Catfish McDaris

The Giraffe That Jumped Over the Moon

Dr. Danny Quick used the last of his Jimi Hendrix stamps to mail off his manuscript to California. Maybe Jimi would bring his screenplay good luck, who knows. Or at least drench it in acid sunshine vibes and ripple it toward a psychedelic future already folded into vast ocean-front properties of all time. 

Either way, it was Ernest Hemingway’s birthday. Santiago, the Cuban fisherman in The Old Man and the Sea, never gave up. 

How he felt sometimes about his writing. Never give up. Or always. Life of suicide. 

Did Hemingway actually give up? Did Thompson? Did Brautigan? Or did they just need to catch up on some sleep?

Maybe a change of scenery. Live on the moon. All these rich people flying into outer space. All it took was greed, power, and money. Big money. 

Dr. Quick had degrees in astrophysics, mechanical engineering, and paleontology. He spoke four languages fluently, had lived in many different countries growing up and as an adult. He could fix anything and he was in excellent physical condition from Tai Chi and martial arts.

The meteorite ALH84001 from Mars was discovered with fossils of diatoms. Required further investigation. Dr. Quick was intrigued. Rumors in the scientific community that ancient giraffe fossils had been discovered on the moon. 

Quick had been studying the gaping theory in Charles Darwin’s The Origin of Species claiming that a horse-like animal converted into a giraffe due to the need to eat from higher tree branches. The Okapi was the ancestor and migrated to feed.

Paleontologists were split into many distinct groups on the theories about the Sivatherius fossils being from giraffes with a trunk like an elephant. Some scientists believed the giraffe came from a Samotherium from the late Miocene era or 14.6 million years ago. 

Dr. Quick had participated in isotope fractionation tests for fossils. Some thought the origins of life could be buried in lava flows on the moon. If a lunar regolith were conducted and organic molecules remained intact, there would be no reason fossils should not be found on the moon. 

Quick had studied the knowledge of the Babylonians, the Nubians, and the Chinese about dark matter and dark energy. His vast computer-like mind held information about gamma ray bursts, cosmic microwave radiation, the Magellanic Cloud, and the Andromeda Galaxy. Quick had flown airplanes, jets, and helicopters for many years. He had worked for NASA and had almost gone to space; he was overqualified if anything. He was just waiting for the next mission.

Dr. Quick arrived in Antarctica to aid in the examination of ALH84001, the Martian meteorite. Temperatures there could reach -129 Fahrenheit, it was 98% ice. It was the coldest, driest, windiest, highest average elevation continent on Earth and still considered a desert. There were no permanent residents. 

The research facility was in an old whaling building on Deception Island. There were glaciers, an active volcano, chinstrap penguins, and fossilized plants. 

The tests conducted there were inconclusive, therefore not considered successful. 

Quick’s next journey would take him to the Gobi Desert in Mongolia to continue his study of the ancestors of the giraffe. He had been there before and had many friends, Mongols, Uyghurs, and Kazakhs. 

Quick believed that the Aepycamelus or giraffe camel of the Gobi was the ancestor he sought, but he required scientific proof. 

The theory that the giraffe came from the Brachiosaurus did not seem realistic to him. 

In Australia he had a message from NASA, a new discovery. With the Keplar Space Telescope, they discovered an Earth-like planet: Keplar 452-b. It revolved around a sun much like ours. NASA wanted Quick to report to the Lyndon B. Johnson Space Center in Houston, Texas as soon as possible. 

Quick notified his crew and they were soon on their way. Quick communicated with NASA in flight, the International Space Center was now fully staffed with six crew members from Japan, Russia, and the United States. 

The success of this mission made the moon mission more viable and important. The moon launch was now being moved forward due to the discovery of Keplar 452-b. 

The settlement was planned for one of three places: the Imbrium, Nectaris, or Serenitatis basins. That would be determined upon a closer inspection of the moon’s surface. 

On Quick’s last visit to the Johnson Space Center, he and a team of experts designed the geodesic dome for six months’ habitation on the moon. It would be an icosahedron lattice shell on the surface of a sphere. 

Dr. Quick suggested they use a Buckminster Fuller design of continuous tension and discontinuous compression. With hardly any modifications, two of the six spaceships could be cannibalized into the material necessary for the construction of the dome. The remaining four ships could be fitted to carry the extra twelve crew members back to Earth once the mission was completed. 

Some Washington politicians did not want to fund exploration or the possibility that a space colony could be established on the moon. Others wanted to send unmanned spacecraft to Pluto and Mars, which would do nothing to alleviate overpopulation. 

NASA Headquarters in Washington, D.C. had leaked it to the press that they had received two donated telescopes that were superior in every way to the Hubble Space Telescope, and they were being kept in storage. Quick suggested they take them both to the moon and place them temporarily or permanently to investigate and research the galaxy.

Blast-off was scheduled from Japan, Russia, China, the United States, England, and France. The thirty-six astronauts chosen were highly educated in diverse scientific ways. 

Dr. Quick was chosen second in command of the Americans. 

Just before the launch, Quick heard that his science fiction adventure manuscript was being made into a big budget movie. 

The six moon landings were all perfect touchdowns. 

The Americans and Japanese moved in with the Russians and French. They lived in the four-space craft remaining until the dome was finished. 

Living in the dome was a luxury compared to spacecraft life. Once Quick got situated, he set up the two telescopes they had brought along. 

While anchoring the base of the telescope, he found some unusual rock formations. He carried them back to the dome, and upon further examination, he knew they were fossilized giraffe bones. Quick had been seeking these fossils all over Earth and now finding them on the moon was a most shocking discovery. He thought about his dream and about the script he had written that was now going to be a movie. 

The alien giraffes, Glorft and Guzal, looked down at the moon dome from their invisible cloaked spaceship. They spoke to each other telepathically.

“Should we let our human-looking son, Qetazq, know for sure about us?” 

“I think not, he could probably manage it, especially since you’ve been sending him dreams. But the rest of Earth is not ready for our advanced technology.” He paused. “Or intelligence.” 

