish McDaris

The Lunatic

Juanito stopped by the Super Bar on the way home, he drank enough cheap brandy and draft beer to knock down a mule or two. Then he walked to a bookstore looking for something to help him escape. He always went to the poetry section first, to see if they had any books by him. Some tall skinny guy was bent over showing his ass crack looking at bottom shelf books. When he stood upright and farted, Juanito wanted to bury his steel toed boot up the dude’s ass. When the dude bent over he farted again, Juanito elbowed him in the kidneys. What was worse than his fart stench was his sweat, urine, dog shit slimed shoes, and he reeked like an old douche bag. Juanito wished his sense of smell was worse than his sense of humor.  

“Hey motherfucker, you should clean up your act.” Smelly boy looked like he’d been hit in the head with a twenty-pound sledge hammer. He stopped and spoke with the clerks and they all looked at Juanito. He just smiled and gave them all a little wave. After finding one book by Chekov, he headed for home. The summer night was like a hobo’s armpit. Juanito stopped for a six pack of tall boy Budweiser. 

Juanito was trying to catch forty winks, it sounded like his lady, Lupe and their cat were wrestling or having sex at the foot end of the bed.  

“Hey, I’m trying to sleep. The damn machine noise from the post office letter sorter is ricocheting inside my screaming skull.” 

The cat meowed like a Husqvarna mower was chewing and gnawing him into pieces. He thought Lupe was committing murder and mayhem. “Hold still, you little son of a bitch,” she said. 

“What in the hell are you doing woman?” Juanito asked.  

“I’m trying to clean the cat’s ass. He took a nasty dump in the litter box and now wants to rub his ass all over my white down comforter.” 

“Just quit corn holing that cat, please. The fucking zip code madness won’t leave me alone tonight.”  

 “Why do you act like your hero, Bukowski?” 

He yelled, “Bukowski can kiss my brown ass!”

Juanito was soon snoring like a constipated chainsaw trying to cut through an anvil.

***

From: Sex Doll Gumbo

Lords of the Afterglow, By Judge Santiago Burdon

“Lords Of The Afterglow: Renegades and Noblemen is a collection of sixteen bizarre, precarious, as well as comical Bohemian tales of adventurous mayhem. While working as a drug smuggler for a Mexican Cartel, Santiago, a recovering addict, ex-con, womanizer, gambler, and ill-fated pilgrim encounters situations of irresistible misfortune. Adding chaos to these events is his ex-cellmate, loose cannon, drug and alcohol fueled Colombian partner, Johnny Rico. It is an expedition into twisted and hilarious states of mind and body. Every story in this collection centers on the working relationship and unique friendship of these ‘Dos Chiflados’ (Two Whacky Guys). Lords Of The Afterglow is a must read!”

— Jesse James Kennedy, author of Missouri Homegrown, Tijuana Mean, and Black Hills Reckoning

Judge Santiago Burdon gives us another collection of short stories in adventurous mayhem with his latest book, Lords of the Afterglow: Renegades and Noblemen. Paul Gilliland, Editor Publisher of Southern Arizona Press, is excited to announce the release of this assortment of Bohemian tales with razor sharp slices of vivid and lurid lives that are brutal, tragic and painfully funny. Set against a backdrop of down and dirty incidents resulting from Santiago and Johnny Rico’s precarious work in the drug world’s sleazy underbelly. The stories are well written and Santiago’s prose is clear, the language concise: spiced with the Spanish of his streetwise bilingualism. One reviewer described it as “a mesmerizing literary journey that lingers in your thoughts long after you’ve read the final page.” There is no doubt you will experience a similar reaction after reading. Pick up your copy today!

BUY A COPY HERE

Kayla Rose

Dirt

I am from drooping ceilings, caving in under the weight of half-truths and broken promises.

I am from a house, but not a home. A building filled with strangers that share the same name. I am from the comfort of streetlights guiding me away.

I am from cultures that are not my own. The smell of spices wrapping me in a warm embrace. The language of my town teaching me words that my soul could not find. I am from water, not from blood.

