Mir-Yashar Seyedbagheri

This Is Not Your Child’s Poem

this is not a pipe, this is not a child’s poem, your child’s poem
although words are strewn, a haphazard collage
no capitalization, except for words that shouldn’t be.
look Mommy, you proclaim to your own country club mother, I’m a poet
and I can smear poop and invite. she shakes her head at you, her child
thirty years existent. while you invite the audience to genuflect
words strewn without logic, a poem
boxcars without couplings, moving into
masturbation nowhere, a noodle, your mother, a penis
is your sister

(Your child’s name is stanza paradigm problematic. no dead poets you think)

this is not your child’s poem
even though you ask
why can’t we all just get along
I don’t see color or this or that
and recite your words while
donning an Afro and pissing rainbows on the page. You child
of starched country club Whiskeypalians, whiter than
Wonder. But this is not your child’s poem
because your child will be untrammeled by age, loving
the moon and the stars

(meanwhile you milk your own mother’s neglect. pain is a salve)

a butter-colored streetlamp
and no narrator flings poop in between words
only the moon and the stars
and the stillness, the sorrows exist on terms they exist on
if only you were your fucking child’s future poem
this is not a pipe, this is a prick
this is poop, this is anything
but your child’s theoretical poem
untrammeled by masturbating sister
words without meaning and glory

(your child will don a beret at two. or is baldness more fun?)

why can’t you become a child
and shoot the narrators who are constructs
shoot them until they release their cynical interpretations of
beautiful words. for this is not a pipe, this is not your future child’s poem
shoot the narrator
and look into a moonlit nightscape
while you conceive that child
through untrammeled jizz, birthing flesh
and mind so cheerful, taking to the expanses of
paper and words expanding and naked and dancing.

Ben Fitts

Nostalgia Box

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! That’s the sound of love.

AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! That’s the sound of sex.

There’s a difference. It’s subtle, but it’s there. Need to hear it again?

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! is the sound of love and AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! is the sound of sex.

I’m glad to have been able to clear that up for you. It’s important that you understand the difference moving forward. I don’t want you hearing AAAAAAAAAAAAAAAAAAAAA- WWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! and thinking that you’re hearing the love of a lifetime when really all you’re hearing is plain old dirty sex.

There’s nothing wrong with plain old dirty sex, but don’t go getting it confused for the love of a lifetime. I know I have and it just leaves you feeling empty inside, like an avocado with all the yummy green gook scraped out and spread over buttered toast and leaving you nothing but the crinkly skin that contained everything you once were.

I was laying in someone else’s bed while the bed’s owner was in the shower, washing off the evidence of what we had created. You were also there. Not that we were in bed together. It’s that you were me because we’ve all been there. Just at different times and at different places and with different girls and boys and people who care not for such labels in different showers, washing different fluids down different drains with water culled from different reservoirs. But we’ve all been where I was, so everyone was me just as I was everyone else.

Sex makes us all the same like that, and AAAAAAAAAAAAAAAAAAAAA- WWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! is the sound that makes equals of us all. The girl in the shower and I had been going “AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWW-HHHHHHHHH!!!!!!!!?!?!” all afternoon, but I was young and dumb and had mistaken it for “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!” on at least two occassions that very day. I was looking for AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! just about everywhere back then, and every now and then convincing myself that I had found it.

Rolling over into the warmth of where she just lay, I ran my eyes over the spines on the bookshelf by her bed. I shouted warm hellos to my old friends Dylan Thomas and Joyce Carol Oates and John Steinbeck. I gave friendly nods to my hazy acquaintances Virginia Wolfe and James Baldwin, but I didn’t bother introducing myself to strangers like Camus. They’d be time enough to meet them later. And for your information, Camus and I are fast friends nowadays.

Seeing all those friends and strangers packed so tightly that they’re overflowing on her narrow shelves makes me want to know everything about her. At the time, I thought that we might be drifting towards falling in AAAAAAAAAAAAAAAAAAAHHHHHHHHHH- HHHHHHHHH!!!!! together. You know the feeling.

