G

Mannequin

Stand in front of the window.
That’s it. Right in front of your bed.
I know the curtains are open.
Yes, I know they can see in.
Don’t worry.  You’re beautiful.
It’s only the fat-uglies and old
no one wants to see.

Take off your t-shirt.
I want to smell it.
It’s better than all of nature,
and you’ve been sleeping.
No, don’t turn around.
Keep facing that way.
Play to your public.

Spread your legs apart,
that’s it, shoulder-width,
just like you’re lifting weights.
Push your crotch forward,
arch your back.
Can you feel me close to you?
Can you feel my breath?

Bow your head, I’m about to fuck.
You’re cool and clean, ready.
That’s it, push that ass out.
Don’t move your hands.
People are staring, yes.
They will probably be shocked.
Something to whisper at work.
Something to dream at night.

Ralph Benton

Lancelot of the Mart

From the register John watched the girl circling the aisles of the Sunshine Food Mart, biting her thumb as she glanced at him. He figured she was waiting for the line to go down before she approached, but she didn’t have a basket, and in fact she wasn’t carrying anything at all. Did she want to talk? The morning rush began to taper off, as the construction workers, bros, and commuters bought their sandwiches, Red Bulls, and coffees.

He smiled at her a couple of times, to apologize for the short-staffing, and to show her he was harmless. Just a middle-aged guy, medium height, thinning hair, who found himself running a register. Maybe she was looking for condoms or lube, and didn’t want to talk to Jake in the deli. For one thing, Jake was always busy back there, and for another he looked (and, truthfully, was) kind of pervy.

But 9:30 on a Tuesday morning wasn’t usually when girls came in for that stuff. Usually Friday or Saturday afternoon, before their dates showed up to take them to bar hop on Boyle Street. This girl didn’t look like she was going on a date. Quite the opposite. She looked anti-feminine, like she was doing her best to hide any girlish part of her. Baggy sweatpants, too-long hoodie, hair under a cap, no makeup. Maybe she should have worn makeup, because her face was red and puffy, and every few minutes she wiped her eyes with a sleeve.

John decided, a girl in trouble. He wondered, as he almost always did when a young girl came in, about Cassie. He told himself, as he almost always did when he thought about Cassie, that this time he really would get out the email address Melissa had written out for him on that sticky note, and ask her about their daughter.

He finished ringing up Nora Rae, who came in every couple of days to spend her social security on scratch-offs and smokes, and then the front of the store was empty. The girl looked around, took a breath, and bounced to get herself moving. John gave her his warmest you-can-trust-me smile when she walked up.

“Morning, miss, I’m sorry we’ve been busy, what can I do for you?”

She smiled in the way of young girls, who smile automatically to make things ok, but her eyes held nothing but fear. She scrunched her hands in the long sleeves and leaned forward. “Do you guys carry, uh, the, uh, morning after pill?” Her voice was shallow, and husky from the crying, and she flamed crimson in embarrassment.

John’s heart sank. After the last election the state had essentially outlawed abortion, and he’d heard the Planned Parenthood clinic had shut down a few months ago. Sure he knew that girls sometimes needed help and couldn’t get it. He just never thought they would show up at his register and have to ask a wretched old fool like him for something so intimate. He felt helpless and useless, as he always did when Cassie came home in tears. He remembered her look, just like this girl: do something, just please help me!

“Oh, I’m so sorry,” he whispered back. “We don’t carry anything like that. Just the condoms and stuff.”

“Yeah, I figured,” she said. He hoped she wouldn’t start crying in front of him. “Um, what about–” She pulled her phone out of the sleeve and looked at some page she had found. “What about, like, pennyroyal or licorice root? I mean, you’ve got some stuff…” She trailed off, and we both looked at the little display of aspirin and bullshit hangover cures.

John wanted to reach out and touch her hand, but if she was looking for a morning-after pill at least he wasn’t so stupid to think that a man’s touch would help.

“No, no, we’re just a food mart. Half of this stuff is probably blackmarket and expired anyway.” He tried a laugh, and she gave a quick half-smile. “What about the organic market? They’ve got a bunch of stuff in their wellness aisle, or whatever they call it. Maybe you could find something there?”

