Robert E. Petras

The Company Picnic

My dad worked for the company store.  It was called Sears, officially Sears, Roebuck and Company, on paydays a few other choice names.

My father sold furnaces at Sears for commission.  I don’t know about other folks’ families, but ours didn’t make any major purchases unless something major broke down, and, besides, people weren’t running many furnaces in the middle of summer, let alone buying them.

Sears did provide some benefits that made summers of eating beans and hash worth the while.  In addition to its summer weight-reduction program, Sears held its annual company store picnic, always on Sundays, the only day of the week the store was closed.  Back then, the only thing open on Sunday was the collection basket.

The Steubenville, Ohio Sears and Roebuck would rent an entire section of a local park, including the biggest shelter house, where all the big bosses wore aprons and chef hats and smiles so cheesy you would have thought your old man worked at Frito-Lay.  Right out in front of the line management gauntlet stood department heads Dock and Dick, pumping hands while giving you the old I-heard-so-much-about-you line of shit and you-have-some-mighty-big-shoes-to-fill lie.  They stood there pumping you with so much crap you’d think the outhouses had running water back then and your toilet had backed up clear up to your eyebrows.  I would find out later their names were Art and Mike.  I already figured out the store manager’s name was not Shit-For-Brains.

Besides the flies, the ants and all the seeds in the watermelon, what I remember plenty about those bucolic summer excursions were the fun-filled contests like the gunny sack races, the three-legged race, water balloon tossing and egg-spooning balance relays.  The way my father and his-co-workers and all their spouses were rolling upon the ground, laughing at themselves, you would have thought they were young once, not born thirty-something, totally uncool, their clothes way out of style.

Your family had to stay to the end of the company picnic if you wanted to take home any of the door prizes, of course, only after the store general manager gave a speech telling how special each employee was, just like one big happy family.  Then the employees would reciprocate their appreciation by laughing at all of the GM’s jokes.  The way they were rolling upon the ground, howling, clutching their bellies, slapping themselves, you would have thought the mosquitoes had arrived or my mom’s chicken salad finally hit them.

After the laughter had subsided to a small roar, the GM said, “You kids should probably cover your ears for this one.”  He went on to tell a joke that stunk so bad we should have covered our noses, unlike the playground version, which I wanted to tell from the top of a picnic table, but there was always the promise of an after-picnic treat of a Fels Naptha sandwich.

While watching his audience show their appreciation of his wit by groveling upon the ant-infested concrete, the Big Boss Man patted the sweat from his brow, by most accounts a rarity.  If the employees weren’t so stiff and sore by pretending they were young, doing all that burlap sack shit, they probably would have scraped themselves off the ground and gave the Big Boss Man a standing ovation.

I was fidgeting  in the back, watching all this shit, fighting my boredom pea-shooting watermelon seeds.  Those days, watermelons had about as many seeds as they did pulp.  You spent as much time spitting out seeds as you did eating the fruit.  The seed had this slippery texture as though coated with cooking oil but also was as sticky as a paper wad flicked during fifth grade catechism class.  I would just pinch them between my thumb and booger picker and the way they would shoot out you’d have thought my fingers were named Smith and Wesson.

I stood clear in the back of the shelter house, behind a couple spooning—and not with eggs.  The way they kept squirming and shifting upon their wooden bench you’d have thought they had a colony of termites up their asses.  They did provide cover for me, and if I timed my shots just right, they produced about the same effect of a machine gun synchronizing bullets with airplane propellers.

These watermelon seeds couldn’t have been any more slippery had you plucked them from your nose.  Some of them were bigger than a thumbnail and I suppose on a quick glance could well be mistaken for some creepy insect, like a flesh-eating beetle.

With the Assistant G.M.’s appearance, the time everyone had been waiting for arrived.  This was the first occasion I had ever seen the newly hired AGM.  I was disappointed his complexation didn’t match the brown nose my father said he had.  It was red like the rest of them up there in the front rows from laughing at the Big Boss’s lame jokes.  The Assistant was holding upside down a black felt men’s dress hat, no doubt a Sear’s brand, straight off some showcase dummy.

