Alex S. Johnson


Puke Graveyard

Fog rolled in from the river, enshrouding the graves of the cemetery. The place had grown dilapidated with the new owners, part of a one-stop shop mortician/funeral director/plots franchise that cut corners on the local level as they ratcheted up prices on caskets, wax, makeup and hired mourners. Tombstones tilted at crazy angles, fresh-dug mounds stood abandoned, grass grew tall among the crypts, and empty soda bottles, crushed beer cans, cigarette butts and candy wrappers lay everywhere. 

The Tamarin’s Folly Paranormal Meet-Up group had assembled at the cemetery at 10:30 pm to livestream podcast a Q & A session with the deceased, an idea the group’s founder and leader, self-described Retro-Goth Sandy Etchison, thought up during a coke binge with her lover, Magister Rawhead Hexx, lead singer of a mediocre British black metal band called 777.

The group’s treasurer and resident accountant Ross Seymour picked up the Maglite which he had set down next to the Spirit Box on top of the podcast rig, flicked it on and aimed its strong beam into the fog. “It feels like we’ve crossed a line, and I don’t mean just breaking and entering this time.” 

He stepped carefully around a fallen headstone. “I’ve got bad feelings about this is all I’m saying.”

Sandy rolled her eyes, one green and one a robot silver contact, a nod to Marilyn Manson. “Your bad feelings are bad news, ‘Ross the Boss.’ And you’re wrong. This isn’t about corpse desecration or any dumbass shit like that, so don’t start up again preaching to me about what would Jesus do…and if we raise the dead, that’s exactly what Jesus would do. This is purely for science. Well, that, and a bit of fun besides.” 

She set the Spirit Box down on the foldout table that held the podcast mixer box. “For the first time ever, we are going to livestream conversations with the dead. Connect with disembodied souls. Q&A with the departed.‘Who knows what secrets they might have to share?’ Or some bullshit like that.”

Ross shook his head in irritation. 

“That’s not what you told me before. Ever since I joined the Paranormal Meet-Up, we’ve been up and down these crazy-ass roads. So many shocking sojourns. We’ve crashed funerals and terrified grieving loved ones. We’ve burst in on working morticians, video-bombed autopsies, just so you could get your ‘documentary footage.’ You keep repeating ‘there are no limits’ like Clive Barker was, I don’t know, the Pope. But you’ve gone quite beyond that.”

“Beyond? What do you mean? Those are legit enterprises. And don’t say you didn’t enjoy the mortician shenanigans. That pretty stiff with the big tits. Admit it, you got wood.”

Ross frowned and shook his head, too mad to speak.

“Well I think Clive was right, I mean back in the day at least, he was better than the Pope. Absolutely Splatterpunk rules. No limits. No mercy. No remorse.”

“But surely you would draw the line at, say, graphic sexual violence against children and animals….right?”

Sandy blinked rapidly three times. 

“Right?”

“I guess. Shit, I don’t know. Never say never. I think that sometimes there is a place for graphic sexual violence against every fucking thing. If it’s fuckable, you cram its holes with cream and keep on going. If you run out of holes, you make new ones.” She lifted her eyebrows. “Don’t judge, dude. You of all people are hardly in the position to hold the moral high ground.”

Ross sputtered with indignation. “B-but that’s MONSTROUS.”

Sandy snorted. “Dude, I’m just KIDDING! Wait, you seriously thought I would go down that road? I may be depraved, but I’m not that…well…ya know some of these little bearzy weresies are hella cute. Wouldn’t mind…” She made an obscene gesture.

Ross threw his hands up. “It’s utterly unconscionable what you’ve made me do. I don’t know why I’m still here.” 

“I don’t know,” said Sandy. “Why are you still here?”

“Death isn’t something to be exploited for views or clout or whatever. It’s a somber thing. Sacred even. And what’s even up with the party favors and the alcohol?”

Randall and Ross’s eyes met. Randall had his own history with Sandy. They’d recently broken up, and now Sandy was with the British metal vocalist. He was only there because she was so technically inept the podcast would implode if left entirely in her hands.

“The fuck is your problem, dude?” Sandy rolled her fingers through her choppy 80s punk rock-styled candy pink hair. “I mean yeah, we did bring a twelve-pack, some doobage, some ice, mushies, what-evs. We can do both. We will do it all, man. Hard work is thirsty work. And it’s not like the ghosts are going to complain.”

“That’s not the fucking point.”

“That is all of the points,” Sandy said, shrugging her shoulders. “Seriously, muh dude, you need to stop with the passive-aggressive bullshit. You never help, you’re always late, you always complain, we’re all still wondering what happened to those funds we earmarked for the Operation Live Organ Harvest podcast…as our treasurer, you must have at least some idea..and now…just look at you. Look at you. You’re fucking pathetic. Go home. No, before you go, I actually have a suggestion.”

“What is it?”

“I got a coupon for razors. You know those 100 razor pack jobbers? I’ll even throw in a couple of bucks. Now what you do, if you really want to do the thing right, remember…”

“I can’t believe you’re saying this. You’re literally Lucifer in the flesh. Toying with me. You’re like something out of the Marquis De Sade. You’re wicked, beyond simply immoral.”

“Ahem, excuse me, but you’re not allowing me to finish my sentence.”

“What did you want to say? What could you possibly have to say to me at this point?” Ross’s voice was beginning to crack. 

“Remember, it’s across the street, not down the block.” She mimed sliding a razor horizontally across her wrist. “You slice the radial artery, bleed out. Take some blood thinners, lie in warm bath. Get the job done, George.”

Ross gasped. Sandy turned her back on him.

“Wow, just wow,” said Ross, a catch in his voice. A single tear slid down his cheek. “This is what you say to someone you know has clinical depression and CPTSD? Have you no shame? I can’t believe you’re still accusing me of embezzlement. I told you it was an accounting error. We never had those funds in the first place. I went over the books in granular detail.”