She seemed to shrink even further into the hoodie. “That’s where my mom works,” she said. “I can’t, I just can’t.” She looked around the little mart, looking for an answer that wasn’t there. A tear slid down her face and she absently wiped it away with the sleeve.

“Maybe your boyfriend can help, maybe he could find what you need in the wellness aisle. Does your mom know him?”

“Oh, she knows him,” the girl said with a sudden fury. “She’s married to him.”

She fled to the front door and parked herself on the yellow metal bench out front. She wrapped her arms around her shins and stared at the cemetery across the road.

John stood there, paralyzed with all the old feelings that came up like an unflushable turd. Useless, stupid, wishy-washy, a failure. He wanted to do something, so he brought out a can of green tea and set it beside her on the bench. She didn’t acknowledge him and he went back inside to keep the register ringing.

He noticed that she had taken off the hoodie, with nothing but a purple sports bra underneath. John didn’t like that. A food mart with two pumps of off-brand gasoline was no place for a slim young girl to be showing herself. Sure enough, around lunchtime a pickup rolled in and two dudes piled out. Each one eyeballed the girl as they walked in and shared a wolfish grin as the doors closed behind them.

They bought chips, jalapeno jerky, dip, and a twelver of Natty Light. As John rang them up the tall one asked, “Yo, you know that tasty bit of sweetmeat out front?” The other snorted.

John flushed, in the spotlight, and he stammered out, “Oh, she’s-” my daughter, just say she’s my daughter “-a friend, she likes to hang out here.”

“A friend, huh, that’s nice.”

John nodded, feeling better, now that he was doing something, helping.

“So, what’s your friend’s name?”

In the face of John’s humiliated silence the tall one smiled scorn, taking a bully’s pleasure in catching out John in his sad little lie. He dropped exactly one penny in the change plate and sauntered outside. 

It was the smaller one, with his blonde hair in a ponytail, who started to chat up the girl. John thought, C’mon guys, she’s only fourteen or fifteen. But they kept smiling and laughing, and pretty soon so was she. When she offered the blonde guy a drink of her tea, Cassie’s face finally pushed John out the door.

“Hey, miss, uh, I can call and get you a ride, anywhere you need, no problem.”

She didn’t meet his gaze, but the tall dude didn’t give her a chance to take the offer.

“Thanks cashier-man, ah, ‘John’, John-boy,” he smirked. “Yeah, no, Maddie says she wants to take a ride with us. We’ll take her to where she needs to go.”

When John didn’t move he stepped forward hard. Youth and arrogance pushed, the familiar bloom of fear pulled, and John was back in the mart.

“Is that true, Maddie, you want to go with them?” he managed, but the door shut in his face.

They all climbed into the truck, with Maddie in the middle. Someone said something and the guys laughed, but Maddie did not. They drove off.

At home, after his shift, John thought she might have looked back at him as they drove away, then decided she hadn’t. Why would she?

A Cigarette Burn in the Sun: Review by Ben Newell

Take the Plunge: 
u.v. ray’s a cigarette burn in the sun

Iconoclastic underground writer u.v. ray declared Drug Story (Murder Slim Press 2019) his final book.  His readers breathed a sigh of relief when this proved untrue.  Two published works—generation zero (Laughing Ronin Press 2022) and a cigarette burn in the sun (Yellow King Press 2023)—followed, the former, a single-story chapbook; the latter, a full novella. The story is worth mentioning here in that it provides insight into the writer’s creative process, particularly his recycling of ideas (identical sentences can be found in both works) in the expansion of short fiction into something longer and broader in scope. 

The two pieces are markedly similar. Same place, same time.  Birmingham, England.  1986.  Thatcher era.  The story’s Cheetah Smith toils at a machine producing “those plastic cartons for eggs and sausage rolls,” while the novella’s Angel T. Cooley works at a “meat packinghouse” to pay the rent and support his drug habit. Smith, a drug user himself, quits his job, achieving a measure of peace as he stands on the roof of a building overlooking the city while contemplating a better world wherein “politicians no longer wage wars for you to die in.” 