Back in the turbulent 1960s, so much change was going on it could make your outhouse-pumped head swim.  Sears was already a forerunner of progressiveness, and locally this liberalism could not have been put on better display with its equal opportunity policies for women and minorities. And no one else would fill this dual role than Miss Toothman, who was both a modern-day woman and a  bleach-blonde, because no one else stood out quite like her.  She had worked her way up from behind the peanut and candy counter all the way to head of the Human Resources Department.  My mom said that Miss Toothman got her high standing position from spending a lot of time on her knees and not from scrubbing the floor.

Miss Toothman appeared to have stepped right out of the pages of the Sears catalog lingerie section.  Come to think of it, she did resemble a model in a few Sears catalogues I kept beneath the mattress section of my bedroom.

She now stood up in the front to read off the names old Brown Nose was pulling from the hat.  The prizes were all Sears’s shit you could buy with the employee ten-percent discount, usually of automotive and exercise nature.  One picnic, my dad won a free tune-up; another an alignment—at the chiropractor’s.  Already some employee had taken home a door prize of a hood ornament repair kit.

Still red in the face, old Brown Nose was up there pulling names, each time having the look of a magician with his first successful attempt of pulling the boss’s foot out of his ass.  He would hand Miss Toothman the ticket and she read the name of the winner.  She had a kind of breathy, throaty voice I’m guessing from smoking or her top was too tight.  That Sears brand pink blouse, I am certain, was the second thing open on this Sunday.

Anyhow, Miss Toothman was throating out some working stiff to come on up to collect his Sears thigh toner when my seed hit her right between the double Ds.  Everybody in the shelter house saw the seed hit target.  She kind of squirmed as if to face slap someone with her big boobies, causing the seed to slide down the valley of cleavage, and then down into what I guessed was a Sears brand brassier but turned out a Playtex, which I could plainly see had plenty of play to it.

Everybody was now stretching their necks to get a better look at this special entertainment.  The head of Human Resources was doing some serious shaking of her human resources.

About this time, I zeroed in on the Big Boss Man and planted a watermelon seed smack, dab in the middle of his forehead, a seed as big and shiny as a rare black diamond.  Now, everyone was laughing at his expense, except this time nothing’s coming out of his pockets.  This time, it’s a new kind of laughter, heartfelt, everyone pointing at Shit-for-brains, covering their mouths, spazzing themselves simple.  It was an all-out, full-blown, slap-happy category five laugh storm.  Shit-for-brain’s turned as red as my melon-plucking hands, his jaw dropping as though he just caught his appliance manager buying a television at Big Lots.  His wife wasn’t laughing, either.  You could pretty much tell she spent most of her marriage covering her ears and probably her eyes.  The Big Boss Man  could have snapped a Sears brand cue stick in half over his knee with the gesture he made and then stomped off into the reserved-for-managers section of the parking lot.  Toothsome Miss Toothman somehow collected her composure and followed behind, walking as though she had invented and patented the swivel chair. 

During the car ride home, my father kept repeating, “You just can’t buy that kind of entertainment anywhere, even if you could afford it.”

Dad somehow survived the massive layoffs at the end of summer and was even promoted  to the air conditioning department.  We ate a lot of beans that winter, the seedless varity.

Brent Bosworth​

The Art of Love

I sit silently staring down at the blood dripping from the slashes in my arms. I embrace the pain as it reminds me that I’m alive, and still capable of feeling. I look at the canvas in front of me. It sits on an old wooden stretcher I borrowed in High School and conveniently forgot to give back. The painting on the canvas was an abstract tree meant to represent the tree of life. It had come alive with sweet melancholy when I started to smear the blood onto the tree, starting at the roots and making my way up the trunk. I eventually ran out and tore another gash into my arm to finish the branches. The way the blood mixed with the already dark construct made me smile. This was true art. There aren’t many left who will suffer for their art like this. This, after all, was a tree of life, and what better representation of life than blood?