Sandy’s middle finger shot up. “Whatever, dude. In the words of the immortal Nancy Downs, ‘Punk rock, let’s go.’”

Randall Spaulding, a burly muscular cameraman sporting a throwback mullet, checked the light, then his watch. “Enough drama-lama already guys. We’re going live in 15 minutes, right Sandy?” 

Bill Martini, the group’s slightly pudgy podcast scriptwriter and planner, swept his fingers through his long, wavy reddish-blond hair and brought up the document he’d created for the cemetery livestream on his phone. “We-” he started to say before Sandy cut him off.

“Right, I just want to go over a few things. We can make it half an hour, 45 minutes. It’s not like anybody’s going anywhere. Particularly them.” She glanced around at the tombs, paused and then filled the uncomfortable silence with a bray of laughter at her own wit.

“So everybody knows how the Spirit Box works? It’s like a radio, is in fact a radio, but one that’s continuously scanning. It also records EVP, electronic voice phenomena. What we’re listening for and looking for is the white noise. That’s the channel they communicate through. 

“They being the dead people,” she added after a pause. 

Nobody spoke.

She turned on the machine. The inset window scrolled through channels. At first  nothing, then a burst of static. Scattered words from a broadcast. A scrap of music, “Psycho Circus” by Kiss.

“It needs to warm up,” she said. “Establish a baseline, like that.”

“‘We’re in the Psy…’” The Spirit Box squawked. Sonic squiggles. Dead air.  Then a loud crackling noise, followed by a low, barely audible male voice.

“Hel-”

Silence again. 

“What was that?” asked Bobby Lansdale, who was working sound for the podcast. The jock of the crew, he was a former high school fullback and now devoted most of his time to studying audio engineering at the local JC. “Who’s there?”

“Hell…”

Crackle of static. 

Much louder: “Hell is here.”

“Holy shit, I do not like the sound of that,” said Bobby. “Not at all.”

Sandy plucked a clove cigarette from a fresh pack and fired it up. “Personally I think it’s very fucking cool,” she said, exhaling with a tubercular cough. 

Bill’s phone buzzed. “Hold on, I just got an alert…Fuck!!!”

“What happened?”

“There’s been some kind of toxic waste leak over at Romero Chemical, across the river.  And it’s got into the water. It’s gotten into the fog…”

“Oh come on,” said Sandy. “Next you’re gonna say the toxic waste will bring the dead to life. No, I say that shit is silly. We need to calm down and regroup here.”

“I’m dead serious,” said Bill. “And look, you can see the fog is changing color…”

“Maybe we need to shut this down right now,” said Bobby. “I don’t mean because cemetery and, I don’t know, maybe zombies? I mean we could get sick. Seriously sick.”

“We could legit die,” pouted Ross.

“Oh for fuck’s sakes, stop being a bunch of pussies. Do you not see the golden opportunity Satan just presented to us on a silver platter?” 

Sandy giggled, cleared her throat of phlegm, spat a yellow wad on the ground and took another drag at the clove. “We’re at ground zero for a potential reanimation scenario, we’ve got the equipment, we can livestream this shit, party with the dead like it’s 1985 all over again. Hell, party till we puke. Hey, can we get some tuneage up in this bish?”

“You’re insane,” said Ross. “No moral compass whatsoever.”

“Fuck off and die.”

The fog intensified. Sandy whipped out her phone, scrolled through her saved jams. “Her Ghost in the Fog” by Cradle of Filth blared out into the night through the Bluetooth speakers they’d set up for the podcast. 

“The Moon, she hangs like a cruel portrait,” screeched Dani Filth. “Soft winds whisper the bidding of trees, as this tragedy starts with a shattered glass heart.”

“Now that’s what I’m talking about,” she said, throwing up the metal horns and wiggling her ass. “Shattered glass heart, motherfuckers! That’s some dark poetry right there. That’s art, baby! Did you know Dani holds two Master’s degrees in English Literature? He’s a modern-day Byron.”

“He’s a modern day Bozo the Clown,” said Ross. “Seriously though, let’s go home. Which way is the van?”

“No idea, Shaggy. I mean, you’re not going home anyway. None of us are. Oh c’mon, stop sulking.” She pushed her fingers against his lips, “C’mon guv, give us a smile then,” she said, mimicking her boyfriend’s bad imitation of a Victorian era Cockney whore. 

Ross plucked her fingers from his face and pushed her hand away.

“Ok fine, be that way. Sandy bent down, ripped open the case of beers and chugged one down. “It’s time to partay” she hollered. “Whoot!!!”

“You’re not right,” said Ross. He picked up the Maglite again and headed off blindly into the fog.

“Fuck yeah I’m not right,” said Sandy. “I’m a wrong one, innit. Go on, take your whiny embezzling ass outta here.”

A few seconds later, she made a face and spit out her beer. “Fuuuck. There’s something wrong with this brew. It tastes like shit.” She wiped her face with the back of her hand. “Roach spray or something.”

Suddenly Sandy’s fingers started to twitch. She began to spasm violently. Spittle formed on her lips and a line of thin acid green drool rolled down her cheek. She dropped the beer and held her stomach tight. “You guys might want to…step back a bit, I feel like L-l-inda Blair over here.”

“We’re co–” squawked the Spirit Box.

“What did you say?” asked Bobby. “Is this a direct communication from the dead?”

“We’re not…d-doing the p-podcast any more, fuck’s sakes…” said Sandy. “I am not feeling well!!!” she yowled.

Randall lifted the camera. “I say we film it,” he said. “I say we go live.”

“Oh my fucking God, what’s hap-pening to me,” said Sandy. One side of her mouth sagged as more foam bubbled from her lips and dripped down across her cheeks. She bent over and sprayed one of the older, cracked headstones. Chunky green slime slid down the final resting place of one Umberto Fulci, dead 50 years. She heaved, groaned and unleashed on Fulci once again.

“We’re coming up” squawked the Spirit Box, as did Sandy’s lunch. 