I am from park benches next to tall oak trees. In this spot, I learned to love myself. Familiarity found in the scent of flowers, in the banter of squirrels, in the laughs of neighborhood children. I am from the strong branches that taught me resilience.

I am from rhythmic monitor beeping and wailing siren cries. My home a box on wheels, both bassinet and hearse. My insides overflowing with stories of lives saved and lives lost. I am from the tears shed on my shoulder.

I am from cancer. Cool rags wiped over pale foreheads. A curse coursing through her bones and finding home within my cells. My body has become inflamed from housing the pain of generations. I am from poison swallowed in hopes it will help.

I am from ghosts. I am from still-frame photographs preserving memories of warm smiles. I am from memorial services and funeral homes. Tattoos of handwriting and inside jokes dancing across my skin. I am from the mosaic of funeral cards above my bed.

I am from all of this and more. I am from hushed whispers. I am from running. I am from the ghosts that haunt my home. I am from the dirt pouring out of broken flowerpots. I am from the voice that has grown strong deep within my bones. I am from me. 

Daniel S. Irwin

The Spawning

Bill swore he was spawned
From the left nut of God.
Why else would he end up
In the asylum on a regular basis.
He knew the world was crazy,
He wasn’t the only one insane.
But, somehow, somewhere
There was a logic to it all.
Fish can live in water but not
So well in tea.  Vinegar is out.
The saucers come at night
But they never take him away.
Damn them for that!  He’d like
To disappear to another planet.
He’d really prefer one with air.
The doctor comes in twice a day
To do Bill’s rectal exam.  And,
Twice a day, the wandering doctor
Is shown back to his padded cell.
Maybe it was better on the street.
For sure, for Bill life was a daily grind.
But there were fewer doctors there.

Taryn Allan

Strange Roads and Nowhere Paths

Empty people passing empty store-fronts,
Spice and tax and no tomorrow,
Paths with neither beginning nor end,
Roads which loop forever backwards.
Fake tan so we can pretend we’ve been somewhere,
Betting slips so we can pretend we’ll go anywhere,

Patches of blood like sunspots,
Stain the taxi’s aged upholstery,
‘I’m sorry, sometimes she hurts herself’,
‘Mate, every bodily fluid’s been spilt in ‘ere’’,
At least she knows she’s still alive,
She’s not yet gone fully ghost,

They drive past gloom-drenched bars,
Sallow faces sucking blackened pints,
Never drunk enough to see the stars,
Never sober enough to see the dark,
But they say its all worthwhile, 
That it all serves a purpose,

To everything its place,
And to every place its cause,
Even while we worry that there is no ‘therefore’,
No ‘therefore’, only ‘and then’,
‘And then’, 
And no ‘therefore’.

Michael D. Amitin

amsterdam 3/23

the oldish new grey train like texas ribs
sizzles out of gare du nord
past crackerbox shores
to the opening…

riding rail joys graffiti garden windmills
feel the smooth steel rising, tickling my travel loins
of greenfield days

who wouldn’t know where to go, what to write
on a train

even unvaxed vixens heeding heathens call
who circle the earth blindly
in looking glass jars eyes of a blind blonde man

from a candleit pipe organ aesthetic dear
i woke to ‘loosen the grip’ 
whispered from the harangued lips of cryin’ foghorn freeload
standin on a street corner beneath pink morning clouds
as we blow by in a blackbird wind

sad eye dove can’t win
its got her runnin the grand ol reaper man
carrying his last stand dragon stick
ghosts running in the sand and
she’s hangin on to forever melodies

kid eye blind
what house guarantees immortal-ese
racing trains hither and hather
just a suit that fits
for a housewarming party in the sky baby

you’ll all be together again sad eyes 
no fret let the music begin
before these days peel away your love
like riptorn cheap fishnet stockings

things are bound to turnaround
this run of bad luck
that croupier’s hung up his what’s-up-his sleeve cleats

and the sad, zero-eye angels of the reformation
pasted to marble
ascending the walls of galilee nowhere’s in a heavenly squall
where dixieland swing-blowing trumpets yield to brother Joshua

and outside the foxhole crumpets adorn the green green rocky
road the grass of morning grows