​ The numbness in my body began and I knew that meant it was time to bandage myself up. I go to my cabinet in the corner of the studio where the medical supplies are kept, pull out a large amount of gauze and medical tape, and go to town on myself. I don’t worry about the stitching materials. I don’t think I went too deep this time. My last painting, a bastardized conception of the Virgin Mary was a whole other story. That one took a lot of blood, and a lot of stitches, which I had luckily watched a YouTube video on how to do.

​Now that I’m all bandaged, and feeling somewhat alive, still riding the high from the loss of blood I figure why stop there? I light a cigarette and open a beer, then send out the notorious, “You up?” text to a few girls on my phone. A few minutes pass, and it buzzes showing an icon of Sara’s face. Wouldn’t have been my top pick if I’m being honest, but it’s midnight and here we are. Her text reads, “Yeah, I can be there in ten.” with a smiley face. So I reply, sounds good, and crack another beer and wait.

​ Sara makes it to my house in what feels more like twenty, but I’m not going to complain. At least she showed up. Something about her is radiant tonight. She wore skin-tight black jeans and a low-cut v-neck showing off just enough. Her porcelain skin seemed to come alive when it was lit up by the pale moonlight. Her face was all angles and beautiful as she brushed her fair hair out of her eyes. “It’s good to see you,” she said. “Do you have another art project you want my opinion on or was this just a booty call?”

​“Can’t it be both?” I ask and we both laugh. I ask her to come in and offer her a drink. “We have beer or bourbon, take your pick.”

​“Do you have any Coke? I’d love a Jack and Coke.” So I mix her one before pulling her over to gaze into my newest masterpiece. She looked at it in awe and it filled me with gratitude, why was I ever hoping it would be one of the other girls? Sara truly sees my art and might be the only one who does. “Did you. . did you hurt yourself for this one too?” She asked in a soft voice. I just grin back at her and pull off my sweatshirt, revealing my heavily bandaged arms. At that moment, she looked so sad and I swear I saw tears forming in her eyes. 

​“Hey now, it’s okay. It’s all for the art Sara, don’t you see? Don’t you see how much better it makes it?” She doesn’t look convinced, but she forces a smile and says, “Of course. I think you’re brilliant, you know that.” I smile back at her. She was beautiful and full of flattery tonight. I grab her by the waist and pull her into the tightest hug I can muster with my arms in their lousy state. She leans in for a kiss and her lips have to be the softest I’ve ever felt. The kisses start coming faster in rapid succession as we both clumsily make our way back to the bed. 

She pushes me back onto the bed with little effort because of how woozy I am from the blood loss and alcohol. She starts taking off her shirt as I slide my jeans off and then I go for my shirt and by the time I get it over my head she’s standing at the edge of the bed completely naked. Her body curves in all the right places and I can’t remember a time when I was more aroused. She slides on top of me and it’s in within seconds, I swear I’ve never felt someone so wet. She rides me for what feels like hours, every second is pure bliss as skin slaps together. We fit together perfectly like slippery puzzle pieces that were meant for each other. 

We both come multiple times before she rolls off of me and we lay there in complete ecstasy. I light a cigarette and pass it to her and then light one for myself. She props herself up on one arm and leans into me, using her non-smoking hand to draw imaginary lines around my belly button. She starts to run her hands over the scars all over my belly and torso, and then she says. “I wish you wouldn’t do this to yourself. I know it’s for the art, and it makes it better, it does. I just still hate that you do it to yourself. I wish you would use someone else’s blood. Your body is scarred enough. Why not use the body of someone else you care about? Maybe even someone you love?” 

I think about this for a moment. Do I “love” anyone? That I’m not sure of but I guess if I did, Sara would be the one. I, at the very least, love her at this moment. “What exactly are you suggesting Sara?” I ask, already knowing the answer. 

