Matthew Licht

Junk<Shit≠Pussy

Heroin clears the mind, but clogs the colon.

Laxatives are still legal, but the pharmaceutical industry keeps the good stuff under reserve, for addicts who can pay.

The Beverly Hills drugstore looked like the motherlode. Socialites floated in and out of the place on dream-clouds of lost weight and shrink-wrapped designer clothes.

Please dispense the true cleanser this time, Mister Pharmacist. I’m hurting bad. Honest.

But there was no dignified gent in a starched labcoat behind the prescriptions counter. Instead, a young woman.

“May I help you, sir?”

Her tone suggested she knew what I needed. Her thick glasses were X-ray Spex that saw through junkie-vampire mendacity.

Junkies, like dogs who defecate anywhere, have no dignity. “Laxatives, please, Miss. The extra-strength kind. Make that extra-extra-strength.”

She briefly searched the shelves behind her and drew out a little white cardboard coffin. She tapped the package with a fingertip.

“Federal law requires us to sell protective clothing in conjunction with this product, sir. Do you have a prescription?”

“Look, skip it. Give me a gross of the regular crap. And uh, while you’re at it, do you carry Extra-Small condoms?”

She had Extra-Small condoms. They’re the same as regular ones, just like Extra-Large. She exposed this advertising scam aimed at humiliation freaks and megalomaniacs with the ruler she kept by the register.

“You don’t need prophylactics,” she said. “You’re an addict who has a place to live and a well-paid profession. Let me guess: you like jazz.”

“I like to mind my own business.”

She lowered her chin. “All right, has it been two weeks since your last bowel movement, sir? If so, we can dispense with the prescription, for humanitarian reasons. Long periods without release make a person edgy, and rude.”

She slid the packet across the counter. A medicinal name was spelled out in bold block letters and Braille dots. There were no eye-catching colorful swirls, bikini girls or slogans.

“Shit like a bird!”

“Dump like a truck!”

She rested her elbows on the counter. A button on her labcoat popped. She hunched to smash her breasts together. I was so far gone, I lunged for the caca-tablets.

“Look mister, I want to help you. Even though you can still afford your drugs and don’t have health problems that are exacerbated by opiate misuse, you’re headed for trouble. Even worse than constipation.”

“What could be worse?”

“Legal shit, for starters. It’s a slippery slope, and pills are just more dope. Let nature resume its proper course. Give up heroin to achieve release.”

“Sounds romantic. But I’m in love with heroin. I tried to live without Her. It doesn’t work. I couldn’t work. I’d have been an unemployed wreck, if I kept it up.”

She took back the slim package. “Let me show you something different, sir. See those refrigerator cabinets by the far wall? That’s the security cameras’ blind spot. Meet me there. This isn’t for public entertainment.”

In the drugstore’s cold dark zone, she squatted and pretended to show me where the cream sodas were. There was nothing under her labcoat but skin.

She said she knocked off at 7 p.m.

For the rest of the afternoon, I had something to think about besides how long till the next shot.

Heroin’s a jealous wife. My wrist shook when I checked my watch to see whether there was time to drive home, park, make sure my agent or some studio bigwig hadn’t left phone messages, unpack the works stashed in the First Aid kit in the bathroom, hang my jacket on the hook the decorator installed, roll up my sleeve, tie off with the condom-colored surgical tube, insert the sterilized Ever-Sharp syringe into the ulcer-hole in the crook of my elbow which is why I never roll up my long-sleeve Hawaiian shirts in public, not even on Santa Ana days, and feel what keeps me, thousands like me and millions less fortunate than me hooked full-time. The agony of stool retention dematerialized like peace-pipe smoke from a Ghost Dance ceremony in the desert beyond the Hollywood Hills.

Can’t even puke anymore.

Reverse the ritual, disinfect the wound that never heals, put the drug-toys away, ooze out to the car and drive back to the pharmacy.

Eyelids roll down like flesh-colored window-shades in a depressing motel to soften a pornographic sunset. One of the wonderful things about skag is that it leaves you lucid, fully aware and concentrated on what matters most in a drug-induced life where everything makes sense.

OK, you’re stoned out of your mind.