Randall stabbed the “record” button on the podcast rig. Youtube viewers watched Sandy spew in extreme close-up, like a slobbering barfzarro version of The Blair Witch Project. Her body shook with uncontrollable violent tremors, her head shaking from side to side. 

“Neuro toxins from the waste,” said Randall thoughtfully. “Psycho toxins, to be specific. I think maybe that’s what’s happening here. There was an environmental impact study on it a few years ago…it’s been steadily seeping into the groundwater…but that got shut down by Romero Chemical with a quickness. Sandy’s got a bad reaction.”

“Y-ya-ya think?” said Sandy, swatting at Randall like a cat. Randall dodged her clumsy blows.

“The toxins are everywhere. In the air, in the fog, in the water, in the ground, in the corpses. We are seriously fucked.” He paused. “Imma catch this all on video though. If we survive this thing, which is highly unlikely due to the unfolding critical situation, we’ll be totes internet famous. If we don’t, we’ll be totes internet famous too.”

Bobby placed a microphone on the ground, connecting it to the portable sound rig. He stumbled over the wires.

“Ser–” sputtered the Spirit Box. “Fucked,” a deeper voice growled, cutting in.

A yellow-green foam crested on top of the growing pool of Sandy’s upchuck, as a fissure in the earth cracked open. A skeletal hand with flaking vomit-slimed, blackened skin shot forth from the fissure and grabbed Randall by the ankle. Youtube viewers saw the camera lurch crazily.

“Oh my fucking God, zombies!” he screamed. 

The zombie reared up out of the ground, eyes dank maggot-laden pits, face mostly eaten away, and advanced on Randall, who vainly attempted to keep filming. He stepped back and caught his heel on one of the fallen tombstones. Staggering, he tried to right himself, but fell backwards onto the grass.

More zombies began to claw their way out of the earth. Shambolic steps propelled them forward as the toxin-laden fog rolled in. They grabbed hold of Randall and began to rend him limb from limb. Blood from his slashed severed carotid jetted onto Sandy’s spew. His arms and legs spasmed until finally he lay still.

Sandy’s eyes clouded. She staggered, walking blindly through the fog, arms thrust in front of her. 

“Bill, pick up the camera,” came a voice from the fog. 

The Maglite’s beam cut through, revealing Ross’s face. He was holding a paper bag in his other hand. He set the Maglite down.

Bill hesitated.

“I said, pick up the fucking camera!”

Ross pulled a .45 from the paper bag.

“Dude, oh no,” said Bill. “What the fuck are you doing?”

“Ultimate mash-up. R. Budd Dwyer meets Christine Chubbock meets Return of the Living Dead meets my revenge against a hateful hipster bitch. This will make internet history. They’ll call me the Andy Warhol of true gore. A fucking visionary. You gotta keep filming, man.”

With trembling hands, Bill picked up the camera.

“Good boy. Now where was I. This is Ross Seymour livestreaming to you from the site of the zombie massacre at Carver’s Folly Cemetery. This moment will never be repeated. What we are witnessing is the reanimation of the dead via toxic waste spill at Romero Chemical. The waste has leaked into the river, it’s gotten into the fog. Bill, I want you to turn the camera on that lying cunt. Keep your hands steady, man.”

“Wh-what?”

The zombies advanced towards them. The Youtube feed bobbed up and down as Bill tried to keep away from the walking dead and continue to film.

“Turn the camera on the perfidious whore. The Jezebel. The little snake.”

“But she’s sick! We’re all sick from the t-t-tox–” The zombies grabbed his legs and Bill went down, cut off mid-sentence as he smashed his head against a tombstone. 

The camera rolled out of his hands. The zombies continued to bash Bill’s head against the marble until his skull cracked open. His eyeballs rolled out on their optic cords, smacking against the tomb as they ripped free from his brain. Blood splashed against the stone and dripped down over the name and dates. The zombies shoved brains into their ravenous rotting mouths, drooling and gibbering.

“Bobby, pick up the camera. We need continuous coverage. May I remind you this is live. The whole-ass internet is watching.”

“Oh my fucking God dude you are crazier than Sandy. We need to get to the van and get away from the zombies. We’re all going to die.”

“Yes, we’re all going to die one way or another. The question is, how? Do we do it righteously, artistically, memorably, with clout? Will our deaths reside forever on the dark web as a shining example of Splatterpunk for real? I say yes. I say fuck yes. Where’s the bitch?”

Sandy suddenly rose up from behind a tomb, yellow-green foam flecking her lips and dribbling down her nerve-damaged face. Her lower lip skewed sideways as she opened her mouth wide and projectile-vomited toward the zombies eating Bill’s brains. The glowing vomit mixed with the blood, slime and brain goo on the ground, forming little mounds–in the hills, something shitty. 

The zombies began to jitter and shake more violently as the psycho toxins from the waste ate into what was left of their nervous systems. Then they too vomited, spraying the ground with luminous chunks.

As the zombies retched and spewed, the rainbow-yawned mass rippled and moved. 

Then it moved again. 

Pieces of the putrid sick began to wriggle like worms, separating from the mass, as the toxic waste infused it with an awful vigor. Incorporating Bill’s eyes, one of the chunks-worms lifted up from the ground and twisted around like a detective assessing a crime scene. 

“Look at that!” Bobby burst out. “The vom is alive! And it’s got Bill’s eyes!”

“Yes, yes,” said Ross. “It’s alive, it’s alive, Colin Clive, etc. It’s a vom-zom. Film the cunt first though. Film our Auntie Crust Superstar.”

Bobby trained the camera on Sandy, who advanced towards the lens. “Okay, now what?”

“This is what,” said Ross. He pointed and aimed, a dead shot at her forehead.

“What the fuck, man…what are you doing? She’s not dead. She’s not dead, dude!!!”

“She is now,” his tone of voice eerily calm. He pulled the trigger and the top of Sandy’s head exploded into a cloud of pink mist. 