I slid off the bed, scooped my boxers off her carpet and slid them on. I don’t know why, because even if she returned just then she had already seen all there is to see down there. I guess that there’s a whole level of intimacy and vulnerability to let someone see that part of you in its typical mode that simply doesn’t come with showing it to someone when it’s in high-performance mode, and that wasn’t a bridge we had really crossed yet.

With my cotton-blend chainmail covering the only part of me I still felt the need to cover, I began to investigate. The first thing that caught my private eye was a milk crate full of vinyl records nestled beneath her bed, and I bent over to flip through them.

Leading the pack was London Calling, Paul still smashing his Fender bass over forty years later. Once again I was thirteen and alone in my first bedroom, with “Clampdown” and “Brand New Cadillac” blaring through my speakers and upsetting the downstairs neighbors. I flipped through to In Utero and then I was I’m sixteen and with friends and the four of us are in smoking our first joint in someone’s mom’s basement, airing the smoke out through a dwarfish window and masking our giggles in “Pennyroyal Tea”.

The next record was The Money Store and I was eighteen and unpacking boxes in my first dorm room, introducing myself to the freshman hall with “Hustle Bones” and making eyes with a slender girl who walked by my intentionally ajar door. I browsed through her collection a moment longer, passing some other favorites before pushing the milk crate back under her bed.

It was haunting how many of my cherished memories she owned, etched into those grooves. While I was never someone who believed much in signs, it sure felt like one. I know that you’ve got those songs or albums that are inextricably linked to a cherished or despised memory, so don’t even pretend not to understand what I’m talking about.

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!,” I whispered to myself. “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!AAAAAAAAAAAAAAAAAAA-HHHHHHHHHHHHHHHHHHH!!!!!AAAAAAAAAAAAAAAAAAAHHHHHHH-HHHHHHHHHHHH!!!!!

I fumbled around under her bed until my fingers grasped a worn shoebox, and I yanked it out into the light of day cast by a dull yellow lamp. Something about the Converse shoebox told me that it no longer contained Converse, as it had the energy of a special shoebox that contained special things. Things that were even more special than a beloved pair of Chuck Taylors.

My guess was that it was a nostalgia box, filled with trinkets and knickknacks and doodads and thingamajigs that were of no value other than whatever memory-based connection they bore to her. I had a nostalgia box myself, filled with birthday cards and ticket stubs and paper programs and gaudy two-dollar purchases. I lifted the shoebox up to my face and opened it. Then I dropped it onto the floor.

The box was filled with hearts.

Some of the hearts were withered and decaying, dry and blackened. Those hearts looked as if they hadn’t pumped a drop of blood in years. Others were fresher and still had traces of color and moisture left in their tissue, and some were so fresh that they were a ruddy, glossy red and still leaked wet blood onto the shoebox.

One of the hearts was even still beating a little, the atriums gently breathing in and out. I reached into the box pulled out the beating heart, the oozing blood slicking my palm. As I lifted it up, I thought I heard a faint sound escape from the organ. I lifted the heart to my ear.

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!” the heart whispered to me. “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!

The heart beat twice more, then died in my hand and become as still as all the others. I felt a prickly sensation in my chest as I imagined my pectoral being sliced open and my own heart harvested and added to the ghoulish collection.

“What the hell are you doing?” I heard from behind me.

Still clutching the bloody heart, I turned to see the girl in the shower. Only now she had returned from the shower. So let me rephrase that: still clutching the bloody heart, I turned to see the girl recently returned from the shower. She had a white towel wrapped her from her thighs to the upper half of her breast, and she was dripping like a baptized infant.

“What the hell am I doing?” I retorted. “You’re the one with a shoebox full of old bloody hearts. What are you, some kind of serial killer?”

“No,” she said softly.

“Well, you’re not cutting my heart out in my sleep and adding it to your trophy box,” I said rising to my feet and ignoring her answer. “‘Cause guess what, I’m not as dumb as the other people you’ve fucked and I’m not letting you do that to me.”