She was already in the parking lot, in her car, reading a book: a hardback, not some drugstore bestseller. The Magic Mountain, by Thomas Mann, a book I was supposed to have read before I dropped out of college. I skipped through to the chapter that’s supposed to be about coke.

Junk later cleared that peculiar passage’s message.

The zombie approached, rapped on her window. She stuck the novel in the glove compartment, opened up and taught a refresher course in car dates as the drugstore’s parking lot emptied.

 “Let’s move it to my car,” I said, when it was dark. “There’s more room, and tinted windows in back.”

“Women feel more comfortable in their own space, mister. How long has it been since you were with a woman?”

“You saying I’ve lost the touch?”

“Let me show you.”

The demonstration was like being slowly crushed by a python of pussy. “Gonna burn away everything you’ve got,” she whispered. “You won’t want anything but what I give you. Squeeze inside me twice to let me know you understand and agree.”

There was no other way to express thoughts that weren’t even mine.

The bliss that you don’t exist. Then even the bliss disappears and you fade out.

She didn’t tell me where she lived. She made me come back to the drugstore to pick her up after work, and she was always late.

No dope lectures. Instead, the silent treatment, as wet, warm and dark as being born again, only this time it was a conscious crawl down the twelve steps that led from car dates to a night at her place, no matter how far that was from the First Aid kit at home.

Her place was Step Five or Six.

She taught me I hadn’t learned anything from years of drug-assisted service to The Motion Picture Industry.

She lent me her copy of The Magic Mountain when she was done with it. Fifth time around, she said, and the story only gets better.

The guy in the book winds up at a swank TB resort even though he isn’t sick, and falls in love with a woman who’s dying. She shows him her X-ray, and outlines her heart with her finger. Then she points out her shadowy lungs, which are full of some pulpy crud that wants to kill her.

At that point, I hadn’t enjoyed a shot in days. She made me retain body fluids at critical moments, while she gushed from a bottomless reservoir.

The lady in the novel dies real gory.

This literary Liebestod packed visceral whallop. I dropped the book, slammed the bathroom door and sat down without even a sideways glance at the First Aid Kit.

The pile was a magic mountain, and it was real. The creation was a product of love, or at least of going through the physical motions. But the emotion was there. Love flowed through my veins and intestines in the form of light. An astral body that used to be me levitated up, up and away.

Never felt that way about a finished script or the subsequent box office smash, or flop.

An enlightened human being picked her up at the drugstore at sunset. Beams of invisible warm love streamed from my eyes, mouth and ass. She looked into my eyeholes. A junkie no longer, or not that kind of junkie. But I wasn’t free, never was, never wanted to be. She put a hand over my mouth when I started to say I love you.

“You’ve still got a lot to lose,” she said.

Otto Burnwell

Tarzan’s Torments

She had Gordo playing Tarzan every time his mother called her over to “babysit.” Gordo was too old for a babysitter, but just old enough for an ankle monitor. Part of his parole, and it kept him out of juvey. Gordo was impressionable, what his mother called “young for his age.” She wanted someone older in the house to keep him out of trouble.

Tarzan’s Torments is what the babysitter called it, with Gordo as Tarzan, and her playing a lion or an alligator or a python or a cannibal warrior or antelope priestess or whatever. She always mixed it up.

But it meant Tarzan would be naked, tied to a chair or chained to the ottoman, dangling from mom’s chin-up bar wedged in the closet doorframe, or stretched out on the ironing board. Sometimes Tarzan had to be the sacrifice to a ravenous animal, or the main course for an after-battle feast. Tarzan had to fetch his own ropes and chains from the garage while she stripped off her clothes and left them piled in the bathroom.

The cannibal warrior would use one of dad’s best paint brushes to baste Tarzan with canola oil, pinching and squeezing Tarzan’s delectables, telling the gathering of imaginary diners how she planned to prepare his tastiest parts for the hungry crowd. She made him hold an apple in his teeth and greased up all kinds of cucumbers or carrots for sticking into Tarzan to see if the rump roast was ready to serve. Despite all the butter, Tarzan hated that part, and was glad when she got around to nibbling his jungle delicacies.

On nights she was the wild animal, she went straight for the nuts and sausage, which could get scary the way the lion and the alligator took his balls in her mouth, whipping her head back and forth, pretending to tear them off. Of course it was pretend. She didn’t want to be explaining how Tarzan’s bloody balls ended up detached from Tarzan and rolling on the floor.