“Oh Jesus…” Bobby sobbed, struggling to keep Sandy in the shot.

Blood drooled down her cheek, mingling with vomit flecks that resembled lumps of oatmeal stirred with egg yolk. Pieces of brain, skull bits and a shredded mass of hair rained down to rest among the shards of malt liquor bottles and used condoms littering the overgrown grass between the graves.

Bobby bent over and began to blow chunks, bringing the camera down as he did. 

“Mercy killing,” said Ross. “Coup de grace. Bitch was bad news. But where was I? Dude, you gotta keep it together. Continuity, remember? Get that camera up. Up up up like a hot chick just peeled down to her bustier and thong underwear for your white ass.”

“I-I-I…”

“Y-y-you are going to focus the camera on me now,” said Ross mockingly. “Ready?”

Bobby raised the camera again and pointed it at Ross as directed.

“And now for the first time, a murder-suicide slash zombie massacre, captured in a podcast livestream. We’ve got the murder part out of the way and the zombie massacre is in progress, now for the suicide. Ahem. One moment please.” Kicking away zombies with his Doc Martens, he opened his mouth and closed it on the .45. 

Ross fired, blowing out the back of his head. Blood geysered into the air. He staggered in a circle like a drunk mosher, twitching and jerking, before collapsing against a tombstone and slip-sliding down to the ground. The gun slipped from between his fingers.

After a few moments Sandy rose to her feet and advanced on Ross’s fresh corpse. She knelt and dug into his skull, scooping out his glistening brains, then began to roll the brains between her fingers like dough, bringing it to her lips. She licked them, drool running down her cheeks, before cramming her mouth with his sloppy gray matter. 

Bobby set the camera down on the table with the podcast rig and the Spirit Box and made a dash for the .45. 

Sandy dropped her feast and began to shamble rapidly towards Bobby. He picked up the gun, aimed at Sandy and squeezed the trigger. The rest of her skull exploded in a spray of blood and brain sludge.

As the other zombies moved in towards him, Bobby examined the gun,  turned it over, pointed it experimentally at the ravening dead, then pressed it to his right temple. 

“Well, here goes nothing,” he said with a crazed grin. And fired.

The zombies feasted on the fallen bodies, alternately eating and vomiting like undead bulimics. 

The growing pools of vomit fused together. The vomit began to form human shapes, golems of irradiated emesis, as the resting camera recorded the birth of the cruel–unholy creations never seen before.

Legs formed, then torsos which sprouted arms. Necks jutted up and grew heads. Entire organ systems threaded themselves together from chunks, replicating stomachs, nervous systems, brains, adding to the exquisitely depraved corpus. 

The vom-zombies in turn bent to the earth, sipping at the font of the sloppy muck that formed them, regurgitating spew unto the seventh generation and then some, as that vomit rose and made bodies of its own ad infinitem.

The corpse-zombies attacked their new-minted brethren, and the slamdance macabre morphed into a vomit-worm ouroboros machine. Corpse-zombies fed on their abjected vomitous selves, while the vom-dead devoured pieces of the chunky matrix that spawned them.

Vom-zombies fucked corpse-zombies, giving rise to hideous irradiated hybrids that burst out of rotten wombs only to be devoured in their turn. 

At last all were subsumed into one indistinguishable, slimy shuddering mass, images of nightmare fuel for viral viewers now numbering in the thousands.

The podcast was tagged as the ultimate gore mixtape, downloaded and shared in the death hag community. Edited versions were mixed into random TikTok videos for a surprise burst of splattery goodness. 

By the time Youtube took it offline three hours later, the podcast had been uploaded to the dark web in six different cuts. Ross was hailed as an artistic genius–as one commenter dubbed him, “the Andy Warhol of true gore.”

