C.L. Liedekev

Doing it Right

Everything, and I mean everything, is burning.
The night of her 31st birthday: the smell
of the car tires squealing, pinning me in the garage,
the rush of blood from her slap across the face,
pussy juices on the couch, the lingering of fucking
in the air like the house was haunted,
streaks of dust across the glass, small grains
spilling down onto the rug. A tiny white landscapes
where generations of ideas will die and be reborn
only to be forgotten in the moment of insertion.

She will split the difference across the arms
of the chair, every orifice, every pore – wide open
and yearning – a flock for the shepherd. Some
bearded wet Jesus in a dirty bathrobe, screwdriver
and blackberry stained, Guccione’s corpse
on a bender, grave-stained and dick hungry.
What burns harder the fire or the skin under
the flame. Flesh peeling off into its own dance,
Yanvalou summoning until the entire room
is a gnawing mouth shape, a vulval vestibule
that swallows and swallows and swallows.

The end of the night shits open the cracked curtains,
the neighbors, the cats, the birds rattle the walls
like a concert, no one bought tickets for,
and the mountain erupts because it is always
about the mountain, the eruption of bleach
and pineapples, hands sticky and wiped on thighs.
Thick bubblegum. Ripped panties don’t
always spell passion, sometimes just desperation.
Spitting into opens mouths, a long stream down
the face, the sheets ripped up into a skull
and crossbones flag of attack.

Passion is crucified and dirty speak sounds
like Annunaki shit talking. Heaven is not
on the end of a penis or three fingers deep.
It is not pupils as black as dead moons
spinning in a dead orbit in a dead circle,
because what matters is the lava flowing under the bed,
the raw animal machines, pegged time in a ball gag,
the right here and right now of the in there and down there,
the spitting blood and the flowered grotesqueries of fluid.
Because if you are not doing it right, then don’t do it at all.

Tony Dawson

Thumbing It

Do you remember being young, that time when you were so well hung
that your favourite part would stand, almost on command?
With the aid of gentle foreplay, you could cope five times a day.
Now that you are very old, your shrunken member has grown cold.
Arteries harden, not your dick, every joint makes a loud click,
beta-blockers do their worst, but don’t worry, you’re not the first.
Old age makes you quite sclerotic, which is not at all erotic;
and as you swallow your diuretic, you realize it was not poetic
that your lover scoffed when you were thumbing it in soft

David Estringel

And the Beat Goes On

Dropping from the air 
upon ears like paper blotters on willing tongues,
raging at the bloodlessness of cardboard cutouts
against a shrinking sky,
through psychedelic lenses
let me seeeee, let me beeeee the pulse of silent rage
that rails against the vulgar machine with words
that organize, legitimize, minimize, super-size, tranquilize,
proselytize, tantalize, infantilize, sexualize, stigmatize
the suckled teats of long-conditioned truths.

Poking the bear, disturbing the seas of featureless beige,
stirring the comatose anima with battle-cries of sight and sound
that pierce dusty eardrums like sterling icepicks,
repressed wants teeeeem, solemn faces beeeeeam,
liberated in the warmth of a sun that breaks just beyond
the horizon on coffee-house stages, rousing thoughts
to gestate, ruminate, conjugate, propriate, sublimate, fornicate,
obliterate, determinate, propagate, exfoliate dangerous visions,
birthed from the unfetteredness of a purple haze. 

Fueling the scribblings of furious hands upon white sheets
with whisky and cigarettes,
Making, naked, ugly underbellies of the angst-ridden and inflamed
with the glorious promises of their ecstatic treasure-trails,
let’s revel in the coolness of poetry’s heeeeeat,
indulged in pollen-dusted skin so sweeeeet
within the honeyed tangles of poets’ asymmetries
to detoxify, dulcify, intensify, demystify, purify, glorify, magnify,
beautify, electrify, sanctify our bodily streams of light
that sugar lips and candy fingertips.

Tearing away at the fabric, unraveling,
woven from Gloopstick youth and plasticine smiles,
repulsing at the hordes in their mindless quests
for extra-flavor and double-coupon days,
looking for a steeeeeal, wanting to feeeeel,
as hollow dollars crumble to coins when plopped upon
unsated palms and countertops.

Think! Think! Think! Think! Think! 
We are on the brink 
of the Fall of the American Empire. 
Dig.