The python was different. She would lock her legs around Tarzan’s head, her crotch mashed into Tarzan’s face. She would swivel and twist trying to crush the life out of Tarzan, which she nearly managed to do every time. Tarzan yodeled and huffed great hot breaths, inhaling her smell that reminded Gordo of tuna fish left too long on the picnic table. Tarzan’s struggles to breathe seemed to drive the python into a lashing frenzy. Once the pretend life had been totally squeezed out of Tarzan, she would slither down the length of him, stopping to taste-test him with flicks of her serpentish tongue. She’d rear up, arched to strike, then lunge, gulping him like a snake working its prey down her gullet pretending to devour him entirely, boner first.

Sometimes she’d let Tarzan buy his freedom from the cannibal warrior if he would submit to the antelope priestess who demanded Tarzan pay a tribute. Tarzan, being naked except for the ankle monitor, didn’t have anything to give the antelope priestess, so she settled for milking him for any gold or jewels he might be carrying in his scrotal sack. Sticking her finger into his rectum as far as she could reach, worming around for any hidden gold coins, made it easy for Tarzan to come up with lots of tribute.

When the babysitter finished playing Tarzan, she’d retreat to the bathroom to do her homework—she said—running the shower the whole time.

Playing Tarzan never got old. She was full of ideas. The last time they played Tarzan, the cannibal warrior drizzled Tarzan’s ass with honey, making his butt cheeks stick together. After licking up all the honey, she went to snag a shot of dad’s whiskey kept in the broom closet, leaving Tarzan spread-eagled on the dining room table. Mom came home early and that was the end of Tarzan’s Torments.

Gordo missed playing Tarzan. It took his mind off the ankle monitor.

Arturo Desimone

Yet Another Poem Against Amsterdam

First the shadow of that busybody,
androgynous maven mayor Femke Kok
flitting by on her bicycle,
along the esplanades, graffiti only
in invisible ink her first decree,
and now, Quarantine — not without explanations,
from robotic mouths, drone moon

Guillotine slides down along still canals
of the quadrant, where the geese drift
pretending to be swans but fart more often:
district of nectars
where the men paraded, in search of a lost
India flower, lurching
from British jets just cancelled without refund.

Before the Quarantine,
it was almost Florentine:
harlots kept shop in the red-to-
vermilion neon-lined windows,
Alumni of Law, economics
or Art History, faculties
of Bucharest and of Sofia,
goods with degrees, to illumine
seasonal drunks, passersby goaded.

Schools of clownfish swimming, fleeting
between matrix corals–
I fume against the drone,
which interrupts lullaby
against the decadence
such as that of realtors,
the madame-pimp Leandro,
or the daughter of senile Hans
who runs the big hash-dens.

Unlike her,
I shy
from honest arbeit,
and yet I want the very best
gelato in my cone,
and am simply here
for the welfare, art my alibi,
take the money and run
until flight:
welfare-rat with wings,
straddle-riding Pegasus,
No soy de aquí ni soy de allá
through the bleakest Northern skies astreak
the crown-shaped red bloom at each
gun-rocked temple
of my satyr’s head,
gunflowers of kamikaze’s widow’s
sweet origami.
the art-world can suck
my proverbial olive-oiled cock,
dreamt of by the wife of Alexander.

Suspicious of the innovation of the bicycle,
though I once scoured these streets
looking for the young Jean Genet, and almost ignoring
all the Sultan’s girls, (they halt my shrugs
though I won’t pay)
of the unfortunate two and a half conditions,
I by far prefer women—
the wheel without spokes, please.

Me gusta cuando callas: this has become heresy
of the warlock, thanks to a censorious lot,
led by the mavens.
If I see the shaved head of an art world imp
near my crotch, I will kick his fashion-sharpened skull
away, down the spiral staircase,
they don’t know was invented by
Leonardo.
Despite degrees,
There is a whole lot
they don’t know

Mir-Yashar Seyedbagheri

This Is Not Your Child’s Poem

this is not a pipe, this is not a child’s poem, your child’s poem
although words are strewn, a haphazard collage
no capitalization, except for words that shouldn’t be.
look Mommy, you proclaim to your own country club mother, I’m a poet
and I can smear poop and invite. she shakes her head at you, her child
thirty years existent. while you invite the audience to genuflect
words strewn without logic, a poem
boxcars without couplings, moving into
masturbation nowhere, a noodle, your mother, a penis
is your sister