“You could use me, I’d let you. I trust you to patch me up, and you’re still beautiful with your scars so maybe I will be too.” She says, almost excitedly. 

“Sara, there is nothing in this world that would ever make you less beautiful,” I say with a smile. I brush her hair back and tuck it behind her ear. “Are you sure? You want to be a part of my art?” She nods, and that’s that. “Then there’s no time to waste. I already have my next idea. Let’s get started.’

The concept for my next piece is simple. I will simply paint the Earth and then smear Sara’s blood from top to bottom on the canvas to symbolize the cruel reality we live in. This planet is dying, and we’re doing it. All of us, me, you, Sara, it doesn’t matter, we’re all guilty. Sara sits behind me and watches the gentle brush strokes shape the most authentic representation of the Earth that I can muster. It’s not my best work, for the hour is late and I’ve grown quite drunk, but I’m riding the high now and if I let go for even a second, I may crash. 

I start coloring in my world with blues and greens with a little dash of white here and there for a foggy effect. Look at that, I’ve painted the Earth and it’s only three-thirty in the morning. Now the fun begins. I walk over to Sara with my razor outstretched. She grimaces away at first but composes herself quickly. She’s still naked and I take a moment to see her whole for the last time, without any blemishes. She is so beautiful, but there’s work to be done. 

I make sure not to go too deep with the first cut. It’s on her upper forearm and I just want her to get a feel for it. She winces only slightly and then stares down, mesmerized at the site of her blood. I remember my first time and in that moment I envy her for how free she must be feeling. I grab her arm and squeeze as I run my brush under the flowing crimson. She cries out because my grip is too tight. “I’m sorry,” she says immediately. 

“It’s okay, are you sure you want this? I’m going to need a lot more than just that little bit of blood.” Most of what I had squeezed out of her was already drying and was useless to me now. She doesn’t speak, she just nods her head. So I tear a few fresh wounds open on her arms and go back to work. The blood sets up nicely on the not-yet-dry paint, giving it the exact effect I want. Sara whimpers behind me, admiringly as I, the virtuoso smears fresh blood on as much of the canvas as I can. “Other arm,” I say without even looking back at her as I hold out my hand for hers. She gives me her arm and I tear three new gashes into it, maybe going a little deep with one, but she’ll be fine. I’m a professional, after all. 

Sara’s arms look worse than I initially realized so I pause from my work and begin to bandage her up. The one I went a little too deep on won’t stop bleeding so I know I’m going to have to stitch it. I make my way over to the medical cabinet, pull out my supplies, and go to work on a not-so-great suture that looks even worse than the ones I did on myself. “There you are, good as new,” I said.

“Baby, I don’t feel so good, I think I need to lay down.” It is getting late and I also want to lay down so I get it. We can finish the blood-soaked Earth another time. 

“That’s okay, let’s get you to bed. We can finish it later. You did great for your first time.” I guide her over to the bed, lay her down, and tuck her in gently. She drifts off to sleep almost instantly. That really must’ve taken a lot out of her. I admire her one last time and throw my arm over, bury my face in the pillow, and begin to drift off myself. 

I dream that I’m standing on a stage in front of a large audience. There are hundreds of people seated in front of me in rows. Next to me stand my blood-soaked earth, still propped up on my hand-me-down stretcher. There’s what appears to be a panel of three judges looking over it. I hear their murmurs, saying words like exquisite. A normal man would blush under these circumstances, but I know what I am. I am modern expressionism embodied and the words from the judges are well-earned. They all hold up little cards with the number ten on them and the crowd begins to cheer. I deserve this.

I look down and see Sara sitting in the front row. I go to the edge of the stage and beckon her to join me. “Ladies and gentlemen,” I say to the crowd. “Could we have a round of applause for my partner, for it was she who truly inspired this work?” The crowd eats it up and then all of a sudden I hear an alarm going off in the distance. My alarm clock succeeds at waking me up even though I swear I shut it off the night before. I have a splitting headache. It’s only eight in the morning. What was that like four hours of sleep? Oh well. I look over at Sara and notice something is wrong with the way she is breathing, or rather the way she seems to almost not be breathing. 

