Garvan Giltinan

You Think You Have It Bad

Let me just tell you…

Back in the day, leaving our house was a dangerous proposition. There were the snipers. In the bombed out remains of our neighborhood, even collecting the groceries became a life or death toss of the dice.

Running from my front door to the cover of the concrete carcass of the house next door, was an adrenaline rush. The shooters were not well-trained, just regular Joes, and Janes, so their aim was abysmal. The trick was not to run in a straight line, but to zig zag, throwing them off. Pop, pop, pop. Brick dust would spurt up like ghosts as bullets tested my footing on the rocks and debris. For many years my sniper was Mrs. Groom from three houses down. Paranoia and firearms make for poor friends. Her son was a soldier in the war and was killed early in the conflict, while out one night in the red light district. Blind drunk with friends, he realized too late, that the pleasurable sensations from the glory hole in the club were actually performed by a very professional St. Bernard, and stepping back in shock, he lost his balance and slammed his head on a urinal killing him instantly. The military gave him a full burial, with honors, and the boy left behind his mother, and a funny story. You have to laugh, don’t you?

The old bitch, Groom, tagged me in the leg once and it hurt like a bastard. My Mom slapped me across the face as I wailed in pain and told me to “act like Grandma.” That old piece of gristle fought in the war, while carrying a M16 in one hand and Granda’s testicles in the other. She said they brought her luck. Grandma was six foot five, missing two fingers from each hand from a polar bear attack, and she was known for her thunderous voice and what looked like an Adam’s apple

Once reaching cover, the next move was to the big oak tree. Loved that tree, with its truck like hard scaly leather. The oak was sacred. No one shot at the tree. The natural world was unexpectedly respected in all the rubble and it became a shelter in the grayness. As long at the squirrels were in a good mood. If not, you had to move like hot piss from razor sharp claws and gnawing dentures. The war changed them, man. It changed us all.

From the oak, I would sprint down Willow Street. Here the gangs let me know I had crossed into their territory by barking like dogs. The Shepherds were the loudest and the worst of the street gangs. In his late teens, my brother Daniel was caught on Merkin Street and had to fight one particularly flamboyantly dressed member of the gang. The two fought on all fours. If you stepped into the Shepherds’ territory, you fought by their rules. My brother got in a solid bite to a thigh, ripping away some flesh. He never did lose his taste for blood and spandex. We kept him in a cage when he acted up,  throwing prime rib and leotards at him to chill him the fuck down. The only reason he didn’t die that day was because of the bear. Just wandered into the scene, off territory, and tore my brother’s opponent in half like a white chocolate bar with a strawberry center. We legged it home while the big bastard was occupied with his crunchy feast. We played the odds every day.

The more violent gangs in the area slept late most days, so the odds of survival were on our side if we slipped through Willow, Merkin, or Mahone streets a little after dawn. In the quiet you could sometimes hear them snore, belch, and make love. The Shepherds eventually went co-ed when walking and sitting became a major drawback to instilling terror. Their women fought. The men stayed home making yogurt and quilting.

Next was Idiot Street, because only an idiot would attempt to use it. Problem was, my expedition time could be cut by 50%, shaving a roundabout journey by 60 minutes. Most people are idiots, so the street got a lot of foot traffic. All you had to do was leg-it faster than the bears. At any given time, 60 grizzly and polar bears staked out Idiot Street hoping to devour a slow runner, usually some poor bastard with shite cardio.

My father died on Idiot Street. Two mating bears on the second floor of a crumbling building that formally housed a music store which only sold records made by hard core Mormon boy rap band, Brigham Young Thugs (I know. One hit wonders,) upon seeing and hearing my father drunkenly stagger down the street, using every mammal insult known and unknown to man, pulled out from the other male bear he had mistakenly been injecting with his seed, and leapt from the building, landing squarely on my arse-hole father. The bear died instantly and messily, but my father lasted a couple of more days. Throughout (the family came down to have a gander), all he craved was more alcohol and the phone number of an obese 70s porn actress named Ezra Pounder.