Jay Passer

The Ranch

We’re watching late night comedy
Undressed like animals
Woody slides the coke tray out from under the couch
Neil working the swivel-recliner
Upndown
Backnforth
Roundnround
Cold frosty bottles in a brown paper QFC shopping bag on the coffee table
Becca can’t keep still with my boxer shorts stuffed in her mouth
I puffing albuterol nebulizer
Paired with bong tokes 
Neil jokes about the blood of Christian children
He uses instead of bong water 
Woody’s back pain following him from the Wing Stop
Where we’d just pulled a job
It was Becca’s idea
Sometimes she had one
Like a light bulb in an attic
It looks like she wants to say something 
I yank the shorts out
Take your time says Neil we got all night
Little do I know that while I am at work Neil and Woody strap her down to the coffee table and take turns objectifying her body
Woody and Neil
Lumbermen of imminent GenPop video games
I think, Becca starts her eyes wide with speed I forgot my cigarettes at Wing Stop!
Give her something to suck on Ivan, if you can find it Woody chortles
Maybe you left ‘em in the safe we just emptied at gunpoint Neil points out
You think? Becca pipes incredulously
She has one little dainty white sock on while wiping her armpit with the other
I stand up
I sit down
I stand up
I sit down
I stand up
Willya fuckin’ quit that lvan you freak you’re freaking me out yells Woody
I sit
Tufts of cat hair adrift
Somebody needs to clean up after that fucking cat I proclaim
Becca’s baby blues startled, head darting about
My kitten! Where’s my little baby kitty?
Between your not-so-little legs Woody jokes
Comedy punctuated by commercials for insurance against tragedy 
Becca pokes me
Gimme a smoke Eye
She wants a smoke Eye mimics Woody
Give her a smoke Eye parrots Neil
I still wearing my rubberized dead president mask
Fuck all of you 
I got an agenda
Let’s split that stash so I can take this mounting phallus and stick it in Becca before the world ends
They’re used to my scat
My scandalous
Scatalogic
They indulge in it
Even revel 
I can’t phase them 
Woody snorts a chub, chugs a frosty
Starts waving his limp baton around like a schizoid Viennese conductor 
Didja hear him Neil? Whip out that stash
Neil stunned, frazzled
Fantasizing about prenatal Jesus
How to reverse the Resurrection 
Woody like a field marshal of the Lower Rhine 
Brandishing his deflated pizzle in circular motions 
A man in charge
Despite palsied rats running his spinal column
Upndown
We’re flush
From the rush of crime and chemical intake
Frosty bottles
Cold skin like Japanese porcelain on a mist-shrouded morning after the flattening of Hiroshima
We got the shivers 
The fidgets
Wary of sirens slashing apart the sky
Random phones ringing
Angels burned at the stake
Woody’s wee willy flopping like a wet sock puppet
I explode
Damn it to hell you morons I demand my cut this instant!
Becca prods
Becca’s got issues
Becca’s got needs
Becca wants her membranes stimulated
Olfactory
Pulmonary 
Anally
Let’s take a shower Eye
Let’s do Jäeger bombs
Let’s do a line
Light my smoke willya
Rub my back
My feet
Pull my hair, slap my ass
Make me one of those omelettes you make
Becca twists around
Doesn’t he make the best omelettes?
Becca talking to the wall again 
Seeing her friend Melissa again
Melissa the bar slut everyone wants a piece of
A cute fat young thing
Who’d suck you off for a double vodka cran
Until the night she got super drunk at a party on a boat and fell overboard 
Nobody even noticed she was gone til the next day when her body was discovered floating face down in Shilshole Bay
There was a wake for Melissa at Wing Stop
On Taco Tuesday
Becca accuses me of lusting after Melissa’s fat stinky fanny
Is that any way to honor the deceased I wonder aloud
Admit it Eye! You want that ass! Everybody does! You’re no different! Fucking men!
Too true Woody agrees
She did like dick Neil adds as he flops back down on the squeaky recliner
Empty-handed
Any motive for rising in the first place forgotten 
Must’ve been days later maybe hours but realistically just minutes
Bills rolled
Benjamins
Crispy from the take
Powder mirror passed
Smudged with gas
Gas from ass
Frosties quaffed
But not so chilled now
Neil announcing a need to drain the liz
I enact my agitate-Tourette’s routine
Stand
Sit
Stand
Sit
Stand
In jerky pantomime 
Working on the Stoli now
Surreptitious hits from the kitchen freezer between rapid pacings
I look closer
Between bags of frozen peas and Trader Joe’s wontons
The big fucking bag of cash
Our foolproof stronghold at the Ranch
Top-load freezer in the kitch
Guys not playing with very many cards in the deck here
I re-animate my Myoclonic epileptic routine
Sit up
Stand down
Sit up
Patent that shit
As Neil settles deep into recline
Stretching out
Swivels from the flatscreen 
Accordions spine straight up 
To grab a bottle with a lurch of the chair’s mechanism out of which erupts a
Sudden
Blood-curdling squeal
Like horror movie macabre
What the fuck gasps Woody
Becca practically leaps into my skin 
Neil petrified 
Frozen in space
Spasmodically I sweep into action
Becca caught in my wake like a house in a hurricane 
Woody clutches behind his back
At his spasming sciatica
Neil gone dormant
Catatonic
Shock he’s in shock right, Eye?
Quite observant my love
But you might want to step away for a sec
Why what’s wrong is Neil okay? Should we call a parametric?
Naw
Actually 
I believe this is more a job for the hazmat crew
A what? Omg what’s that smell?
I stoop to lift up the swivel-rocker’s flap of fabric
Sure enough
The cute kitten had covertly crawled into the mechanism
Warm dark and cozy like a womb
Until the shifty weight of Neil returned
Woody flat on his back on the couch as if gunshot
Writhing 
In turmoil
I tease
Can I get ya a beer Woody? A toke? How ‘bout a little railer? Good for what ails ya?
I sing dangerously close to exalt
Woody waves me away grimacing 
Neil inert
Zombified
The rapists
Out of commission 
Becca glued to me like duct tape on an open wound
High time indeed to
Decamp
Vamoose
Skedaddle
All the obsolete terminologies for disappearing
Throw something on girl, any old burlap sack will do
I tug at Woody’s track-suit pockets for the keys to his pickup as he squirms and struggles
As Neil fights petrification
Becca tottering naked as a wasted Venus yet still with one dainty white sock on
Woody fighting back now despite palpable paroxysms of torment
In a grapple of disrobed scarecrows
I yell
Damnit woman we gotta scram! Put some clothes on and in the freezer? There’s a bag with the green! Grab that stash, I’ll be in the truck!
Suddenly my marble effigy of a tart sprouts wings
Keys clenched in a fist I ransack the hall closet
Holes punched through the door
Like every other door at the Ranch
Snag a bloodstained chef’s coat, stiff black leather chaps
Clutching my privates with an old catcher’s mitt
I flee
Out the door and into the black
Becca already tucked in the passenger seat of the truck
How’d she get that fast?
Didja get the goods?
Becca with SpongeBob pajamas on
Her ample anatomy jutting and swimming
Her face streaked with tears
Lamenting her massacred pussycat
I gun the engine which screams like a horse being butchered alive
We tear out of there
I snatch the brown paper sack
Gaze salivating within
Wtf?
At a bag of frozen peas
Becca where the fuck’s the cash?
What? I grabbed the green like you said! Why do we need frozen peas anyway?
I still wearing the dead president’s mask
I try removing it
I tug and yank
But it seems fused to my face
Becca starts laughing 
Frantically 
Idiotically
Maniacally hyena-like
The night speeding with hallucinatory flashbacks
Now you got a dick for a nose!
A dick for a nose
A dick on your face
Adickadadickadadickadadick!!!
Keep laughing wench! I scream
You’re the one with the dead fuckin’ pussy!
Sonny and Cher on the AM radio
John and Yoko on the FM dial
Sid and Nancy dead at the Chelsea
Bonnie and Clyde we are not

