Salvatore Difalco

Kink

No, not talking armor here. Brother Johnny
owns an antique armored suit he stands
by his front door like a sentry with a million
mile stare. It’s been through some things,
it happens. But that’s not what I mean.
Brother Johnny also collects second hand
women’s shoes. I know, I know. It’s funny
in a way. But he doesn’t wear the shoes.
He swears he doesn’t wear the fucking
shoes. So what he does with them demands
a deeper look: we’ll never judge a book
blah blah blah. On the other hand a crook
would better know what to do with a safe.
Cracking it isn’t an option, Brother Johnny
keeps it tight in the crib and doesn’t play
around with snoopers or two-bit looters
or thieves who want a taste of the honey.  
What do you say, Brother Johnny, is it olfactory
in nature? If so I understand, to a degree.
That whiff of rot and fungal dust and death.
Also the shape: the remnant impression
of a woman’s foot, yum yum, for fetishists
among us, and shoes, however unsavory,
cannot charge the connoisseur for transgression.
And if this strikes the consumer of poetry
as a subject not worthy of pursuit or expression,
let me remind you that we were once eggs
waiting for completion, waiting for entry
into the bubbling universe, so that we could
say we were there, and that we wanted
to see and feel and breathe it all, taste it all, 
hear every peep and pop and smell every 
atom of it without prejudice or fear. 

Ken Kakareka

Sex 

I had to 
air out 
the room. 
It smelled 
like 
sex –  
sex, 
sex, 
sex, 
sex, 
sex! 
A huge 
billowing cloud 
of it. 
Her potent 
pussy 
and my 
pungent 
dick and balls. 
Our combative 
juices 
marinating 
like stew. 
Her powerful 
womanly 
odor  
embedding 
the sheets. 
Everything 
saturating 
the musty 
little room 
with poor 
ventilation. 
I missed 
the smell 
of our sex 
when it 
was gone. 
But we 
replenished it 
again,
quickly. 

John D Robinson

Shell-Shock Asshole

He’d been invited to his brother’s
for dinner: at some point during the
evening, he’d noticed a WW2 brass
ammunition shell on a display shelf,
about 4 inches in diameter, about 8
inches in length: he fell in love with
it and wanted it for himself: he 
discreetly took it from the shelf and
then headed to the toilets, where, he
inserted the shell into his anus: 
for the next 3 days he tried to
retrieve the object but without
success, on the 7th days he was in pain
and went to the hospital:
panic ensued: not knowing if the
shell was alive or diffused, large swathes
of the hospital were evacuated and the
military bomb disposal squad was
dispatched: after very vigorous and
painful examinations of the potential
threat by the army specialists and
the surgeons, it was declared that
the objective was inexplosive:
next time, maybe take a rucksack.

David Centorbi

I Saw The Sweaty Scales

I saw the sweaty scales
and its cracked notes
sliding down 
into a now
stillborn melody.

A melody, that once, when our legs and feet 
could breathe, we held one another and whispered 
stars and thunder into each other’s ears,
our passion melting the jealous mirrors, until

the sharp tears started spreading across the floor
pushing us toward shot glasses filled with bitter-blood-light–

a drink we would soon raise 
to our once imagined, endless horizons. 

Kayla Rose

Dirt

I am from drooping ceilings, caving in under the weight of half-truths and broken promises.

I am from a house, but not a home. A building filled with strangers that share the same name. I am from the comfort of streetlights guiding me away.

I am from cultures that are not my own. The smell of spices wrapping me in a warm embrace. The language of my town teaching me words that my soul could not find. I am from water, not from blood.

I am from park benches next to tall oak trees. In this spot, I learned to love myself. Familiarity found in the scent of flowers, in the banter of squirrels, in the laughs of neighborhood children. I am from the strong branches that taught me resilience.

I am from rhythmic monitor beeping and wailing siren cries. My home a box on wheels, both bassinet and hearse. My insides overflowing with stories of lives saved and lives lost. I am from the tears shed on my shoulder.

I am from cancer. Cool rags wiped over pale foreheads. A curse coursing through her bones and finding home within my cells. My body has become inflamed from housing the pain of generations. I am from poison swallowed in hopes it will help.

I am from ghosts. I am from still-frame photographs preserving memories of warm smiles. I am from memorial services and funeral homes. Tattoos of handwriting and inside jokes dancing across my skin. I am from the mosaic of funeral cards above my bed.

I am from all of this and more. I am from hushed whispers. I am from running. I am from the ghosts that haunt my home. I am from the dirt pouring out of broken flowerpots. I am from the voice that has grown strong deep within my bones. I am from me. 