I needed to get about 10 yards down Idiot Street where I would crossover into Mohel Terrace, where a cut through allowed me to avoid the crabs on Culchie Road. Although the crabs on Culchie Road were badly organized, and for the most part, never presented a challenge, they did learn to use knives. The core group splintered at some stage, and there emerged territorial factions, where gangs of crustaceans roamed hither and thither taking command of certain areas.  A smaller, liminal group, the Hard Shells dominated Mohel, but posed no real threat, as they were poorly coordinated and running while attempting to make the most of their knife wielding combat style was pathetic and quite embarrassing to watch. Besides, I could leap over their heads in one single bound.

The spiders on Amadan Street were the worst. So I didn’t mind adding an extra 5 minutes taking Geek Street where the only challenge was vaulting a seven foot gorge—created by a freak earthquake—-avoiding the intermittent bursts of flames shooting up from the depths below, and evading the large pink hands grabbing for anyone unlucky enough not to make the far side. No one knew the origin of the hands. Rumors abounded that he (the hand was male, I think) was the hand of God. The argument against of course was that why would the hand of God be coming from the depths of the earth surrounded by fire? Besides, I don’t think the hand of God would bite his fingernails.

Once over the gorge the last two streets loomed. The most dangerous, and most annoying challenge of the journey, was Narrative Street. After the war, clans of geometric shapes appeared across the city. The Scalenes were the most aggressive of the species. All those unequal angles and unequal sides could nick the skin like it was tissue paper. The Isosceles and Equilaterals, while dangerous, were easily distracted by mice or the smell of artisanal cheeses. The obtuse were as dumb as a box of turds. The males, though it was virtually impossible to distinguish the sexes, were the slowest cognitively speaking, and any efforts made on one’s part to contort into any general geometric shape, could easily confuse them.

Other shapes, the weirder ones and some of the most brutal outside of the Scalenes, formed their own societies. I never came in contact with the gons (you know, the pentagon, hexagon, or those vicious psychos, the decagon and nonagon, who made up the gang known as the Irregulars), but many veterans could tell stories scary enough to close your sphincter forever.

I make it sound like all these shapes were atavistic, but I have to say the circles, ellipses, and crescents, when encountered were just curved bundles of peace and love and always carried a smile.

The final hurdle before the grocery shop was the region known as the Deadly Floating Pages of the Damned. After the war destroyed all the best things in life and all around us in the city was rubble, the pages wafted up from the fallen buildings and floated on a hostile wind, randomly settling down by the docks near the grocery store. Hundreds of pages whipped around in unpredictable patterns. If I hit them at the right angle, I could race through the swarm, and throw caution to the wind–the wind direction was a major factor. Photocopying paper caused the deepest cuts. Toilet paper was harmless, as were the filo-pasty thin pages of those large literature anthologies we read before the war.  Regular books, though not as thick as the photocopying paper, could do some serious damage and inflict some severe scarification. I once got slashed by a high school copy of War and Peace. And even saw one poor bastard exiting the grocery store with a handful of cold cuts, decapitated by a page from See Spot Run. Blood spouted in gouts from the wound and his head fell backward like a Pez dispenser. We had free cold cuts that day.

There were always bodies of the fallen scattered around the docks and the grocery store, the newly dead and the nearly dead, abandoned on the streets.

The grocery store had limited supplies; very few merchants came through to restock the store. Once I was there, I filled up a plastic shopping bag with whatever we needed (milk, bread, wafer thin mints, some raw meat for the brother, a salt lick for mom, and a bag of chips for me). The trick was not to fill the bag, cos I still needed to be light on my feet. I had to go back all the way I came. This time up hill.

I remember those days with a vivid clarity, only tainted slightly by paranoid delusions. I can’t believe how lucky you kids are today. You have it so easy, but you still complain: “Life is hard,” “There’s bears and spiders and crabs chasing us,” “The store is too far away,” “I think my paper cut is infected.”

Pussies.