*

Originally published at littledeathlit

Emma Bleak

there’s something funny about people nowadays

oh how I long for a renaissance 

do you remember the days when art was beautiful?
and we never heard of butterflies devouring flesh

we worshiped fickle gods with funny names
and courted beautiful women 

we knew the sound of death at a young age
(but I suppose that part hasn’t really changed)

men sang of young maids 
surrounded by flowers

never mentioning those soft
but sharp butterfly kisses

sweet roses around each neck
to mask the stench of death 

oh how I long for a renaissance

of men?
of art?
of love?
of suffering?
of life?
ah-
fuck it

for now I guess I’ll just finish my whiskey

and dream of the days of warm mead
and maidens with flowers in their hair
(butterflies in tow)

Corey Mesler

In Las Vegas

I once took
a girlfriend
to Las Vegas.
It was a gamble
but I knew
I was losing
her anyway. 
We didn’t have
much money
and the casinos
seemed peppered
by aliens. 
All I can remember
is her deathless
breasts, a topless,
white-jeaned
blowjob on
the hotel bed. 
She left me
soon after we
got home and
I never went
to Vegas again. 
It also might
have been the last
great blowjob
I’ll ever have. 

Daniel S. Irwin

Lay Me Down

Yeah, well, fuck this shit!
I’ve had my fill of this crap.
Lost the job, money gone,
Can’t get no damn credit.
Title Loan was happy to
End up with my car.
Makes life hard on the feet.
The bar’s full of losers, but
They’re doin’ better than me.
Bitch kicked me out the house.
Sometimes the magic shaft
Ain’t enough to please her.
She found some new peter
With a steady income.
Got a damn future as bright
As that of a back yard dog
On a ten-foot chain in a
Nine-foot flood.  Jesus!
Jesus, baby, show me the way.
Gi’me a plan outta this mess.
Take that last long drink,
Empty the bottle, toss it away.
Lay me down on wood and iron.
In the night, the distant blast 
Of the horn hails the approach
Of the ‘midnight special’ and
End-game salvation.

In America, the good ol’ U.S. of A.,
Over two hundred people a year
Commit suicide by train.
I will not be one of them.

Riley Hood

A Lion in the Reading Room

Nobody bothers to look when I crack open a beer.
They should. It is, after all,
a student library. 
I’m here to gain some knowledge,
a celebratory feeling
better than fretting because
I’ve already flunked out 
and tasted walking in straight lines.
Beer though, that’s a source
of inspiration abused
outside of academia;
the DNA to the pillars of libraries.

It takes courage to do what you love.
And so I do.

William Taylor Jr.

Empty is the New Black

The day crumbles and fails
and we’re half-assed Christs
nailed to the cross 
of whatever’s left of things.

We drink beer in the Tenderloin 
grimace beneath the sun.

The Great American Loneliness
drips from the walls of the sad hotels 
where the poets fuck and die

and the latest thing 
we thought would save us 

we burnt through it in a day.

There’s a guy with a boombox 
strapped to his bicycle playing 
music from another world

where you could still imagine 
something other than 
the dreariness at hand.

There’s a man on a corner 
leaning on the liquor store

he’s got enough losing tickets
scattered at his feet

to build some kind of kite or boat
and get the hell away from here.

Niklas Stephenson

Awake to Nightmares

the severed head of medusa flies through spheres
copy and pasted endlessly as screens show raped
words for fame
lick the hands of Dr. Mengele an iron taste
of human shame
the ratline ties a noose around my hopes
they suffocate but won’t die the invisible hand feeds it
substance for conscience
caged in by bones and teeth and scalps
resembling markets
in an absolute darkness the interior is superior
but the doors are shut
the lizard king drowns in the blood on the street
graveyards in Paris buried the best men
a shotgun blast through the mouth leaves a
generation dead what followed was trauma
art as dissociation a line was erased
irrational emotion and obligation
Eichmann reserved claiming innocence
as teenage girls sell sex for the prude
taste sweat and tears the salt of our wounds
I am a wound in Limbo the philosophers
have disappeared
evangelist radicals scream the truth the left ears
of listeners sown shut
a gaping fire pit of hate mistaken for a mouth
that doesn’t close
ants crawl on skin the cliche withdrawal the ants
are norms not created by fiending brains
my toes on acid they dig into the ground unable
to move as fish fly through the sky carrying
moral travelers
hyperbolic adjectives smack my brain
I cannot sleep
I awake to nightmares