“Hey, wake up,” I say, shaking her gently. Nothing. She doesn’t respond. I shake her harder and roll her onto her back. Her face stares up at me but there’s nothing left to it. All the vibrance is gone. Her eyes are open slightly and her mouth is ajar, but no air is going in or out. I feel a tear fall from my eye and it lands on her face as I begin to break down. I look at her arm and see that the stitching I had done the night prior had been ripped out and underneath her was a large pool of blood. My silent sobs grow heavier as I feel my chest heaving in and out. I turn with just enough time to avoid doing it on the bed and throw up all over my floor. 

I allow myself what feels like an hour to remain in this state before I get up and start pacing back and forth. “Okay, you gotta fucking think. Not only are you a murderer, but there are clear signs of mental health issues wrapped up in this too. So do you go to the cops? Confess? Spend the rest of your useless life in the psych ward of some prison? Fuck no, okay? We’re not doing that. It’s not what I want and it’s not what Sara would want either.” A thought crosses my mind to get rid of the body and ditch the cell phone. The cellphone would be the easiest to get rid of, my band plays a show tonight at The Rockit, I’ll just drop it there in the crowd somewhere, but the body was an issue.

I look around the room and my eyes fall on the pile of camping stuff in the corner from back when my folks and I still did things together. I know the sleeping bags are wrapped up in a couple of Hefty’s so I’ll use those first and foremost. I go dump the sleeping bags and I’m back to the bed in seconds. Her body was small so maybe I could just fold her into one? I start at the feet as if the trash bags themselves were sleeping bags and when I can’t go up any farther I push her head down and forward until it lets out a loud crunch. I recoil and it takes everything I have to not throw up again. It did work though. I was able to fold her up and get the first bag tied. The second bag fit over much easier and then part of it was done. 

Luckily my house is surrounded by a few miles of forest on each side. I just have to pick a place that’s not often explored and I know just the spot. After checking that both my parents had already left for the day. I picked up the garbage bag and went outside to my car. I popped the trunk and placed Sara gently inside. I run to the tool shed and find the biggest of the shovels we have to choose from and return to the car with it laying it on top of Sara. My head is going a million miles a minute in all different directions, most of which end with me in prison but I can’t think about that now. We’re not going far and I just have to take things one step at a time. 

It’s only about five minutes of driving before I park and go to the trunk to retrieve Sara and the shovel. It’s a bit of a walk to the secluded lake, and the overgrown wildlife doesn’t help matters. Still, after an additional five minutes, we come to a large open area with a big rock at the end of it that looks out over a lake. When it isn’t muddy and horrible like it is today, this is my favorite spot because of how beautiful it is. I’d spend hours here when I was young with my sketchbook and colored pencils trying to catch a trace of the magic on paper. In later years, I’d try to paint it. This was also the first place I ever self-harmed, the place I came to cry, and the first place I ever brought Sara to. 

I find the cleanest-looking bit of soil that I can and begin to dig. I dig for hours. She has to be deep. No one can ever know where Sara went and if she’s deep, no one will ever find her. I’m satisfied when I hit what feels like eight feet. It’s a struggle to get out of the hole and an even bigger struggle to say goodbye to Sara before tossing her into the hole. I fill the hole much quicker than it took to dig, and I smear a lot of the mud surrounding the area overtop so it doesn’t look much different from the rest of the ground. 

I toss the shovel in the back of the trunk and light a cigarette. I begin to cry again, as I had in this spot so many times before. This was my spot and now it would always be our spot. “I love you, Sara,” I say before flicking my cigarette into the lake. I’ve never said those words to anyone other than my parents, and never thought I’d love anything other than the art, but it was true. If I could go back I wouldn’t have cut her so deep, but there aren’t many left who will suffer for their art like this.