Ingrid M. Calderon-Collins

gypsies

this is feral love
this is sweet love
the kind of love that bites
leaves traces
of deep
this is honest love
painful love
innocent love
whore love
animal love
black onyx eyes turned white kind of love
rooftop love
where you on your knees suck the breath
where the ocean of my cunt comes tinged with sirens
where your moans hit walls in hushed devils
where you turn my slaver into wine
drunk
you drink
and think
of other ways to make sermons leave my mouth
religious love,
my Jesus Christ
my Heavenly Father
my silent prayer
my rust in your mouth
my love in your mouth
carving tunnels
to sleep inside
warm nights
warm torso,
I drip
your tip
on lips
laughter
no illusions
what life is this?
where we laugh
at our baptism, our Holy union
a purge
ablution
a world of us,
them,
invisible/
hot July L.A. nights are ours
myopic gaze
make skyscrapers quiver
sodden gravel
leave hieroglyphs
on skin

 

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J.J. Campbell

the man of her dreams

she has the eyes
of some exotic
goddess that
shouldn’t be
talking to
someone like
me

and when she
said i was the
man of her
dreams

i laughed

either she’s
fucking blind
or it’s just
another scam
artist that
thinks a poet
has money

imagine that

Omar Alexandre

bring out the fine china

it felt nice seeing old
friends happily
disappearing into a beautifully
constructed nightmare
meanwhile back in your place
for the fifth time this month
i fell asleep
laughing hysterically while
the room was on fire
it all happened so fast
you slipped my hand
under your dress
and i gave you access
to my netflix account
you were fucking beautiful
until you weren’t
you’d always say
there’s no love
when we drink too much
when we dream
too little
when all we seem to do is fuck
in public
bathrooms
and text each other pink
heart emojis

Shot by Baker: Kitten Lebow

Emma couch

Model: @kittenlebow
Photographer: @shotbybaker
Southbank, VIC Australia

~

Always Bet on Red

When it comes to redheads… they grab attention. A colour like red is not a wallflower background colour and instead shouts out from the page or canvas laid upon. Red even jumps out of photographs and signs… like in this webtorial.

The colour red represents physical energy, lust, passion, and desire. Packed with emotion ranging from intense love to anger and violence — representing both cupid and the devil. It is a hot, strong, stimulating colour that represents excitement and energy.

Red is the colour of passion.

Passion is the opposite of neutrality.

Think about what happens when you take a passionate colour like red… and add some skin.

~

Emma couch 4

Q: What’s the most interesting thing about you that we wouldn’t learn from your Instagram?

A: I can feel exceptionally shy and awkward doing everyday things like phoning to make an appointment, ordering food or returning an item to a store. This really surprises people as I tend to come across as a bubbly, noisy, extrovert, even online.

Emma chair

Q: Do you think nude art photography can be both artistic and also erotic? How do you draw the definition?

A: I think the human body is a little like a Magic Eye image. It is layered with meaning and can transform as your perspective changes. Our bodies can be seen as purely functional, a simple contrasting shape on a horizon. They can speak to our… experience and impact on the environment. They can be sensual, or emotive, or sexual.

I think the category an image falls into depends on social cues, context and intention — both of those creating the image and those viewing it. The weight of art or erotica can be carried in a pose, an expression, an angle, what is shown and what is hidden from view.

Both are beautiful. Both have their place.

KittenLebow_1

Q: When you’re not busy modeling, what are some of your favorite things to do?

A: I’m quite a spontaneous person and I love trying new things — though I am not always so great at following through on my bright ideas or good intentions! In an ideal world, I’d be travelling with my favourite people, but I’m far more likely to be found sampling a new Australian gin, dancing around my kitchen in very fancy underwear, having a leisurely breakfast (and dessert) with friends, patting an alpaca, listening to a true crime podcast, binge watching a new tv series or making my way to the front of the mosh pit. Or sadly, scrolling through my phone. Instagram steals a lot of my time!

Emma hair

Q: You’re a new addition to the crayon box. What color would you be and why?

A: Emerald green. There is just something about that colour that has always drawn me in — even before I was a redhead. It is deep and bold, with just a little bit of old school glamour.

Kitten 3

Q: What’s your favorite snack?

A: It’s a tie breaker between fresh warm doughnuts and hot chips. Resistance is futile on either of those fronts. I would happily eat both every day and preferably one after another. I can’t go past that salty sweet combo!

Kitten 11

Q: What is your all time favorite movie and why?

A: A tough call, but I would have to say Fight Club. I’m a big Fincher fan, but I particularly like the nameless main character, the use of narration, the visual layering, the way that you notice something different every time you see it and its refusal to give you a simple answer tied up in a bow. Palahniuk, Pitt, Norton and Bonham-Carter is a recipe for gold, honestly.