Ronan Barbour

Happened 

the sex with her 
was the best I ever had
man,
it was so good
Her furious face
when she grabbed
and squeezed
my squirting cock
into 
her wide open
mouth
sent me
under the caress
of the moth-white spider-thought
curtains
out the open window
into the hot wafting breeze
shooting far into the stars
deep into the blue grape
licked Summer

Whatever happened to
You?

I sometimes think 
all the years of many women
have been my way of trying to move on
where I’ve known
I can’t

You came to me in the midst of a bad dream
last night
I don’t know what was said 
but I saw again
the fawn drops of your almost child-like eyes
I held so precious
and smelled the baked Texas cool dough of your soaped skin
and found you again resting in my heart as I woke up

3:43 a.m. 
I am awake

Now

I am alive
perhaps
while you are 
at rest

Davide Nixon

I’m Afraid of Monsters

You have a beautiful singing voice,
but I can’t hear you over the screaming.
This is not theatrical-
these are gigantic women that rape men
of their emotions-
and gigantic men-
men as large as couches-
they devour women-
swallow them whole
like the goa
of ambitious pythonesque
middleclass monsters
out for a bit of fun.
They killed your parents.
They ate the titan girls.
They killed their own children-
at least according to gossip…
at least according to the wolves.
But who can trust those old whores?
They run with hawks
that see everything
but feel nothing.
Good god-
what a dream!
What is this fear of nightmares?
And you can’t even breathe 
with your dusty lungs
full of ants,
and termites,
full of fears 
you can no longer express,
because the child in you
was eaten alive
by a Medusa
driving around
in a beautiful new car-
Hallelujah!

How proud they sit
in their rusty cages-
the dogs with their 
cancerous fleas
have been locked
in with the lions.
These are not 
the brazen beasts from fairy tales-
lies to make children sleep well.
No- these are putrid
down to dirt earth snakes-
white eyed,
no slit
for the trusting-
no heart for the loving-
no warmth for the soul.

These are nightmares incarnate.
You’re not afraid 
because you love them.
You adore the spiny worms
in the ground
that eat your children
in their practice coffins.
They bundle like infant weasels
waiting like buffets
for creatures
of very little wit
but very large ambitions.

Are you uncomfortable with all of this?
These are the monsters that you love.
They eat your parts when you sleep
and you don’t say a fucking word
because these creatures…
they take care of you.

You are the pet of dead-eyed apes
with the brains of frog kings
and the guts of stray insects
that feed birds too fat to fly,
and speak to you in your nightmares-
and tell you how much they miss you-
how much they miss looking into your eyes.

Charles Rammelkamp

Dirty Books

At least we got the Bible out of the schools,
all that violence and vulgarity
no better for elementary school kids
than the so-called danger of LGBTQ books.

Davis County’s always had its problems,
standing out even in a state as white as Utah,
widespread racial harassment throughout
the school district, hundreds of complaints
simply ignored by the local authorities.

A few years back, a school-bus driver 
slammed the doors
on a biracial kid’s backpack,
dragging him along a few hundred feet.

So I was glad when one of the parents
leveraged the new law aimed at LGBTQ authors
to complain about the “pornographic content”
of the Bible, to get that “sacred text” banned, too.

Of course, they established a “committee”
to review the request, 
all that filth in “Song of Songs”
about his sister’s vagina tasting like wine,
her breasts being “pleasing” to him,
the part in Numbers about raping a three-year-old girl.

Finally, the committee agreed the Bible
was a “challenging read” for children,
best taught and discussed in the home.
The best part? Watching my neighbor,
that smug, hypocritical bigot,
fuss and fume about how the country
was going to hell.

Alex S. Johnson


Puke Graveyard

Fog rolled in from the river, enshrouding the graves of the cemetery. The place had grown dilapidated with the new owners, part of a one-stop shop mortician/funeral director/plots franchise that cut corners on the local level as they ratcheted up prices on caskets, wax, makeup and hired mourners. Tombstones tilted at crazy angles, fresh-dug mounds stood abandoned, grass grew tall among the crypts, and empty soda bottles, crushed beer cans, cigarette butts and candy wrappers lay everywhere. 

The Tamarin’s Folly Paranormal Meet-Up group had assembled at the cemetery at 10:30 pm to livestream podcast a Q & A session with the deceased, an idea the group’s founder and leader, self-described Retro-Goth Sandy Etchison, thought up during a coke binge with her lover, Magister Rawhead Hexx, lead singer of a mediocre British black metal band called 777.

The group’s treasurer and resident accountant Ross Seymour picked up the Maglite which he had set down next to the Spirit Box on top of the podcast rig, flicked it on and aimed its strong beam into the fog. “It feels like we’ve crossed a line, and I don’t mean just breaking and entering this time.” 

He stepped carefully around a fallen headstone. “I’ve got bad feelings about this is all I’m saying.”

Sandy rolled her eyes, one green and one a robot silver contact, a nod to Marilyn Manson. “Your bad feelings are bad news, ‘Ross the Boss.’ And you’re wrong. This isn’t about corpse desecration or any dumbass shit like that, so don’t start up again preaching to me about what would Jesus do…and if we raise the dead, that’s exactly what Jesus would do. This is purely for science. Well, that, and a bit of fun besides.” 

She set the Spirit Box down on the foldout table that held the podcast mixer box. “For the first time ever, we are going to livestream conversations with the dead. Connect with disembodied souls. Q&A with the departed.‘Who knows what secrets they might have to share?’ Or some bullshit like that.”

Ross shook his head in irritation. 

“That’s not what you told me before. Ever since I joined the Paranormal Meet-Up, we’ve been up and down these crazy-ass roads. So many shocking sojourns. We’ve crashed funerals and terrified grieving loved ones. We’ve burst in on working morticians, video-bombed autopsies, just so you could get your ‘documentary footage.’ You keep repeating ‘there are no limits’ like Clive Barker was, I don’t know, the Pope. But you’ve gone quite beyond that.”