Daniel S. Irwin

Musta Been Another Spell

I don’t remember nuttin’.
But what the heck, doc.
Check me out.
I’m okay.  No damage.
Guess I fell off the bar stool.
Still, this ain’t right.
I should have a single room.
What’s up with this freaky
Fat ass grinning geek
Over in the corner?
Fool don’t even have a bed,
Just sits there on the floor.
Jesus, man, I think you’re sick.
How come you got no clothes?
Oh god, boy, don’t eat
Another turd.  That’s gross.
Quit climbing up the wall
And rolling across the ceiling.
I can’t see how you manage to
Stay up there.  Don’t drool, fool!
That’s nasty and it drips
Right down on me.  Don’t do
That damn horse’s cock dance.
Quit jerkin’ off and shootin’
A jizz wad across the room.
How do nuts like you get in here?
How the hell do I get out?
Look here, you whistle dick moron.
I swear by Einstein’s glowing balls,
When I get this straight jacket off,
I’m gonna kick your ass. 

Alan Catlin

many doors to hell; open, all of them open

all of them inviting you inside,
the air so cold it hits you in the chest
like a fist, a hammer alongside the head,
the room spinning like a “Strangers on
the Train” out of control merry-go-round,
all the overhead lights flashing, disorientation
complete until the guess-your-weight guy
hands you a card and points down to the pit
where the mud wrestlers are grappling in
the muck, the packed-in-tight crowd
placing bets, money clenched in their fists
as they cheer their champions on as if
the women were not human but fighting cocks
and this was a winner takes all contest to the death
and all the blood splattered on the walls was 
not forensic evidence of some horrible crime
you have witnessed and participated in,
hand still clutching the card given at admittance,
the one that says GOOD FOR ONE FREE RIDE
IN THE TUNNEL OF LOVE, a voyage in the dark,
the ride of a lifetime, a ferryman waiting inside,
holding a lantern, beckoning for you to follow. 

Ennis Rook Bashe

traumabonding dumpster clown love song II 

I think you grew up hungry. 
Corners sliced off a stick of gum precise as cocaine.
each fragment savored 
as your concave stomach growled
I think you grew up watchful.
rolling weight toe-through-heel on creaky floorboards 
diving for cover when the door unlatched
praying to no god- 
let me be gloriously lethal
and poison-frog bright
let me bask chuckling in a knife’s cold kiss 
my saunter a warning 
my smile a threat
you flinched and shivered. scrambled to obey. 
dreamed of ripping throats out with your first baby teeth. 
I think that’s why you laugh when someone lunges 
fists outstretched. 
you’ve reeled them in 
invisible strings sticky as a handprint on a child’s slapped cheek
even a clean hit whispers:
skin on skin

Andrew Vuono

Show Time

the parking lot lights
cut pale skin and
black jeans
outside hotels waiting
for a fix, a cure, a remedy
to that disease called regret
please stranger just fuck me
with no eyes, no love, no hope
it doesn’t matter
it means nothing
I’ve got a death wish
a sex drive
a self injury
so when your hands
are around my throat
your grip is never too tight
if I am still breathing

A. Lynn Blumer

Drifter

We talked on the edge 
of a cliff—somewhere 
you & I had lived for 
a long, long time.

Your eye held a knowing,
& although I wish I knew
what it was you said,
that look was the same as always.

Then you left the ledge.
I watched you seep into 
a black shallow creek bed,
beneath lay the reflection
of the moon—fragmented
from all the small & large rocks.

You came into my life 
at the perfect time & then 
we kept each other for a while.

Thirteen times around now.
Thirteen rotations watching 
each other grow & yet, 
saw what never changed.

I have to go – I have to go
retrieve your body from
the bottom of the cliff.
I have to make a sled
out of sticks & drag you 
somewhere I can dig—

& I’ll dig, through rock & root, 
multiple lifetimes of sediment,
under deep for a safe spot to 
finally put down your bones.