“Those are my hearts, you dumb asshole,” she said.

“Wait, what?” I mumbled, the heart slipping out of my slackening fingers and plopping onto the floor with a wet squish.

“Those hearts are mine,” she reiterated. “They came from my chest.”

“What?” I repeated, looking at the shoebox full in varying stages of decay. “That’s impossible.”

“Wanna bet?” she said.

She dropped the towel to the carpet. Unsheathed, she stepped towards me and gestured to a spot a little above her bare left boob. Scars and stitches and slender band-aids wove an intricate pattern on her flesh in the space she revealed, over where her heart should be. I couldn’t help but wonder how I didn’t notice all of that during all the AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! Maybe it wasn’t AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! after all.

“They keep dying,” she explained. “Right in my chest, my hearts keep dying. They get one whiff of what they think is AAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! and swell up bigger and stronger and bloodier than they ever were before. But the moment my hearts start to realize that they were wrong again, they begin to beat more and more faintly and shrivel away into nothing more than a useless, empty husk.”

“I still have some questions,” I admitted.

“I can feel it when they begin to fade and die. And when I feel that, I have to get rid of them,” she continued, seeming to guess my general line of questioning. “They’re gross and awful and toxic when they get like that, and I can’t have them inside of me anymore. I tear them out of me as soon as I can. It hurts each time, but you get used to it after a while.”

“But do you have like a million hearts?” I asked surveying the box. “Do you also have seven lungs and an extra clitoris?”

“No, but that last one would be nice,” she answered. “I only have one heart, or at least only heart at a time. But every time I tear a dead or dying heart out of me, another fresh one grows back in its place soon after, only for it to eventually die too and for the process to start all over again.”

“But why do you keep them all in that shoebox?”

“They’re a part of me, and they always will be,” she said, shrugging her naked shoulders. “I may have ripped them out of my body, I don’t think I could get rid of them entirely even if I wanted to. If I tried to throw them out they would just return, probably in a somehow worse condition than they already are.”

“Have you actually tried to throw them out?” I asked.

“No,” she said. “But I don’t need to have tried to know that that’s what would happen.”

We fell into a stiff, heavy silence that pressed down on my chest like an incubus. I broke it just to feel light again.

“That thing you talked about before, when you said that before your hearts start to die they get bigger and bigger and stronger and full of more blood than they were before,” I said. “It seemed like that part was a good thing. Is your heart like that now?”

“No, you can relax,” she said conversationally. “You didn’t make my current heart swell up and you don’t have to worry about making it eventually wither and die either. This is just AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! You know that.”

“Oh, ok,” I mumbled.

I felt a tightness in my chest as my heart began to contract, and to beat just a little bit fainter.

Smoking Herb & Other Stories, By John D Robinson

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John D. Robinson returns with ‘Smoking Herb & Other Stories’, his first collection of short fiction from Analog Submission Press.

A5 saddle stitched chapbook. Lovingly handmade, hand stamped, and hand numbered. 3 stories over 20 pages. Limited to 25 copies. Printed on an old Canon laser printer we found abandoned at a dump site.

Out April 10th. Pre-orders welcomed. £4.00 + shipping.