“Beyond? What do you mean? Those are legit enterprises. And don’t say you didn’t enjoy the mortician shenanigans. That pretty stiff with the big tits. Admit it, you got wood.”

Ross frowned and shook his head, too mad to speak.

“Well I think Clive was right, I mean back in the day at least, he was better than the Pope. Absolutely Splatterpunk rules. No limits. No mercy. No remorse.”

“But surely you would draw the line at, say, graphic sexual violence against children and animals….right?”

Sandy blinked rapidly three times. 

“Right?”

“I guess. Shit, I don’t know. Never say never. I think that sometimes there is a place for graphic sexual violence against every fucking thing. If it’s fuckable, you cram its holes with cream and keep on going. If you run out of holes, you make new ones.” She lifted her eyebrows. “Don’t judge, dude. You of all people are hardly in the position to hold the moral high ground.”

Ross sputtered with indignation. “B-but that’s MONSTROUS.”

Sandy snorted. “Dude, I’m just KIDDING! Wait, you seriously thought I would go down that road? I may be depraved, but I’m not that…well…ya know some of these little bearzy weresies are hella cute. Wouldn’t mind…” She made an obscene gesture.

Ross threw his hands up. “It’s utterly unconscionable what you’ve made me do. I don’t know why I’m still here.” 

“I don’t know,” said Sandy. “Why are you still here?”

“Death isn’t something to be exploited for views or clout or whatever. It’s a somber thing. Sacred even. And what’s even up with the party favors and the alcohol?”

Randall and Ross’s eyes met. Randall had his own history with Sandy. They’d recently broken up, and now Sandy was with the British metal vocalist. He was only there because she was so technically inept the podcast would implode if left entirely in her hands.

“The fuck is your problem, dude?” Sandy rolled her fingers through her choppy 80s punk rock-styled candy pink hair. “I mean yeah, we did bring a twelve-pack, some doobage, some ice, mushies, what-evs. We can do both. We will do it all, man. Hard work is thirsty work. And it’s not like the ghosts are going to complain.”

“That’s not the fucking point.”

“That is all of the points,” Sandy said, shrugging her shoulders. “Seriously, muh dude, you need to stop with the passive-aggressive bullshit. You never help, you’re always late, you always complain, we’re all still wondering what happened to those funds we earmarked for the Operation Live Organ Harvest podcast…as our treasurer, you must have at least some idea..and now…just look at you. Look at you. You’re fucking pathetic. Go home. No, before you go, I actually have a suggestion.”

“What is it?”

“I got a coupon for razors. You know those 100 razor pack jobbers? I’ll even throw in a couple of bucks. Now what you do, if you really want to do the thing right, remember…”

“I can’t believe you’re saying this. You’re literally Lucifer in the flesh. Toying with me. You’re like something out of the Marquis De Sade. You’re wicked, beyond simply immoral.”

“Ahem, excuse me, but you’re not allowing me to finish my sentence.”

“What did you want to say? What could you possibly have to say to me at this point?” Ross’s voice was beginning to crack. 

“Remember, it’s across the street, not down the block.” She mimed sliding a razor horizontally across her wrist. “You slice the radial artery, bleed out. Take some blood thinners, lie in warm bath. Get the job done, George.”

Ross gasped. Sandy turned her back on him.

“Wow, just wow,” said Ross, a catch in his voice. A single tear slid down his cheek. “This is what you say to someone you know has clinical depression and CPTSD? Have you no shame? I can’t believe you’re still accusing me of embezzlement. I told you it was an accounting error. We never had those funds in the first place. I went over the books in granular detail.”

Sandy’s middle finger shot up. “Whatever, dude. In the words of the immortal Nancy Downs, ‘Punk rock, let’s go.’”

Randall Spaulding, a burly muscular cameraman sporting a throwback mullet, checked the light, then his watch. “Enough drama-lama already guys. We’re going live in 15 minutes, right Sandy?” 

Bill Martini, the group’s slightly pudgy podcast scriptwriter and planner, swept his fingers through his long, wavy reddish-blond hair and brought up the document he’d created for the cemetery livestream on his phone. “We-” he started to say before Sandy cut him off.

“Right, I just want to go over a few things. We can make it half an hour, 45 minutes. It’s not like anybody’s going anywhere. Particularly them.” She glanced around at the tombs, paused and then filled the uncomfortable silence with a bray of laughter at her own wit.

“So everybody knows how the Spirit Box works? It’s like a radio, is in fact a radio, but one that’s continuously scanning. It also records EVP, electronic voice phenomena. What we’re listening for and looking for is the white noise. That’s the channel they communicate through. 

“They being the dead people,” she added after a pause. 

Nobody spoke.

She turned on the machine. The inset window scrolled through channels. At first  nothing, then a burst of static. Scattered words from a broadcast. A scrap of music, “Psycho Circus” by Kiss.

“It needs to warm up,” she said. “Establish a baseline, like that.”

“‘We’re in the Psy…’” The Spirit Box squawked. Sonic squiggles. Dead air.  Then a loud crackling noise, followed by a low, barely audible male voice.

“Hel-”

Silence again. 

“What was that?” asked Bobby Lansdale, who was working sound for the podcast. The jock of the crew, he was a former high school fullback and now devoted most of his time to studying audio engineering at the local JC. “Who’s there?”

“Hell…”

Crackle of static. 

Much louder: “Hell is here.”

“Holy shit, I do not like the sound of that,” said Bobby. “Not at all.”

Sandy plucked a clove cigarette from a fresh pack and fired it up. “Personally I think it’s very fucking cool,” she said, exhaling with a tubercular cough. 

Bill’s phone buzzed. “Hold on, I just got an alert…Fuck!!!”

“What happened?”

“There’s been some kind of toxic waste leak over at Romero Chemical, across the river.  And it’s got into the water. It’s gotten into the fog…”

“Oh come on,” said Sandy. “Next you’re gonna say the toxic waste will bring the dead to life. No, I say that shit is silly. We need to calm down and regroup here.”

