To Reference That Joy Division Song Again
I keep my curtains drawn, lights low, paranoia level high. Those fucking nosy neighbors called the cops on me while I was washing the dishes with the kitchen window open, not yet owning drapes or blinds. They told the cops they saw me break out a “butcher knife” and actually carve my arms into bloody ribbons while giving them “death grins” and other weirdo shit that the cops agreed, after arriving to check things out, seemed ludicrous. I mean, I was wearing a perfectly clean white button-down, home from work. If I’d been using “a butcher knife to carve my arms into bloody ribbons,” like my drugged-out neighbors asserted, my perfect white shirt would look kind of different, you know? Maybe with some reddish stains, maybe actively dripping (or worse) blood staining it or literally soaking through the cloth, confirming their indictment of me rather than showing the cops they were weirdo troublemakers. Obviously.
Except.
Except the cops never asked to look at my actual arms, torso or anywhere else, nor to roll up my sleeves or disrobe so they could ascertain for themselves the truth of what seemed obvious – clean white shirt, no blood, no harm, no foul, right?
Except things were momentarily interesting when the younger cop saw a raised white scar on my left hand and asked about it. We all laughed when I admitted that I’d done some stupid things in college and this had been one of them, that when going through Hell Week near the end of pledging my fraternity, I’d drunkenly lost a stupid dare/bet and was forced to endure two seniors carving the fraternity’s Greek letter symbols into my hand with a knife. Hurt like hell and no one had thought I’d basically be branded for life, but there you are – crazy, officers, right?
Right.
Though if you actually looked hard at that scar, it’d be tough to make out which Greek letters, which fraternity. Some might look and conclude it was more likely the work of Freddy Kreuger, not drunk frat boys eager to score points. Honestly, I sure couldn’t guess what could be seen in that scar. It was an angry mish mash of cuts, slices and etchings amounting to chaos theory, not really what the power of suggestion would lead others to believe they saw. What and which realities are ever right anyway? I doubt anyone really knows.
I wanted to be left alone and finally was. First, one clueless cop admitted he’d always wondered what kind of weird shit those frat kids did. Laughed when I replied, “Obviously not just those drunken orgies you always see in the movies.
I was glad to see them go when they did because I was kind of surprised and relieved they hadn’t asked me to remove my shirt. If I had, I’d have a whole lot of explaining to do about all of the scars decorating my body – my arms, chest, inner thighs. The tic tac toe game carved into my chest over time with many beautiful tools, most especially my Cold Steel 15” serrated tanto I loved so much, nor the bloody serrated loving courtesy my Benchmade, SOG, Gerber, K-BAR, Kershaw and other beloved blades in my collection.
Yes, hard to explain but harder still, I imagine, the arms wrapped into rapidly dampening rust-colored Ace bandages, and I noticed, with some leakage that would be hard to explain. I mean, WTH, right?
As I ripped the bandages from my arms, you could see scars, scabs, open red and soaking wet cuts oozing blood, leaking blood, in a new development, even gushing blood, but it was the scars, those precious scars that were key to my identity, my very existence, that weren’t tats, weren’t Greek letters, weren’t pentagrams, but just like me, WEREN’T SHIT AND NEVER WERE SUPPOSED TO BE, because chaos theory can rule the mind and body just as legitimately as it seeks to explain other concepts more theoretical than the very real and tangible, if in a micro way, my personal needs, fears, beliefs, coping skills.
I mean no one would believe this shit, right? Who ever heard of a middle-aged man who cuts because foreplay sucks in comparison and he’s addicted to creating and maintaining scars of beauty and significance on his most loved and hated canvas?
Would never happen, right? I mean they’d lock anyone like that up, call him Hannibal or something like that because we’re not dealing with geniuses here, or creatives or artists. Pencil pushing, braindead cogs in the machine who pack heat, who will kill in a heartbeat but would call ME the sick one. My scars bear out my philosophy and my loves and fears. The other peoples’ lack of visible scars doesn’t hide their internal cancerous decay nor their fear of anyone not like them.
I call bullshit on them!
I like it better alone.
I always preferred Dessau’s cover of Joy Division’s “Isolation” to the original. Its industrial aggression that comes screaming out at you more accurately reflects my sense of personal isolation and my feelings than Ian Curtis’s distinctive voice sharing those same lyrics, but for me, the band’s near-synth pop sound that tries to drearily bounce along with the listener in an existential despair really undercuts the rage and bitterness I feel that few are more qualified to express on my behalf than Ministry’s Al Jourgensen, who apparently and fittingly produced the Dessau version.
Maybe it’s really this simple. Joy Division’s version stood for a very real suicidal ideation as we would all find out. But Dessau’s “Isolation” could be just scar tissue layered on more scar tissue yet though the flesh decays and body weakens, the only suicide to be found is more likely invented by some pervy author seeking a harmony between control and chaos they’ll never attain – but it won’t kill them, their characters or the readers either. Just more scarring in a world of art for art’s sake. And maybe that’s good enough.
Horror Sleaze Trash 