Kitten 9

Q: Come the weekend, what’s your favourite thing to do?

A: Wake up to a day with no alarm, no plan and no expectations

Emma breast

fin

Ian Copestick

Denny Mallory

Denny Mallory was a kid I went to school with, and even then you could tell that there was something seriously wrong.

Both him and his sister always looked kind of feral. They both had haircuts that looked like they’d been done by their mother with a blunt butter knife.

Now, I’m not knocking them for being poor, most of the kids that went to my school had families that were poor, myself included.

But this was something beyond poor, even beyond neglect. Denny missed most of his last year at school because he had ringworm, and this was 1989, not the 1930s.

Anyway after his last day at school, Denny decided to make some money for himself. So he burgled a house in which the parents and 3 children were all asleep. As he was leaving, with his bag marked “swag”, good ol’ Denny noticed that he had left big, dirty footprints all over the floor.

He knew that this kind of forensic evidence would be more than helpful to the police.
So what did Denny do?

Get rid of his shoes, perhaps ?

Maybe burn them.

Not Denny, he decided to set fire to the house with all 5 people in there asleep.

I don’t know what happened, but luckily the family woke up, nobody died, and dumb ol’ Denny got 30 years for 5 charges of attempted murder.

Now, fast forward 15 years to when Denny gets out of prison.

The guy has been locked up since the day he left school, aged 16. Like anyone else, he’s bound to have urges, I don’t know what his sex life was like in jail, but he definitely hasn’t slept with a woman for 15 years.

So, what does Denny do on his first day of release ?

On the very first night that he’s out of jail, he rapes the first woman that speaks to him.
So now Denny is locked up again, and this time let’s hope that they don’t let him out again.
If there’s a factory up in heaven, where God keeps churning out souls, then there’s bound to be some rejects now and then.

I think that’s what our Denny is, a fuck up from start to finish.

Stefano Calligaro

I FELT LIKE POSTING SOMETHING

I’VE GOT ONE HEAD IN THE FRIDGE
ONE GENIUS HEAD
ONE MASTERPIECE HEAD
I TOOK A PHOTO OF IT
INSIDE THE FRIDGE
WITH MY PHONE
BETWEEN BROCCOLI AND MUSTARD
I THINK I’M GONNA POST IT ONLINE
BETWEEN THE LINK I SHARED YESTERDAY
AND SOMETHING ELSE I WILL POST TONIGHT

Pete Donohue

midnight rambling on the astral plane

deception occurs all the time. look around you to see. it’s everywhere. abuse of power can be a dark business. free your mind of contrived smokescreens & open up your soul to other levels. prepare to be astonished as you delve into those murky waters that lie deep beneath the swamps & shallows of stifled consciousness.

concepta sinks into sumptuous soft furnishings. the purples crimsons & gold brocades of a clichéd bohemia. original persian weaves hang heavy upon the washed-out painted walls behind her. artworks of conflicting oil & water break up the crumbling plasterwork. splinters of sunlight force their way through gaps in the velvet drapes. a spent opium pipe lays discarded on the oriental low table. candle flame & incense smoke dance together in the draught. the dark wet dreamer watches from his reading chair. concepta unfolds her silk-clad body into the supine. becoming one with her day bed.

the dark wet dreamer has bodily intent. a host of nefarious acts he could never risk within the grounded world. & so he has found a more iniquitous way. a conduit for his self-perceived holy narcissism. a ruse to escape detection. he has perfected that technique well known to incubi. unleashing the secrets of virgin birth. where the purity of concepta’s delicious curves awaits him. he will pursue his egregious urges with weinsteinian megalomania.

the dark wet dreamer synchronises his breath with that of concepta. it is cyclical. minimal. his eyeballs roll. heartrate slows. muscles slump. the weight of physical existence pins him to the chair. his consciousness rises. he floats above the ceiling. although the ceiling is no longer there. the ornate cornices ceiling roses & chandeliers do not exist from this perspective. it is only himself & concepta. along with the ectoplasmic slaver of his tainted spirit.