This is where the novella veers from its source material. Cooley, like Smith, quits his job. But this isn’t enough for him. He takes things further, much further.  Having told his boss to fuck off earlier in the day, the alienated Goth spends his last hours getting “shitfaced” at a bar called “Loaded” where he prepares his fatal “fuck-off speedball” before vacating the establishment and retreating to a public toilet to depress the plunger. 

Cooley’s suicide occurs in the opening pages of the fragmented, nonlinear narrative.  The remainder is backstory in which we are introduced to a motley assortment of minor characters. Alcoholics, addicts, dealers, abused cocktail waitresses, scam artists and statutory rapists abound in ray’s universe, all of them engaging in lively Tarantinoesque dialogue. These exchanges, rendered in an eccentric style more aligned with dramatic writing than prose, provide pitch black comic relief to an otherwise excruciatingly grim tale. 

Skin Levine is the most prominent of these secondary players as he discovers Cooley’s body while scoring drugs in the public lavatory. He feels bad for the kid, yet still riffles the corpse for anything of value, finding a Pentax camera and a suicide note. Skin sells the camera and torches the note, though not before reading it in its entirety in what is surely the novella’s most powerful scene. 

Those familiar with ray’s work will find his signature oscillation between neo noir action and protracted, stream of consciousness rants raging against conventionality in all its forms. His most memorable characters share a singular contrarian ethos; they seek solace in drugs and community in bars and clubs to escape the drudgery of their lives. ray’s is a bleak landscape from beginning to end, a deliberately static, unrelentingly realistic plunge into the urban abyss.  a cigarette burn in the sun is a testament to artistic integrity and bravery, a no holds barred, ultra-stylized portrayal of outsiders wading through the existential slime.

BUY A COPY HERE

William Taylor Jr.

The Fact of Her

In San Francisco
at any given moment
there is a girl 
on Grant St.
in North Beach
wearing a long
and fashionable coat
raven black hair
tumbling down  
upon her shoulders 
a cup of wine
in one hand
maybe a cigarette 
in the other
looking 
like something 
from an old 
French film
swaying
on the sidewalk
to music from a bar
or a man playing
guitar on a corner
maybe she knows
you’re watching
maybe she doesn’t
but the thing is
the simple fact of her
makes all the rest of it  
worth suffering 
through.

Casey Renee Kiser

I’ll Be Waiting

If you wanna get real, honey;
escape the whip of the circus
but still do some tricks,
send a limo

If you wanna cosplay;
be the motherfucking burger king
with a well-done honey
and have it your way, well,
I’ll run up and grab me some fries
and maybe your crown then, later babe,
send a limo

If you wanna trace my backbone
with your tongue and remember 
the 80’s chills
you got when you were young 
watching your new favorite horror flick,
send a limo

If you wanna know what it’s like 
to have a switchblade on your throat
and be so in love 
with the pulse 
of walking the line, well, babe,
send a limo

Humberto Peacock

Sex With a Stranger 

Her body breathes me in —
shivers trace her spine 
they drape over me like a fleshy canopy
her shadowy form obscuring a still half-moon
we follow beads of sweat 
from her forehead 
down to her navel
songs pour from our tongues
her body breathes me in.

When I enter I start with
her mouth
lips brush, indelible
I taste her nipples, stroke her ready cunt 
with my fingers,
anticipate nothing unfamiliar.

Her skin is intimate as clockwork
and twice as complex
to me
her voicelessness drums along like dialogue 
skin murmuring softly.

I love her, it’s dangerous.

Night-veiled
she pours herself over my ticking cock
we listen to the way our bodies converse.

Before swallowing the dark’s
envy
she kisses the air goodnight.

Her body breathes me in —

We fuck like 
pure poetry.

Adam Hazell

A drowning

A thought
           Not new
(What is?)
I’ve been told it’s ok to grieve
Our relationship, and everything your absence has cleaved; your fingers
pulling at my hair as I drove us
back and forth 
from yours to the city
from yours to a reality
           not quite there
I was lax
I thought you’d settle 
and continue drinking as hard as me 
Lost even as I was led through slick
red halls
The grunting Minotaur 
Jangling jester with his fucking hat
How do you not get the joke yet?