“I’m dead serious,” said Bill. “And look, you can see the fog is changing color…”

“Maybe we need to shut this down right now,” said Bobby. “I don’t mean because cemetery and, I don’t know, maybe zombies? I mean we could get sick. Seriously sick.”

“We could legit die,” pouted Ross.

“Oh for fuck’s sakes, stop being a bunch of pussies. Do you not see the golden opportunity Satan just presented to us on a silver platter?” 

Sandy giggled, cleared her throat of phlegm, spat a yellow wad on the ground and took another drag at the clove. “We’re at ground zero for a potential reanimation scenario, we’ve got the equipment, we can livestream this shit, party with the dead like it’s 1985 all over again. Hell, party till we puke. Hey, can we get some tuneage up in this bish?”

“You’re insane,” said Ross. “No moral compass whatsoever.”

“Fuck off and die.”

The fog intensified. Sandy whipped out her phone, scrolled through her saved jams. “Her Ghost in the Fog” by Cradle of Filth blared out into the night through the Bluetooth speakers they’d set up for the podcast. 

“The Moon, she hangs like a cruel portrait,” screeched Dani Filth. “Soft winds whisper the bidding of trees, as this tragedy starts with a shattered glass heart.”

“Now that’s what I’m talking about,” she said, throwing up the metal horns and wiggling her ass. “Shattered glass heart, motherfuckers! That’s some dark poetry right there. That’s art, baby! Did you know Dani holds two Master’s degrees in English Literature? He’s a modern-day Byron.”

“He’s a modern day Bozo the Clown,” said Ross. “Seriously though, let’s go home. Which way is the van?”

“No idea, Shaggy. I mean, you’re not going home anyway. None of us are. Oh c’mon, stop sulking.” She pushed her fingers against his lips, “C’mon guv, give us a smile then,” she said, mimicking her boyfriend’s bad imitation of a Victorian era Cockney whore. 

Ross plucked her fingers from his face and pushed her hand away.

“Ok fine, be that way. Sandy bent down, ripped open the case of beers and chugged one down. “It’s time to partay” she hollered. “Whoot!!!”

“You’re not right,” said Ross. He picked up the Maglite again and headed off blindly into the fog.

“Fuck yeah I’m not right,” said Sandy. “I’m a wrong one, innit. Go on, take your whiny embezzling ass outta here.”

A few seconds later, she made a face and spit out her beer. “Fuuuck. There’s something wrong with this brew. It tastes like shit.” She wiped her face with the back of her hand. “Roach spray or something.”

Suddenly Sandy’s fingers started to twitch. She began to spasm violently. Spittle formed on her lips and a line of thin acid green drool rolled down her cheek. She dropped the beer and held her stomach tight. “You guys might want to…step back a bit, I feel like L-l-inda Blair over here.”

“We’re co–” squawked the Spirit Box.

“What did you say?” asked Bobby. “Is this a direct communication from the dead?”

“We’re not…d-doing the p-podcast any more, fuck’s sakes…” said Sandy. “I am not feeling well!!!” she yowled.

Randall lifted the camera. “I say we film it,” he said. “I say we go live.”

“Oh my fucking God, what’s hap-pening to me,” said Sandy. One side of her mouth sagged as more foam bubbled from her lips and dripped down across her cheeks. She bent over and sprayed one of the older, cracked headstones. Chunky green slime slid down the final resting place of one Umberto Fulci, dead 50 years. She heaved, groaned and unleashed on Fulci once again.

“We’re coming up” squawked the Spirit Box, as did Sandy’s lunch. 

Randall stabbed the “record” button on the podcast rig. Youtube viewers watched Sandy spew in extreme close-up, like a slobbering barfzarro version of The Blair Witch Project. Her body shook with uncontrollable violent tremors, her head shaking from side to side. 

“Neuro toxins from the waste,” said Randall thoughtfully. “Psycho toxins, to be specific. I think maybe that’s what’s happening here. There was an environmental impact study on it a few years ago…it’s been steadily seeping into the groundwater…but that got shut down by Romero Chemical with a quickness. Sandy’s got a bad reaction.”

“Y-ya-ya think?” said Sandy, swatting at Randall like a cat. Randall dodged her clumsy blows.

“The toxins are everywhere. In the air, in the fog, in the water, in the ground, in the corpses. We are seriously fucked.” He paused. “Imma catch this all on video though. If we survive this thing, which is highly unlikely due to the unfolding critical situation, we’ll be totes internet famous. If we don’t, we’ll be totes internet famous too.”

Bobby placed a microphone on the ground, connecting it to the portable sound rig. He stumbled over the wires.

“Ser–” sputtered the Spirit Box. “Fucked,” a deeper voice growled, cutting in.

A yellow-green foam crested on top of the growing pool of Sandy’s upchuck, as a fissure in the earth cracked open. A skeletal hand with flaking vomit-slimed, blackened skin shot forth from the fissure and grabbed Randall by the ankle. Youtube viewers saw the camera lurch crazily.

“Oh my fucking God, zombies!” he screamed. 

The zombie reared up out of the ground, eyes dank maggot-laden pits, face mostly eaten away, and advanced on Randall, who vainly attempted to keep filming. He stepped back and caught his heel on one of the fallen tombstones. Staggering, he tried to right himself, but fell backwards onto the grass.

More zombies began to claw their way out of the earth. Shambolic steps propelled them forward as the toxin-laden fog rolled in. They grabbed hold of Randall and began to rend him limb from limb. Blood from his slashed severed carotid jetted onto Sandy’s spew. His arms and legs spasmed until finally he lay still.

Sandy’s eyes clouded. She staggered, walking blindly through the fog, arms thrust in front of her. 

“Bill, pick up the camera,” came a voice from the fog. 

The Maglite’s beam cut through, revealing Ross’s face. He was holding a paper bag in his other hand. He set the Maglite down.

Bill hesitated.

“I said, pick up the fucking camera!”

Ross pulled a .45 from the paper bag.

“Dude, oh no,” said Bill. “What the fuck are you doing?”