(Your child’s name is stanza paradigm problematic. no dead poets you think)

this is not your child’s poem
even though you ask
why can’t we all just get along
I don’t see color or this or that
and recite your words while
donning an Afro and pissing rainbows on the page. You child
of starched country club Whiskeypalians, whiter than
Wonder. But this is not your child’s poem
because your child will be untrammeled by age, loving
the moon and the stars

(meanwhile you milk your own mother’s neglect. pain is a salve)

a butter-colored streetlamp
and no narrator flings poop in between words
only the moon and the stars
and the stillness, the sorrows exist on terms they exist on
if only you were your fucking child’s future poem
this is not a pipe, this is a prick
this is poop, this is anything
but your child’s theoretical poem
untrammeled by masturbating sister
words without meaning and glory

(your child will don a beret at two. or is baldness more fun?)

why can’t you become a child
and shoot the narrators who are constructs
shoot them until they release their cynical interpretations of
beautiful words. for this is not a pipe, this is not your future child’s poem
shoot the narrator
and look into a moonlit nightscape
while you conceive that child
through untrammeled jizz, birthing flesh
and mind so cheerful, taking to the expanses of
paper and words expanding and naked and dancing.

Ben Fitts

Nostalgia Box

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! That’s the sound of love.

AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! That’s the sound of sex.

There’s a difference. It’s subtle, but it’s there. Need to hear it again?

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! is the sound of love and AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! is the sound of sex.

I’m glad to have been able to clear that up for you. It’s important that you understand the difference moving forward. I don’t want you hearing AAAAAAAAAAAAAAAAAAAAA- WWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! and thinking that you’re hearing the love of a lifetime when really all you’re hearing is plain old dirty sex.

There’s nothing wrong with plain old dirty sex, but don’t go getting it confused for the love of a lifetime. I know I have and it just leaves you feeling empty inside, like an avocado with all the yummy green gook scraped out and spread over buttered toast and leaving you nothing but the crinkly skin that contained everything you once were.

I was laying in someone else’s bed while the bed’s owner was in the shower, washing off the evidence of what we had created. You were also there. Not that we were in bed together. It’s that you were me because we’ve all been there. Just at different times and at different places and with different girls and boys and people who care not for such labels in different showers, washing different fluids down different drains with water culled from different reservoirs. But we’ve all been where I was, so everyone was me just as I was everyone else.

Sex makes us all the same like that, and AAAAAAAAAAAAAAAAAAAAA- WWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! is the sound that makes equals of us all. The girl in the shower and I had been going “AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWW-HHHHHHHHH!!!!!!!!?!?!” all afternoon, but I was young and dumb and had mistaken it for “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!” on at least two occassions that very day. I was looking for AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! just about everywhere back then, and every now and then convincing myself that I had found it.

Rolling over into the warmth of where she just lay, I ran my eyes over the spines on the bookshelf by her bed. I shouted warm hellos to my old friends Dylan Thomas and Joyce Carol Oates and John Steinbeck. I gave friendly nods to my hazy acquaintances Virginia Wolfe and James Baldwin, but I didn’t bother introducing myself to strangers like Camus. They’d be time enough to meet them later. And for your information, Camus and I are fast friends nowadays.

Seeing all those friends and strangers packed so tightly that they’re overflowing on her narrow shelves makes me want to know everything about her. At the time, I thought that we might be drifting towards falling in AAAAAAAAAAAAAAAAAAAHHHHHHHHHH- HHHHHHHHH!!!!! together. You know the feeling.

I slid off the bed, scooped my boxers off her carpet and slid them on. I don’t know why, because even if she returned just then she had already seen all there is to see down there. I guess that there’s a whole level of intimacy and vulnerability to let someone see that part of you in its typical mode that simply doesn’t come with showing it to someone when it’s in high-performance mode, and that wasn’t a bridge we had really crossed yet.

With my cotton-blend chainmail covering the only part of me I still felt the need to cover, I began to investigate. The first thing that caught my private eye was a milk crate full of vinyl records nestled beneath her bed, and I bent over to flip through them.