(I think this is the first I’ve seen the sun in three months)

Herd mentality 
Sipping at the edge of the lake 
of mortality and mistaken identity 
Notice me
I say staring at my reflection 
while someone drowns three feet away

Holly Day

The Dance

I am dressed as a beast and I am dressed as a hungry animal
and I am in a room full of prey. There are girls here that look like deer
boys that look like rabbits, everybody smells like food.

I howl at the moon looming in the window and a few eyebrows raise
because they think I’m just dressed as a beast I’m not
actually a beast, I’m perfectly safe even though I am 
a little strange. 

Because I am so strange, it doesn’t take long for one of the deer girls
to come over and offer a tiny smile of acknowledgement
shy prey drops eyes after initial contact. Blood pours into
dormant arteries. Stomach growls. “I haven’t eaten all day.”
It sounds like a joke, she brings me a tray of crackers and little sandwiches. 

There was a time when it would be more shocking for me to dance with a woman
than to gut and kill the same woman in the alley out back. I remember those times. 
I remember the newspaper headlines. It makes planning an evening out
so much more difficult, knowing that we can just leave this night
at a dance, and no one would say a thing.

Aqeel Parvez

Poor Boys Twiddling Their Thumbs 

too many birds in 
relationships biding time. 
it truly offends and hurts 
me when they go on dates 
with me. those poor bastards. 
those lads at home twiddling 
their thumbs while she’s 
soaked in lust sucking 
my thumb. test the 
plumbing. oh, I’m scum. 
degenerate, spit grab 
twist slap choke; 
manoeuvre, manhandle. 
vary the strokes. soft 
then sodomy, just a 
sick fuck soft touch baby, 
nameless provides free reign. 
I give them what goes begging 
at home with Gary, Harry, 
Barry and fucking Flynn. 
I fancy myself an artist. 
I eat her out and then 
puff my inhaler, I can’t 
help but laugh. I’m 
grinning at the gash. 

Willie Smith

Fuck Florida 

I love winter. All the bugs die. The trees get naked, so you can hug ‘em better. Kids skid down hills, bash their Fiats into phone poles. Wise guys stay home with an old Penthouse, looking up from the vaseline to surf the web for porn. 

January brings the spiders. Wolves who crouch under the couch. Wait for a misapplied finger. Or a nightmare with the narrowest of openings. Who Contradict any fool brags ALL the bugs die. 

Procyon lotor – little dog that washes – waddles up to the garbage. High up above the domino mask, the Davy Crockett tail, the freaky screams in a fight to the death… high up above the hemlock, wheel the Dogs, yapping starlight at the Big Guy, the Mighty Hunter, searching endless winters for the identity some cop digital copied and stole. 

The Little Dog, Procyon, pauses to pee in the garbage; the coons, erect on hindlegs, snarling their treasure to repossess. 

I love winter, seated in my ancient Oldsmobile – jacked-up, stripped of wheels; possums, roly-polies, black widows existing in the trunk. I throw kisses to the Big Dog, in full knowledge no finance company in the sky would repo my ride – the oil-burning brain, the bad-timing heart, no stomach for the road, no thymus for anything but the blackberries in the pants and the snow on the head. 

I light a universal joint. Join the memory in song. 

Orion comes down to earth, because the planet sounds safe and sane. Camps in the park. But after a month of the good life, the cops bust Orion for climbing trees after squirrels, running down lap dogs to spit-roast over an open fire, various other violations.   

Orion gets hauled in. Flatfeet relieve the drifter of sword, belt, shoelaces, string tie. Ogle the no ID of a long-ago ego. 

I love winter. All the thoughts of dreams put on ice. Till the spring flows through the rusty pipes on the heels of Saint Paddy’s. 

I love the way the dead of winter lies there, bitter in its own frozen zen. 

I love winter. 

Winter abides the failure of the success that dreams us in the first place. Time has run, full circle, outta gas. It is now – tomorrow’s sun low-slung in the Archer – up to you to thumb back to town; fetch what is needed to reboot the resole of your sole pair of Florsheims; I’ll hold your brew, just don’t expect it to be there when you get your ass back. Following Monday, consider maybe the drawbacks of stepping outside to hunt for work. 

 Who is it argues love makes any sense?