“Ultimate mash-up. R. Budd Dwyer meets Christine Chubbock meets Return of the Living Dead meets my revenge against a hateful hipster bitch. This will make internet history. They’ll call me the Andy Warhol of true gore. A fucking visionary. You gotta keep filming, man.”

With trembling hands, Bill picked up the camera.

“Good boy. Now where was I. This is Ross Seymour livestreaming to you from the site of the zombie massacre at Carver’s Folly Cemetery. This moment will never be repeated. What we are witnessing is the reanimation of the dead via toxic waste spill at Romero Chemical. The waste has leaked into the river, it’s gotten into the fog. Bill, I want you to turn the camera on that lying cunt. Keep your hands steady, man.”

“Wh-what?”

The zombies advanced towards them. The Youtube feed bobbed up and down as Bill tried to keep away from the walking dead and continue to film.

“Turn the camera on the perfidious whore. The Jezebel. The little snake.”

“But she’s sick! We’re all sick from the t-t-tox–” The zombies grabbed his legs and Bill went down, cut off mid-sentence as he smashed his head against a tombstone. 

The camera rolled out of his hands. The zombies continued to bash Bill’s head against the marble until his skull cracked open. His eyeballs rolled out on their optic cords, smacking against the tomb as they ripped free from his brain. Blood splashed against the stone and dripped down over the name and dates. The zombies shoved brains into their ravenous rotting mouths, drooling and gibbering.

“Bobby, pick up the camera. We need continuous coverage. May I remind you this is live. The whole-ass internet is watching.”

“Oh my fucking God dude you are crazier than Sandy. We need to get to the van and get away from the zombies. We’re all going to die.”

“Yes, we’re all going to die one way or another. The question is, how? Do we do it righteously, artistically, memorably, with clout? Will our deaths reside forever on the dark web as a shining example of Splatterpunk for real? I say yes. I say fuck yes. Where’s the bitch?”

Sandy suddenly rose up from behind a tomb, yellow-green foam flecking her lips and dribbling down her nerve-damaged face. Her lower lip skewed sideways as she opened her mouth wide and projectile-vomited toward the zombies eating Bill’s brains. The glowing vomit mixed with the blood, slime and brain goo on the ground, forming little mounds–in the hills, something shitty. 

The zombies began to jitter and shake more violently as the psycho toxins from the waste ate into what was left of their nervous systems. Then they too vomited, spraying the ground with luminous chunks.

As the zombies retched and spewed, the rainbow-yawned mass rippled and moved. 

Then it moved again. 

Pieces of the putrid sick began to wriggle like worms, separating from the mass, as the toxic waste infused it with an awful vigor. Incorporating Bill’s eyes, one of the chunks-worms lifted up from the ground and twisted around like a detective assessing a crime scene. 

“Look at that!” Bobby burst out. “The vom is alive! And it’s got Bill’s eyes!”

“Yes, yes,” said Ross. “It’s alive, it’s alive, Colin Clive, etc. It’s a vom-zom. Film the cunt first though. Film our Auntie Crust Superstar.”

Bobby trained the camera on Sandy, who advanced towards the lens. “Okay, now what?”

“This is what,” said Ross. He pointed and aimed, a dead shot at her forehead.

“What the fuck, man…what are you doing? She’s not dead. She’s not dead, dude!!!”

“She is now,” his tone of voice eerily calm. He pulled the trigger and the top of Sandy’s head exploded into a cloud of pink mist. 

“Oh Jesus…” Bobby sobbed, struggling to keep Sandy in the shot.

Blood drooled down her cheek, mingling with vomit flecks that resembled lumps of oatmeal stirred with egg yolk. Pieces of brain, skull bits and a shredded mass of hair rained down to rest among the shards of malt liquor bottles and used condoms littering the overgrown grass between the graves.

Bobby bent over and began to blow chunks, bringing the camera down as he did. 

“Mercy killing,” said Ross. “Coup de grace. Bitch was bad news. But where was I? Dude, you gotta keep it together. Continuity, remember? Get that camera up. Up up up like a hot chick just peeled down to her bustier and thong underwear for your white ass.”

“I-I-I…”

“Y-y-you are going to focus the camera on me now,” said Ross mockingly. “Ready?”

Bobby raised the camera again and pointed it at Ross as directed.

“And now for the first time, a murder-suicide slash zombie massacre, captured in a podcast livestream. We’ve got the murder part out of the way and the zombie massacre is in progress, now for the suicide. Ahem. One moment please.” Kicking away zombies with his Doc Martens, he opened his mouth and closed it on the .45. 

Ross fired, blowing out the back of his head. Blood geysered into the air. He staggered in a circle like a drunk mosher, twitching and jerking, before collapsing against a tombstone and slip-sliding down to the ground. The gun slipped from between his fingers.

After a few moments Sandy rose to her feet and advanced on Ross’s fresh corpse. She knelt and dug into his skull, scooping out his glistening brains, then began to roll the brains between her fingers like dough, bringing it to her lips. She licked them, drool running down her cheeks, before cramming her mouth with his sloppy gray matter. 

Bobby set the camera down on the table with the podcast rig and the Spirit Box and made a dash for the .45. 

Sandy dropped her feast and began to shamble rapidly towards Bobby. He picked up the gun, aimed at Sandy and squeezed the trigger. The rest of her skull exploded in a spray of blood and brain sludge.

As the other zombies moved in towards him, Bobby examined the gun,  turned it over, pointed it experimentally at the ravening dead, then pressed it to his right temple. 

“Well, here goes nothing,” he said with a crazed grin. And fired.

The zombies feasted on the fallen bodies, alternately eating and vomiting like undead bulimics. 

The growing pools of vomit fused together. The vomit began to form human shapes, golems of irradiated emesis, as the resting camera recorded the birth of the cruel–unholy creations never seen before.

Legs formed, then torsos which sprouted arms. Necks jutted up and grew heads. Entire organ systems threaded themselves together from chunks, replicating stomachs, nervous systems, brains, adding to the exquisitely depraved corpus. 