Leading the pack was London Calling, Paul still smashing his Fender bass over forty years later. Once again I was thirteen and alone in my first bedroom, with “Clampdown” and “Brand New Cadillac” blaring through my speakers and upsetting the downstairs neighbors. I flipped through to In Utero and then I was I’m sixteen and with friends and the four of us are in smoking our first joint in someone’s mom’s basement, airing the smoke out through a dwarfish window and masking our giggles in “Pennyroyal Tea”.

The next record was The Money Store and I was eighteen and unpacking boxes in my first dorm room, introducing myself to the freshman hall with “Hustle Bones” and making eyes with a slender girl who walked by my intentionally ajar door. I browsed through her collection a moment longer, passing some other favorites before pushing the milk crate back under her bed.

It was haunting how many of my cherished memories she owned, etched into those grooves. While I was never someone who believed much in signs, it sure felt like one. I know that you’ve got those songs or albums that are inextricably linked to a cherished or despised memory, so don’t even pretend not to understand what I’m talking about.

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!,” I whispered to myself. “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!AAAAAAAAAAAAAAAAAAA-HHHHHHHHHHHHHHHHHHH!!!!!AAAAAAAAAAAAAAAAAAAHHHHHHH-HHHHHHHHHHHH!!!!!

I fumbled around under her bed until my fingers grasped a worn shoebox, and I yanked it out into the light of day cast by a dull yellow lamp. Something about the Converse shoebox told me that it no longer contained Converse, as it had the energy of a special shoebox that contained special things. Things that were even more special than a beloved pair of Chuck Taylors.

My guess was that it was a nostalgia box, filled with trinkets and knickknacks and doodads and thingamajigs that were of no value other than whatever memory-based connection they bore to her. I had a nostalgia box myself, filled with birthday cards and ticket stubs and paper programs and gaudy two-dollar purchases. I lifted the shoebox up to my face and opened it. Then I dropped it onto the floor.

The box was filled with hearts.

Some of the hearts were withered and decaying, dry and blackened. Those hearts looked as if they hadn’t pumped a drop of blood in years. Others were fresher and still had traces of color and moisture left in their tissue, and some were so fresh that they were a ruddy, glossy red and still leaked wet blood onto the shoebox.

One of the hearts was even still beating a little, the atriums gently breathing in and out. I reached into the box pulled out the beating heart, the oozing blood slicking my palm. As I lifted it up, I thought I heard a faint sound escape from the organ. I lifted the heart to my ear.

AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!” the heart whispered to me. “AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!

The heart beat twice more, then died in my hand and become as still as all the others. I felt a prickly sensation in my chest as I imagined my pectoral being sliced open and my own heart harvested and added to the ghoulish collection.

“What the hell are you doing?” I heard from behind me.

Still clutching the bloody heart, I turned to see the girl in the shower. Only now she had returned from the shower. So let me rephrase that: still clutching the bloody heart, I turned to see the girl recently returned from the shower. She had a white towel wrapped her from her thighs to the upper half of her breast, and she was dripping like a baptized infant.

“What the hell am I doing?” I retorted. “You’re the one with a shoebox full of old bloody hearts. What are you, some kind of serial killer?”

“No,” she said softly.

“Well, you’re not cutting my heart out in my sleep and adding it to your trophy box,” I said rising to my feet and ignoring her answer. “‘Cause guess what, I’m not as dumb as the other people you’ve fucked and I’m not letting you do that to me.”

“Those are my hearts, you dumb asshole,” she said.

“Wait, what?” I mumbled, the heart slipping out of my slackening fingers and plopping onto the floor with a wet squish.

“Those hearts are mine,” she reiterated. “They came from my chest.”

“What?” I repeated, looking at the shoebox full in varying stages of decay. “That’s impossible.”

“Wanna bet?” she said.

She dropped the towel to the carpet. Unsheathed, she stepped towards me and gestured to a spot a little above her bare left boob. Scars and stitches and slender band-aids wove an intricate pattern on her flesh in the space she revealed, over where her heart should be. I couldn’t help but wonder how I didn’t notice all of that during all the AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! Maybe it wasn’t AAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! after all.