Dan Cuddy

He Who Loves Grape Juice

no poem today 
why? 
pickled, fried 
last night 
one of those 
never empty wine glasses 
great dinner 
great talk 
but who can remember? 
oh, once or twice a year 
Bacchus reigns 
converses about the past 
the characters that are shadows 
so many dead 
diabetes 
drugs 
cancer 
oh just a list of common afflictions 
but the characters 
that saw sunrises, midnight moons 
Paris 
the mirror in the Charles Village Pub 
the interior of a deep philosophic mind 
making illegible notes to itself 
the poet whose best work 
was published after her death 
we toasted them all 
again and again 
luckily my wife drove home 
traffic patterns were askew 
for me 
and so this morning 
unsympathetic for sure 
few tolerate overindulgence 
though the wines of the world flowed 
from Spain to New Zealand 
we helped diverse economies 
with our indulgence 
but this morning 
who really wants to type words 
the sound of typing magnified 
in the pickled raw mind 
the typing arm attached 
to the arm of another arm 
and that to that of a hammer 
and so this morning 
feels like a vampire 
that didn’t escape the sun 
or the stake 
how shriveled raisins are 
and the reasons 
for overindulgence

Damon Hubbs

Abigail’s Party

At Abigail’s party
Farrah says she’s one hundred percent 
committed to romance. 
I had a crush on a French bartender 
who never read Houellebecq, god 
we were bored to tears. Do you remember
newspapers, she says. I mutter something 
about wearing my best shirt to the Prado 
to see Goya’s Black Paintings
and she lifts her glass 
and lists the number of ways 
the world is a mystery

                                  take Abigail’s party 

For instance —we’re in a hallway 
pink as a vulva, and Joan 
saw a UFO over the Unadilla drive-in 
on Friday. Laura is dead. The dog sleeps 
at Paul’s feet. John and Lise fight 
with cudgels, then apologize to Chloe 
for not having a car. Henry joined the circus 
says Bret. There’s a fair young man in the kitchen
clumsily lipsticked. Has anyone seen Abigail?
Albert no longer has the sparkle 
in his eye. Nothing happened 
particularly, and the nightcap crowd 
can’t be cut from the wall. You’re wearing 
your best shirt again, and that’s enough.

Alex S. Johnson

Bring Me the Head of Hunter S. Thompson

Reynaldo, the World’s Smallest Circus Bear, knew by a hair’s-breadth presentiment whenever she was about to ring him up. There was a certain warm, giddiness-inducin pulse on the other side of the call that signified one name and one name only: Gaga.

“Caught in a bear romance” blared from his circus-bear customized smartphone, with subliminals meant to curdle brains of eavesdropping FBI agents through the use of a sophisticated encryption system Reynaldo himself had conceived with the help of the LucasFilm people. 

“Rey Rey here,” he said. Only Gaga was privileged to employ the sole nickname he allowed anyone to use. They’d had each other’s back for many years, and their friendship had even survived the whirlwind courtship and devastating breakup on the Spanish island of Ibiza, only a few hundred yards from the site of Nico’s death in a Bizarro bicycling accident.

“You miss her too, huh,” Gaga had said, her words trailing off.

“To be honest, I never really knew her,” said the bear wistfully. He was speaking partially of Nico, of course, but he could have been talking about himself. The whole thing had gone by in a blur, on an alternate timeline. Reynaldo once researched bear lifespans and found to his astonishment that his had somehow expanded 30 years past the demise of 99.9% of bears–except, of course, for the fabled ‘Bear Methusaleh’ of lore and legend–and the fact that he had actually known the deep-voiced Teutonic actress/singer/vampire pussybat during his undergraduate years at Brown (Bear) U. was something he simply accepted the way he accepted the fact that he could juggle chainsaws while negotiating a unicycle over a sometimes Nietzschean abyss. 

He wasn’t about to swap out this timeline for another that, however more ‘normal,’ and lacking in danger, was sheer Snoozeville. Reynaldo wasn’t a risk-averse bear; in fact it was precisely that sterner stuff of which his particular flesh was heir that led to his longtime interstectine departmental war. 

The Company had employed Gaga off and on since her debut, after they groomed her as a Julliard student, the same way they’d done Conan O’ Brien and countless others. She was flattered that the spooks believed the Germanottas were on the data dotta as far as having certain interspecies psychic mindlink skills, which was how she first encountered Reynaldo. 

“I just got the call,” Germanotta said. The tension in her voice was poignant to Reynaldo, who’d known her in happier, simpler times and climes where/when the two cavorted like primal woman and bear, he sporting an enormous red chub, her nude except for her LED-enhanced mirror shades. 

“Steadman?”

“Y-yes. And he sounded…”

“He sounded in a bad way. I know.”

“You always know, Reynaldo!” She sounded like a petulant Elvira, Mistress of the Dark.

“Because a smol bear is an ordained magus in Thee Order Ov Unholy Flesh.”

“Well so am I, but my esp powers aren’t quite as developed as yours,” Stephanie said after a thoughtful pause. Or she had nodded off thinking of Nico and the lovely French language.

“If Nico hadn’t been an Amazon style Germanic blonde femme fatale, she would have reminded me of a young boy,” was what Reynaldo decidedly did not say. “Anyway the Russians want to derail this precise conversation, and where the Russians are, MK-Ultra can’t be far behind.”

“Just fuck that Zander creep,” said Gaga. “He kept calling me, wanted to interview me for that stupid magazine of his. So I consulted with Willem Dafoe. Willem told me to charge him. Now Zander’s gotten a second mortgage so he can get a loan to pay me for the interview, and I fucking told his dumb ass…”

“Gaga, focus, dammit. Look into my eyes and see who I am.”

“Lucifer, obvs, but ok, I see what you’re saying. Yes, Steadman was in a panic. Some Russian gazillionaire had Thompson’s head stolen. Again.”

“Dammit to hell,” burst out Reynaldo. “And I had a golf date with Bull Clownton. Hold on, I need to tell my secretary.” Reynaldo terminated the call, then texted an message to a well-worn address.