The vom-zombies in turn bent to the earth, sipping at the font of the sloppy muck that formed them, regurgitating spew unto the seventh generation and then some, as that vomit rose and made bodies of its own ad infinitem.

The corpse-zombies attacked their new-minted brethren, and the slamdance macabre morphed into a vomit-worm ouroboros machine. Corpse-zombies fed on their abjected vomitous selves, while the vom-dead devoured pieces of the chunky matrix that spawned them.

Vom-zombies fucked corpse-zombies, giving rise to hideous irradiated hybrids that burst out of rotten wombs only to be devoured in their turn. 

At last all were subsumed into one indistinguishable, slimy shuddering mass, images of nightmare fuel for viral viewers now numbering in the thousands.

The podcast was tagged as the ultimate gore mixtape, downloaded and shared in the death hag community. Edited versions were mixed into random TikTok videos for a surprise burst of splattery goodness. 

By the time Youtube took it offline three hours later, the podcast had been uploaded to the dark web in six different cuts. Ross was hailed as an artistic genius–as one commenter dubbed him, “the Andy Warhol of true gore.”

Jay Passer

The Ranch

We’re watching late night comedy
Undressed like animals
Woody slides the coke tray out from under the couch
Neil working the swivel-recliner
Upndown
Backnforth
Roundnround
Cold frosty bottles in a brown paper QFC shopping bag on the coffee table
Becca can’t keep still with my boxer shorts stuffed in her mouth
I puffing albuterol nebulizer
Paired with bong tokes 
Neil jokes about the blood of Christian children
He uses instead of bong water 
Woody’s back pain following him from the Wing Stop
Where we’d just pulled a job
It was Becca’s idea
Sometimes she had one
Like a light bulb in an attic
It looks like she wants to say something 
I yank the shorts out
Take your time says Neil we got all night
Little do I know that while I am at work Neil and Woody strap her down to the coffee table and take turns objectifying her body
Woody and Neil
Lumbermen of imminent GenPop video games
I think, Becca starts her eyes wide with speed I forgot my cigarettes at Wing Stop!
Give her something to suck on Ivan, if you can find it Woody chortles
Maybe you left ‘em in the safe we just emptied at gunpoint Neil points out
You think? Becca pipes incredulously
She has one little dainty white sock on while wiping her armpit with the other
I stand up
I sit down
I stand up
I sit down
I stand up
Willya fuckin’ quit that lvan you freak you’re freaking me out yells Woody
I sit
Tufts of cat hair adrift
Somebody needs to clean up after that fucking cat I proclaim
Becca’s baby blues startled, head darting about
My kitten! Where’s my little baby kitty?
Between your not-so-little legs Woody jokes
Comedy punctuated by commercials for insurance against tragedy 
Becca pokes me
Gimme a smoke Eye
She wants a smoke Eye mimics Woody
Give her a smoke Eye parrots Neil
I still wearing my rubberized dead president mask
Fuck all of you 
I got an agenda
Let’s split that stash so I can take this mounting phallus and stick it in Becca before the world ends
They’re used to my scat
My scandalous
Scatalogic
They indulge in it
Even revel 
I can’t phase them 
Woody snorts a chub, chugs a frosty
Starts waving his limp baton around like a schizoid Viennese conductor 
Didja hear him Neil? Whip out that stash
Neil stunned, frazzled
Fantasizing about prenatal Jesus
How to reverse the Resurrection 
Woody like a field marshal of the Lower Rhine 
Brandishing his deflated pizzle in circular motions 
A man in charge
Despite palsied rats running his spinal column
Upndown
We’re flush
From the rush of crime and chemical intake
Frosty bottles
Cold skin like Japanese porcelain on a mist-shrouded morning after the flattening of Hiroshima
We got the shivers 
The fidgets
Wary of sirens slashing apart the sky
Random phones ringing
Angels burned at the stake
Woody’s wee willy flopping like a wet sock puppet
I explode
Damn it to hell you morons I demand my cut this instant!
Becca prods
Becca’s got issues
Becca’s got needs
Becca wants her membranes stimulated
Olfactory
Pulmonary 
Anally
Let’s take a shower Eye
Let’s do Jäeger bombs
Let’s do a line
Light my smoke willya
Rub my back
My feet
Pull my hair, slap my ass
Make me one of those omelettes you make
Becca twists around
Doesn’t he make the best omelettes?
Becca talking to the wall again 
Seeing her friend Melissa again
Melissa the bar slut everyone wants a piece of
A cute fat young thing
Who’d suck you off for a double vodka cran
Until the night she got super drunk at a party on a boat and fell overboard 
Nobody even noticed she was gone til the next day when her body was discovered floating face down in Shilshole Bay
There was a wake for Melissa at Wing Stop
On Taco Tuesday
Becca accuses me of lusting after Melissa’s fat stinky fanny
Is that any way to honor the deceased I wonder aloud
Admit it Eye! You want that ass! Everybody does! You’re no different! Fucking men!
Too true Woody agrees
She did like dick Neil adds as he flops back down on the squeaky recliner
Empty-handed
Any motive for rising in the first place forgotten 
Must’ve been days later maybe hours but realistically just minutes
Bills rolled
Benjamins
Crispy from the take
Powder mirror passed
Smudged with gas
Gas from ass
Frosties quaffed
But not so chilled now
Neil announcing a need to drain the liz
I enact my agitate-Tourette’s routine
Stand
Sit
Stand
Sit
Stand
In jerky pantomime 
Working on the Stoli now
Surreptitious hits from the kitchen freezer between rapid pacings
I look closer
Between bags of frozen peas and Trader Joe’s wontons
The big fucking bag of cash
Our foolproof stronghold at the Ranch
Top-load freezer in the kitch
Guys not playing with very many cards in the deck here
I re-animate my Myoclonic epileptic routine
Sit up
Stand down
Sit up
Patent that shit
As Neil settles deep into recline
Stretching out
Swivels from the flatscreen 
Accordions spine straight up 
To grab a bottle with a lurch of the chair’s mechanism out of which erupts a
Sudden
Blood-curdling squeal
Like horror movie macabre
What the fuck gasps Woody
Becca practically leaps into my skin 
Neil petrified 
Frozen in space
Spasmodically I sweep into action
Becca caught in my wake like a house in a hurricane 
Woody clutches behind his back
At his spasming sciatica
Neil gone dormant
Catatonic
Shock he’s in shock right, Eye?
Quite observant my love
But you might want to step away for a sec
Why what’s wrong is Neil okay? Should we call a parametric?
Naw
Actually 
I believe this is more a job for the hazmat crew
A what? Omg what’s that smell?
I stoop to lift up the swivel-rocker’s flap of fabric
Sure enough
The cute kitten had covertly crawled into the mechanism
Warm dark and cozy like a womb
Until the shifty weight of Neil returned
Woody flat on his back on the couch as if gunshot
Writhing 
In turmoil
I tease
Can I get ya a beer Woody? A toke? How ‘bout a little railer? Good for what ails ya?
I sing dangerously close to exalt
Woody waves me away grimacing 
Neil inert
Zombified
The rapists
Out of commission 
Becca glued to me like duct tape on an open wound
High time indeed to
Decamp
Vamoose
Skedaddle
All the obsolete terminologies for disappearing
Throw something on girl, any old burlap sack will do
I tug at Woody’s track-suit pockets for the keys to his pickup as he squirms and struggles
As Neil fights petrification
Becca tottering naked as a wasted Venus yet still with one dainty white sock on
Woody fighting back now despite palpable paroxysms of torment
In a grapple of disrobed scarecrows
I yell
Damnit woman we gotta scram! Put some clothes on and in the freezer? There’s a bag with the green! Grab that stash, I’ll be in the truck!
Suddenly my marble effigy of a tart sprouts wings
Keys clenched in a fist I ransack the hall closet
Holes punched through the door
Like every other door at the Ranch
Snag a bloodstained chef’s coat, stiff black leather chaps
Clutching my privates with an old catcher’s mitt
I flee
Out the door and into the black
Becca already tucked in the passenger seat of the truck
How’d she get that fast?
Didja get the goods?
Becca with SpongeBob pajamas on
Her ample anatomy jutting and swimming
Her face streaked with tears
Lamenting her massacred pussycat
I gun the engine which screams like a horse being butchered alive
We tear out of there
I snatch the brown paper sack
Gaze salivating within
Wtf?
At a bag of frozen peas
Becca where the fuck’s the cash?
What? I grabbed the green like you said! Why do we need frozen peas anyway?
I still wearing the dead president’s mask
I try removing it
I tug and yank
But it seems fused to my face
Becca starts laughing 
Frantically 
Idiotically
Maniacally hyena-like
The night speeding with hallucinatory flashbacks
Now you got a dick for a nose!
A dick for a nose
A dick on your face
Adickadadickadadickadadick!!!
Keep laughing wench! I scream
You’re the one with the dead fuckin’ pussy!
Sonny and Cher on the AM radio
John and Yoko on the FM dial
Sid and Nancy dead at the Chelsea
Bonnie and Clyde we are not