“They keep dying,” she explained. “Right in my chest, my hearts keep dying. They get one whiff of what they think is AAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!! and swell up bigger and stronger and bloodier than they ever were before. But the moment my hearts start to realize that they were wrong again, they begin to beat more and more faintly and shrivel away into nothing more than a useless, empty husk.”

“I still have some questions,” I admitted.

“I can feel it when they begin to fade and die. And when I feel that, I have to get rid of them,” she continued, seeming to guess my general line of questioning. “They’re gross and awful and toxic when they get like that, and I can’t have them inside of me anymore. I tear them out of me as soon as I can. It hurts each time, but you get used to it after a while.”

“But do you have like a million hearts?” I asked surveying the box. “Do you also have seven lungs and an extra clitoris?”

“No, but that last one would be nice,” she answered. “I only have one heart, or at least only heart at a time. But every time I tear a dead or dying heart out of me, another fresh one grows back in its place soon after, only for it to eventually die too and for the process to start all over again.”

“But why do you keep them all in that shoebox?”

“They’re a part of me, and they always will be,” she said, shrugging her naked shoulders. “I may have ripped them out of my body, I don’t think I could get rid of them entirely even if I wanted to. If I tried to throw them out they would just return, probably in a somehow worse condition than they already are.”

“Have you actually tried to throw them out?” I asked.

“No,” she said. “But I don’t need to have tried to know that that’s what would happen.”

We fell into a stiff, heavy silence that pressed down on my chest like an incubus. I broke it just to feel light again.

“That thing you talked about before, when you said that before your hearts start to die they get bigger and bigger and stronger and full of more blood than they were before,” I said. “It seemed like that part was a good thing. Is your heart like that now?”

“No, you can relax,” she said conversationally. “You didn’t make my current heart swell up and you don’t have to worry about making it eventually wither and die either. This is just AAAAAAAAAAAAAAAAAAAAAWWWWWWWWWWHHHHHHHHH!!!!!!!!?!?! You know that.”

“Oh, ok,” I mumbled.

I felt a tightness in my chest as my heart began to contract, and to beat just a little bit fainter.

Smoking Herb & Other Stories, By John D Robinson

Screen Shot 2020-03-31 at 12.59.10 PM

John D. Robinson returns with ‘Smoking Herb & Other Stories’, his first collection of short fiction from Analog Submission Press.

A5 saddle stitched chapbook. Lovingly handmade, hand stamped, and hand numbered. 3 stories over 20 pages. Limited to 25 copies. Printed on an old Canon laser printer we found abandoned at a dump site.

Out April 10th. Pre-orders welcomed. £4.00 + shipping.

BUY A COPY HERE

Corey Mesler

Sex, Our Badger and God

The badger’s in the kitchen
making chai.
He says he learned how from
his sensei.
My wife and I are settling in
to watch that
new Hollywood blockbuster:
Jackpot Vernacular,
starring the ingénue, Sunday
Lipinsky.
I tell the wife, boy would I like
to and she says her, too.
The movie takes our mind off
the wrecking ball
poised outside our plateglass.
It looks like another
planet, that’s what the badger
says. Only to a
badger, I think, but I smile my
reassurance.
The chai is hot and spicy and
as smooth as a blowjob
so that we forget the holes in the
movie’s plot, the
holes they try to patch with Sunday’s
ample backside.
It’s almost enough.
“Snuffle,” says my wife and the
badger is pleased.
“We have to get rid of him,” she
says when he leaves.
He seduced my secretary.
I contemplate this and decide that
her secretary
looks a lot like Sunday Lipinsky.
I wouldn’t mind, etc.
The movie rattles forward
a little longer
but our concentration is shot,
like Kennedy,
like the moon.
We decide to cover each other with
chai and see what happens
to our sex lives.
It’s not a bad way to spend
the afternoon, even
if you know you have to let
your badger go.
And, when I mount my loving wife
like a cowboy,
I think her ass is as good as
Sunday Lipinsky’s.
It gets me through. It gets me
to the other side.
It gets me and it gets her and we
all muddle along,
as the rain begins to genekrupa
the roof,
and the wrecking ball glows
as if it has conjured Dr. Dee’s spirits.
The arc of its intention
is something to see.
So I cover my wife’s nakedness with
a quick cairn
as the world shatters,
shaking its myrmidon coat, a wet god,
now appearing for the first time,
almost too late.