Ten Hours Later, FBI Field Office, Detroit, Michigan 

Special Agent Lance Johnson had folded himself into several idiotic shapes examining the security footage. What sort of game was that bear or bearlike individual playing now? Everybody knew that Hunter Stockton Thompson had had himself…or the particulate matters of pure gonzo fiction that remained…shot out of a duo-thumbed fist clutching a peyote button. There was no whole head to have brought in a diplomatic pouch to a Russian gobsmackillionaire anyway. But he suspected that half the time Reynaldo and his pal Germanotta were up to metafictional shenans. At least, that’s what his instincts told him. Of course, his instincts were mostly wrong as shit.

“Let’s scramble some breakfast choppers aaaaand…” Johnson was on the nod again, drool-drilling himself into epic widescreen dreams of motorboating Nico like a madman while she slurred the words to “All Tomorrow’s Parties” in his ear as she transformed into a genetically modified vampire pussy bat.

Reynaldo, the World’s Smolest Circus Bear, fortified compound, Taos, New Mexico 

“So what did you discover?” asked Reynaldo after an eternity.

“I think Hunter’s brain is fucking with us,” she said, snort-laughing. 

“I would tend to agree,” said Reynaldo. “He’s good at that. I think that’s why we got along so well. Simpler, purer, less complicated times. Oh Gaga…”

“Oh, bear…the unbearable hotness of your being a smol circus beast who exploits himself for hard cash…”

“I’ve performed before royalty and reeking New Orleans gutterpunks alike,” said Reynaldo, his smol, furry body suddenly shaking with sobs as he realized that his youth would never return. “Hunter knew exactly what was about to happen to our world after 9/11, which was why…”

“Why he had himself cloned by German doctors,” said Germanotta, completing Reynaldo’s sentence.

“I miss the fuck out of Nico,” said Reynaldo. “Yes, she was an asshole, but she was OUR asshole, you know? She cared about nothing but her dripping black candles and turning her skin all butter n’ creamy soft from soaking in the dark tub all day…wrinkled as she was, she was our bitch.”

“I’m a free bitch, baby,” said Gaga. “And I choose domination by my favorite circus bear.”

“The world’s smolest,” said Reynaldo with a grin.

“Indeed, love, you make me weak in the knees.” Her phone buzzed. “Sorry, I need to take this,” she said. 

“Hello, Beyonce? What’s shackalackeling, baby? I’m here with Smol Bear…oh, you got the call from Steadman too? Yeah, I agree, he needs to get out more. Hunter S. Thompson is dead. Long live Hunter S. Thompson, his clones, his brains, Nico Pussybat in her various incarnations…”

From somewhere in the far distance they heard the sound of a harmonium and a wet, queefy sound approximating a Germanic accent in bubblin’ tones. 

“Thees song was Jeeem Morrison’s favorite song…eet’s called ‘Thee Ent.'”

THEE ENT

Steen W. Rasmussen

God Is A Place

God is a place with no scope—a room with no space, walls of no height, imaginary windows, illusionary doors. It cannot be gleaned from out here or in there, nor in thought or dream. It is a place where nothing exists—a place in name only; oblivion, death.

It always was, it is, and it forever will be – yet never were, and can never become. In this paradox lives the illusion of scale and creation, growth from motion and emotion, free will and meaning; a place that is not God.

Perforce, you exist and life is part of something rather than nothing. Perforce, you feel there are choices you make. Of course, these are the illusions. You can attempt to believe, seek solace– distraction as well—in the stories we tell to avoid the truth, looming: You are a prisoner of Eternity until you return to the place that is God—a place you never left. 

It is a beautiful and horrifying thing.

***

Previously published in Lothlorien Poetry Journal

Jeff Weddle

Right Here

Not far from where you sit, right now,
just a mile or two away,
there is a house
you never really notice.
It has white, vinyl siding,
a small porch, a basement.
A single rose bush decorates the front yard.
Not far from you there is a man
sitting in a chair and savoring
the weight of a gun in his hands.
It might be a new gun
or something he’s had forever.
Maybe it was his inheritance
from a careless father
or he bought it from the back of a van
or at a gun show.
Depending on where you are,
the man might be holding
a semi-automatic rifle
or a .22 caliber pistol
or maybe a .357 Magnum.
Not far from you, a woman,
or child, or man stands, oblivious,
in a kitchen, maybe chopping onions, 
or on a sidewalk,
or is maybe entering a school or movie theater.
A commonplace horror
will happen very soon.
It will happen so close to where you are,
right this second,
that a stray bullet
could come through your window
or even a wall
and take you the fuck out.
Or it might take out your child,
your wife, your dog.
You have always
held that “Guns don’t kill people.
People kill people.”
What about when your own baby
has been shredded
by high caliber bullets?
What about when you don’t even know
you are screaming
until someone puts a needle in your arm?
But you still have a little time
before it all goes down, so relax.
Drink your coffee and don’t think
about your neighbors.
Look out your window at America.

Marty Shambles

Meat the Messiah: s01e06 – The One with Tyler Durden

bukowski and elvis are in a bar, drinking turpentine. there is no laughter or small talk. there is only the sound of liquid swallows, the occasional belch, and the slow ooze of a languid jukebox.

the phone rings like a fire alarm and startles a few people who are alert enough to react.

bartender: hank? hank bukowski?

bukowski: what.

bartender: phone.

bukowski: fine.

he puts the phone to his ear.

tyler durden: hank. i need to tell you the story of the wafflehouse at the end of the world.

bukowski: make it quick.

tyler durden: the waffle house was empty save for ross from friends, margaret (the waitress), and demetri (the cook). ross sat at their old booth, on this last day of earth. margaret approached, ‘haven’t seen you in years.’ ross said that it was too painful to come back here. ‘can i get you some coffee?’ ross heard gunshots off in the distance. no sirens. monica walked in, 67 years old, dressed like hitler. she walked over and sat across from ross. ross said, ‘i thought you would ditch the getup for the last day.’ monica said, ‘this is who i am now.’ he said, ‘but we’re jewish! is this some sort of commentary on how wealthy jews disproportionately support the genocide in gaza?’ she frowned, ‘no… he likes it when i’m hitler.’ then it was ross’s turn to frown, ‘oh you had to bring him up. that’s just great.’ ‘ross, you need to get over it.’ the waitress came back for their orders. ross said, ‘i’m not hungry anymore,’ and left. ‘don’t ruin the last day, ross!’ she shouted after him to no avail. rachel/hitler looked at the waitress, who didn’t seem to care she was dressed as hitler. ‘can i ask you something? why did you come into work today?’