Dan Cuddy

He Who Loves Grape Juice

no poem today 
why? 
pickled, fried 
last night 
one of those 
never empty wine glasses 
great dinner 
great talk 
but who can remember? 
oh, once or twice a year 
Bacchus reigns 
converses about the past 
the characters that are shadows 
so many dead 
diabetes 
drugs 
cancer 
oh just a list of common afflictions 
but the characters 
that saw sunrises, midnight moons 
Paris 
the mirror in the Charles Village Pub 
the interior of a deep philosophic mind 
making illegible notes to itself 
the poet whose best work 
was published after her death 
we toasted them all 
again and again 
luckily my wife drove home 
traffic patterns were askew 
for me 
and so this morning 
unsympathetic for sure 
few tolerate overindulgence 
though the wines of the world flowed 
from Spain to New Zealand 
we helped diverse economies 
with our indulgence 
but this morning 
who really wants to type words 
the sound of typing magnified 
in the pickled raw mind 
the typing arm attached 
to the arm of another arm 
and that to that of a hammer 
and so this morning 
feels like a vampire 
that didn’t escape the sun 
or the stake 
how shriveled raisins are 
and the reasons 
for overindulgence

Damon Hubbs

Abigail’s Party

At Abigail’s party
Farrah says she’s one hundred percent 
committed to romance. 
I had a crush on a French bartender 
who never read Houellebecq, god 
we were bored to tears. Do you remember
newspapers, she says. I mutter something 
about wearing my best shirt to the Prado 
to see Goya’s Black Paintings
and she lifts her glass 
and lists the number of ways 
the world is a mystery

                                  take Abigail’s party 

For instance —we’re in a hallway 
pink as a vulva, and Joan 
saw a UFO over the Unadilla drive-in 
on Friday. Laura is dead. The dog sleeps 
at Paul’s feet. John and Lise fight 
with cudgels, then apologize to Chloe 
for not having a car. Henry joined the circus 
says Bret. There’s a fair young man in the kitchen
clumsily lipsticked. Has anyone seen Abigail?
Albert no longer has the sparkle 
in his eye. Nothing happened 
particularly, and the nightcap crowd 
can’t be cut from the wall. You’re wearing 
your best shirt again, and that’s enough.

Alex S. Johnson

Bring Me the Head of Hunter S. Thompson

Reynaldo, the World’s Smallest Circus Bear, knew by a hair’s-breadth presentiment whenever she was about to ring him up. There was a certain warm, giddiness-inducin pulse on the other side of the call that signified one name and one name only: Gaga.

“Caught in a bear romance” blared from his circus-bear customized smartphone, with subliminals meant to curdle brains of eavesdropping FBI agents through the use of a sophisticated encryption system Reynaldo himself had conceived with the help of the LucasFilm people. 