concepta inhabits her dreamworld. alcohol & opiates colour her consciousness. innocence ignorance & illusion. these three strands plaited together define her circumstance. she is vulnerable beyond belief. a victim ignored by unbelievers. the dark wet dreamer is already at her body. pulling poking tearing & scratching. in ways that concepta would never even dream of consenting to. yet all the while he leans back into a comfortable smirk. rooted to his reading chair. somehow physically tasting forbidden delights. as his astral presence busies itself with disgusting encroachment.

beneath sleep there are juices flowing. excitements building. transferences of energy. stimulation & engorgement. the dark wet dreamer searches out concepta’s hidden delights. those sacred places only she should ever hold sway over. on one plane he acts. on another he enjoys the sensuality. a warped crossover of consciousness. a distorted connection between the projected & the physical. concepta is violated. & yet there is no embodiment of this assault within reach for her to fight back against. were her name mary & his gabriel the story might be similar. likewise for rosemary & beelzebub.

there is always hope however. & for every act a consequence. opposite poles may attract. until one flips. & a different reaction is born. triggering repulsion. concepta cries out to her higher self. calling upon inner resources. the dark wet dreamer drools at the prospect of engendering female ejaculation. his astral phallus fills her being with the violence of an eternally-expanding galaxy. the tip of his physical penis dribbles a weak solution in pathetic anticipation. but this grubby agent of destruction is destined to become disappointed. & more.

concepta reaches deep into her awareness. then deeper still & beyond. a wry smile colours her face. she knows this because she looks down upon it. multiple perspectives drift before her. the victim’s own astral self has arisen. she has found a way to stand up to the control of the dirty wet dreamer. she has equalled his power. no longer a victim. & so now all that is left to do is best him. extinguish his hellish flame. a new plan of redemptive revenge emerges fully formed from beneath the bondage of concepta’s pain & humiliation.

the dreamer in the chair snorts with demonic pleasure. soaking his body with the putrid satisfaction of undetectable rape. wallowing satanically in shadowy & filthy smugness. each ugly thrust of his disembodied spirit jarring physical nerves into ever-increasing ripples of stolen ecstasies. yet still he remains unaware of the role his crude self-absorption will play in the alchemy of his own downfall.

concepta’s astral presence prepares to trouble the flesh of her attacker’s body. just as his is troubling hers. she grasps at the pile of occult pamphlets that litter the low table beside him. but with only spectral fingers at hand a physical connection proves fruitless. & so it is by the force of unbridled spiritual will that these papers are swept up and fashioned into an instrument of protection. swirled through the ether & loosely coiled into a cone. a vortex of magick incarnate. a horn of diabolical symbols & mephistophelian incantations.

the corporeal eyes of the dark wet dreamer remain oblivious. bloodshot behind fallen lids. & he moans. he moans to the sensations transubstantiated from his invasive astral pleasuring. as thin lips part into a hideous gape. ready to receive the desecrated host. whilst concepta’s burning arrow of the mind approaches. violation begets defiance. comeuppance encompasses the laws of karma.

concepta’s controlled rage connects the physical to the astral. resistance won’t work. for bully-boy predators. the wad of scrunched up papers slams into the dark wet dreamer’s physical maw. bukowski’s red sparrow is coming for this toerag. beak open. now he gets it. his astral self shrinks back towards the physical.

the dark wet dreamer is choking on his own sacrificial words. all power of oppression & manipulation bears down upon that stinking gullet. any oxygen to further evil denied. each victim of his exploitation flashes before him with a fuck-you smile of retribution. he dies in shuddering pain & disbelief. his astral self disappearing up the anus of his corpse. his humiliation complete.

Ingrid M. Calderon-Collins

these small breasts

bare scars of love
and past encounters left astray.
these small breasts
swell and wane depending on
the season,
these small breasts weren’t so
small when I was nine
naïve and boyish,
not at all co-que-ttish
these small breasts
were unaware
that young boys glancing meant
nothing more than curiosity
these small breasts
fast forward decades and
cheap romances,
I cut off tension
and pierced diagonal
restraints from pleasure,
lateral encounters
these small breasts
of tongues and teeth gone numb
on purpose,
until they grew
these small breasts
only not literally
just with excitement of the release
of fastened uprising and
centered frailty
at first lick
these small breasts
of pleased redemption.

 

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