‘waffle house never closes.’

bulowski: i’ve heard that one before, asshole!

he hangs up the phone.

***commercial break***

in yellow font the title text reads 50 romantic classics, while schmaltzy orchestrations play and song titles scroll up the screen, with vasseline-smeared footage of sunsets and a happy couple walking along an idyllic beach in the background.

the most romantic music you have ever heard, sure to rekindle any romance. fall in love all over again with 50 romantic classics. glide across the room with her, dancing on a river of silk. you are still the most beautiful people of your high school class, some 40 years later. sure she’s fucking the gardener and you inflict your hatred of women onto your employees, particularly your secretary, who has endured your leering and gropes and dismissals for years. she lives alone in an efficiency apartment with one cat. she would prefer a dog, but she couldn’t maintain a dog with the hours you make her work. edna is her name and you call her eddy, despite the fact that she despises that nickname and hasn’t told you that for fear of reprisal. she had dreams of moving to the big city and meeting meet another lesbian to spend her life with, but you never paid her enough to save up. in two years she will die of an aneurysm and you will not go to her funeral. but none of that matters with 50 romantic classics. you’ll feel the divorce papers melt away with this carefully curated selection of only the most romantic songs. 

***

the smoke at the bar hangs low. ever since the death of the wind machine, the smog doesn’t seem to go anywhere. elvis and bukowski drink in silence. the bar phone splits the silence again.

bartender: hello? …is there an elvis here?

elvis costello: which one?

bartender: presley

elvis: yeah man.

tyler durden: pov: you’re staring down the length of the limo’s interior. you look over at your studio-mandated wife and finish your watered down scotch. you know you’ve never brought her to climax and you see the flashbulbs through the tinted window. it’s showtime and you both put on your public faces. the door opens a flood of light hits your eye. you accept it with grace. your every move is hypnosis, well practiced and gilded. you step on the red carpet to a storm of bulbs. you smile and your teeth shine back like high beams on a country road. you take your wife’s hand, knowing your hands are clammy. you can feel her slightly recoil from your touch, but not in way that’s visible, because she’s a pro and you’re a pro, and you go out there and turn on the charm.

interviewer: in this fast paced modern world, how do you stay so fit?

you: i eat healthy and have lots of sex with this hottie right here.

interviewer: who are you wearing?

you: kmart tuxedos.

(everyone laughs because kmart is for poor people.)

interviewer: when are you and your wife going to be in a movie together?

you: there’s something in the works. stay tuned. think eyes wide shut but sexy.

you move inside and watch the movie you’re in and it’s awful. just agonizing slop. you don’t care. you already got paid. you’re the biggest actor in hollywood and this will make a billion at the box office easy. the limo drops your wife off at her house before dropping you off at your house. you don’t have the energy for after parties tonight. waiting behind the bush is the ceo of kmart and he smashes you in the face with a morning star spiked mace, then runs off into the night. half your jaw is gone and you lay in your driveway breathing bloody foam–no one around to help. before you pass out, you let out this plaintive prayer:

dear lord,

what is the weekend? everybody’s so mean.

elvis: i don’t get the point of this.

***commercial break***

SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! SECRET HERBS AND SPICES! 

***

at the bar, the smoke is so thick, there’s 3 foot visibility. bukowski’s on his 11th whiskey; elvis on his 9th.

bukowski: if that asshole calls again, i’m gonna kick his ass.

elvis: i think he’d like that.

the phone rings again. the bartender answers. he says this call is for everyone at the bar and puts it on speakerphone.

tyler durden: marty shambles, author of MEAT THE MESSIAH, is fabulously wealthy from all of his book sales, and lives in beverly hills. we sat down with him in his palatial home to talk about his work, his life, and what the heck makes him tick.

rolling stone: your book has been described as a self-indulgent heap of filth. what do you say to these detractors?

marty shambles (field dressing a dear in his drawing room, pauses to show his coffee mug that reads world’s best author): you think amazon would sell that to anybody?

rs: right wingers hate you because they say you’re woke. left wingers hate you because they think you’re a racist.

ms (posing for a portrait with regal stature): no matter who hates me, i support the immortal science of marxism-leninism.

rs: what about mao?

ms: who?

rs: what’s your next book?

ms (mixing himself a cocktail of morphine and dextromethorphan): i’m thinking a sequel to the great gatsby where gatsby’s manor is haunted by all the ghosts of the booming 20s. gatsby has huge ghost parties every night, hoping daisy will return.

rs: that sounds awful.

ms (girating to a spicy latin rhythm): thanks.

bukowski: you son of a bitch! i will end you!!!

credits roll.

***

HSTQ: Fall 2024

horror, adj. inspiring or creating loathing, aversion, etc.

sleaze, adj. contemptibly low, mean, or disreputable

trash, n. literary or artistic material of poor or inferior quality

Welcome to HSTQ: Fall 2024, the curated collection from Horror, Sleaze and Trash!

Featuring poetry by Taryn Allan, Ryan Quinn Flanagan, M.P. Powers, Jason Melvin, Tempest Miller, Michael Ashley, Alan Catlin, Jade Palmer, Damon Hubbs, Brooks Lindberg, Johnny Scarlotti, Casey Renee Kiser, Karl Koweski, and Noel Negele.

FREE EBOOK HERE