“Rey Rey here,” he said. Only Gaga was privileged to employ the sole nickname he allowed anyone to use. They’d had each other’s back for many years, and their friendship had even survived the whirlwind courtship and devastating breakup on the Spanish island of Ibiza, only a few hundred yards from the site of Nico’s death in a Bizarro bicycling accident.

“You miss her too, huh,” Gaga had said, her words trailing off.

“To be honest, I never really knew her,” said the bear wistfully. He was speaking partially of Nico, of course, but he could have been talking about himself. The whole thing had gone by in a blur, on an alternate timeline. Reynaldo once researched bear lifespans and found to his astonishment that his had somehow expanded 30 years past the demise of 99.9% of bears–except, of course, for the fabled ‘Bear Methusaleh’ of lore and legend–and the fact that he had actually known the deep-voiced Teutonic actress/singer/vampire pussybat during his undergraduate years at Brown (Bear) U. was something he simply accepted the way he accepted the fact that he could juggle chainsaws while negotiating a unicycle over a sometimes Nietzschean abyss. 

He wasn’t about to swap out this timeline for another that, however more ‘normal,’ and lacking in danger, was sheer Snoozeville. Reynaldo wasn’t a risk-averse bear; in fact it was precisely that sterner stuff of which his particular flesh was heir that led to his longtime interstectine departmental war. 

The Company had employed Gaga off and on since her debut, after they groomed her as a Julliard student, the same way they’d done Conan O’ Brien and countless others. She was flattered that the spooks believed the Germanottas were on the data dotta as far as having certain interspecies psychic mindlink skills, which was how she first encountered Reynaldo. 

“I just got the call,” Germanotta said. The tension in her voice was poignant to Reynaldo, who’d known her in happier, simpler times and climes where/when the two cavorted like primal woman and bear, he sporting an enormous red chub, her nude except for her LED-enhanced mirror shades. 

“Steadman?”

“Y-yes. And he sounded…”

“He sounded in a bad way. I know.”

“You always know, Reynaldo!” She sounded like a petulant Elvira, Mistress of the Dark.

“Because a smol bear is an ordained magus in Thee Order Ov Unholy Flesh.”

“Well so am I, but my esp powers aren’t quite as developed as yours,” Stephanie said after a thoughtful pause. Or she had nodded off thinking of Nico and the lovely French language.

“If Nico hadn’t been an Amazon style Germanic blonde femme fatale, she would have reminded me of a young boy,” was what Reynaldo decidedly did not say. “Anyway the Russians want to derail this precise conversation, and where the Russians are, MK-Ultra can’t be far behind.”

“Just fuck that Zander creep,” said Gaga. “He kept calling me, wanted to interview me for that stupid magazine of his. So I consulted with Willem Dafoe. Willem told me to charge him. Now Zander’s gotten a second mortgage so he can get a loan to pay me for the interview, and I fucking told his dumb ass…”

“Gaga, focus, dammit. Look into my eyes and see who I am.”

“Lucifer, obvs, but ok, I see what you’re saying. Yes, Steadman was in a panic. Some Russian gazillionaire had Thompson’s head stolen. Again.”

“Dammit to hell,” burst out Reynaldo. “And I had a golf date with Bull Clownton. Hold on, I need to tell my secretary.” Reynaldo terminated the call, then texted an message to a well-worn address.

Ten Hours Later, FBI Field Office, Detroit, Michigan 

Special Agent Lance Johnson had folded himself into several idiotic shapes examining the security footage. What sort of game was that bear or bearlike individual playing now? Everybody knew that Hunter Stockton Thompson had had himself…or the particulate matters of pure gonzo fiction that remained…shot out of a duo-thumbed fist clutching a peyote button. There was no whole head to have brought in a diplomatic pouch to a Russian gobsmackillionaire anyway. But he suspected that half the time Reynaldo and his pal Germanotta were up to metafictional shenans. At least, that’s what his instincts told him. Of course, his instincts were mostly wrong as shit.

“Let’s scramble some breakfast choppers aaaaand…” Johnson was on the nod again, drool-drilling himself into epic widescreen dreams of motorboating Nico like a madman while she slurred the words to “All Tomorrow’s Parties” in his ear as she transformed into a genetically modified vampire pussy bat.

Reynaldo, the World’s Smolest Circus Bear, fortified compound, Taos, New Mexico 

“So what did you discover?” asked Reynaldo after an eternity.

“I think Hunter’s brain is fucking with us,” she said, snort-laughing. 

“I would tend to agree,” said Reynaldo. “He’s good at that. I think that’s why we got along so well. Simpler, purer, less complicated times. Oh Gaga…”

“Oh, bear…the unbearable hotness of your being a smol circus beast who exploits himself for hard cash…”

“I’ve performed before royalty and reeking New Orleans gutterpunks alike,” said Reynaldo, his smol, furry body suddenly shaking with sobs as he realized that his youth would never return. “Hunter knew exactly what was about to happen to our world after 9/11, which was why…”

“Why he had himself cloned by German doctors,” said Germanotta, completing Reynaldo’s sentence.

“I miss the fuck out of Nico,” said Reynaldo. “Yes, she was an asshole, but she was OUR asshole, you know? She cared about nothing but her dripping black candles and turning her skin all butter n’ creamy soft from soaking in the dark tub all day…wrinkled as she was, she was our bitch.”

“I’m a free bitch, baby,” said Gaga. “And I choose domination by my favorite circus bear.”

“The world’s smolest,” said Reynaldo with a grin.

“Indeed, love, you make me weak in the knees.” Her phone buzzed. “Sorry, I need to take this,” she said. 

“Hello, Beyonce? What’s shackalackeling, baby? I’m here with Smol Bear…oh, you got the call from Steadman too? Yeah, I agree, he needs to get out more. Hunter S. Thompson is dead. Long live Hunter S. Thompson, his clones, his brains, Nico Pussybat in her various incarnations…”

From somewhere in the far distance they heard the sound of a harmonium and a wet, queefy sound approximating a Germanic accent in bubblin’ tones. 

“Thees song was Jeeem Morrison’s favorite song…eet’s called ‘Thee Ent.'”

THEE ENT