Daniel S. Irwin

The Spawning

Bill swore he was spawned
From the left nut of God.
Why else would he end up
In the asylum on a regular basis.
He knew the world was crazy,
He wasn’t the only one insane.
But, somehow, somewhere
There was a logic to it all.
Fish can live in water but not
So well in tea.  Vinegar is out.
The saucers come at night
But they never take him away.
Damn them for that!  He’d like
To disappear to another planet.
He’d really prefer one with air.
The doctor comes in twice a day
To do Bill’s rectal exam.  And,
Twice a day, the wandering doctor
Is shown back to his padded cell.
Maybe it was better on the street.
For sure, for Bill life was a daily grind.
But there were fewer doctors there.

Taryn Allan

Strange Roads and Nowhere Paths

Empty people passing empty store-fronts,
Spice and tax and no tomorrow,
Paths with neither beginning nor end,
Roads which loop forever backwards.
Fake tan so we can pretend we’ve been somewhere,
Betting slips so we can pretend we’ll go anywhere,

Patches of blood like sunspots,
Stain the taxi’s aged upholstery,
‘I’m sorry, sometimes she hurts herself’,
‘Mate, every bodily fluid’s been spilt in ‘ere’’,
At least she knows she’s still alive,
She’s not yet gone fully ghost,

They drive past gloom-drenched bars,
Sallow faces sucking blackened pints,
Never drunk enough to see the stars,
Never sober enough to see the dark,
But they say its all worthwhile, 
That it all serves a purpose,

To everything its place,
And to every place its cause,
Even while we worry that there is no ‘therefore’,
No ‘therefore’, only ‘and then’,
‘And then’, 
And no ‘therefore’.

Michael D. Amitin

amsterdam 3/23

the oldish new grey train like texas ribs
sizzles out of gare du nord
past crackerbox shores
to the opening…

riding rail joys graffiti garden windmills
feel the smooth steel rising, tickling my travel loins
of greenfield days

who wouldn’t know where to go, what to write
on a train

even unvaxed vixens heeding heathens call
who circle the earth blindly
in looking glass jars eyes of a blind blonde man

from a candleit pipe organ aesthetic dear
i woke to ‘loosen the grip’ 
whispered from the harangued lips of cryin’ foghorn freeload
standin on a street corner beneath pink morning clouds
as we blow by in a blackbird wind

sad eye dove can’t win
its got her runnin the grand ol reaper man
carrying his last stand dragon stick
ghosts running in the sand and
she’s hangin on to forever melodies

kid eye blind
what house guarantees immortal-ese
racing trains hither and hather
just a suit that fits
for a housewarming party in the sky baby

you’ll all be together again sad eyes 
no fret let the music begin
before these days peel away your love
like riptorn cheap fishnet stockings

things are bound to turnaround
this run of bad luck
that croupier’s hung up his what’s-up-his sleeve cleats

and the sad, zero-eye angels of the reformation
pasted to marble
ascending the walls of galilee nowhere’s in a heavenly squall
where dixieland swing-blowing trumpets yield to brother Joshua

and outside the foxhole crumpets adorn the green green rocky
road the grass of morning grows

Ben Newell

Geographical Cure

His native South 
was too sticky, too biblical
so he packed up his shit
and boogied on out to the West Coast
but it was too expensive, too nutty, too fruity
so he headed up to the Pacific Northwest
where it was too gloomy, too wet;
he dipped down to the desert,
found it too hot, too dry; 
he tried the Midwest (too flat, too bland)
and New England (too cold, too snowy)
then motored to the Mid-Atlantic,
a doomed last ditch effort as his arrival coincided 
with that of a category 4 hurricane—
Far from defeated,
he returned home a new man, 
a man with a mission,
a man with resolve 
and wisdom earned through years of travel;
a housekeeper found him in bed,
his brains smeared across the motel wall,
a dog-eared copy of On the Road 
in the trash.  

John Tustin

The Crazy Old Toothless Man on the Bus

The crazy old toothless man on the bus
sat all alone,
an oasis of just him,
near the center of the bus on the left
and he kept saying,
to no one in particular,
They’ll fucking get you,
get you no matter what.
It’s useless to fight it,
we all get it in the ass with a hot poker
eventually, if not continually

and, to a person,
everyone on the bus was silent,
avoided looking at him,
was afraid of him,
wanted him off of the bus
and also thought to themselves,
but when he’s right, he’s right.