BUY A COPY HERE

Corey Mesler

Sex, Our Badger and God

The badger’s in the kitchen
making chai.
He says he learned how from
his sensei.
My wife and I are settling in
to watch that
new Hollywood blockbuster:
Jackpot Vernacular,
starring the ingénue, Sunday
Lipinsky.
I tell the wife, boy would I like
to and she says her, too.
The movie takes our mind off
the wrecking ball
poised outside our plateglass.
It looks like another
planet, that’s what the badger
says. Only to a
badger, I think, but I smile my
reassurance.
The chai is hot and spicy and
as smooth as a blowjob
so that we forget the holes in the
movie’s plot, the
holes they try to patch with Sunday’s
ample backside.
It’s almost enough.
“Snuffle,” says my wife and the
badger is pleased.
“We have to get rid of him,” she
says when he leaves.
He seduced my secretary.
I contemplate this and decide that
her secretary
looks a lot like Sunday Lipinsky.
I wouldn’t mind, etc.
The movie rattles forward
a little longer
but our concentration is shot,
like Kennedy,
like the moon.
We decide to cover each other with
chai and see what happens
to our sex lives.
It’s not a bad way to spend
the afternoon, even
if you know you have to let
your badger go.
And, when I mount my loving wife
like a cowboy,
I think her ass is as good as
Sunday Lipinsky’s.
It gets me through. It gets me
to the other side.
It gets me and it gets her and we
all muddle along,
as the rain begins to genekrupa
the roof,
and the wrecking ball glows
as if it has conjured Dr. Dee’s spirits.
The arc of its intention
is something to see.
So I cover my wife’s nakedness with
a quick cairn
as the world shatters,
shaking its myrmidon coat, a wet god,
now appearing for the first time,
almost too late.

Leah Mueller

Fleeing 2019 in a 2004 Ford

Sign on the freeway: silver alert.
Another elder said fuck it,
got into a red 2004 Ford
threw IDs out the window
and jammed the accelerator.

She took 1-90 east and
headed for the opposite coast,
laughing as she fiddled with the radio.

Relatives twisted napkins in knots
and punched numbers onto cell phones:
all of them beside themselves,
screaming at law enforcement for help.

Mom should be there for the grandchildren.
Dad needed to stay, so others
could feel superior to him.

Instead, flagrant disregard.
Mom and Dad have fled the scene
like teenagers, but in separate cars.

Dad split six months ago,
and no one ever found him.
He’s an adult and entitled to leave,
even if that does make him
a self-centered bastard.

After a while, we gave up looking.

When Mom left on New Year’s Eve,
the last day of the decade.
she swore she’d head straight into 2020,
and as far as I know,
she hasn’t stopped driving.

Bogdan Dragos

bachelorette party

The driver:
He’s got the best chance
at survival in a car crash

That’s why he made it
and the other three didn’t

Having the seat belt on
also helped immensely

Knowing that the accident
would happen was also
a plus

Yep, the only minus of the situation
was having to pretend
he had PTSD and depression
and whatnot
for causing the deaths
of three close friends

who had talked his fiancé
into a gangbang
the night before

HSTQ: Spring 2020

HSTQ_Spring 2020

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Spring 2020, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by John Gartland, Alan Catlin, Judge Santiago Burdon, Anthony Dirk Ray, Robert Plath, J.A. Carter-Winward, Joshua Jordan, Judson Michael Agla, Bogdan Dragos, Leah Mueller, Ben Newell, Mir-Yashar Seyedbagheri, J.J. Campbell, John D Robinson, Joseph Farley, Casey Renee Kiser, Willie Smith, Andy Seven, and Puma Perl.

Kindly PayPal 5 USD to arthur.graham.pub@gmail.com for print copies,
or download the FREE ebook instead!

J.J. Campbell

at such a young age

the broken eyes of a child
beaten down by reality
at such a young age

a cold queen that suddenly
melts when she comes
across a sullen asshole
in the grocery store

forever isn’t possible
anymore

and no one can afford just
one night any longer either

the tornado broke the town

the mass shooting decided
to end it once and for all

i can’t imagine the homeless
giving two shits about
the latest hashtag
made into a t-shirt

the river is full of poison

and god has moved on to
fuck over the next county

the meek have decided
they’d rather have cash
than this whole fucking mess

Daniel Ortiz

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Daniel Ortiz is a self-taught artist from Albuquerque, New Mexico…a beautiful place where saints jack off in the sky and history hangs from the walls like quiet screams.

He lives to make art, but it’s not what he does for a living. He’s a slave to the eight hour day, like most of us are…but he’s hoping for a way out, in more ways than one.

If you like what you see, more of his work can be seen on Instagram @danieljamesortiz_art

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@danieljamesortiz_art